Choral (SATB)

SKU: HL.428247

A Beatles Super Medley. By The Beatles. By George Harrison, John Lennon, and Paul McCartney. Arranged by Mark A. Brymer. Pop Choral Series. Classic Rock, Medley, Novelty, Pop, Pop/Rock, Rock, Sixties. Octavo. 20 pages. Duration 240 seconds. Published by Hal Leonard (HL.428247).

UPC: 196288063384. 6.75x10.5x0.045 inches.

A Fab Four Medley with 18 classic songs in just four minutes!? As Brian Wilson once said, “There's no outdoing the Beatles.” Includes: All You Need Is Love, Blackbird, Come Together, Eight Days a Week, Eleanor Rigby, A Hard Day's Night, Here Comes the Sun, Hey Jude, I Want to Hold Your Hand, In My Life, Let It Me, Love Me Do, Penny Lane, Strawberry Fields Forever, We Can Work it Out, With a Little Help from My Friends and Hello, Goodbye.

By The Beatles. By George Harrison. Arranged by Kirby Shaw. SATB A Cappella. Pop Choral Series. 8 pages. Published by Hal Leonard

By The Beatles. By George Harrison. Arranged by Paris Rutherford. SATB. Pop Choral Series. 12 pages. Published by Hal Leonard

Performed by The Beatles. By George Harrison. Arranged by Alan Billingsley. (SATB). Pop Choral Series. Size 6.75x10.5 inches. 12 pages. Published by Hal Leonard.

Performed by The Beatles. Octavo for SATB chorus and piano accompaniment. With chord names. Series: Hal Leonard Pop Choral Series. 46 pages. Published by Hal Leonard.

By The Beatles. Arranged by Alan Billingsley. Pop Choral Series. Choral, Concert, Rock, Sixties. Octavo. Published by Hal Leonard

Medley of Hits by the Beatles. By The Beatles. By George Harrison, John Lennon, Paul McCartney. Arranged by Audrey Snyder, Paul Murtha. Pop Choral Series. Choir and Band, Sixties, Medley, Pop. Octavo. 20 pages. Published by Hal Leonard (HL.216056).

Chorus Parts. By Sir Arthur Seymour Sullivan, W.S. Gilbert. (SATB). Opera. Size 6.8x10.5 inches. 48 pages. Published by G. Schirmer, Inc.

Composed by Sandi Patty. Arranged by Mary McDonald. Palm Sunday, Sacred. Octavo. Hope Publishing Company #C 6133. Published by Hope Publishing Company (HP.C6133).

(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

SATB choir

SKU: WD.080689757723

Arranged by Camp Kirkland, Dave Williamson, Lari Goss, Robert Sterling, Russel Mauldin, and and More. Choral, cantatas. Sacred. Bulk CD (10-pak). Word Music #080689757723. Published by Word Music (WD.080689757723).

UPC: 080689757723.

Every choir leader knows that Sunday comes once a week, and there's always a need for sing-able arrangements that can be ready in an instant. The Instant Worship Choir Collection is packed with 20 dynamic arrangements that meet the need right when you need it! Perfect for small and large choirs alike (depending upon the circumstance: slim Sundays, summer choir, special event choir, snow choir, during busy seasonal rehearsal times) or whenever you want an easily-prepared song your choir is guaranteed to enjoy presenting.

20 song value collection, re-voiced to be able to be rehearsed and ready in 30 minutes. At $9.95, that is less than 50 cents per anthem! Practice Trax available.

SATB choir

SKU: WD.080689677021

Arranged by Camp Kirkland, Dave Williamson, Lari Goss, Robert Sterling, Russel Mauldin, and and More. Choral, cantatas. Sacred. Practice trax. Word Music #080689677021. Published by Word Music (WD.080689677021).

UPC: 080689677021.

Every choir leader knows that Sunday comes once a week, and there's always a need for sing-able arrangements that can be ready in an instant. The Instant Worship Choir Collection is packed with 20 dynamic arrangements that meet the need right when you need it! Perfect for small and large choirs alike (depending upon the circumstance: slim Sundays, summer choir, special event choir, snow choir, during busy seasonal rehearsal times) or whenever you want an easily-prepared song your choir is guaranteed to enjoy presenting.

