| Warehouse-live Score Chorale SATB - Facile Schott
Soloists, speakers, mixed choir (SATB) and combo (Score) - easy SKU: HL.49006...(+)
Soloists, speakers, mixed
choir (SATB) and combo
(Score) - easy SKU:
HL.49006394 Eine
satirische Chor-Revue in
10 Abteilungen.
Composed by Pete Seeger.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Vocal score
(also full score). 40
pages. Duration 30'.
Schott Music #ED 6524.
Published by Schott Music
(HL.49006394). ISBN
9790001069380. Ware
house-Life wurde zum
ersten Mal in einem
Studio der
'Internationalen
Begegnung singender
Jugend' des Deutschen
Sangerbundes in Berlin
aus dem Manuskript
aufgefuhrt. Drei
Gestalten haben besondere
Bedeutung: das Mannequin
- ein Reklame- Girl,
klischeehaft schon,
unpersonlich sexy, in
warenbezogenen Kostumen
auftretend; der Tenor,
der Kaufertyp, der den
Lockungen des Girls
verfallt; und
schliesslich der
Dressman, das maskuline
Gegenstuck zum Mannequin.
Sing- und Spielstil
sollten Song und Kabarett
parodieren. Im Ubrigen
lebt Warehouse- Life vom
flotten, luckenlosen und
temperamentvollen Ablauf
der 10 Abteilungen, von
Laune, Witz und
Spielfreude der Akteure,
sowie von gezielten
Uberraschungen optischer
und akustischer Art. Der
Fantasie sind keine
Grenzen gesetzt.'(Fritz
Grasshoff) Die
Absurditaten der
Warenasthetik, die
Perfidie der
Reklamewelten, das
schonungslose Einhammern
von Werbespruchen, das
rettungslose
Ausgeliefertsein an einen
Mechanismus des
Verkaufens, Anpreisens
und An-den-Mann-Bringens
um jeden Preis sind Thema
dieser Revue und werden
mit den Mitteln
textlicher wie
musikalischer Ironie,
Parodie und Persiflage
blossgestellt. Die offene
Form bietet vielfaltige,
unbegrenzte Moglichkeiten
zur szenischen
Gestaltung; die
Einbeziehung anderer
Medien (Video, Film)
bietet gute Moglichkeiten
fur facherubergreifende
Arbeit mit Kindern und
Jugendlichen ab 10
Jahren. $38.00 - Voir plus => Acheter | | |
| The Way of Jesus: His Mission in Word and Song (Choir Score) Chorale SATB SATB, Orgue [Conducteur] MorningStar Music Publishers
Congregation, unison voices or SATB choir, organ, optional handbells, timpani (+)
Congregation, unison
voices or SATB choir,
organ, optional
handbells, timpani
SKU: MN.70-200
Composed by Hal H.
Hopson.
Multi-Movement/Large
Choral Work. Lent, 21st
Century. Score.
MorningStar Music
Publishers #70-200.
Published by MorningStar
Music Publishers
(MN.70-200). UPC:
688670702006. This
hymn festival provides a
unique experience in hymn
singing. The congregation
and choir sing ten hymns
from various Christian
traditions. The
accompaniments are
arranged for organ or
piano, and several of the
hymn settings include
optional handbells and
timpani. The accompanying
narration provides
commentary on the words
and deeds of Jesus and
also creates a transition
from one hymn to the
next. This spiral-bound
edition allows for
reproduction of handbell
and timpani parts,
narrator pages, and
congregation pages.
Organist plays
from the hymn festival
score (70-200A). All
instrumental parts,
narrator pages, and
congregation pages are
included in the full
score.
Contents:
Alleluia! Sing to
Jesus Lord, When You
Came to Jordan Jesus
Calls Us O'er the
Tumult Though I May
Speak with Bravest
Fire This Little Light
of Mine The Lord's My
Shepherd, I'll Not
Want Be Thou My
Vision All Who Hunger,
Gather Gladly Christ
Is Risen! Should
Hosanna! Go, My
Children with My
Blessing. $3.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lass dich nicht vom Bösen Chorale SATB Music Distribution Services
Mixed choir (SATB), organ or strings ad libitum SKU: M7.DOHR-17567 Jah...(+)
Mixed choir (SATB), organ
or strings ad libitum
SKU: M7.DOHR-17567
Jahreslosung 2011.
Composed by Kurt Grahl.
Sheet music. Score, also
Choral Score. 4 pages.
MDS (Music Distribution
Services) #DOHR 17567.
Published by MDS (Music
Distribution Services)
(M7.DOHR-17567). ISBN
9790202035672.
German. Lass dich
nicht überwinden durch
das Böse, sondern
überwinde das Böse
mit Gutem. (Römer 12,
21) Die Losung im
Kontext: So nun deinen
Feind hungert, so speise
ihn; dürstet ihn, so
tränke ihn. Wenn du
das tust, so wirst du
feurige Kohlen auf sein
Haupt sammeln. Lass dich
nicht überwinden durch
das Böse, sondern
überwinde das Böse
mit Gutem. Die
Chorstimmen können
durch ein
Tasteninstrument (Orgel)
oder ein Streichquartett
(Kontrabass ad lib.)
colla parte begleitet
werden. Das Stimmenset
umfasst: Violine 1
Violine 2 Viola
Violoncello/Kontrabass.
p>
$9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Daphnis and Chloe Chorale SATB - Intermédiaire/avancé De Haske Publications
SATB Choir - Grade 6 SKU: BT.DHP-1115074-050 Symphonic Fragments - 2nd...(+)
SATB Choir - Grade 6
SKU:
BT.DHP-1115074-050
Symphonic Fragments -
2nd Suite. Composed
by Maurice Ravel. Great
Classics. Set (Score and
Parts). Composed 2011. 8
pages. De Haske
Publications #DHP
1115074-050. Published by
De Haske Publications
(BT.DHP-1115074-050).
9x12 inches.
English-German-French-Dut
ch. Ravel's ballet,
Daphnis and
Chloé, was
commissioned by Sergei
Diaghilev and premiered
with the Ballets Russes
in Paris in 1912. The
ballet is now rarely
performed, but its
Suite No. 2
remains popular. It
consists of three
movements, Lever du
jour, Pantomime and
Danse
générale, that
are played without
interruption. Tohru
Takahashi makes no
compromises in his
transcription, which
calls for at least 60
musicians and an optional
mixed
chorus!
De
Suite Nr. 2 uit
Daphnis and Chloe
bevat de muziek uit het
derde deel van het ballet
en bestaat uit de delen
Lever du jour,
Pantomime en Danse
générale.
Zonder onderbreking
worden deze na elkaar
gespeeld.In zijn nieuwe
transcriptie voor
blaasorkest deed Tohru
Takahashi geen enkele
concessie. Om het werk
precies volgens de
partituur uit te voeren,
hebt u een
orkestbezetting van
zestig of meer muzikanten
nodig. Een gemengd kooris
ook wenselijk, maar
dankzij de stichnoten
(cue notes) is het werk
ook zonder koor uit te
voeren.
Die
Suite Nr. 2 aus
Daphnis and Chloe
enthält die Musik aus
dem dritten Teil des
Balletts und besteht aus
den drei Sätzen
Lever du jour,
Pantomime und
Danse
générale, die
ohne Unterbrechung
nacheinander gespielt
werden. In seiner neuen
Blasorchester-Transkripti
on ging Tohru Takahashi
keinerlei Kompromisse
ein. Um das Werk
gemä� der Partitur
aufzuführen, ist eine
Orchesterstärke von 60
oder mehr Musikern, sowie
ein gemischter Chor
erforderlich; dank der
Stichnoten ist es auch
ohne Chor
spielbar.
La
Suite n°2
correspond au
troisième tableau du
ballet Daphnis et
Chloé. Lever du
jour, Pantomime et
Danse générale
sont interprétés
sans interruption. Cette
nouvelle transcription
pour orchestre d'harmonie
ne fait aucun compromis.
Non seulement il vous
faudra réunir un
ensemble de 60 musiciens
ou plus afin de respecter
la partition, mais un
choeur mixte est
également essentiel.
Cependant, si les notes
secondaires (ou petites
notes) sont jouées par
les musiciens, le choeur
est alors ad
libitum.
La
Suite Nr. 2 da
Daphnis and Chloe
contiene la musica della
terza parte del balletto.
Essa è composta da tre
movimenti: Lever du
jour, Pantomine e
Danse
générale,
eseguite senza
interruzione. Nella sua
nuova trascrizione per
banda, TohruTakahashi non
è sceso a compromessi:
per eseguire il brano
sono necessari 60 o
più musicisti come
anche un coro misto. Se
però le note
secondarie (o piccole
te), sono eseguite dai
musicisti, il coro
diventa ad libitum. $118.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Victory in Jesus (Orchestration) Chorale SATB [Conducteur et Parties séparées] Lillenas Publishing Co.
SATB choir SKU: LP.OR-9226 32 Favorite Hymns and Gospel Songs. Com...(+)
SATB choir SKU:
LP.OR-9226 32
Favorite Hymns and Gospel
Songs. Composed by
Thomas Fettke. Choral.
Hymns and Sacred. Score
and parts. Published by
Lillenas Publishing
Company (LP.OR-9226).
UPC:
765762091108. Hungr
y for stirring choral
settings of the great old
hymns of the church? $395.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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