Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 recorder-Alto, 2 Oboe, bassoon, 3 Trumpets, timpani, 3 Violins, Viola, Cello, Bassi(Vc, double bass, bassoon, harpisc.))

SKU: BA.BA04050

Opera in three acts. Composed by George Frideric Handel. Edited by Dorothea Schröder. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV 1. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04050_00. Published by Baerenreiter Verlag (BA.BA04050).

ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.

“A lmira”, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.

The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.

The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ� �.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

3 soprano voice solos, 2 mezzo-soprano voice solos, tenor voice solo, 3 baritone voice solos, bass voice solo, SATB choir, orchestra (3Soprano Voice Solo, 2 Mezzo Voice Solo, Tenor Voice Solo, 3BarSolo, Bass Voice Solo, SATB Choir, Orchestra)

SKU: BA.BA05865

Singspiel in three acts. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Volume 42. Hamburg 1722. Braunschweiger Bearbeitung 1728 - Ariensammlung. Edition of selected works, Score. VWV 21. Baerenreiter Verlag #BA05865_00. Published by Baerenreiter Verlag (BA.BA05865).

ISBN 9790006498024. 33 x 26 cm inches. Language: German. Preface: Hirschmann, Wolfgang / Hobohm, Wolf / Kremer, Joachim / Werbeck, Walter / Zohn, Steven.

Hamburg 1722. Braunschweig arrangement 1728 - Collection of arias.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

2mixedCh-SATB (2Sg-S-solo,Sg-T-solo,Sg- B-solo,2MixedCh-SATB,Orch )

SKU: BA.BA09188-90

Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. Arranged by Hans Schellevis. This edition: urtext edition. Paperback. Barenreiter Urtext. Classical. Vocal Score. KV 427. Baerenreiter Verlag #BA09188_90. Published by Baerenreiter Verlag (BA.BA09188-90).

ISBN 9790006565108. 27 x 19 cm inches. Key: C minor. Text Language: Latin. Preface: Ulrich Leisinger.

Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.

Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.

High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:
- TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards.
- The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound.
- TheSanctusandBenedictus(w ith theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.

Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).

The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.

The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.

SATB Choir

SKU: HL.14042807

Composed by Povl Hamburger. Choral. Classical. Octavo. Edition Wilhelm Hansen #SK05598. Published by Edition Wilhelm Hansen (HL.14042807).

ISBN 9788759876060.

Composed by Frank Martin (1890-1974). Edited by Antje Wissemann. For Double Choir a cappella. This edition: Urtext edition. Stapled. Choral score. Language: Latin, Text Language: German/English. 48 pages. Published by Baerenreiter Verlag

SATB with violin Choral (SATB)

SKU: HL.1128910

Arranged by Jay Rouse. Hinshaw Sacred. General Worship, Sacred. Octavo. 16 pages. Fred Bock Music Company #BG2697. Published by Fred Bock Music Company (HL.1128910).

UPC: 196288111788. 6.75x10.5x0.036 inches.

A solo violin begins this setting with the familiar Hamburg hymn tune. But the choir's entrance reveals that the hymn's well-known lyrics are being sung to the “O Waly Waly” tune (“O Danny Boy”). These two beloved melodies will take turns as the intensity increases. Following the dramatic climax the music gradually quiets to a reflective conclusion.

SATB choir, piano

SKU: LO.10-5409L

Composed by Larry Shackley. Choral. Sacred Anthem, Holy Week, Lent. Octavo. Lorenz Publishing Company #10/5409L. Published by Lorenz Publishing Company (LO.10-5409L).

ISBN 9780787769093.

Larr y Shackley's introspective setting of the classic Isaac Watts text has a heart-touching melody that focuses the listener's attention on the meaning of the words. The traditional HAMBURG tune enters for the triumphant final verse, and a beautiful, optional flute obbligato adds musical depth throughout the anthem.

SATB choir, piano, guitar, percussion - Level 2

SKU: CA.309520

Composed by Peter Hamburger. Separate edition with choral collection. Sacred vocal music, Pop arrangements, Peace and justice. Full score. Composed 1998. Duration 1 minute. Carus Verlag #CV 03.095/20. Published by Carus Verlag (CA.309520).

ISBN 9790007150488. Key: D minor. Text language: Hebrew.

May also be sung as an eight-voice canon.

