Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230).
ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English.
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Choral SATB choir, piano SKU: CF.CM9608 Composed by Jamey Ray. Fold. Perf...(+)
Choral SATB choir, piano
SKU: CF.CM9608
Composed by Jamey Ray.
Fold. Performance. 12
pages. Duration 3
minutes, 33 seconds. Carl
Fischer Music #CM9608.
Published by Carl Fischer
Music (CF.CM9608).
ISBN 9781491154304.
UPC: 680160912803. 6.875
x 10.5 inches. Key: E
major. English. Alfred,
Lord Tennyson
(1809-1892).
The
beauty in Alfred, Lord
Tennysons poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 5764,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennysonas
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m.A 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word adeepa in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word adarka in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word aembark,a
which is to be an ascent
to Heaven. The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm. 57a64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word awhen.a Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.
~Jamey Ray. The beauty
in Alfred, Lord
Tennyson’s poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m.Â
19, providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word
“deep†in m.
27 gives another instance
of text painting.Take
advantage of the minor
second suspension on the
word “darkâ€
in m. 38 in order to
achieve a feeling of
suspense. The entrance at
m. 41 is full, and while
still minor, the text
gives us hope for a
change. The change comes
in m. 45 with the
staggered entrances
creating a sense of
building and ascent until
the climax of this moment
at m. 47 on the word
“embark,â€
which is to be an ascent
to Heaven.The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm.
57–64, the altos
trade the melody back and
forth with the sopranos.
Take note that the alto
melody should be brought
out, but the line does
not actually begin until
the word
“when.â€Lastly
, be intentional with
syllabic stress (no two
eighth notes or quarter
notes alike) and to give
direction to any note
longer than a quarter.I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.~Jamey
Ray.
Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Albert Riemenschneider,
Charles Boyd. Vocal score
book for SATB choir. With
vocal score notation
(open score in German;
closed score in English),
introductory text and .
Text language English;
lyrics in German and
English. 127 pages.
Published by G. Schirmer,
Inc.
SATB choir - Easy SKU: WD.080689498770 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy
SKU:
WD.080689498770
Dawn of Love's Pure
Light. Composed by
Kenna Turner West, Dale
Mathews & Steve W.
Mauldin. Arranged by
Steve W. Mauldin. Choral,
cantatas. Simply Word.
Bulletins (100-pak).
Duration 39 minutes. Word
Music #080689498770.
Published by Word Music
(WD.080689498770).
UPC:
080689498770.
From
the creative team that
brought you the
best-selling musical,
Joy, Unspeakable Joy!...
Kenna Turner West, Dale
Mathews and Steve W.
Mauldin...comes another
uplifting, worshipful and
inspiring seasonal
musical for your
Christmas choir. O Night
Divine compels the
listener to celebrate the
joyful, glorious birth of
our Lord and Savior. It
encourages us to offer
our highest praise to the
One known by such
magnificent names as
Wonderful Counselor,
Mighty God, and
Everlasting Father. And
it invites us to come to
the manger, bow down, and
worship the King of
Kings. All of the songs
are woven together with
threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this Christmas! O
Night Divine features
inspired, new Christmas
songs from Kenna West,
threaded together by
three powerful,
well-known songs, such
as A Christmas
Alleluia, made popular by
Chris Tomlin; Ring the
Bells, made popular by
artists Travis Cottrell
and Big Daddy Weave; and
Hope Was Born This Night,
popularized by Sidewalk
Prophets. All of the
songs are woven together
with threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this
Christmas!
Song
Titles: Ring the Bells *
Gloria (Emmanuel has
Come) * Carol Hymn Medley
(Come, Thou Long-Expected
Jesus with O Come, O
Come, Emmanuel) * The
Time has Come * Have You
Heard the News * A
Christmas Alleluia * O
Night Divine with A
Christmas Alleluia *
Finale with Hope Was Born
This Night and Ring the
Bells (Reprise).
Arranged by Lloyd Larson. Mercy, God - Love, Commitment, God - Grace, Sacred...(+)
Arranged by Lloyd Larson.
