Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118848
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Harpsichord.
Sacred vocal music, End
of the church year,
Trinity. Single Part,
Cembalo. Composed 1728.
BWV 188. 20 pages.
Duration 25 minutes.
Carus Verlag #CV
31.188/48. Published by
Carus Verlag
(CA.3118848).
ISBN
9790007210083. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115600
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Full score.
Composed 1729. BWV 156.
28 pages. Duration 17
minutes. Carus Verlag #CV
31.156/00. Published by
Carus Verlag
(CA.3115600).
ISBN
9790007186777. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115619
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1729. BWV 156. Duration
17 minutes. Carus Verlag
#CV 31.156/19. Published
by Carus Verlag
(CA.3115619).
ISBN
9790007208813. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and parts available
separately - see item
CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115603
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Vocal score.
Composed 1729. BWV 156.
24 pages. Duration 17
minutes. Carus Verlag #CV
31.156/03. Published by
Carus Verlag
(CA.3115603).
ISBN
9790007186784. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
available separately -
see item CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115605 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115605
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1729. BWV 156. 2
pages. Duration 17
minutes. Carus Verlag #CV
31.156/05. Published by
Carus Verlag
(CA.3115605).
ISBN
9790007186791. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
available separately -
see item CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115649 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115649
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Organ. Composed 1729. BWV
156. 12 pages. Duration
17 minutes. Carus Verlag
#CV 31.156/49. Published
by Carus Verlag
(CA.3115649).
ISBN
9790007208820. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 1.
Composed 1729. BWV 156. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.156/11. Published by
Carus Verlag
(CA.3115611).
ISBN
9790007208776. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
basso continuo. Composed
1729. BWV 156. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.156/14. Published by
Carus Verlag
(CA.3115614).
ISBN
9790007208806. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Oboe. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Oboe. Composed 1729. BWV
156. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.156/21. Published by
Carus Verlag
(CA.3115621).
Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 2.
Composed 1729. BWV 156. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.156/12. Published by
Carus Verlag
(CA.3115612).
ISBN
9790007208783. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1729. BWV
156. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.156/13. Published by
Carus Verlag
(CA.3115613).
ISBN
9790007208790. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118800
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year, Trinity. Full
score. Composed 1728. BWV
188. 64 pages. Duration
25 minutes. Carus Verlag
#CV 31.188/00. Published
by Carus Verlag
(CA.3118800).
ISBN
9790007181567. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118803
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year, Trinity. Vocal
score. Composed 1728. BWV
188. 32 pages. Duration
25 minutes. Carus Verlag
#CV 31.188/03. Published
by Carus Verlag
(CA.3118803).
ISBN
9790007187293. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score available
separately - see item
CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118813
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, End of the
church year, Trinity.
Single Part, Viola.
Composed 1728. BWV 188. 8
pages. Duration 25
minutes. Carus Verlag #CV
31.188/13. Published by
Carus Verlag
(CA.3118813).
ISBN
9790007210052. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118849
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, End of the
church year, Trinity.
Single Part, Organ.
Composed 1728. BWV 188.
16 pages. Duration 25
minutes. Carus Verlag #CV
31.188/49. Published by
Carus Verlag
(CA.3118849).
ISBN
9790007210090. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118811
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music, End
of the church year,
Trinity. Single Part,
Violin 1. Composed 1728.
BWV 188. 8 pages.
Duration 25 minutes.
Carus Verlag #CV
31.188/11. Published by
Carus Verlag
(CA.3118811).
ISBN
9790007210038. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118814
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, End of the church
year, Trinity. Single
Part, basso continuo.
Composed 1728. BWV 188.
16 pages. Duration 25
minutes. Carus Verlag #CV
31.188/14. Published by
Carus Verlag
(CA.3118814).
ISBN
9790007210069. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118805
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year, Trinity. Choral
Score. Composed 1728. BWV
188. 2 pages. Duration 25
minutes. Carus Verlag #CV
31.188/05. Published by
Carus Verlag
(CA.3118805).
ISBN
9790007210014. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score available
separately - see item
CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118809
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
1x 31.188/21 oboe 1, 1x
31.188/22 oboe 2, 1x
31.188/23 taille.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, End of the church
year, Trinity. Set of
Orchestra Parts. Composed
1728. BWV 188. Duration
25 minutes. Carus Verlag
#CV 31.188/09. Published
by Carus Verlag
(CA.3118809).
ISBN
9790007210021. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and parts
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118819
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, End of the
church year, Trinity. Set
of Orchestra Parts.
Composed 1728. BWV 188.
Duration 25 minutes.
Carus Verlag #CV
31.188/19. Published by
Carus Verlag
(CA.3118819).
ISBN
9790007210076. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and parts
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118812
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music, End
of the church year,
Trinity. Single Part,
Violin 2. Composed 1728.
BWV 188. 8 pages.
Duration 25 minutes.
Carus Verlag #CV
31.188/12. Published by
Carus Verlag
(CA.3118812).
ISBN
9790007210045. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.