Composed by Georgian folk song. Arranged by Brent Wells. School, Concert. And...(+)
Composed by Georgian folk
song. Arranged by Brent
Wells. School, Concert.
Andrew Crane Choral
Series.
Octavo. Walton Music
#WW1783.
Published by Walton Music
By Ben Bernie, Maceo Pinkard, and Kenneth Casey. Arranged by Jay Althouse. Choir...(+)
By Ben Bernie, Maceo
Pinkard, and Kenneth
Casey. Arranged by Jay
Althouse. Choir Secular.
SATB choir. Choral
Octavo. Pop Choral. 12
pages. Published by
Alfred Music Publishing
By Ben Bernie, Maceo Pinkard and Kenneth Casey. Arranged by Kirby Shaw. For Choi...(+)
By Ben Bernie, Maceo
Pinkard and Kenneth
Casey. Arranged by Kirby
Shaw. For Choir. (SATB).
Choral Octavo. Choral
Octavo. 12 pages.
Published by Alfred
Publishing.
Hope of the World Chorale SATB - Facile MorningStar Music Publishers
SATB choir, keyboard - Early Intermediate SKU: MN.50-6005 Composed by Ron...(+)
SATB choir, keyboard -
Early Intermediate
SKU: MN.50-6005
Composed by Ronald
Kauffmann. Romantic,
Hope/Assurance. Octavo.
MorningStar Music
Publishers #50-6005.
Published by MorningStar
Music Publishers
(MN.50-6005).
UPC:
688670560057. Text:
Georgia
Harkness.
Famous
Georgia Harkness text
with new tune, WOODLAND,
by composer. 4 stanzas
Unison or Two-Part Mixed,
1 stanza SATB. Last
stanza with descant.
Yonder Come Day Chorale SSATB SSATB A Cappella [Octavo] Schirmer
Composed by Paul John Rudoi. For soprano voice solo, SATB choir unaccompanied. N...(+)
Composed by Paul John
Rudoi. For soprano voice
solo, SATB choir
unaccompanied. National
Collegiate Choral
Organization Choral
Series. General,
Spiritual, 21st Century.
Medium. Octavo. Published
by E.C. Schirmer
Publishing
Performed by Ray Charles. Arranged by Kirby Shaw. (SATB). Pop Choral Series. Siz...(+)
Performed by Ray Charles.
Arranged by Kirby Shaw.
(SATB). Pop Choral
Series. Size 6.75x10.5
inches. 16 pages.
Published by Hal Leonard.
(8201722) 6-PACK includes
six original copies of
this piece.
Choral (SATB a cappella) SKU: HL.1452083 Composed by Sam Scheibe. Gentry ...(+)
Choral (SATB a cappella)
SKU: HL.1452083
Composed by Sam Scheibe.
Gentry Publications.
Octavo. Gentry
Publications #JG2736.
Published by Gentry
Publications
(HL.1452083).
UPC:
196288208204.
Allow
your choirs to experience
the artistry of a
wonderful setting for
SATB mixed voices by Sam
Schiebe. This heartfelt
setting of Georgia
Douglass Johnson's poem
exudes a subtle
hopefulness, skillfully
crafted by a composer
inspired by Johnson's
elegant simplicity and
poignant clarity. Immerse
your choirs in a musical
journey where simplicity
allows the brilliance of
Johnson's words to shine.
Suitable for choirs of
all levels, join us for
an extraordinary
exploration of the
remarkable resonance
within Johnson's
poetry.
This Is My Song Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
Composed by Mary Mcdonald. For SATB choir, piano accompaniment (orchestra). Sacr...(+)
Composed by Mary
Mcdonald. For SATB choir,
piano accompaniment
(orchestra). Sacred
Anthem, General,
Patriotic. Octavo. Lorenz
Publishing Company
#10/4646L. Published by
Lorenz Publishing Company
Composed by
Bleta Bebe Rexha, David
Garcia, Joshua Miller,
and Tyler Reed Hubbard.
Arranged by Andy Beck.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Pop; Secular. Choral
Octavo. 12 pages. Alfred
Music #00-47131.
Published by Alfred Music
(AP.47131).
UPC:
038081539027.
English.
