Soloists, speakers, mixed
choir (SATB) and combo
(Score) - easy
SKU:
HL.49006394
Eine
satirische Chor-Revue in
10 Abteilungen.
Composed by Pete Seeger.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Vocal score
(also full score). 40
pages. Duration 30'.
Schott Music #ED 6524.
Published by Schott Music
(HL.49006394).
ISBN
9790001069380.
Ware
house-Life wurde zum
ersten Mal in einem
Studio der
'Internationalen
Begegnung singender
Jugend' des Deutschen
Sangerbundes in Berlin
aus dem Manuskript
aufgefuhrt. Drei
Gestalten haben besondere
Bedeutung: das Mannequin
- ein Reklame- Girl,
klischeehaft schon,
unpersonlich sexy, in
warenbezogenen Kostumen
auftretend; der Tenor,
der Kaufertyp, der den
Lockungen des Girls
verfallt; und
schliesslich der
Dressman, das maskuline
Gegenstuck zum Mannequin.
Sing- und Spielstil
sollten Song und Kabarett
parodieren. Im Ubrigen
lebt Warehouse- Life vom
flotten, luckenlosen und
temperamentvollen Ablauf
der 10 Abteilungen, von
Laune, Witz und
Spielfreude der Akteure,
sowie von gezielten
Uberraschungen optischer
und akustischer Art. Der
Fantasie sind keine
Grenzen gesetzt.'(Fritz
Grasshoff) Die
Absurditaten der
Warenasthetik, die
Perfidie der
Reklamewelten, das
schonungslose Einhammern
von Werbespruchen, das
rettungslose
Ausgeliefertsein an einen
Mechanismus des
Verkaufens, Anpreisens
und An-den-Mann-Bringens
um jeden Preis sind Thema
dieser Revue und werden
mit den Mitteln
textlicher wie
musikalischer Ironie,
Parodie und Persiflage
blossgestellt. Die offene
Form bietet vielfaltige,
unbegrenzte Moglichkeiten
zur szenischen
Gestaltung; die
Einbeziehung anderer
Medien (Video, Film)
bietet gute Moglichkeiten
fur facherubergreifende
Arbeit mit Kindern und
Jugendlichen ab 10
Jahren.
SATB Chorus, a cappella SKU: SU.91480530 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.91480530
For SATB Chorus, a
cappella. Composed by
Dan Locklair.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Composed 2009. Duration
4'. Subito Music
Corporation #91480530.
Published by Subito Music
Corporation
(SU.91480530).
Vs. 2-5
Text: The First Letter of
Peter: Chapter
2.
The
words, Surely thou hast
tasted that the Lord is
good, open the anthem.
This gentle and lyrical
section, marked by
dialogue between the
sections of the choir,
unfolds and eventually
reaches a climax on the
words precious in the
sight of God. A quick,
energetic and imitative
middle section soon
emerges to proclaim the
words, Come, and let
yourselves be built, as
living stones, into a
spiritual temple. Here
the spirit of medieval
music, the building
stones for Western music,
is invoked. After the
anthem’s primary
climax is reached on the
words Jesus Christ, a
solo soprano emerges from
the choral texture to
close this work with a
serene Amen. The first
performance of Dan
Locklair’s anthem,
In the sight of God took
place on Sunday 4 October
2009. The occasion was
Dedication Sunday, and
the text was selected by
John Scott from The First
Letter of Peter, vv 2-5.
Professor Locklair has
provided us with a
delightful addition to
our repertoire at St
Thomas. The work is
grateful to sing, well
written for voices,
lyrical in style with a
well-crafted sense of
architecture and climax.
In every sense it is an
enjoyable piece for the
choir, quite
approachable, and judging
from the many positive
comments I heard
afterwards from members
of the congregation, it
was very well received.
-- Reflections on the
premiere by John Scott,
Director of Music, St.
