By Marvin Gaye. Arranged by Rollo Dilworth. Pop Choral Series. A Cappella, Choral, Inspirational, Oldies, Pop, Seventies, Show Choir, Vocal Jazz. Octavo. 12 pages. Duration 270 seconds. Published by Hal Leonard

By Pepper Choplin. For SATB Choir, a cappella. Sheet Music. Published by GlorySound.

Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Sacred. Octavo. 12 pages. Published by Shawnee Press

Choral SATB choir, piano accompaniment

SKU: HP.C6238

Composed by Traditional Spiritual and Walter Hawkins. Arranged by Mary McDonald. Contemporary, Funeral & Memorial, General Worship, Eternal Life, Heaven & Eternal Life, Spiritual. Octavo. 12 pages. Hope Publishing Company #C6238. Published by Hope Publishing Company (HP.C6238).

UPC: 763628162382. Walter Hawkins; Traditional Spiritual.

Traditio nal Spiritual by Walter Hawkins Combining Walter Hawkins' 'Goin' Up Yonder' with the traditional spiritual 'Going Home,' this is an easy-going ballad about going home to be with our Lord. The intensity builds throughout with the urgency and longing to see the Savior's face up yonder, making this useful for many occasions dealing with heaven and eternal life.

Choral (SSATB)

SKU: HL.50605353

Mixed Voices SSATB. Composed by Dá and niel Dobos. EMB. Classical, General Worship, Sacred. Softcover. 24 pages. Editio Musica Budapest #Z15140. Published by Editio Musica Budapest (HL.50605353).

ISBN 9781705180310. UPC: 196288106210.

Dá niel Dobos (* 1994) studied with Gyula Fekete and Máté Bella at the Department of Composition of the Liszt Ferenc Academy of Music. In his violin concerto Sylvanus, he uses the technical repertoire of Transylvanian folk violinists. His piano piece, Drumul dracului, which won the first prize in 2018 at the Béla Bartók World Competition, also focuses on a new interpretation of Transylvanian folk music roots. In Callis stellarum, Dobos set one of the apocalyptic visions by the prophet Isaiah: “For the stars of heaven and the constellations thereof shall not give their light: the sun shall be darkened in his going forth, and the moon shall not cause her light to shine.” At the end of the composition, the Hungarian folk song “Csillagok, csillagok” (Stars and Stars) is heard as a kind of hopeful association. Commissioned by the municipality of Debrecen, this piece won the first prize in the youth mixed choir category of the HangKELTO Youth Composition Competition held in 2021.

The Sprig of Thyme by John Rutter (1945-). For SATB choir/unison/male voices and piano/chamber ensemble/orchestra (flute, oboe, clarinet (in Bb and A), bassoon, harp, strings). Mixed Voices. Contemporary, Choral Works. Vocal score. 48 pages. Duration 35'. Published by Oxford University Press

Choral (SATB a cappella)

SKU: HL.49045641

SATB a cappella. Composed by Alwin Michael Schronen. Edition Schott. Classical, General Worship, Mass, Sacred. Octavo. 12 pages. Schott Music #C59068. Published by Schott Music (HL.49045641).

The mass was composed to be easy to rehearse and accessible music for church services. A notable feature of this mass is the complete absence of accidentals, making it a white key mass. The range for the singers sits very comfortable for the singers with the soprano part not going above f(two-line F). The voice leading is pleasant and intuitive throughout. So, this mass is ideally suited to four-part church choirs. Latin.

SATB a cappella Choral (SATB)

SKU: HL.50601107

Composed by Matthew Harris. Choral Collection. Concert. Softcover. 60 pages. Published by G. Schirmer (HL.50601107).

ISBN 9781540006875. UPC: 888680713805. 6.75x10.5x0.131 inches.

This is the latest â?? and 7th â?? in an a cappella series going back three decades in which the texts are taken from Shakespeare's plays. â??Come Unto These Yellow Sandsâ? is a gentle invitation to the listener, at least until the animals take over. â??Thou Canst Not Hit It,â? in this interpretation, is a song about trying to hit the high and low notes. Surrounded by comedy and tragedy, â??Honour, Riches, Marriage-Blessingâ? is the idyllic center of the set. â??O Sweet Oliver,â? with its dueling boy and girl choirs, leads into â??Willow, Willow,â? where the poem's word repetitions inspire the driving rhythm.

Baby, What You Goin' to Be?. (For SATB Voices with Keyboard). By Natalie Sleeth. SATB chorus. For Soprano, Alto, Tenor, Bass, Keyboard. Choral. Piano reduction/vocal score. Standard notation. 8 pages. Published by Carl Fischer

Composed by David Conte (1955-). Arranged by David Conte. Advanced/Collegiate. Secular, 21st century. Piano/choral score for SATB version. Published by E.C. Schirmer Publishing (EC.8199).

By Lloyd Larson. (SATB). Scripture Reference: 1 Corinthians 11:17-28. Christ's Presence, Communion, Gathering, Kingdom, Lord's Supper, Mission, Worshiping, Communion and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

Arranged by Lon Beery. Octavo for SATB choir and piano accompaniment. Traditional Spiritual. Series: Alfred Choral Designs. 12 pages. Published by Alfred Publishing.

(No. 6 from Earth Chants). By Imant Raminsh. (SATB DV A Cappella). Conductor's Choice. 8 pages. Published by Boosey & Hawkes.

SATB choir, piano

SKU: LO.10-5617L

Composed by Lloyd Larson. Choral. Sacred Anthem, Christmas. Octavo. Lorenz Publishing Company #10/5617L. Published by Lorenz Publishing Company (LO.10-5617L).

ISBN 9780787775254.

Joy abounds in this creative pairing of Rise Up, Shepherd and Go! Tell It On the Mountain. Full of vocal energy, and accompanied by a fun piano part, your choir is going to love this one! It is also available as a two-part version in our popular Singable Solution series.

From the Series Forgotton Peoples. By Veljo Tormis. (SATB DV A Cappella). Boosey and Hawkes Large Choral. Softcover. Size 8.25x11.75 inches. 57 pages. Published by Boosey & Hawkes.

For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

(With an introduction by Jeremy Summerly). Composed by Various. For Choral, Piano Accompaniment (SATB). Choral. Softcover. 300 pages. Novello and Co Ltd. #NOV164450. Published by Novello and Co Ltd.

By Phillip Phillips. By Drew Pearson and Greg Holden [Phillip Phillips]. Arranged by Greg Gilpin. Choir Secular. SATB choir. Choral Octavo. Pop Choral. 12 pages. Published by Alfred Music

By Johannes Brahms. (SATB a cappella). Choral. Festival. Size 6.75x10.5 inches. 16 pages. Published by Hal Leonard.

Arranged by Philip Kern. For Choir. (SATB). Choral Octavo. Choral Designs. Latin; Multicultural, Christmas. Choral Octavo. 12 pages. Published by Alfred Publishing.

Arranged by Tom Fettke. (SATB). PraiseSong Choral. Sacred. Size 6.75x10.5 inches. 32 pages. Published by PraiseSong.

By Mary McDonald; Antonin DvoA!A!k. For SATB choir and piano (with optional electric bass, guitar, digital keyboard, violin). All Saints Day, Christ the King, General, Memorial Services, Sacred. Sacred Anthem

Arranged by Kevin Riehle. For SATB choir, a cappella with flute. Octavo. 10 pages. Published by Alliance Music Publications

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?