For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

Composed by David W. Brewer. Octavo. Alliance Music Publications #AMP 1095. Published by Alliance Music Publications

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

Composed by Kyle Pederson. African American Heritage. Instrumental part. Galaxy Music Corporation #1.3610. Published by Galaxy Music Corporation

By Greg Gilpin (Arranger). For SATB Choir. Choral. Sheet Music. Published by Shawnee Press.

Choral (SATB)

SKU: HL.2050272

Praise Gathering Choral. Patriotic. Softcover. 168 pages. PraiseGathering #A08422. Published by PraiseGathering (HL.2050272).

UPC: 797242184192. 6.75x10.5x0.402 inches.

America - The sweet land of liberty: Home to a people who long to experience life to the fullest; home to a people willing to offer and endure what freedom demands. In the aftermath of the senseless and appalling terrorist attacks on Oklahoma City, New York City and Washington D.C., we are once again reminded that just as the benefits of freedom touch all of our lives, so does the cost. As valiant as our efforts are to defend all that we hold dear, we are now more aware than ever, that it takes Divine intervention to give us the wisdom and the courage to protect all that we hold sacred. This is a nation that boldly proclaims her trust in God. We are sustained in the present and assured of the future by the proof of the past. God has blessed America; God does watch over His children; God will lead His people. We hold to this truth: the temporal and vulnerable will soon give way to the Immortal and Invincible... There is a sweet land of liberty yet to come, a homeland that will never be corrupted or diminished by hatred and fear. It is a promised land made possible by a just and gracious God - the One true God: the God of all that was, the God of all that is, the God of all that will be. Great is His love; Great is His care; Great is His faithfulness.

Arranged by Moses Hogan. (SATB). Choral Collection. Softcover. Size 6.75x10.5 inches. 232 pages. Published by Hal Leonard.

(Manners and Classroom Procedure Songs). By Brad Green. Performance/Accompaniment CD. Expressive Art (Choral). CD only

By Joseph M. Martin. For SATB Choir. Sheet Music. Published by Mark Foster Music.

Choral SATB chorus and piano (with opt. orchestra)

SKU: HP.C6253

Composed by Bob Farrell, Greg Nelson, and Sandi Patty. Arranged by Mary McDonald. Piano with optional Orchestra (available separately). Praise & Worship, General Worship, Christ's Presence, Forgiveness, Jesus Christ - Savior, Mercy, Redemption. Octavo. 12 pages. Hope Publishing Company #C6253. Published by Hope Publishing Company (HP.C6253).

UPC: 763628162535.

Conte mporary classic by Greg Nelson, Bob Farrell, and Sandi Patty The text to this classic contemporary song speaks of hope for tomorrow and the promise of mercy and forgiveness from the Savior. The inclusion of the old, gospel hymn refrain, 'My Savior's Love,' brings the message home expressing how marvelous and wonderful the Savior's love truly is.

Composed by Benjamin Knoedler. Sacred Anthem. Octavo. SoundForth #10/5080SF. Published by SoundForth (S2.10-5080SF).

Arranged by , edited by Bob Dingley, composed by Greg Gilpin. Collection for SATB chorus and piano accompaniment. Series: Pop choral octavo (SATB). 172 pages. Published by Alfred Publishing.

SATB chorus and piano (with opt. orchestra)

SKU: HP.C6253O

Composed by Bob Farrell, Greg Nelson, and Sandi Patty. Arranged by Mary McDonald. Piano with optional Orchestra (available separately). General Worship. Choral Parts. Hope Publishing Company #C6253O. Published by Hope Publishing Company (HP.C6253O).

UPC: 763628262532.

Conte mporary classic by Greg Nelson, Bob Farrell, and Sandi Patty The text to this classic contemporary song speaks of hope for tomorrow and the promise of mercy and forgiveness from the Savior. The inclusion of the old, gospel hymn refrain, 'My Savior's Love,' brings the message home expressing how marvelous and wonderful the Savior's love truly is.

SATB chorus and piano (with opt. orchestra)

SKU: HP.C6253C

Composed by Bob Farrell, Greg Nelson, and Sandi Patty. Arranged by Mary McDonald. Piano with optional Orchestra (available separately). General Worship. Choral Performance/Accompaniment CDs. Hope Publishing Company #C6253C. Published by Hope Publishing Company (HP.C6253C).

UPC: 763628962531.

Conte mporary classic by Greg Nelson, Bob Farrell, and Sandi Patty The text to this classic contemporary song speaks of hope for tomorrow and the promise of mercy and forgiveness from the Savior. The inclusion of the old, gospel hymn refrain, 'My Savior's Love,' brings the message home expressing how marvelous and wonderful the Savior's love truly is.

SATB choir

SKU: LP.OR-2286

Arranged by Thomas Fettke. Anthems. Mountain-Top Choral Series. Southern Gospel and Sacred. Score and parts. Published by Lillenas Publishing Company (LP.OR-2286).

UPC: 765762122505.

Give your men's section a chance to shine in Tom Fettke's arrangement of a traditional gospel favorite. From a 6/8 gospel swing feel at the beginning to a rip-roaring finish it's fun all the way and a glimpse of the Glory that lies ahead for believers!!