Mercy, God - Love,
Commitment, God - Grace,
Sacred, God - Father,
General Worship. Octavo.
Hope Publishing Company
#C 6131. Published by
Hope Publishing Company
(HP.C6131).
Composed by English Ballad. Arranged by Russell L. Robinson. Fold. Octavo. 8...(+)
Composed by English
Ballad.
Arranged by Russell L.
Robinson. Fold. Octavo. 8
pages. Duration 2
minutes, 47
seconds. Carl Fischer
Music
#CM9657. Published by
Carl
Fischer Music
Hope and Quietly Wait Chorale SATB [Octavo] - Intermédiaire MorningStar Music Publishers
Composed by Thad Fiscella, Paul John Rudoi. National Lutheran Choir Series. Cath...(+)
Composed by Thad
Fiscella, Paul John
Rudoi. National Lutheran
Choir Series. Catholic
Year A Ordinary18.
Healing, Hope/Assurance.
Octavo. Published by
MorningStar Music
Publishers (MN.50-9930).
SATB choir - Easy SKU: WD.080689581090 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy
SKU:
WD.080689581090
Dawn of Love's Pure
Light. Composed by
Kenna Turner West, Dale
Mathews & Steve W.
Mauldin. Arranged by
Steve W. Mauldin. Choral,
cantatas. Simply Word.
Accompaniment DVD.
Duration 39 minutes. Word
Music #080689581090.
Published by Word Music
(WD.080689581090).
UPC:
080689581090.
From
the creative team that
brought you the
best-selling musical,
Joy, Unspeakable Joy!...
Kenna Turner West, Dale
Mathews and Steve W.
Mauldin...comes another
uplifting, worshipful and
inspiring seasonal
musical for your
Christmas choir. O Night
Divine compels the
listener to celebrate the
joyful, glorious birth of
our Lord and Savior. It
encourages us to offer
our highest praise to the
One known by such
magnificent names as
Wonderful Counselor,
Mighty God, and
Everlasting Father. And
it invites us to come to
the manger, bow down, and
worship the King of
Kings. All of the songs
are woven together with
threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this Christmas! O
Night Divine features
inspired, new Christmas
songs from Kenna West,
threaded together by
three powerful,
well-known songs, such
as A Christmas
Alleluia, made popular by
Chris Tomlin; Ring the
Bells, made popular by
artists Travis Cottrell
and Big Daddy Weave; and
Hope Was Born This Night,
popularized by Sidewalk
Prophets. All of the
songs are woven together
with threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this
Christmas!
Song
Titles: Ring the Bells *
Gloria (Emmanuel has
Come) * Carol Hymn Medley
(Come, Thou Long-Expected
Jesus with O Come, O
Come, Emmanuel) * The
Time has Come * Have You
Heard the News * A
Christmas Alleluia * O
Night Divine with A
Christmas Alleluia *
Finale with Hope Was Born
This Night and Ring the
Bells (Reprise).
SATB choir - Easy SKU: WD.080689637148 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy
SKU:
WD.080689637148
Dawn of Love's Pure
Light. Composed by
Kenna Turner West, Dale
Mathews & Steve W.
Mauldin. Arranged by
Steve W. Mauldin. Choral,
cantatas. Simply Word.
Stem mixes. Duration 39
minutes. Word Music
#080689637148. Published
by Word Music
(WD.080689637148).
UPC:
080689637148.
From
the creative team that
brought you the
best-selling musical,
Joy, Unspeakable Joy!...
Kenna Turner West, Dale
Mathews and Steve W.
Mauldin...comes another
uplifting, worshipful and
inspiring seasonal
musical for your
Christmas choir. O Night
Divine compels the
listener to celebrate the
joyful, glorious birth of
our Lord and Savior. It
encourages us to offer
our highest praise to the
One known by such
magnificent names as
Wonderful Counselor,
Mighty God, and
Everlasting Father. And
it invites us to come to
the manger, bow down, and
worship the King of
Kings. All of the songs
are woven together with
threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this Christmas! O
Night Divine features
inspired, new Christmas
songs from Kenna West,
threaded together by
three powerful,
well-known songs, such
as A Christmas
Alleluia, made popular by
Chris Tomlin; Ring the
Bells, made popular by
artists Travis Cottrell
and Big Daddy Weave; and
Hope Was Born This Night,
popularized by Sidewalk
Prophets. All of the
songs are woven together
with threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this
Christmas!