20 song value collection, re-voiced to be able to be rehearsed and ready in 30 minutes. At $9.95, that is less than 50 cents per anthem! Practice Trax available.

Composed by Jay Althouse. For SATB choir. Guidance. Octavo. 8 pages. Published by Hope Publishing Company

Composed by Traditional Spiritual. Arranged by Dan Davison. Sws. Octavo. 16 pages. Duration 2 minutes, 50 seconds. BriLee Music #BL1155. Published by BriLee Music

Composed by Allen Pote. For SATB choir. Text: Matthew 25:35-40. Choral octavo. Published by Hope Publishing Company

SATB (4 or 5 vocal parts) Choir and Piano - Intermediate-Advanced

SKU: YM.GTC01097796

Jazz Chorus Series. Voice. J-POP. Octavo. Yamaha Music Media #GTC01097796. Published by Yamaha Music Media (YM.GTC01097796).

ISBN 9784636977967.

Here comes a great jazz choir music sheet collection of famous songs that you can enjoy!
It is arranged by Tsunenori Lee Abe, an active Associate Professor for Contemporary Writing and Production department at Berklee College of Music.
For those who are new to jazz choir, the basic lecture section is featured on the opening pages to help them to get familiar with the jazz sounds and rhythms. The piano reduction (piano transcription) scores are included for some songs.

Enjoy Japanese Pop music with jazz choir with 4 or 5 voices. All 6 J-POP songs are arranged for A Capella.

Composed by Markus Miklos, Mathilde Giraud, Lajos Bardos. Collection. Secular. Choir part. 118 pages. Published by Editions a Coeur Joie (CJ.A135300071).

SATB Choir - Grade 3

SKU: BT.DHP-0991451-050

Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-050. Published by De Haske Publications (BT.DHP-0991451-050).

English.

Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.

Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren....

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7.25x10.25 inches. 12 pages. Published by Boosey and Hawkes.

Arranged by Russell L. Robinson. Shawnee Press. Concert. Octavo. 8 pages. Published by Shawnee Press

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, flute, violin, cello, guitar - Beginning

SKU: GI.G-8313

Composed by Chris De Silva. Lent, Ash Wednesday, Good Friday. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #8313. Published by GIA Publications (GI.G-8313).

UPC: 785147831303. English. Text Source: Vv. based on Joel 2:13, 17, Baruch 3:5-6. Text by Chris de Silva. Scripture: Joel 2:13, 17, Baruch 3:5–6.

Here is a versatile and useful piece for many occasions. The refrain should be repeated a few times at the beginning until it becomes almost mantra-like for the assembly. After gaining confidence, the refrain may be sung in canon. Depending on which verses are used (Gathering, Distribution of Ashes, or Communion), a soloist or SATB voices can be used. For cantor or soloist.

Composed by Chris Rice. Arranged by Lloyd Larson. Christmas, Sacred. Octavo. Published by Hope Publishing Company (HP.C6103).

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118800

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year, Trinity. Full score. Composed 1728. BWV 188. 64 pages. Duration 25 minutes. Carus Verlag #CV 31.188/00. Published by Carus Verlag (CA.3118800).

ISBN 9790007181567. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118803

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year, Trinity. Vocal score. Composed 1728. BWV 188. 32 pages. Duration 25 minutes. Carus Verlag #CV 31.188/03. Published by Carus Verlag (CA.3118803).

ISBN 9790007187293. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118813

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, End of the church year, Trinity. Single Part, Viola. Composed 1728. BWV 188. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.188/13. Published by Carus Verlag (CA.3118813).

ISBN 9790007210052. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118849

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, End of the church year, Trinity. Single Part, Organ. Composed 1728. BWV 188. 16 pages. Duration 25 minutes. Carus Verlag #CV 31.188/49. Published by Carus Verlag (CA.3118849).

ISBN 9790007210090. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.