By Brian Wilson and Michael Love. Arranged by Jeff Funk. For Choir. (SATB). Choral Octavo. Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Kenny Gamble; Leon Huff. Arranged by Eric Van Cleave. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Classic Pop; Secular. Choral Octavo. 12 pages. Alfred Music #00-47114. Published by Alfred Music (AP.47114).

(Tinsel-Time Fun for Christmas Choir!). Arranged by Various. For SATB choir, piano accompaniment. Christmas. Difficulty: moderate. Choral score. Published by Word Musi

(Medley from The Sing-Off). By fun.. Arranged by Deke Sharon. For Choral (SATB and Solo A Cappella). Pop Choral Series. Published by Hal Leonard

Composed by Fredric Chopin. Arranged by James E. Green and Valerie Showers Crescenz. For SATB choir, vocal solos, piano and opt. string quartet. Sacred. Published by Hinshaw Music Inc.

((Glory to God in the Highest)). By Rosephanye Powell. SATB A Cappella. Festival Choral. 20 pages. Published by Hal Leonard

By Nate Ruess, Andrew Dost, Jack Antonoff, and Jeffrey Bhasker [fun.]. Arranged by Andy Beck. Choir Secular. SATB choir. Choral Octavo. Pop Choral. 16 pages. Published by Alfred Music Publishing

By Average White Band. Arranged by Roger Emerson. Jazz Chorals. Jazz, Concert, Seventies, Vocal Jazz, Pop, A Cappella, Funk. Octavo. Published by Hal Leonard

(SATB)

SKU: HL.48186201

Composed by Hector Berlioz. Leduc. Softcover. Alphonse Leduc #AL30258. Published by Alphonse Leduc (HL.48186201).

UPC: 888680830212. 8.25x11.75x0.057 inches.

Berlioz Moore Marche Funebre Tristia Ssttbb A Cappella Choral.

Mixed Choir

SKU: BT.ALHE33698

Composed by Marc-Antoine Charpentier. Le Pupitre - Heugel. Score Only. Heugel & Cie #ALHE33698. Published by Heugel & Cie (BT.ALHE33698).

French.

Marc-Ant oine Charpentier: Musique pour les Funérailles (LP73) (Choral).

SATB Choir, Tr, 3 Trb (2 Tr, 2 Trb), organ, [Timp] - Level 2

SKU: CA.4015519

Composed by Henry Purcell. Edited by John Hugh Thomas. Arranged by Paul Horn. Separate instruments. Sacred vocal music, Mourning, death. Set of Orchestra Parts. Z. Duration 11 minutes. Carus Verlag #CV 40.155/19. Published by Carus Verlag (CA.4015519).

ISBN 9790007217884. Language: German/English.

Thi s edition of Purcell's Funeral Music brings together for the first time his Funeral Sentences, composed in 1677 or earlier, and the music he wrote for the Funeral of Queen Mary II, wife of William of Orange, who died on December 28th 1694. Score and parts available separately - see item CA.4015500.

By Jeff Funk. Arranged by Jeff Funk. For Choir. (SATB). Choral Octavo. Christmas. Level: Moderate (grade III). Choral Octavo. 8 pages. Published by Alfred Publishing.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732119

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Complete orchestral parts. Sacred vocal music, Requiem. Set of Orchestra Parts. Duration 48 minutes. Carus Verlag #CV 27.321/19. Published by Carus Verlag (CA.2732119).

ISBN M-007-25337-0. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732149

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Organ. Sacred vocal music, Requiem. Part. Duration 48 minutes. Carus Verlag #CV 27.321/49. Published by Carus Verlag (CA.2732149).

ISBN M-007-25439-1. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732113

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Viola. Sacred vocal music, Requiem. Part. Duration 48 minutes. Carus Verlag #CV 27.321/13. Published by Carus Verlag (CA.2732113).

ISBN M-007-25437-7. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732103

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Sacred vocal music, Requiem. Vocal score. Duration 48 minutes. Carus Verlag #CV 27.321/03. Published by Carus Verlag (CA.2732103).

ISBN M-007-24052-3. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732102

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Appendix. Sacred vocal music, Requiem. Vocal score. Duration 48 minutes. Carus Verlag #CV 27.321/02. Published by Carus Verlag (CA.2732102).

ISBN M-007-25441-4. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732114

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Basso continuo. Sacred vocal music, Requiem. Single Part, basso continuo. Duration 48 minutes. Carus Verlag #CV 27.321/14. Published by Carus Verlag (CA.2732114).

ISBN M-007-25438-4. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732105

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Sacred vocal music, Requiem. Choral Score. Duration 48 minutes. Carus Verlag #CV 27.321/05. Published by Carus Verlag (CA.2732105).

ISBN M-007-24053-0. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732100

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Sacred vocal music, Requiem. Full Score. Duration 48 minutes. Carus Verlag #CV 27.321/00. Published by Carus Verlag (CA.2732100).

ISBN M-007-24051-6. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732112

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Violin 2. Sacred vocal music, Requiem. Part. Duration 48 minutes. Carus Verlag #CV 27.321/12. Published by Carus Verlag (CA.2732112).

ISBN M-007-25436-0. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

By Bob Merrill, music by Jule Styne. Arranged by Lisa DeSpain. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Choral Octavo. 12 pages

Arranged by Kirby Shaw. For Choir. (SATB). Choral Octavo. Pop Choral Series. Choral Octavo. 24 pages. Published by Alfred Publishing.
Level: Moderately Difficult (grade 4).

By Richard Rodgers. Arranged by Jay Althouse. For Choir. (SATB). Choral Octavo. Standard Library Series. Broadway. Level: Moderate (grade 3). Choral Octavo. 8 pages. Published by Alfred Publishing.

By Richard Rodgers. Arranged by Kirby Shaw. For Choir. (SATB, a cappella). Choral Octavo. Standard Library Series. Choral Octavo. 8 pages. Published by Alfred Publishing.

(from Babes in Arms). By Richard Rodgers, Lorenz Hart. Arranged by Roger Emerson. (SATB a cappella). Choral. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.

By Richard Rodgers, Lorenz Hart. Arranged by Bob Krogstad. (SATB DV A Cappella). Voices Rising. 12 pages. Published by Hal Leonard.

By Richard Rodgers, Lorenz Hart. Arranged by Kirby Shaw. (SATB a cappella). Choral. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.