SATB Choir

SKU: BT.WH27903

Composed by Povl Hamburger. Score Only. Edition Wilhelm Hansen #WH27903. Published by Edition Wilhelm Hansen (BT.WH27903).

Solo voice, SATB choir, piano, guitar, bass, percussion - Level 2

SKU: CA.309480

Composed by Peter Hamburger and Rolf Schweizer. Separate edition with choral collection. Sacred vocal music, Pop arrangements, Psalms, German, Praise and thanks, Psalms. Full score. Composed 1998. Duration 2 minutes. Carus Verlag #CV 03.094/80. Published by Carus Verlag (CA.309480).

ISBN 9790007150464. Key: D major. Language: German.

SATB vocal soli, solo vocal quintet, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, timpani, 2 violins, viola, basso continuo

SKU: CA.3711005

Die Geschichte des Leidens und Sterbens unseres Heilandes Jesu Christi nach der Beschreibung des Evanglisten Marcus. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. German title: Markuspassion Ga 10. Sacred vocal music, Passions, Lent and Passiontide. Choral Score. HoWV I.10. Duration 140 minutes. Carus Verlag #CV 37.110/05. Published by Carus Verlag (CA.3711005).

ISBN 9790007132538. Language: German.

Gottfried August Homilius belongs to the last generation of composers of the 18th century who, in addition to the popular Passion oratorios, continued to write oratorio Passions using biblical texts. From his pen a Passion for each of the four Gospels has survived. With sensitive arias, unusal orchestral sound and expressive turba choruses Homilius translated the traditional Passion to his times. It was surely not a coincidence that in Hamburg Carl Philipp Emanuel Bachr resorted primarily to the Passions of Homilius, especially the St. Mark Passion, which he first performed in an abridged version in 1770 and whose music he employed in 14 of his 21 pasticcio Passions. Score available separately - see item CA.3711000.

SATB vocal soli, solo vocal quintet, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, timpani, 2 violins, viola, basso continuo

SKU: CA.3711000

Die Geschichte des Leidens und Sterbens unseres Heilandes Jesu Christi nach der Beschreibung des Evanglisten Marcus. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. German title: Markuspassion Ga 10. Sacred vocal music, Passions, Lent and Passiontide. Full score (complete edition / selected edition). HoWV I.10. Duration 140 minutes. Carus Verlag #CV 37.110/00. Published by Carus Verlag (CA.3711000).

ISBN 9790007096649. Language: German.

Gottfried August Homilius belongs to the last generation of composers of the 18th century who, in addition to the popular Passion oratorios, continued to write oratorio Passions using biblical texts. From his pen a Passion for each of the four Gospels has survived. With sensitive arias, unusal orchestral sound and expressive turba choruses Homilius translated the traditional Passion to his times. It was surely not a coincidence that in Hamburg Carl Philipp Emanuel Bachr resorted primarily to the Passions of Homilius, especially the St. Mark Passion, which he first performed in an abridged version in 1770 and whose music he employed in 14 of his 21 pasticcio Passions.

SATB vocal soli, solo vocal quintet, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, timpani, 2 violins, viola, basso continuo

SKU: CA.3711003

Die Geschichte des Leidens und Sterbens unseres Heilandes Jesu Christi nach der Beschreibung des Evanglisten Marcus. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. German title: Markuspassion Ga 10. Sacred vocal music, Passions, Lent and Passiontide. Vocal score. HoWV I.10. Duration 140 minutes. Carus Verlag #CV 37.110/03. Published by Carus Verlag (CA.3711003).

ISBN 9790007096656. Language: German.

Gottfried August Homilius belongs to the last generation of composers of the 18th century who, in addition to the popular Passion oratorios, continued to write oratorio Passions using biblical texts. From his pen a Passion for each of the four Gospels has survived. With sensitive arias, unusal orchestral sound and expressive turba choruses Homilius translated the traditional Passion to his times. It was surely not a coincidence that in Hamburg Carl Philipp Emanuel Bachr resorted primarily to the Passions of Homilius, especially the St. Mark Passion, which he first performed in an abridged version in 1770 and whose music he employed in 14 of his 21 pasticcio Passions. Score available separately - see item CA.3711000.

