Composed by Yoni Rechter and Alexander Kantsberg. Arranged by Alexander Kantsber...(+)
Composed by Yoni Rechter
and Alexander Kantsberg.
Arranged by Alexander
Kantsberg. Octavo. With
Text Language: Hebrew.
Published by OR-TAV Music
Publications (OT.28073).
SSATB chorus a cappella - Grade 4 SKU: CA.721400 Choral version of Pre...(+)
SSATB chorus a cappella -
Grade 4
SKU:
CA.721400
Choral
version of Prelude and
Fugue 22 from the
“The Well-Tempered
Clavierâ€.
Composed by Johann
Sebastian Bach, Heribert
Breuer. Carus digital:
Extra digital products.
Full Score. BWV 867. 8
pages. Duration 4
minutes. Carus Verlag
#721400. Published by
Carus Verlag (CA.721400).
ISBN 9790007301989.
Key: G minor.
Latin.
The
Miserere is based on the
Prelude and Fugue in
B-flat minor from the 1st
part of the
“Well-Tempered
Clavier†by Johann
Sebastian Bach. In his
choral version, Heribert
Breuer transposes the
original down a third and
inserts words from the
51st Psalm, one of the
seven penitential psalms.
The composer
Heribert Breuer conducts
the Berlin Bach Academy,
which he founded. He is
particularly known for
his arrangements of
instrumental pieces for
diverse ensembles. His
choral adaptions (e.g.,
also in our Choral
Collection Beethoven and
Bruckner. Secular Choral
Music) offer a fresh
perspective on the
originals and are a
valuable addition to the
repertoire of any
interested choir. The
Miserere was recorded by
the Calmus Ensemble for
the CD “Bach for
fiveâ€.
Choral (SATB) SKU: HL.1471379 A Chorale and Fugue in the Baroque Tradi...(+)
Choral (SATB)
SKU:
HL.1471379
A
Chorale and Fugue in the
Baroque Tradition.
Composed by Mark Hayes.
Choral. Concert, Unity.
Softcover. 80 pages.
Duration 1800 seconds.
Published by Hal Leonard
(HL.1471379).
ISBN
9798350127812. UPC:
196288213611.
6.75x10.5x0.238
inches.
If you
enjoy singing Baroque
music and value the
importance of kindness,
courage and compassion,
this new 30 minute
through-composed work by
Mark Hayes for chorus,
soprano and tenor
soloists and orchestra is
for you. Drawing from the
writings of ancient and
contemporary authors, the
original text of
âKindness,â
written by Hayes, seeks
to answer the question,
âHow then shall we
live, especially in a
world that seems so
dysfunctional?â The
answer: live with
kindness, courage and
compassion. When we are
joined as one in our
pursuit of these values,
we can make a lasting
impact. To quote Margaret
Mead, âNever
underestimate the ability
of a small group of
committed individuals to
change the world.â
âKindnessâ is
set in the Baroque
tradition and features an
original chorale tune
with three separate
texts, a fugue, both
conventional and
retrograde,
recitative-like sections
for the soprano and tenor
soloists and extensive
instrumental interludes.
As a nod to Baroque
masters such as Johann
Sebastian Bach and George
Frideric Handel, Hayes
included passages
imitating âJesu, Joy
of Man's Desiringâ
and âHallelujah
Chorus.â This work
is perfect for high
school and college choirs
as well as community and
church choirs. The text
is intentionally not
sacred, rather universal
in its appeal. Imagine
how the music and message
of this work could join a
community together in the
pursuit of kindness,
courage and compassion.
It's what the world
needs.. now.
Motette. Composed
by Johann Ludwig Bach.
Edited by Uwe Wolf.
Organ. Sacred, Motets;
Use during church year:
Christmas. Single Part,
Organ. 8 pages. Carus
Verlag #CV 30.015/49.
Published by Carus Verlag
(CA.3001549).
ISBN
9790007204020. Key: G
major. Language:
German.
This motet
for double choir, based
on the well-known
Christmas text of Isaiah
9, 5-6, is a sample from
the motets by Johann
Ludwig Bach,
Kappellmeister of
Meiningen, which are
available from Carus as a
complete edition. After a
more homophonic first
part with many dialogs,
the second part follows
with an alla breve fugue
that expands to a double
fugue to close out the
work. Score and part
available separately -
see item CA.3001500.
