(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider, Charles Boyd. Vocal score book for SATB choir. With vocal score notation (open score in German; closed score in English), introductory text and . Text language English; lyrics in German and English. 127 pages. Published by G. Schirmer, Inc.

Vocal songbook for SATB choir. With vocal score. 80 pages. Published by Hal Leonard.

SATB Choir

SKU: BT.MUSMF272

Composed by Blandet Kor Antologi. Arranged by Svend-G. Asmussen and Thomas Alvad. Hymns & Chorals. Book Only. Composed 2013. 184 pages. Edition Wilhelm Hansen #MUSMF272. Published by Edition Wilhelm Hansen (BT.MUSMF272).

ISBN 9788774840954.

Anth ology for mixed choir. Suitable for use colleges, high schools etc.

For SATB Choir. Christmas, Choral. Sheet Music. 280 pages. Published by Novello and Co Ltd.

By Mike Speck and Cliff Duren. Arranged by Mike Speck and Cliff Duren. For SATB choir. Anthems. Mike Speck Music Series. Adult Choral Anthem for Worship. Southern Gospel and Sacred. Moderate. Octavo. 20 pages. Published by Lillenas Publishing Company (LP.97

By Various. For Choral Collection: Mixed Choir Spiralbound. Published by Oxford University Press.

This edition: paperback. Mixed Voices. Sacred, Choral Collection. Choral score. 256 pages. Published by Oxford University Press

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002849

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Organ. Sacred concertos, Sacred vocal music, Advent. Single Part, Organ. 4 pages. Duration 4 minutes. Carus Verlag #CV 10.028/49. Published by Carus Verlag (CA.1002849).

ISBN 9790007189389. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and part available separately - see item CA.1002800.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002819

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Separate instruments. Sacred concertos, Sacred vocal music, Advent. Set of Orchestra Parts. Duration 4 minutes. Carus Verlag #CV 10.028/19. Published by Carus Verlag (CA.1002819).

ISBN 9790007181420. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and parts available separately - see item CA.1002800.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002800

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Full score. 12 pages. Duration 4 minutes. Carus Verlag #CV 10.028/00. Published by Carus Verlag (CA.1002800).

ISBN 9790007171735. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002805

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Choral Score. 8 pages. Duration 4 minutes. Carus Verlag #CV 10.028/05. Published by Carus Verlag (CA.1002805).

ISBN 9790007181352. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score available separately - see item CA.1002800.

SATB Choir, Piano - Level 3

SKU: CA.925600

Composed by Hugo Wolf. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Duration 3 minutes. Carus Verlag #CV 09.256/00. Published by Carus Verlag (CA.925600).

ISBN M-007-24918-2. Key: D major. German. Text: Morike, Eduard.

Hugo Wolf set a total of 53 songs by Eduard Morike, all in the year 1888. The composer wrote in a letter: Once you have heard this song, it can only inspire one wish - to die. In the artistic-metaphysical milieu of the late 19th century this was regarded as the highest ideal, especially for Hugo Wolf, who believed in the body as a wretched piano case from which the soul can only break free like harmonies dying away. And yet Fussreise (Journey on Foot) begins as a simple, happy, elated song of travel, revolving around the key of D major over an ostinato piano rhythm. Old Adam believes he senses the bliss of paradise in this, but he continues to be caught in the tension between earthly suffering and eternal longing, as the rest of Hugo Wolf's setting clearly shows: it remains a pious hope that a whole life would be such a morning journey bathed in gentle perspiration. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

( When the Morning Comes and Higher Ground ). By Mark Hayes. For SATB Choir and Piano (with optional rhythm and country fiddle). Sacred Anthem: Ascension, Easter, General, Lent. Octavo. 12 pages. Published by Lorenz Publishing Company

By Johann Sebastian Bach. (SATB). Methodology Chorals. 88 pages. Published by Hal Leonard.

(Rejoice in the Light of Easter's Day). Composed by Tony Wood. Arranged by Daniel Semsen. For SATB choir. Easter Musical. Difficulty: Moderate. Choral book. Duration 34 minutes. Published by Word Music

By Travis Cottrell. By Ben Cantelon, Jeff Pardo, and Travis Cottrell. Arranged by David Angerman. PraiseSong Christmas Series. Christmas, Christmas Sacred. Octavo. 12 pages. Published by PraiseSong

Arranged by Brian Tate. Pavane Choral. Octavo. 8 pages. Pavane Publishing #P1592. Published by Pavane Publishing

(For SATB Choir). By Jonathan Dove. Choir Sacred. For with Organ (SATB choir). Choral (Sacred); Choral Octavo; Worship Resources. Faber Edition: Choral Signature Series. Sacred. Published by Faber Music

(A Christmas Worship Experience). By Jack W. Hayford. Arranged by Tom Fettke. (SATB). Praisesong Christmas Series. Sacred. Size 6.75x10.5 inches. 96 pages. Published by Praisesong.

SATB chorus - intermediate

SKU: BP.BP2339

Arranged by Howard Helvey. With Hymn Tune;Call To Worship;General. Church. Octavo. Beckenhorst Press #BP2339. Published by Beckenhorst Press (BP.BP2339).

UPC: 748769023396. 6.875 x 10.5 inches.

The ST CLEMENT tune, often associated with an evening hymn, is here paired with a fresh morning hymn of praise: Hail, holy light! The world rejoices as morning breaks and shadows fly; all nature blends her myriad voices to greet the dayspring from on high... Break forth, in glory far excelling, O light eternal, love divine! Howard Helvey's choral and piano writing shine exquisitely as always in this anthem.

Composed by Jay Rouse. Choral collection. Sacred Choral, Eastertide, General, Lent. Medallion Music #55/1202MD. Published by Medallion Music

Composed by Gregorian (Laudes Domini). Arranged by Mark Patterson. Hymn concertato. Octavo. Published by Chorister's Guild (LO.CGA1519).

Composed by James Koerts. Arranged by Larry Carrier. Choral. For SATB choir, piano. Choral collection. Sacred, choral. Collection. Published by SoundForth

Composed by Bruce W. Tippette. Classical, Acoustic. Octavo. Excelcia Music Publishing #SATB1906. Published by Excelcia Music Publishing