SATB vocal soli, solo vocal quintet, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, timpani, 2 violins, viola, basso continuo

SKU: CA.3711049

Die Geschichte des Leidens und Sterbens unseres Heilandes Jesu Christi nach der Beschreibung des Evanglisten Marcus. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. German title: Markuspassion Ga 10. Sacred vocal music, Passions, Lent and Passiontide. Single Part, Organ. HoWV I.10. Duration 140 minutes. Carus Verlag #CV 37.110/49. Published by Carus Verlag (CA.3711049).

ISBN 9790007097585. Language: German.

Gottfried August Homilius belongs to the last generation of composers of the 18th century who, in addition to the popular Passion oratorios, continued to write oratorio Passions using biblical texts. From his pen a Passion for each of the four Gospels has survived. With sensitive arias, unusal orchestral sound and expressive turba choruses Homilius translated the traditional Passion to his times. It was surely not a coincidence that in Hamburg Carl Philipp Emanuel Bachr resorted primarily to the Passions of Homilius, especially the St. Mark Passion, which he first performed in an abridged version in 1770 and whose music he employed in 14 of his 21 pasticcio Passions. Score and part available separately - see item CA.3711000.

By Georg Philipp Telemann (1681-1767). Edited by Reipsch, Brit. For SATB Soli, SATB Choir, 2 Flute, 2 Oboe, Bassoon, 2 Violin, Viola, Viola da gamba, Basso Continuo. This edition: paperbound. TVWV 20:39. Cantatas. Level 3. Score. Language: German. 96 pages. Duration 55 min

SATB vocal soli, solo vocal quintet, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, timpani, 2 violins, viola, basso continuo

SKU: CA.3711019

Die Geschichte des Leidens und Sterbens unseres Heilandes Jesu Christi nach der Beschreibung des Evanglisten Marcus. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. German title: Markuspassion Ga 10. Sacred vocal music, Passions, Lent and Passiontide. Set of Orchestra Parts. HoWV I.10. Duration 140 minutes. Carus Verlag #CV 37.110/19. Published by Carus Verlag (CA.3711019).

ISBN 9790007133092. Language: German.

Gottfried August Homilius belongs to the last generation of composers of the 18th century who, in addition to the popular Passion oratorios, continued to write oratorio Passions using biblical texts. From his pen a Passion for each of the four Gospels has survived. With sensitive arias, unusal orchestral sound and expressive turba choruses Homilius translated the traditional Passion to his times. It was surely not a coincidence that in Hamburg Carl Philipp Emanuel Bachr resorted primarily to the Passions of Homilius, especially the St. Mark Passion, which he first performed in an abridged version in 1770 and whose music he employed in 14 of his 21 pasticcio Passions. Score and parts available separately - see item CA.3711000.

SATB vocal soli, solo vocal quintet, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, timpani, 2 violins, viola, basso continuo

SKU: CA.3711009

Die Geschichte des Leidens und Sterbens unseres Heilandes Jesu Christi nach der Beschreibung des Evanglisten Marcus. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 2x 37.110/21 flute/oboe 1, 2x 37.110/22 flute/oboe 2, 2x 37.110/23 2 bassoons, 1x 37.110/31 horn 1, 1x 37.110/32 horn 2, 1x 37.110/41 timpani. Gottfried August Homilius - Selected Works. German title: Markuspassion Ga 10. Sacred vocal music, Passions, Lent and Passiontide. Set of Orchestra Parts. HoWV I.10. 326 pages. Duration 140 minutes. Carus Verlag #CV 37.110/09. Published by Carus Verlag (CA.3711009).

ISBN 9790007214395. Language: German.

Gottfried August Homilius belongs to the last generation of composers of the 18th century who, in addition to the popular Passion oratorios, continued to write oratorio Passions using biblical texts. From his pen a Passion for each of the four Gospels has survived. With sensitive arias, unusal orchestral sound and expressive turba choruses Homilius translated the traditional Passion to his times. It was surely not a coincidence that in Hamburg Carl Philipp Emanuel Bachr resorted primarily to the Passions of Homilius, especially the St. Mark Passion, which he first performed in an abridged version in 1770 and whose music he employed in 14 of his 21 pasticcio Passions. Score and parts available separately - see item CA.3711000.