Song
Titles: Ring the Bells *
Gloria (Emmanuel has
Come) * Carol Hymn Medley
(Come, Thou Long-Expected
Jesus with O Come, O
Come, Emmanuel) * The
Time has Come * Have You
Heard the News * A
Christmas Alleluia * O
Night Divine with A
Christmas Alleluia *
Finale with Hope Was Born
This Night and Ring the
Bells (Reprise).
SATB choir - Easy SKU: WD.080689963124 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy
SKU:
WD.080689963124
Dawn of Love's Pure
Light. Composed by
Kenna Turner West, Dale
Mathews & Steve W.
Mauldin. Arranged by
Steve W. Mauldin. Choral,
cantatas. Simply Word.
Accompaniment CD
(split) with
narration. Duration 39
minutes. Word Music
#080689963124. Published
by Word Music
(WD.080689963124).
UPC:
080689963124.
From
the creative team that
brought you the
best-selling musical,
Joy, Unspeakable Joy!...
Kenna Turner West, Dale
Mathews and Steve W.
Mauldin...comes another
uplifting, worshipful and
inspiring seasonal
musical for your
Christmas choir. O Night
Divine compels the
listener to celebrate the
joyful, glorious birth of
our Lord and Savior. It
encourages us to offer
our highest praise to the
One known by such
magnificent names as
Wonderful Counselor,
Mighty God, and
Everlasting Father. And
it invites us to come to
the manger, bow down, and
worship the King of
Kings. All of the songs
are woven together with
threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this Christmas! O
Night Divine features
inspired, new Christmas
songs from Kenna West,
threaded together by
three powerful,
well-known songs, such
as A Christmas
Alleluia, made popular by
Chris Tomlin; Ring the
Bells, made popular by
artists Travis Cottrell
and Big Daddy Weave; and
Hope Was Born This Night,
popularized by Sidewalk
Prophets. All of the
songs are woven together
with threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this
Christmas!
Song
Titles: Ring the Bells *
Gloria (Emmanuel has
Come) * Carol Hymn Medley
(Come, Thou Long-Expected
Jesus with O Come, O
Come, Emmanuel) * The
Time has Come * Have You
Heard the News * A
Christmas Alleluia * O
Night Divine with A
Christmas Alleluia *
Finale with Hope Was Born
This Night and Ring the
Bells (Reprise).
SATB choir - Easy SKU: WD.080689497773 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy
SKU:
WD.080689497773
Dawn of Love's Pure
Light. Composed by
Kenna Turner West, Dale
Mathews & Steve W.
Mauldin. Arranged by
Steve W. Mauldin. Choral,
cantatas. Simply Word.
Eastertide. Posters
(12-pak). Duration 39
minutes. Word Music
#080689497773. Published
by Word Music
(WD.080689497773).
UPC:
080689497773.
From
the creative team that
brought you the
best-selling musical,
Joy, Unspeakable Joy!...
Kenna Turner West, Dale
Mathews and Steve W.
Mauldin...comes another
uplifting, worshipful and
inspiring seasonal
musical for your
Christmas choir. O Night
Divine compels the
listener to celebrate the
joyful, glorious birth of
our Lord and Savior. It
encourages us to offer
our highest praise to the
One known by such
magnificent names as
Wonderful Counselor,
Mighty God, and
Everlasting Father. And
it invites us to come to
the manger, bow down, and
worship the King of
Kings. All of the songs
are woven together with
threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this Christmas! O
Night Divine features
inspired, new Christmas
songs from Kenna West,
threaded together by
three powerful,
well-known songs, such
as A Christmas
Alleluia, made popular by
Chris Tomlin; Ring the
Bells, made popular by
artists Travis Cottrell
and Big Daddy Weave; and
Hope Was Born This Night,
popularized by Sidewalk
Prophets. All of the
songs are woven together
with threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this
Christmas!