Thomas Church Fifth
Avenue, New York, NY
SATB Chorus, a
cappella Duration: 4'
Text: The First Letter of
Peter: Chapter 2, vs. 2-5
Composed: 2009 Published
by: Subito Music
Publishing Minimum order
quantity: 8 copies.
Perusal copies are
available by contacting
perusalrequest@subitomusi
c.com (include the
organization name with
your request). To order
quantities fewer than 8,
please call customer
service at (973)
857-3440. YouTube:.
Composed by
Peter Relph. Evoking
Sound. Music Education.
20 pages. GIA
Publications #9610.
Published by GIA
Publications (GI.G-9610).
UPC: 785147961000.
Latin. Text Source: Attr.
Ambrose of Milan,
340–397. Text by
Ambrose of
Milan.
Composer's
Notes When I met Kelsey
Rose in Oxford in St.
Stephen’s House
chapel over the summer of
2017, we had both just
attended a very moving
candlelit concert by
Westminster Williamson
Voices, featuring my
setting of
“Tenebrae
lumini.†I was
delighted to be asked to
write a piece for
compline in Princeton
University Chapel,
celebrating the 150th
anniversary of the
Anglican/Episcopal
chaplaincy at Princeton
University.
“Aurora†is
the result of that
meeting. Composing by
commission often throws
up some interesting
challenges. The piece had
to fit both as an
accompanying piece to the
plainchant of compline,
whilst simultaneously
being a celebratory
anthem. I was instantly
drawn back to the poetry
and hymns of St. Ambrose
of Milan, particularly
“Aurora iam spargit
polum.†Fragments
of chant (both real and
imagined) are used to
create the powerful
imagery of the descending
golden light of dawn. The
piece reaches its climax
with the plea for the
despair of night to
“vanish,â€
which it then does,
leaving the sopranos
alone on a high G.
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; Softcover.
Eulenburg Orchestral
Series. Mass; Requiem;
Baroque. Part. 24 pages.
Duration 55'. Breitkopf
and Haertel #EOS 8047-15.
Published by Breitkopf
and Haertel
(BR.EOS-8047-15).
ISBN
9790004789735. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
SKU: CA.221100 Composed by Various. Edited by Jan Schumacher, Brady R. Al...(+)
SKU: CA.221100
Composed by Various.
Edited by Jan Schumacher,
Brady R. Allred. Choral
collections. With CD.
Folk songs and settings
of folk songs, Secular
choral music. Choir Book.
104 pages. Carus Verlag
#CV 02.211/00. Published
by Carus Verlag
(CA.221100).
ISBN
9790007170639.
Melo
dious evening songs lend
themselves to a quiet
ending or an
imaginatively accented
concert. This choral
collection is a selection
with about 40 English,
German and international
lullabies and evening
songs of stylistic
diversity, with easily
singable settings for a
mixed choir, some of
which include piano
accompaniments. The
repertoire ranges from
Baroque and Romantic
works to contemporary
works, with settings
newly-composed for the
collection and well-known
lullabies and evening
songs. The conductor's
volume includes a CD with
recordings of selected
pieces. The songs chosen
are largely from the
German and English
repertoire, but also
include pieces in
Spanish, French, and
Russian. With well-known
compositions by composers
such as J. S. Bach,
Brahms, Elgar,
Mendelssohn Bartholdy,
Rheinberger, Scholefield,
Stanford, and Sullivan.
Ten of the songs have
been newly-arranged
specially for this
collection by leading
composers (Ludwig Bohme,
Daniel Carter, Ian
McDougal, Gunther Martin
Gottsche, Reijo Kekkonen,
Clifford W. King, Andrej
Makor, Giacomo Mezzalira,
Christoph Muller, and
Peter Schindler). Easy to
medium difficulty. Mainly
for (S)SATB choir a
cappella, a few settings
with piano accompaniment.
A CD with selected songs
is included with the
conductor's volume. The
choral collection is
published as Conductor's
volume with CD and
editionchor (budget
edition for choral
singers).