This Holy Night Chorale SATB SATB A Cappella [Octavo] Alfred Publishing
By Pavel Chesnokov, words by Donald Moore. Arranged by Donald Moore. Choir Secul...(+)
By Pavel Chesnokov, words
by Donald Moore. Arranged
by Donald Moore. Choir
Secular. SATB choir.
Choral Octavo. Choral
Designs. Christmas;
Winter. Choral Octavo. 8
pages
SATB Choir, Piano SKU: CA.338850 Der Herr regieret mich. Composed ...(+)
SATB Choir, Piano
SKU:
CA.338850
Der Herr
regieret mich.
Composed by Anton
Bruckner. Carus digital:
Extra digital products.
Full Score. Composed ca.
1852. WAB 34. Carus
Verlag #338850. Published
by Carus Verlag
(CA.338850).
ISBN
9790007303709. Key: E
flat major.
German.
Bruckner's
setting of the 23rd Psalm
(22 in the Vulgate count)
is still quite unknown.
Bruckner uses the German
text version by Joseph
Franz Allioli instead of
the well-known Luther
version. Accompanied by
the piano, the piece for
choir and solo (choir
solos possible) begins
with a pastoral section
in 12/8, changes into a
fugue, and ends with an a
cappella chorale.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Cello/Double Bass.
Composed 1725. BWV 108. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.108/14. Published by
Carus Verlag
(CA.3110814).
ISBN
9790007047986. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Viola. Composed 1725. BWV
108. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.108/13. Published by
Carus Verlag
(CA.3110813).
ISBN
9790007047979. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Choral Score.
Composed 1725. BWV 108.
16 pages. Duration 20
minutes. Carus Verlag #CV
31.108/05. Published by
Carus Verlag
(CA.3110805).
ISBN
9790007047924. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3110800.
Cantata
for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Study score.
Composed 1725. BWV 108.
68 pages. Duration 20
minutes. Carus Verlag #CV
31.108/07. Published by
Carus Verlag
(CA.3110807).
ISBN
9790007047931. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Violin 2. Composed 1725.
BWV 108. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.108/12. Published by
Carus Verlag
(CA.3110812).
ISBN
9790007047962. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut, dass ich hingehe.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Set of Orchestra
Parts. Composed 1725. BWV
108. Duration 20 minutes.
Carus Verlag #CV
31.108/19. Published by
Carus Verlag
(CA.3110819).
ISBN
9790007136581. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3110800.
Soli ATB, SATB Choir, 2 Obda, Vl solo, 2 Vl, Va, Bc - Level 3 SKU: CA.3110849...(+)
Soli ATB, SATB Choir, 2
Obda, Vl solo, 2 Vl, Va,
Bc - Level 3
SKU:
CA.3110849
Cantata
for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide, Whitsun.
Single Part, Organ.
Composed 1725. BWV 108.
20 pages. Duration 20
minutes. Carus Verlag #CV
31.108/49. Published by
Carus Verlag
(CA.3110849).
Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane
Mariane.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Violin 1. Composed 1725.
BWV 108. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.108/11. Published by
Carus Verlag
(CA.3110811).
ISBN
9790007047955. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.108/21 oboe d'amore 1,
1x 31.108/22 oboe d'amore
2. German title: Es ist
euch gut 2. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide, Whitsun. Set
of Orchestra Parts.
Composed 1725. BWV 108. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.108/09. Published by
Carus Verlag
(CA.3110809).
ISBN
9790007047948. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3110800.
Orchestra Soli SATB, SATB Choir, 2 Oboes ( Ob I auch Obda), Trumpet, Violin solo...(+)
Orchestra Soli SATB, SATB
Choir, 2 Oboes ( Ob I
auch Obda), Trumpet,
Violin solo, 2 Violins,
Viola, Viola da gamba,
Basso continuo - Grade 3
SKU: CA.3107649
Cantata for the 2nd
Sunday afer Trinity /
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Organ. Composed 1723. BWV
76. 32 pages. Duration 35
minutes. Carus Verlag #CV
31.076/49. Published by
Carus Verlag
(CA.3107649).
Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
Orchestra Soli SATB, SATB Choir, 2 Oboes ( Ob I auch Obda), Trumpet, Violin solo...(+)
Orchestra Soli SATB, SATB
Choir, 2 Oboes ( Ob I
auch Obda), Trumpet,
Violin solo, 2 Violins,
Viola, Viola da gamba,
Basso continuo - Grade 3
SKU: CA.3107615
Cantata for the 2nd
Sunday afer Trinity /
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
BWV 76. Viola da gamba.
Sacred vocal music,
Cantatas, Psalms, German.
Single Part, Viola da
gamba. Composed 1723. BWV
76. 16 pages. Duration 35
minutes. Carus Verlag #CV
31.076/15. Published by
Carus Verlag
(CA.3107615).
Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
SATB chorus a cappella - medium SKU: JK.80014 Composed by Robert Lee Rowb...(+)
SATB chorus a cappella -
medium
SKU:
JK.80014
Composed by
Robert Lee Rowberry.
Choral A cappella, Choral
SATB, Difficulty Medium,
Seasonal Music Christmas,
Christmas. Christian,
Inspirational. Jackman
Music Corporation #80014.
Published by Jackman
Music Corporation
(JK.80014).
Luke
2.
Christmas anthem
for a cappella mixed
chorus (SATB), Behold the
Lamb of
God.... Composer:
Robert Lee Rowberry
Lyricist: Robert Lee
Rowberry Difficulty:
medium Reference: Luke
2.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113600
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Full
score. Composed 1723. BWV
136. 36 pages. Duration
22 minutes. Carus Verlag
#CV 31.136/00. Published
by Carus Verlag
(CA.3113600).
ISBN
9790007171636. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. Composed 1723. BWV
136. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.136/13. Published by
Carus Verlag
(CA.3113613).
ISBN
9790007208134. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir SKU: CA.3113605 Cantata for the 8th Sunday ...(+)
ATB vocal soli, SATB
choir
SKU:
CA.3113605
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Choral
Score. Composed 1723. BWV
136. 8 pages. Duration 22
minutes. Carus Verlag #CV
31.136/05. Published by
Carus Verlag
(CA.3113605).
ISBN
9790007171612. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
available separately -
see item CA.3113600.
Cantata for the 14th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Es ist
nichts Gesundes an meinem
Leibe. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 25.
Duration 16 minutes.
Carus Verlag #CV
31.025/19. Published by
Carus Verlag
(CA.3102519).
ISBN
9790007136031. Language:
German/English.
Thi
s cantata for the 14th
Sunday after Trinity was
composed in August 1723
and is from Bach's first
cycle of cantatas for
Leipzig. It is
distinguished by its
unique opening chorus,
which is a four-part
choral fugue with
independent instrumental
parts in which Bach has
interwoven a four-part
chorale (Herzlich tut
mich verlangen) played by
the winds. This is an
artistic combination
which expands to as many
as ten real parts. The
second aria Offne meinen
schlechten Liedern, is
distinguished by an
unusual instrumental
coloring in which the
soprano and the strings,
supported by the oboes,
are joined by 3
recorders. The edition is
the product of a new
evaluation of the source
situation (see
Bach-Jahrbuch 2006).
Score and parts available
separately - see item
CA.3102500.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1723.
BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/14. Published by
Carus Verlag
(CA.3113614).
ISBN
9790007208141. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113649 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113649
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Trinity.
Single Part, Organ.
Composed 1723. BWV 136.
12 pages. Duration 22
minutes. Carus Verlag #CV
31.136/49. Published by
Carus Verlag
(CA.3113649).
ISBN
9790007208158. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113619 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113619
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 136.
Duration 22 minutes.
Carus Verlag #CV
31.136/19. Published by
Carus Verlag
(CA.3113619).
ISBN
9790007172176. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and parts available
separately - see item
CA.3113600.
(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 14. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Uwe Wolf. For Soli STB,
SATB Choir, 3 Recorder, 2
Oboe, Zink, 3 Trumpet,
Strings, Organ. This
edition: paperbound. BWV
25. Cantatas; Use during
church year: Trinity.
Score. Language:
German/English. Composed
1723. 40 pages. Duration
16 min