Classic Choral Works. Par HAENDEL GEORG FRIEDRICH. pour SATB solistes, SATB choeur et orchestre Une édition vraiment polyvalent et convivial - une approche pratique pour les artistes, informé par le plus haut standard de la bourse. La partition vocale présente avec une grande clarté de la version standard que nous connaissons et aimons tous, avec une nouvelle réduction pour piano pratique. L'annexe contient des mouvements alternatifs de Haendel et de transpositions. La partition complète comprend tous les mouvements alternatifs et des transpositions dans leur ordre correct et tout le matériel est indiqué clairement et recoupés avec la partition vocale. Partitions vocales et le matériel d'orchestre sont également disponibles à la location. / Niveau : Avancé / Répertoire / Chant

Arrangeur: Friedrich Chrysander. Par HAENDEL GEORG FRIEDRICH. Although presumably written to celebrate the Queen's birthday on 6 February, most probably in 1713, there is no record of the first performance of Handel's Ode. The nine movements contain much variety, but it is the first movement, 'Eternal source of light divine' where Handel prodces some of his most inspired writing. - Urtext of the Halle Handel Edition - Full score (BA4007) and vocal score (BA400790) available for sale - Performance material (BA400772) available for hire/ Répertoire / SATB, Choeur Mixte à 4 à 8 Voix et Orchestre (I/6)

Chor aus Belshazzar. Par HAENDEL GEORG FRIEDRICH. Gattungen: Motetten - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/Anglais / Mottet / Répertoire / Choeur SATB et Orgue

Par HAENDEL GEORG FRIEDRICH. / Niveau : Elémentaire / Répertoire / Choeur (SATB) et Orchestre à vent

Chorsatz Nr. 3 Aus 'Der Messias'. Par HAENDEL GEORG FRIEDRICH. Tonalité : G-Dur - Kubik, Reinhold (Arr. ) -/ Répertoire / Choeur SATB et Orgue

Par HAENDEL GEORG FRIEDRICH. / Niveau : Elémentaire / Répertoire / Choeur (SATB) et Orchestre à vent

Heute triumphiert. Par BACH JOHANN SEBASTIAN / HAENDEL GEORG FRIEDRICH. Ostern und nachösterliche Freudenzeit -/ Répertoire / SATB et Orgue

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre

Friedensode. Par HAENDEL GEORG FRIEDRICH. Although presumably written to celebrate the Queen's birthday on 6 February, most probably in 1713, there is no record of the first performance of Handel's Ode. The nine movements contain much variety, but it is the first movement, 'Eternal source of light divine' where Handel prodces some of his most inspired writing. - Urtext of the Halle Handel Edition - Full score (BA4007) and vocal score (BA400790) available for sale - Performance material (BA400772) available for hire / Oratorio / Répertoire / Choeur Mixte

Oratorio in three acts. Par HAENDEL GEORG FRIEDRICH. Saul was given its first performance under Handel's direction at the Haymarket Theatre, London, on 16 January 1739. The original libretto (dated 1738) refers to the work as ; an Oratorio or Sacred Drama. This libretto was written by Charles Jennens (1700& 1770), a wealthy amateur writer from Gopsall, Leicestershire. A letter of 28 July 1735 from Handel to Jennens suggests that a complete raft of the text already existed at that time. Saul occupies an extraordinarily important position in the English oratorio tradition that Handel brought to perfection, standing alongside Israel in Egypt at the end of the first creative period of such works. - Urtext of the Halle Handel Edition - Full score (BA4020) & vocal score (BA402090) available for sale - Performance material (BA402072) available for hire / Oratorio / Répertoire / Choeur Mixte

Par HAENDEL GEORG FRIEDRICH. Messiah occupies a unique position in Handel ’s work. Even if it does not represent the absolute zenith – several other oratorios could challenge it in this respect – its strongly universal character and directness of expression, which appeal to men of all creeds, make it the most renowned work in the whole of the composer’s monumental output. That this oratorio is unquestionably a work of individual character is shown by all its features: its material, which presents liturgical traditions alongside popular elements; its structure, which combines an ever-changing variety of elements from opera, cantata, concerto and anthem; its musicalorganization, which at once unifies and dramatically juxtaposes the various styles. All are united in an extraordinary manner, with great artistry, most accomplished technique and superb invention. Urtext of the Halle Handel Edition Full score and performance material (BA4012), vocal score (BA4012-73 English; BA4012-90 English-German) and study score format 22. 5 x 16. 5cm (TP175) available for sale./ Répertoire / Partition de Poche

Par HAENDEL GEORG FRIEDRICH. The oratorio “ Esther ” is the first English language oratorio and also the first oratorio by Handel based on a theatre tragedy - Jean Racine’s “Esther”. For the first time Handel drew on his knowledge gathered from stays in Germany, Italy and England. He created his own particular style of oratorio writing, which differs from the later integrative works. Many sections of this composition harken back to the previously composed, “Brockes-Passion”. The first performance took place in 1720. For the first public performance of the work in London in 1732, Handel arranged and enlarged “ Esther ”. The Urtext of the HalleHandel Complete Edition presents the original version from 1720. - Reliable vocal score from the Urtext of the Halle Handel Edition BA4047-90 - Performance material available for hire BA4047-72/ Répertoire / Chant

Opera in three acts. Par HAENDEL GEORG FRIEDRICH. Also available full score for sale (BA4061) and performance matetial for hire. Opera in 3 Acts. The Halle Handel Edition is a complete critical edition which serves the needs of scholars and performers by drawing on all available sources and the latest musicological findings. Within each volume the works appear, wherever possible, in chronological order; the numbering of the works follows the Händel-Werke-Verzeichnis (HWV). In addition to the finished compositions, the edition also includes alternative versions, discarded sections, drafts, fragments, and, since 1991, the volumes in Series I and II include the printed libretto of the first performance infacsimile. The editions of Vocal works contain German and, if necessary, English text translation. Instructive examples of the source material (in facsimile) and a critical report (Ger/Eng) are included in the volumes./ Répertoire / Chant