Bebe Rexha
and Florida Georgia Line
debuted atop the Hot
Country Songs chart in
fall 2017 with this
his-and-hers country pop
duet. Presented here for
mixed voices, the chorus
gets the harmonized hook,
while soloists are
featured on the verses.
Handclaps at the end help
bring the song to an
energized finish.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
By Wolfgang Amadeus Mozart. Arranged by Russell L. Robinson. For Choir. (SATB)....(+)
By Wolfgang Amadeus
Mozart. Arranged by
Russell L. Robinson. For
Choir. (SATB). Choral
Octavo. Choral Octavo. 20
pages. Published by
Alfred Publishing.
Feel It Still Chorale SATB SATB, Piano Alfred Publishing
Choir Secular (SATB choir) SKU: AP.47135 Composed by Asa Taccone, Brian H...(+)
Choir Secular (SATB
choir)
SKU:
AP.47135
Composed by
Asa Taccone, Brian
Holland, Eric Howk,
Freddy Gorman, Georgia
Dobbins, Jason Sechrist,
John Gourley, John Hill,
Kyle O'Quin, Robert
Bateman, William Garrett,
and Zach Carothers.
Arranged by Alan
Billingsley. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Pop; Rock;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-47135. Published by
Alfred Music (AP.47135).
UPC: 038081539065.
English.
Check out
this cool retro-pop tune
from the rock band
Portugal. The Man that
instantly snags the
listener with its catchy
hook: Ooh, I'm a rebel
just for kicks now!
Listen closely for clever
interpolations of the
'60s hit Please Mister
Postman. This Hot 100
charter achieved #1
status on Billboard
magazine's US Alternative
Songs and went on to win
a 2018 GRAMMY for Best
Pop Duo/Group
Performance. A bona fide
crowd-pleaser!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
By Tradtional Georgia Sea Island Spiritual. Arranged by Pamela Warrick-Smith. Fo...(+)
By Tradtional Georgia Sea
Island Spiritual.
Arranged by Pamela
Warrick-Smith. For
Voices: SATB, solo. Piano
reduction. Choral Sacred.
Level: easy. 6 pages.
Published by GIA
Publications.
SATB choir, piano reduction - Beginning SKU: GI.G-5091 Arranged by Alice ...(+)
SATB choir, piano
reduction - Beginning
SKU: GI.G-5091
Arranged by Alice Parker.
OT 23 C, OT 28 B, St.
Joseph, OT 33 A. Choral.
Tune Name: Georgia.
Sacred. Octavo. 8 pages.
GIA Publications #5091.
Published by GIA
Publications (GI.G-5091).
Text Source: Psalm 90.
Text by Isaac Watts.
Scripture: Psalm
90.
Isthmus Chorale SATB [Conducteur] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir
SKU:
BT.MUSM570368679
For choir and fixed
media. Composed by
Evis Sammoutis. Score
Only. Composed 2019. 14
pages. University of York
Music Press
#MUSM570368679. Published
by University of York
Music Press
(BT.MUSM570368679).
Isthmus denotes
a narrow strip of land
with sea on either side,
forming a link between
two larger ars of land.
The title is a metaphor
for an effort to bond
artistically my
experiences of living in
Cyprus, my birthplace,
and in the USA, my
recently adopted
homeland. Having lived in
a small, partitioned
island for my formative
years and in England for
eleven years, water has
always had a double
meaning: it has at once
served as a gateway to
other cultures but also
as a border, a violent
and absolute interruption
of a continuum. While in
the USA, or indeed in a
now connected Europe, it
is possible to travel on
land for days without
having to encounter a
border, in the countries
where I lived for most of
my life, that was not
possible. As an artist,
this notion of
establishing boundaries
and consciously trying to
break them is very close
to me, as my music deals
both with modernity but
also with tradition and,
similarly, with metaphor
and reality. As a
Cypriot, the sea, the
world of antiquity, the
mysteries of the oracles,
the notion of borders and
the pastoral are all very
central to my way of
thinking. In Cyprus,
different layers of
history are frequently
superimposed on a single
building that might still
preserve its Roman,
Byzantine, Venetian and
Ottoman features in its
layers of stone and
architecture. Similarly,
ancient ruins or the
barbed wire of modern
conflict often interrupt
placid fields. An
isthmus, therefore, can
be seen to symbolize my
artistic struggle to join
strikingly different
experiences and notions
in a cohesive way.