Song
Titles: Ring the Bells *
Gloria (Emmanuel has
Come) * Carol Hymn Medley
(Come, Thou Long-Expected
Jesus with O Come, O
Come, Emmanuel) * The
Time has Come * Have You
Heard the News * A
Christmas Alleluia * O
Night Divine with A
Christmas Alleluia *
Finale with Hope Was Born
This Night and Ring the
Bells (Reprise).
SATB choir - Easy SKU: WD.080689614392 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy
SKU:
WD.080689614392
Dawn of Love's Pure
Light. Composed by
Kenna Turner West, Dale
Mathews & Steve W.
Mauldin. Arranged by
Steve W. Mauldin. Choral,
cantatas. Simply Word.
DVD preview pak. Duration
39 minutes. Word Music
#080689614392. Published
by Word Music
(WD.080689614392).
UPC:
080689614392.
From
the creative team that
brought you the
best-selling musical,
Joy, Unspeakable Joy!...
Kenna Turner West, Dale
Mathews and Steve W.
Mauldin...comes another
uplifting, worshipful and
inspiring seasonal
musical for your
Christmas choir. O Night
Divine compels the
listener to celebrate the
joyful, glorious birth of
our Lord and Savior. It
encourages us to offer
our highest praise to the
One known by such
magnificent names as
Wonderful Counselor,
Mighty God, and
Everlasting Father. And
it invites us to come to
the manger, bow down, and
worship the King of
Kings. All of the songs
are woven together with
threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this Christmas! O
Night Divine features
inspired, new Christmas
songs from Kenna West,
threaded together by
three powerful,
well-known songs, such
as A Christmas
Alleluia, made popular by
Chris Tomlin; Ring the
Bells, made popular by
artists Travis Cottrell
and Big Daddy Weave; and
Hope Was Born This Night,
popularized by Sidewalk
Prophets. All of the
songs are woven together
with threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this
Christmas!
Song
Titles: Ring the Bells *
Gloria (Emmanuel has
Come) * Carol Hymn Medley
(Come, Thou Long-Expected
Jesus with O Come, O
Come, Emmanuel) * The
Time has Come * Have You
Heard the News * A
Christmas Alleluia * O
Night Divine with A
Christmas Alleluia *
Finale with Hope Was Born
This Night and Ring the
Bells (Reprise).
SATB choir - Easy SKU: WD.080689850721 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy
SKU:
WD.080689850721
Dawn of Love's Pure
Light. Composed by
Kenna Turner West, Dale
Mathews & Steve W.
Mauldin. Arranged by
Steve W. Mauldin. Choral,
cantatas. Simply Word.
Bulk CD (10-pak).
Duration 39 minutes. Word
Music #080689850721.
Published by Word Music
(WD.080689850721).
UPC:
080689850721.
From
the creative team that
brought you the
best-selling musical,
Joy, Unspeakable Joy!...
Kenna Turner West, Dale
Mathews and Steve W.
Mauldin...comes another
uplifting, worshipful and
inspiring seasonal
musical for your
Christmas choir. O Night
Divine compels the
listener to celebrate the
joyful, glorious birth of
our Lord and Savior. It
encourages us to offer
our highest praise to the
One known by such
magnificent names as
Wonderful Counselor,
Mighty God, and
Everlasting Father. And
it invites us to come to
the manger, bow down, and
worship the King of
Kings. All of the songs
are woven together with
threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this Christmas! O
Night Divine features
inspired, new Christmas
songs from Kenna West,
threaded together by
three powerful,
well-known songs, such
as A Christmas
Alleluia, made popular by
Chris Tomlin; Ring the
Bells, made popular by
artists Travis Cottrell
and Big Daddy Weave; and
Hope Was Born This Night,
popularized by Sidewalk
Prophets. All of the
songs are woven together
with threads of a rich
narration and the
colorful, many-faceted
arrangements and
orchestrations of Steve
W. Mauldin. O Night
Divine, the perfect
musical for your choir
this
Christmas!
