Angels We Have Heard on High (No. 7 from "Carols of the Nativity") arranged by Stephen Chatman. For SSATBB, opt. piano or organ (Mixed Voices). Christmas. Choral. 12 pages. Published by E.C. Schirmer Publishing

Far from Home by John Woolrich (1954-). Choir Secular. SATB choir. Choral Octavo. Faber Edition: Choral Signature Series. Published by Faber Music

From Hamilton. Composed by Lin-Manuel Miranda (1980-). Arranged by Lisa DeSpain. Choral Octavo. Alfred Pop Series. Broadway; Pop; Secular. 12 pages. Published by Alfred Music

(from Eternal Light: A Requiem). By Howard Goodall. Choir Sacred. Choral (Sacred); Choral Octavo; Worship Resources. Faber Edition: Choral Signature Series. Published by Faber Music

(from the Twentieth Century Fox Motion Picture Avatar). By Leona Lewis. By James Horner (1953-) and Simon Franglen. Arranged by Mark A. Brymer. SATB. Pop Choral Series. 16 pages. Published by Hal Leonard

(from ATLAS: an opera in three parts SSAATTB a cappella). By Meredith Monk. SATB DV A Cappella. BH Secular Choral. 16 pages. Boosey and Hawkes #M051480654. Published by Boosey and Hawkes

Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul. Arranged by Jacob Narverud. Choral Octavo. Alfred Pop Series. Movie; Secular. 20 pages. Published by Alfred Music

((from NBC's The Sing-Off)). By Joe Cocker. By John Lennon and Paul McCartney. Arranged by Deke Sharon. SATB DV A Cappella. Pop Choral Series. 12 pages. Published by Hal Leonard

Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul. Arranged by Alan Billingsley. Choral Octavo. Alfred Pop Series. Movie; Secular. 16 pages. Published by Alfred Music

Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul. Arranged by Jay Althouse. Choral Octavo. Alfred Pop Series. Form: Ballade. Movie; Secular. 8 pages. Published by Alfred Music

From The Creation. Composed by Franz Joseph Haydn (1732-1809) and English translation by Baron van Swieten. Arranged by Earlene Rentz. Masterworks; Performance Music Ensemble; Single Titles. Alfred Archive Edition: Belwin Festival Series. Classical; Masterwork Arrangement; Sacred. Choral Octavo. 12 pages. Belwin Music #00-OCTM05012. Published by Belwin Music

No. 2 from Three Days by the Sea . Composed by Gwyneth W. Walker (1947-). Secular, 21st Century. Octavo. Published by E.C. Schirmer Publishing (EC.6571).

(from Spider-man: Turn Off the Dark) SATB. Composed by U2, Bono, and The Edge. Arranged by Mac Huff. Broadway Choral. Broadway, Musicals, Rock, Show Choir. Octavo. 16 pages. Published by Hal Leonard

From Testament of Praise. By Charles Wesley. Arranged by Joseph M. Martin. For SATB choir. General, Lent, Easter. Octavo. Published by Shawnee Press.

From Hamilton. Composed by Lin-Manuel Miranda (1980-). Arranged by Andy Beck. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Secular. Choral Octavo. 16 pages. Alfred Music #00- 47551. Published by Alfred Music

From The Greatest Showman. By Justin Paul. By Benj Pasek. Arranged by Roger Emerson. Pop Choral Series. Movies, Concert, Musicals. Octavo. 24 pages. Published by Hal Leonard

By Herb Frombach; David Lantz Iii. For SATB choir and percussion. Octavo. Published by Shawnee Press.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112305

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Choral Score. BWV 123. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.123/05. Published by Carus Verlag (CA.3112305).

ISBN 9790007166519. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112312

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. BWV 123. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.123/12. Published by Carus Verlag (CA.3112312).

ISBN 9790007207489. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and part available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112349

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. BWV 123. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.123/49. Published by Carus Verlag (CA.3112349).

ISBN 9790007207519. Language: German/English. Text: Fritsch, Ahasverus. Text by Ahasverus Fritsch.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and part available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112300

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Full score. BWV 123. 44 pages. Duration 22 minutes. Carus Verlag #CV 31.123/00. Published by Carus Verlag (CA.3112300).

ISBN 9790007164843. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112319

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. BWV 123. Duration 22 minutes. Carus Verlag #CV 31.123/19. Published by Carus Verlag (CA.3112319).

ISBN 9790007166564. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and parts available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112303

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Vocal score. BWV 123. 28 pages. Duration 22 minutes. Carus Verlag #CV 31.123/03. Published by Carus Verlag (CA.3112303).

ISBN 9790007166465. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score available separately - see item CA.3112300.

Orchestra ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112307

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Study score. BWV 123. 44 pages. Duration 22 minutes. Carus Verlag #CV 31.123/07. Published by Carus Verlag (CA.3112307).

ISBN 9790007166748. Language: German/English. Text: Fritsch, Ahasverus. Text by Ahasverus Fritsch.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score available separately - see item CA.3112300.