Arranged by Becki Slagle Mayo and Lynn Shaw Bailey. Octavo. Chorister's Guild #CGA1574. Published by Chorister's Guild

Composed by Mary Mcdonald. For SATB choir. Text: Luke 15:18. Choral octavo. Published by Hope Publishing Company

SATB choir

SKU: WD.080689645174

Composed by Marty Hamby. Book. Word Music #080689645174. Published by Word Music (WD.080689645174).

UPC: 080689645174.

Featu ring 10 of the newest and best Southern Gospel hit songs, with a variety of arrangements to meet all your southern gospel choir needs; songs and arrangements full of grit and attitude, like Gotta Be Saved; songs that celebrate being sons and daughters of the Most High like We Are God’s Children; songs that express the promise of eternal life and declare a longing to go home like I Know I’ll Be There, and Resurrection Morn; songs that speak to the depth of God’s love for us and the lengths to which He will go to rescue us like Lost and Just When You Thought; songs that tell of His faithfulness to us and songs that speak of our desire to be found faithful; songs that will bring a smile to your face, a tear to your eye, and a spring to your step, that will make your heart soar to think of how much He loves us! No sound this side of heaven rivals the sound of a spirited choir raising their voices together to sing an emotion-filled Southern Gospel song of testimony, deliverance, victory, promise, and forgiveness. Gather your choir together soon to let them experience the joy and blessing of ministering to people through the message and sounds of a Southern Gospel song!

Composed by Dan Forrest. Octavo. Beckenhorst Press #BP2242. Published by Beckenhorst Press

Choral (SATB)

SKU: HL.2050290

Praise Gathering Choral. General Worship, Non-Seasonal. Softcover. 160 pages. PraiseGathering #A08440. Published by PraiseGathering (HL.2050290).

UPC: 797242864094. 6.75x10.5x0.383 inches.

“There is one body and one Spirit--just as you were called to one hopewhen you were called-- one Lord, one faith, one baptism; one God andFather of all, who is over all and through all and in all.” Ephesians4:4-6There are those who claim that many paths exist that lead to whomeverwe believe or define God to be. However, we do not define God - Hedefines us. And there is only ONE path to the Father and it isclearly marked by a bloodstained cross and an empty tomb.Those who claim the Master are reborn into a bloodline that does nottrace its origin to a culture - but to a cross. . .does not dependupon what we bring - but upon what He freely gives . . .not based intrying to know about God - but actually knowing God.“Yes - we know that there is only one God, the Father, who createdeverything, and we live for Him. And there is only one Lord, JesusChrist, through whom God made everything and through whom we havebeen given life.” 1 Corinthians 8:6“I am not ashamed of the gospel, because it is the power of God forthe salvation of everyone who believes . . .” Romans 1:16.

By Fanny J. Crosby (1820-1915) and William H. Doane. Arranged by Joseph M. Martin. For SATB Choir (SATB). Shawnee Press. 12 pages. Shawnee Press #A7832. Published by Shawnee Press

SATB choir, piano

SKU: LO.10-5802L

Composed by Thomas Grassi. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5802L. Published by Lorenz Publishing Company (LO.10-5802L).

ISBN 9780787779863.

This song from Bob Kauflin and Keaton Bunting is given a declarative treatment in Thomas Grassi's exciting arrangement. The solid part-writing and supportive accompaniment will aid in the learning process, and the optional orchestration will help the anthem hit home every time it's presented.

SATB choir, organ - Easy

SKU: PL.0600

Composed by Robert Edward Smith. Parish. Choral, General, Hymn. Octavo. Paraclete Press #0600. Published by Paraclete Press (PL.0600).

* giving the affect of an a cappella beginning, the organ pedal point gives subtle support to the unison choir * harmony added in the organ first and then in the choir, leading to the climax of the first verse, He brings my wandering spirit back. * central verse about the shades of death is set in the minor, with vocal parts in a low range and minor seventh chords adding harmonic color in the accompaniment * returning to the major key and the dynamic highpoint of the anthem, the final verse then concludes with the opening pedal point, a solo organ line on the flute celeste and the choir singing on one pitch, a child at home.

SATB choir, piano reduction - Intermediate

SKU: GI.G-7946

Composed by Charles D. Coleman. Dedication of Lateran Basilica. African American Church Music Series. Sacred. Octavo. 12 pages. GIA Publications #7946. Published by GIA Publications (GI.G-7946).

UPC: 785147794608. English. Text by Charles D. Coleman. Scripture: Psalm 46:1–2.

This one almost gives you double your money, because the highly developed “Alleluia” that begins and ends this piece totally stands on its own and has countless uses in worship. But in the middle, there's a motet-like section on the text “God is our refuge and strength . . . we shall not fear.” It, too, could stand on its own. But put it all together and it is a strong a cappella choral anthem that would be at home in any tradition.

SATB Choir

SKU: WD.080689297274

Composed by Russell Mauldin. Arranged by Russell Mauldin. Choral. Sacred Anthem. Octavo. Duration 4'12. Word Music #080689297274. Published by Word Music (WD.080689297274).

UPC: 080689297274.

Russe ll Maudlin gives a contemporary and soulful treatment to this down-home Southern Gospel truth:God aint never been nothin but good!.