Song
Titles: Ring the Bells *
Gloria (Emmanuel has
Come) * Carol Hymn Medley
(Come, Thou Long-Expected
Jesus with O Come, O
Come, Emmanuel) * The
Time has Come * Have You
Heard the News * A
Christmas Alleluia * O
Night Divine with A
Christmas Alleluia *
Finale with Hope Was Born
This Night and Ring the
Bells (Reprise).
Mixed choir SKU: ST.B954 Composed by Andrew Pratt and Jan Berry. Edited b...(+)
Mixed choir
SKU:
ST.B954
Composed by
Andrew Pratt and Jan
Berry. Edited by Andrew
Pratt. Hymns & Relgious
Drama. Words and music to
refresh the church's
ministry of healing. .
Edited by Jan Berry and
Andrew Pratt with Janet
Eldred and Anne Sardeson.
Pages: 152. Format:
Paperback. Choral Score.
Stainer & Bell Ltd.
#B954. Published by
Stainer & Bell Ltd.
(ST.B954).
ISBN
9780852499542.
The
outcome of a fruitful
collaboration of
theologians, writers and
musicians working at the
retreat and therapeutic
centre of Holy Rood House
in Yorkshire, this new
collection articulates
the needs of a
contemporary ministry of
healing through the
agency of hymns, the
church's most resonant
and expressive form of
worship.
Acknowledging the impact
of medical science in
vastly expanding the
range of the possible in
every aspect of our
living and dying,
eighty-three texts tackle
a rich diversity of
themes: infant death,
illness and suffering,
ageing and dementia, the
genome, mortality and
bereavement, grief and
lament, pain and despair
- including pain and
despair from the failure
of healing - but also
wisdom and resilience,
healing as part of a
spiritual holism of mind
and body, and as a
metaphor for social and
political justice and
care for the environment.
The wealth of music
includes new tunes and
familiar ones, and the
anthology concludes with
a section of twelve short
or repetitive texts to be
used in conjunction with
prayer.
Hymns of Hope and
Healing is the
product of many voices,
from those of widely
experienced authors to
others taking their
promising early steps in
the form. It will provide
a vehicle for worship and
reflection for those
involved in chaplaincy,
in therapies and
counselling, and all in
the wider church with an
interest in this ancient
ministry. Witnessed
through the life, death
and resurrection of
Christ, it is refreshed
and re-imagined here for
a time both of
breathtaking scientific
advance, and of an urgent
need to affirm our
wholeness and faith while
embracing the momentous
challenges to our
traditional understanding
of health and
healing.
O Night Divine Chorale SATB SATB, Cordes [Octavo] Hope Publishing Company
By John S. Dwight. Arranged by Jeremy Walton. For SATB choir with optional violi...(+)
By John S. Dwight.
Arranged by Jeremy
Walton. For SATB choir
with optional violin.
Choral music. Christmas,
Sacred. Choral octavo. 12
pages. Published by Hope
Publishing Company
Composed by Joel Raney. Arranged by Joel Raney. Palm Sunday, Lent. Choral score...(+)
Composed by Joel Raney.
Arranged by Joel Raney.
Palm Sunday, Lent.
Choral score. Hope
Publishing Company #8871.
Published by Hope
Publishing Company
(HP.8871).
Composed by Paul Langford. Arranged by Frederick Faber. For SATB choir, cell...(+)
Composed by Paul
Langford.
Arranged by Frederick
Faber.
For SATB choir, cello.
Grace,
redeeming grace. Octavo.
12
pages. Published by Hope
Publishing Company
By Robert Kyr. Text: William Blake and Alexander Pope. For Boy soprano and Tenor...(+)
By Robert Kyr. Text:
William Blake and
Alexander Pope. For Boy
soprano and Tenor soli,
SATB Choir [divisi],
piano and optional cello.
(Mixed Voices). General.
Choral. Level: moderately
difficult. Octavo. 20
pages. Published by Ione
Press.
SATB choir SKU: ST.EM33 Composed by Richard Alison. Edited by Edmund H Fe...(+)
SATB choir
SKU:
ST.EM33
Composed by
Richard Alison. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM33. Published by
Stainer & Bell Ltd.
(ST.EM33).
ISBN
9790220200076.
This
interesting collection
looks back to the
'Winter' of Byrd and
Mundy in the conservative
settings of such verse as
My prime of
youth (see EM35B);
but it is also a
contemporary record, with
two madrigals celebrating
the failure of Guy
Fawkes' Gunpowder Plot
against James I.
CONTENTS Behold now
praise the Lord (S (or A)
S (or A) TBB) But yet
it seems (SSAB) Can I
abide this prancing?
(SSATB) Earth's but a
point (SSATB) For
Lust is frail (SSATB)
He only can behold
(SSAB) Her eyes like
angels (SSATB) I can
no more but hope
(SSAB) In hope a King
(SSAB) My prime of
youth (SSAB) O heavy
heart (SSAB) O Lord
bow down thine ear
(SATTB) Rest with
yourselves (SSATB)
Shall I abide this
jesting (SSATB) The
man upright of life
(SSAB) The sacred
choir of angels
(SATBB) The Spring is
past (SSAB) The
stately stag (SSATB)
The sturdy rock
(SSATB) There is a
garden in her face
(SSATB) Those
cherries fairly do
enclose (SSATB)
Though Wit bids Will
(SSAB) What if a day
(SSATB) Who loves
this life (SSAB).
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano
SKU: CF.CM9713
Composed by Jacob
Narverud. 16 pages.
Duration 4:01. Carl
Fischer Music #CM9713.
Published by Carl Fischer
Music (CF.CM9713).
ISBN 9781491160084.
UPC: 680160918683. Key: G
major. English. Robert
Bode. Original.
The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering support.
Performance Notes This
lighthearted piece is a
great way to bring
multiple choirs together
in harmony. It may be
sung by a single SATB
choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs: Rehearsal Letters
A to B: Elementary choir
only (two-part, Soprano,
Alto) Rehearsal Letter B:
add Middle Level Soprano,
Alto with Elementary
choir Rehearsal Letter C:
Middle Level choir only
Rehearsal Letter D: High
School choir only
Rehearsal Letter E to the
end: Everyone! Song of
the Sound: Running on the
beach, digging in the
sand, Seaweed in my toes,
bucket in my hand. When
I'm at the shore, way
above the rest, These are
all the things that I
love the best. Skipping
like a stone on the
water, diving deep in the
silvery foam, Swimming
far where the land cannot
hold us, where the
lighthouse calls us home.
Flying free above the
marshes, soaring high
above the sea, Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing shore:
Where the gentle breezes
whisper and the mighty
breakers roar. We will
look to the shining
ocean, to the East, where
the new day dawned: We
will sing a song of the
edge of the world and the
waiting sky beyond. -Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019) About
the Composer: Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.com YouTube
& Spotify:
@jacobnarverud. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering
support.Performance
NotesThis lighthearted
piece is a great way to
bring multiple choirs
together in harmony. It
may be sung by a single
SATB choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs:Rehearsal Letters
AÂ to B: Elementary
choir only (two-part,
Soprano, Alto)Rehearsal
Letter B: add Middle
Level Soprano, Alto with
Elementary choirRehearsal
Letter C: Middle
Level choir onlyRehearsal
Letter D: High School
choir onlyRehearsal
Letter E to the end:
Everyone!Song of the
Sound:Running on the
beach, digging in the
sand,Seaweed in my toes,
bucket in my hand.When
I'm at the shore, way
above the rest,These are
all the things that I
love the
best. Skipping like a
stone on the water,
diving deep in the
silvery foam,Swimming far
where the land cannot
hold us, where the
lighthouse calls us
home.Flying free above
the marshes, soaring high
above the sea,Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing
shore:Where the gentle
breezes whisper and the
mighty breakers roar.We
will look to the shining
ocean, to the East, where
the new day dawned:We
will sing a song of the
edge of the world and the
waiting sky beyond.-Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019)About
the Composer:Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.comÂ
YouTube & Spotify:
@jacobnarverud.