Similar to an isthmus, in
this short piece, I
connect these experiences
with the purpose of
creating a distinct and
unique sonic context,
connecting technology and
tradition, the pastoral
with the urban, the
musical with the
extra-musical and the
abstract with the
concrete. For example,
the choir does not always
sing in the traditional
sense, but the singers
imitate various natural
sounds, such as water,
air, crickets or birds,
to create a vivid visual
impression for the work.
Scandinavian herding
calls blend with field
recordings from the seas
of Cyprus and the lakes
of Upstate New York,
communicated within
clearly defined, singular
acoustic sources and
spaces through wireless
speakers. The text used
is both onomatopoeic,
articulating an imaginary
language, but also
literal, with a setting
of the poem, “To make a
prairie” by the iconic
American poet Emily
Dickinson and a tiny
fragment from
Callimachus’ “Hymn to
Demeter.” Technology is
used sparsely and very
intentionally to
articulate the expressive
qualities of pastoral
imagery, creating one
unified synthetic timbre
with the choristers’
sounds. This piece is
dedicated to the
wonderful singers of the
Georgia Institute of
Technology Chamber Choir
with special thanks to
Professors Hsu and
Ulrich, without whose
support this composition
would not have been
possible. Practical
notes: A choir of no
less than 24 singers is
sought with 4 additional
soloists (2 Sopranos and
2 Altos). Each singer
must have their own
wireless speaker, secured
either in the music
folder or as a strap
inside their shirts. All
sounds must match in
volume the sound from the
speakers, creating one
unified timbre. The
speakers should not be
noticeable to the public.
The four soloists are
placed offstage at the
beginning of the work.
From 1:35’ onwards they
enter the hall and take
their positions, ideally
at the four corners of
the hall. If the hall is
too large, the singers
can find alternate
positions, but these
should always be
antiphonal. The four
soloists sing
predominantly in the
“kulning” style and
the antiphonal aspect is
very important to the
work. There are two sound
files for each section
(SATB) that are triggered
by each singer’s mobile
device. The first occurs
at the start of the
piece, and the second,
about a minute before the
end. The sound files are
able to be purchased
separately, on CD, or are
available directly from
UYMP.
Choral (SATB) SKU: HL.540128 For Mixed Divisi Voices, Accompanied....(+)
Choral (SATB)
SKU:
HL.540128
For
Mixed Divisi Voices,
Accompanied. Composed
by Anthony Bernarducci
and Georgia Douglas
Johnson. Gentry
Publications. Contest,
Festival. Octavo. 20
pages. Gentry
Publications #JG2611.
Published by Gentry
Publications (HL.540128).
UPC: 196288075776.
6.75x10.5x0.045
inches.
A dramatic
and encouraging text
provides the inspiration
for the music in this new
choral piece.
Well-crafted choral lines
with occasional
counterpoint drive home
the uplifting message.
The accompaniment brings
an additional dimension
to the piece. This is a
great piece for high
school and college
concerts.
By Florida Georgia Line. By busbee, Nate Cyphert, and William Wiik Larsen. Ar...(+)
By Florida Georgia Line.
By
busbee, Nate Cyphert, and
William Wiik Larsen.
Arranged by Mark A.
Brymer.
Pop Choral Series.
Octavo. 8
pages. Published by Hal
Leonard
Composed by Ben Bernie, Maceo Pinkard, and Kenneth Casey. Arranged by Greg Jaspe...(+)
Composed by Ben Bernie,
Maceo Pinkard, and
Kenneth Casey. Arranged
by Greg Jasperse. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Jazz; Secular. 16
pages. Published by
Alfred Music
Composed by Linda Cable
Shute. Creation, Nature.
Octavo. MorningStar Music
Publishers #50-6045.
Published by MorningStar
Music Publishers
(MN.50-6045).
UPC:
688670560453.
Herbe
rt Brokerings beautiful
text expresses delight in
the beauty of nature, and
draws parallels between
this gift of beauty and
the gift of Christ. The
melody is lyrical and
easily learned. The
premier performance of
this piece was at A Rose
in Winter 2002:
International Carols and
Traditions, Candler
School of Theology, Emory
University, Atlanta,
Georgia.