By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged by August Horn. Choir and piano. For Solo voices, SATB Choir, Piano. This edition: Paperback. Oratorio (complete), Transcriptions, Original Works, Choral. Romantic Period; Sacr. Large Vocal Score. Romantic Period; Sacred/Hymns, German.

By Jack Curtis Dubowsky. Chorus. For SATB choir (SATB choir). Christmas; Hanukkah; Holiday; Pythonesque; humor; GALA; cabaret; Jewish. Sheet music. Composed 2006. Duration 2:15

SATB chorus and piano

SKU: JK.19990

Composed by Janice Kapp Perry. Choral General Conference, Choral SATB, Difficulty Medium, Piano Choir, Special Events Home and Family, Hope, Jesus Christ - Savior. Christian, Inspirational. Jackman Music Corporation #19990. Published by Jackman Music Corporation (JK.19990).

Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

46 new hymns, inspired by the General Conference addresses of Elder Jeffry R. Holland. (October 1994 - April 2017).
Collection includes:
All Ye Who Watch the Master's Sheep
Are the Heavens Truly Open?
Are We Not All Beggars?
As an Ensign to the Nations
A Sinless, Pure and Holy Man
Be Clean, Oh House of Israel
Be Not Afraid, But Be Believing
Bless Me to Be a Little More Like Thee
Do You Love Me?
Christ Can Heal the Broken Hearted
ever We'll Remember
For God Loves Us With All His Heart
For God So Loved the World
God Has Raised Up Noble Daughters
God will Never Leave the Weary
He Will Bring Rest to Your Soul
His More Excellent Way
Holy Father, King of Heaven
How Fair Upon the Mountain
I Am a Child of Destiny
I Bear My Witness of the Lord
In Heaven There Is a Law
Inviting All to Come to Christ
I Testify
I Would Be Thy True Disciple
let Not Your Heart Be Troubled
Let Thy Word Be In Our Hearts
Lord, Accept My Humble Offering
Lord, I Believe
Lord, I'll Strive to Live Worthy of Thy Love
Lord, We Pray For All the Children
May We Have the Tongues of Angels
My Life is Not My Own
None Were With Him
Oh Come Ye Heavy Laden Come
Our Faith Unites Us With One Heart
The Keys of the Kingdom
The Love of God Is Without End
The Mother of All Living
The Words of God Will Never Cease
The Worth of Souls Is Great Indeed
Through a Thousand Generations
To the Rising Generation
Who Will Now Speak For the Widow?
Wilt Thou, Lord, In Me Abide
You Can Always Come Back Home
Composer: Janice Kapp Perry
Lyricist: David B. Larsen
Reference: Hebrews 9:28, John 14:6
*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

SATB chorus and piano - Medium-difficult

SKU: JK.01357

Composed by Robert Millett. Arranged by Robert Millett. Choral SATB, Difficulty Medium Hard, Piano Choir, Holy Ghost, Humility, Jesus Christ - Savior. Gospel Principles Series: Humility. Christian, Inspirational. Duration 2:53. Jackman Music Corporation #01357. Published by Jackman Music Corporation (JK.01357).

Matthew 18:2-4, Doctrine and Covenants 11:12.

Peaceful, ennobling setting arranged for mixed chorus (SATB) and piano, as part of Robert Millett's Gospel Principles Series with scriptural text from Matthew 18:2-4 and Doctrine and Covenants 11:12, incorporating the hymn Be Thou Humble by Grietje Terburg Rowley.
Composer: Robert Millett
Arranger: Robert Millett
Lyricist: Based on Matthew 18:2-4, Doctrine and Covenants 11:12
Difficulty: Medium-difficult
Performance time: 2:53
Reference: Matthew 18:2-4, Doctrine and Covenants 11:12.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911912

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. TVWV 1:58. 4 pages. Duration 18 minutes. Carus Verlag #CV 39.119/12. Published by Carus Verlag (CA.3911912).

ISBN 9790007055578. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911900

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Full score. TVWV 1:58. Duration 18 minutes. Carus Verlag #CV 39.119/00. Published by Carus Verlag (CA.3911900).

ISBN 9790007055547. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911911

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 1. TVWV 1:58. 4 pages. Duration 18 minutes. Carus Verlag #CV 39.119/11. Published by Carus Verlag (CA.3911911).

ISBN 9790007055561. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911914

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, basso continuo. TVWV 1:58. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.119/14. Published by Carus Verlag (CA.3911914).

ISBN 9790007055592. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911919

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Set of Orchestra Parts. TVWV 1:58. Duration 18 minutes. Carus Verlag #CV 39.119/19. Published by Carus Verlag (CA.3911919).

ISBN 9790007139292. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and parts available separately - see item CA.3911900.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911913

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. TVWV 1:58. 4 pages. Duration 18 minutes. Carus Verlag #CV 39.119/13. Published by Carus Verlag (CA.3911913).

ISBN 9790007055585. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900.