5 soprano voice solos, alto voice solo, 2 tenor voice solos, 3 bass voice solos, SATB choir, solo violin, 2 violins, violetta all'unisono/viola, basso continuo (harpsichord, cello, double bass) (5Soprano Voice Solo, Alto Voice Solo, 2 Tenor Voice Solo, 3Bass Voice Solo, SATB Choir, V-solo, 2 V, Violetta all'unisono, Va, Continuo (harpisc., Vc, double bass))

SKU: BA.BA07799

Musikalisches Drama. Composed by Georg Philipp Telemann. Edited by Ulf Grapenthin and Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Volume 50. Hamburg 1726. Edition of selected works, Score. Composed 1726. VWV 21. Baerenreiter Verlag #BA07799_00. Published by Baerenreiter Verlag (BA.BA07799).

ISBN 9790006498109. 33 x 26 cm inches. Language: German. Preface: Wolfgang Hirschmann.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra S(A)TB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3910512

Kantate zum 1. Advent. Composed by Georg Philipp Telemann. Edited by Traugott Fedtke, Klaus Hofmann. Arranged by Traugott Fedtke. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Machet die Tore weit. Innovative practice aids, Sacred vocal music, Cantatas, Psalms, German, Advent, Praise and thanks. Single Part, Violin 2. TVWV 1:1074. 8 pages. Duration 16 minutes. Carus Verlag #CV 39.105/12. Published by Carus Verlag (CA.3910512).

ISBN 9790007055233. Language: German/English.

The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810412

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Violin 2. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/12. Published by Carus Verlag (CA.3810412).

ISBN 9790007215088. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

ATB vocal soli, SATB choir, flute (violino piccolo), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3110219

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Herr, deine Augen sehen nach dem Glaube. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1726. BWV 102. Duration 24 minutes. Carus Verlag #CV 31.102/19. Published by Carus Verlag (CA.3110219).

ISBN 9790007136529. Key: G minor / c minor. Language: German/English.

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and parts available separately - see item CA.3110200.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810405

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Choral Score. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/05. Published by Carus Verlag (CA.3810405).

ISBN 9790007215057. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score available separately - see item CA.3810400.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350249

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Organ. Sacred vocal music, Mass sections. Single Part, Organ. BR-CPEB E 2 (Wq 219). 4 pages. Duration 4 minutes. Carus Verlag #CV 33.502/49. Published by Carus Verlag (CA.3350249).

ISBN 9790007212421. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and part available separately - see item CA.3350200.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350203

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Sacred vocal music, Mass sections. Vocal score. BR-CPEB E 2 (Wq 219). 8 pages. Duration 4 minutes. Carus Verlag #CV 33.502/03. Published by Carus Verlag (CA.3350203).

ISBN 9790007022211. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score available separately - see item CA.3350200.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350212

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Violin 2. Sacred vocal music, Mass sections. Single Part, Violin 2. BR-CPEB E 2 (Wq 219). 4 pages. Duration 4 minutes. Carus Verlag #CV 33.502/12. Published by Carus Verlag (CA.3350212).

ISBN 9790007212391. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and part available separately - see item CA.3350200.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350200

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. This edition: Paperbound. German title: Sanctus in Es. Sacred vocal music, Mass sections. Full score. BR-CPEB E 2 (Wq 219). 24 pages. Duration 4 minutes. Carus Verlag #CV 33.502/00. Published by Carus Verlag (CA.3350200).

ISBN 9790007015237. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, 3Tenor Voice Solo, 3Bass Voice Solo, SATB Choir, recorder-A, 2 Fl, Ob, Ob-dam, bassoon, Trp, Str, Continuo) - Level 3

SKU: BA.BA05310

Ein Lammlein geht und tragt die Schuld. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Band 29. 1745. Passionen (Passion Music, Easter). Edition of selected works, Score. Composed 1745. TWV 5. Duration 1 hour, 50 minutes. Baerenreiter Verlag #BA05310_00. Published by Baerenreiter Verlag (BA.BA05310).

ISBN 9790006497881. 33.1 x 25.9 cm inches.

In the autumn of 1721, when Georg Philipp Telemann became cantor at the Hamburg Johanneum and music director of the city’s five principal churches, he faced the challenge of composing and performing a new Passion setting every year.

The ninety-minute St. John Passion of 1745 was written in a winningly clear and transparent style, with two large choral numbers, six chorales (probably joined by the congregation) and several turbae that pose interesting yet manageable demands on the chorus. The plain and unassuming recitatives and the eleven sharply defined yet contemplative arias give soloists broad leeway for artistic interpretation. This volume follows the Urtext of vol. 29 of the Telemann Edition, thereby offering a reliable text at the pinnacle of modern scholarship.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding