All For Thee Chorale SATB SATB, Piano [Octavo] Hope Publishing Company
By Henri A. Cesar Malan. Arranged by Jack Schrader. (SATB). Scripture Reference...(+)
By Henri A. Cesar Malan.
Arranged by Jack
Schrader. (SATB).
Scripture References:
Psalm 9:1 -- Psalm 51:15
-- 2 Corinthians 5:14-15.
Commitment, Dedication,
Devotion, Discipleship,
Hymntune, Stewardship,
Hymntune and Sacred.
Print Music Single
(SATB). 8 pages.
Published by Hope
Publishing Company.
Performed by The Village People. By Jacques Morali, Henri Belolo, Victor Willis....(+)
Performed by The Village
People. By Jacques
Morali, Henri Belolo,
Victor Willis. Arranged
by Roger Emerson.
(SATB). Pop Choral
Series. Size 6.8x10.5
inches. 8 pages.
Published by Hal Leonard.
SATB Choir a Cappella SKU: HL.14042218 Composed by Bo Holten. Music Sales...(+)
SATB Choir a Cappella
SKU: HL.14042218
Composed by Bo Holten.
Music Sales America.
TV-Film-Musical-Show.
Softcover. Composed 2011.
30 pages. Edition Wilhelm
Hansen #WH31215.
Published by Edition
Wilhelm Hansen
(HL.14042218).
ISBN
9788759821183.
8.25x11.75x0.122
inches.
H.C. Andersen For
Kor af Bo
Holten.
Kompositioner og
arrangementer til tekster
af H.C. Andersen
for blandet kor a
cappella.
Programnote
Kompostitionerne og
arrangementerne i dette
hæfte blev til
i anledning af
200-året for H.C.
Andersens fødsel
2005. Musica Ficta og
jeg gav koncerter rundt
om i landet med bl.a.
de nærvær
ende satser. De er alle
indspillet på Naxos
8.557810 (“Sange af
H.C.
Andersen”).
Forsidebilledet, der
ikke er særlig
kendt, er taget i
München i 1860 under
en af Andersens talrige
rejser. Det er hentet
frabogen “Det rette
udseende” med
venlig tilladelse af
forfatteren, Henrik G.
Poulsen.
Evighet Chorale SATB SATB A Cappella Gehrmans Musikforlag
SATB choir (a cappella) SKU: GH.GE-10922 Composed by Bobby Ljunggren / Th...(+)
SATB choir (a cappella)
SKU: GH.GE-10922
Composed by Bobby
Ljunggren / Thomas G:son
/ Henrik Wikstrom.
Arranged by Anna
Cederberg-Orreteg. With
Language: Swedish.
Gehrmans Musikforlag #GE
10922. Published by
Gehrmans Musikforlag
(GH.GE-10922).
ISBN
9790070109222. Text:
Thomas G:son / Carola
Haggkvist.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1696. 24
pages. Carus Verlag #CV
40.676/49. Published by
Carus Verlag
(CA.4067649).
ISBN
9790007220167. Text
language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part, Viola
1. Composed 1696. 8
pages. Carus Verlag #CV
40.676/13. Published by
Carus Verlag
(CA.4067613).
ISBN
9790007220112. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. Composed 1696.
12 pages. Carus Verlag
#CV 40.676/11. Published
by Carus Verlag
(CA.4067611).
ISBN
9790007220099. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1696. 48
pages. Carus Verlag #CV
40.676/09. Published by
Carus Verlag
(CA.4067609).
ISBN
9790007220082. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and parts
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. Composed 1696.
12 pages. Carus Verlag
#CV 40.676/12. Published
by Carus Verlag
(CA.4067612).
ISBN
9790007220105. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part, Viola
3. Composed 1696. 16
pages. Carus Verlag #CV
40.676/15. Published by
Carus Verlag
(CA.4067615).
ISBN
9790007220136. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1696.
Carus Verlag #CV
40.676/19. Published by
Carus Verlag
(CA.4067619).
ISBN
9790007220150. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and parts
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part, Viola
2. Composed 1696. 8
pages. Carus Verlag #CV
40.676/14. Published by
Carus Verlag
(CA.4067614).
ISBN
9790007220129. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Cello/Double Bass.
Composed 1696. 12 pages.
Carus Verlag #CV
40.676/16. Published by
Carus Verlag
(CA.4067616).
ISBN
9790007220143. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
SATB Choir SKU: HL.14014759 Composed by Fini Henriques. Music Sales Ameri...(+)
SATB Choir
SKU:
HL.14014759
Composed
by Fini Henriques. Music
Sales America. 20th
Century. Vocal Score.
Composed 2002. 8 pages.
Edition Wilhelm Hansen
#WH21524. Published by
Edition Wilhelm Hansen
(HL.14014759).
SSATB Choir, Piano - Level 3 SKU: CA.925100 Composed by Henri Duparc. Arr...(+)
SSATB Choir, Piano -
Level 3
SKU:
CA.925100
Composed by
Henri Duparc. Arranged by
Denis Rouger. Separate
edition to the CD.
Lieder, Secular choral
music. Full Score. 2.4.
Duration 3 minutes. Carus
Verlag #CV 09.251/00.
Published by Carus Verlag
(CA.925100).