By Joel Raney. For C Instrument. (SATB). Cross of Christ, Easter, Good Friday and Sacred. Print Music Single (SATB w/opt. C Instrument). 12 pages. Published by Hope Publishing Company.

Composed by Lloyd Larson. Choral. Sacred Anthem, Holy Week, Lent. Octavo. Lorenz Publishing Company #10/4961L. Published by Lorenz Publishing Company (LO.10-4961L).

(Encounters with the Healer, the Servant, the Lord of Easter). By Pepper Choplin. Cantatas. Eastertide, Lent, Sacred. CD kit. Published by Lorenz Publishing Company

Composed by Brian Tate. For Percussion (SATB). Pavane Choral. Pavane Publishing #P1472. Published by Pavane Publishing

Choral (SATB)

SKU: HL.49045978

Composed by Georg Kreisler. Edited by Bernhard Hofmann. Choral Collection. Classical. Softcover. 76 pages. Schott Music #ED22737. Published by Schott Music (HL.49045978).

ISBN 9783795711870.

Geor g Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishesthe corresponding music edition for mixed choir SATB with piano accompaniment. The topics range from the poisoning of pigeons to thelove of a wonderful woman to a tribute to the triangle. These pleasant arrangements for mixed choir SATB and piano with Kreisler's humorous texts most certainly create an exuberant atmosphere in the concert. All pieces contained in this volume are also available in separate editions. Content text: Tauben vergiften im Park Warum Sie ist ein herrliches Weib Das Triangel Das Tigerfest Please, shoot your hasband.

Composed by Various. Edited by David Wordsworth. For Choral (SATB). Choral. Softcover. 192 pages. Novello and Co Ltd. #NOV164681. Published by Novello and Co Ltd.

Composed by Thad Fiscella, Paul John Rudoi. National Lutheran Choir Series. Catholic Year A Ordinary18. Healing, Hope/Assurance. Octavo. Published by MorningStar Music Publishers (MN.50-9930).

Mixed choir (SATB) and organ - intermediate to advanced

SKU: HL.49017921

For SATB choir and organ. Composed by John Casken. This edition: Saddle stitching. Sheet music. Choral. Choral score. Composed 2008. 12 pages. Duration 6'. Schott Music #ED13285. Published by Schott Music (HL.49017921).

ISBN 9790220131509. UPC: 884088567590. 8.25x11.75x0.062 inches. English.

Composed for the Alwinton and Holystone Church Choir near the composer's home in Northumberland, John Casken sets Christina Rossetti's In the bleak mid-winter - a poem popularised by Gustav Holts' setting of the same name for SATB choir and organ. A traditional carol based on the nativity it paints a vivid picture of the chill of winter and is ideal for choirs wishing to move away from the well-known whilst retaining an element of tradition. Constantly flowing organ lines create a sense of unease but this is uplifting music with subtle crescendos and powerful homophonic writing for the voices.

By John Rutter. For Choral Collection: Mixed Choir. Published by Oxford University Press.

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Congregation, soprano descant, SATB choir, and organ, with optional brass quartet or quintet and timpani (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, Timpani) - Early Intermediate

SKU: MN.60-0004

Composed by Hal H. Hopson and Michael Burkhardt. Advent, Hanging of the Green, Lessons and Carols, 21st Century. Instrument parts. MorningStar Music Publishers #60-0004. Published by MorningStar Music Publishers (MN.60-0004).

UPC: 688670600043. English.

This setting pairs Kathleen R. Moore's 2010 text with MERLE'S TUNE, a Hal Hopson hymn tune found in over 30 hymnals. First used for the 2019 Presbyterian Association of Musicians conference at Montreat, this hymn concertato has optional brass quintet and timpani parts. Stanza 1 is in unison, Stanza 2 could be for solo voices, quartet, or SATB, Stanza 3 is for sopranos accompanied by the rest of the choir humming (using Hopson's original harmonization) and Stanza 4 is unison with descant concluding with Amens.

Composed by Kevin Siegfried. Choral score. E.C. Schirmer Publishing #8854. Published by E.C. Schirmer Publishing

By Miller & Jackson. Arranged by Joel Raney. For Vocal Solo/Duet, Voices. (SATB). Humanity, Mission, Peace, Unity, Contemporary and Sacred. Print Music Single (SATB w/opt. Unison Choir (or Soloist)). 16 pages. Published by Hope Publishing Company.

Composed by Hojun Lee. Epiphany House. Concert, Festival. Octavo. 12 pages. Epiphany House Publishing #EH1051. Published by Epiphany House Publishing

SATB choir and Piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0107

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score and instrument parts. Duration 3 minutes, 32 seconds. MorningStar Music Publishers #56-0107. Published by MorningStar Music Publishers (MN.56-0107).

UPC: 688670221248. English, Latin.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for SATB (divisi) choir and piano. A text by Æmelia Lanyer (née Bassano) (“Why should unlawful actions use the Light?”) is set as a homophonic chorale with a supportive accompaniment. Duration 3:32.