ISBN
M-007-24913-7. Key: E
flat major. Language:
French. Text: Lahor,
Jean.
The few works
which Henri Duparc
composed and left to
posterity display a deep
preoccupation with grief
and pain, coupled with a
great fear of loneliness.
His Chanson triste (Sad
Song), composed in 1868
or 1869, was one such
work. Duparc treasured it
so much that he made an
orchestral version of it
in 1912. He set texts by
contemporary French poets
such as Charles
Baudelaire, Sully
Prudhomme, and Henri
Cazalis, who wrote under
the pseudonym Jean Lahor.
Denis Rouger, founder and
director of the figure
humaine chamber choir,
has arranged art songs
for solo voice and piano
for his ensemble, in the
process carefully
adapting these to the
needs and expressive
possibilities offered by
a larger ensemble. Music
edition for the
successful CD Kennst du
das Land... (Carus
83.495).
SSATB chorus, piano - Grade 3 SKU: CA.928200 Composed by Henri Duparc. Ar...(+)
SSATB chorus, piano -
Grade 3
SKU:
CA.928200
Composed by
Henri Duparc. Arranged by
Denis Rouger. Carus
digital: Notenausgabe als
PDF. Full Score. Composed
1880. Duration 5 minutes.
Carus Verlag #928200.
Published by Carus Verlag
(CA.928200).
ISBN
9790007300869. Key: C
minor / c major. French.
Text: Baudelaire,
Charles.
Sounds,
colors and scents can
conjure up places of
longing. During the
Romantic period, the
desire to travel and see
other places was seen as
an expression of some
inner state of mind. In
L'invitation au voyage,
the boundaries between
what is real and
imaginary seem to
dissolve in the lyrical
perception of a journey
to the inner self: There
we find nothing but order
and beauty, splendor,
peace, and
delightâ€. This is
unattainable perfection
as a place of longing,
where we are freed from
all earthly cares. A
never-ending
sixteenth-note figure in
the piano accompaniment
flickers like a
shimmering veil over
these words, which in
their poetry seem to
remove us far from our
earthly existence.
“The world falls
asleep in a warm
light!
This art
song was originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted it
to suit the requirements
and expressive
possibilities offered by
a larger ensemble,
without losing any of the
qualities of the
original. Each part in
the choir has a melodic
line drawn from the
harmonic and rhythmic
framework. In the
process, the variety and
refinement of the choral
language combines with an
enormous flexibility in
form and expression, as
French melodies or German
art songs demand from a
soloist and
pianist.
The songs
have been recorded by the
figure humaine chamber
choir on the CD ... wo
die Zitronen blühn
(Carus 83.514).
La vie anterieure Chorale SATB SATB, Piano [Conducteur] - Intermédiaire Carus Verlag
SSATB Choir, Piano - Level 3 SKU: CA.925000 Composed by Henri Duparc. Arr...(+)
SSATB Choir, Piano -
Level 3
SKU:
CA.925000
Composed by
Henri Duparc. Arranged by
Denis Rouger. Separate
edition to the CD.
Lieder, Secular choral
music. Full Score.
Duration 5 minutes. Carus
Verlag #CV 09.250/00.
Published by Carus Verlag
(CA.925000).
ISBN
M-007-24902-1. Key: E
flat major. Language:
French. Text: Baudelaire,
Charles.
The
harmonic turns and piano
configurations in La vie
anterieure - the former
life - seem almost
exuberantly lyrical. At
the beginning, the
archaic sounds and words
of the male choir conjure
up a dream world that is
soon flooded with the
power of the waves and
the rich polyphonic
harmony of the choir and
the piano. With the
outcry C'est la que j'ai
vecu! [I have lived
there] which expresses
the fervent yearning to
return to a past life,
the collective
desperately reinforces
the longing for the past.
Once more, the women's
choir conjures up this
lost paradise in an
undulating soft sound
before the desolate
sadness is pierced by the
power of the music of the
piano postlude, creating
a moment that is
completely in the
present.
Composed
by Henri Lazarof. Large
Score. With Standard
notation. Theodore
Presser Company
#446-41082. Published by
Theodore Presser Company
(PR.446410820).
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. 1x
31.174/21 violin/oboe 1,
1x 31.174/22 violin/oboe
2, 1x 31.174/23 taille,
2x 31.174/31 horns 1 and
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Set of Orchestra
Parts. Composed 1729. BWV
174. Duration 23 minutes.
Carus Verlag #CV
31.174/09. Published by
Carus Verlag
(CA.3117409).
ISBN
9790007209636. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Set of Orchestra
Parts. Composed 1729. BWV
174. Duration 23 minutes.
Carus Verlag #CV
31.174/19. Published by
Carus Verlag
(CA.3117419).
ISBN
9790007187248. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Single Part,
Organ. Composed 1729. BWV
174. 16 pages. Duration
23 minutes. Carus Verlag
#CV 31.174/49. Published
by Carus Verlag
(CA.3117449).
ISBN
9790007209711. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Praise and thanks. Full
score. Composed 1729. BWV
174. 68 pages. Duration
23 minutes. Carus Verlag
#CV 31.174/00. Published
by Carus Verlag
(CA.3117400).
ISBN
9790007171643. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the
cantata.