By Chris Tomlin, Ed Cash, and Kari Jobe. Arranged by BJ Davis. SATB. Integrity Choral. 12 pages

By Bobby Darin. By Bobby Darin (1936-1973). Arranged by Kirby Shaw. Jazz Chorals. Concert, Festival, Pop, Swing, Vocal Jazz. Octavo. 12 pages. Duration 110 seconds. Published by Hal Leonard

Arranged by Gary Rhodes and Tim Cates. For SATB choir. Sacred, Easter, Anthem. Octavo. Published by Word Music

SATB choir

SKU: WD.080689466090

Arranged by Gary Rhodes & Tim Cates. Choral. Sacred Anthem. Accompaniment video. Word Music #080689466090. Published by Word Music (WD.080689466090).

UPC: 080689466090.

Let the children lead the time of worship with this moving, participatory song written by Chris Tomlin, Kari Jobe, and Ed Cash, that combines a solo, adult choir and children's voices. (DVD ChoralTrax are also available.)

From the music I WILL RISE.

Composed by Patrick M. Liebergen. Octavo. With Standard notation. 12 pages. Carl Fischer #CM09084. Published by Carl Fischer

SATB choir, soprano voice solo, piano reduction - Intermediate

SKU: GI.G-7959

Composed by Marques L. A. Garrett. African American Church Music Series. Sacred. Octavo. 8 pages. GIA Publications #7959. Published by GIA Publications (GI.G-7959).

UPC: 785147795902. English. Text by Marques L. A. Garrett.

“I'm gonna keep on servin' my Father . . .” In the style of a straightforward SATB unaccompanied spiritual. Very rhythmic with a sense of pressing forward. After the tune is sung twice by the choir, a soprano solo takes over the tune with the choir singing an attractively syncopated accompaniment. .

Composed by Joseph M. Martin. For SATB choir. Octavo. 12 pages. Published by Hope Publishing Company

Choral (SATB)

SKU: HL.1169179

Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Sacred. Octavo. Duration 300 seconds. Published by Shawnee Press (HL.1169179).

UPC: 196288124610. 6.75x10.5x0.036 inches. Psalm 121.

A beloved Psalm passage gives wings to this lofty anthem of praise. An inspiring main theme and elegant contrasting sections create a tonal tapestry ideal for expressive singing. A call to worshippers to celebrate their faith through music any time of year.

Arranged by Gary Rhodes & Tim Cates. For SATB choir. Sacred, Easter, Anthem. CD ChoralTrax. Published by Word Music

Choral SATB choir, piano

SKU: CF.CM9713

Composed by Jacob Narverud. 16 pages. Duration 4:01. Carl Fischer Music #CM9713. Published by Carl Fischer Music (CF.CM9713).

ISBN 9781491160084. UPC: 680160918683. Key: G major. English. Robert Bode. Original.

The piece was commissioned by Kevin Scully, Director of Creative Arts, for the Port Washington School District, New York, with special thanks to the Ed Foundation and HEARTS for their unwavering support. Performance Notes This lighthearted piece is a great way to bring multiple choirs together in harmony. It may be sung by a single SATB choir, though it is intended to be performed by multiple choirs of varying age levels. Song of the Sound was written for an all-district feeder festival piece for combined elementary, middle level, and high school choirs. Here is a suggested outline for combining multiple choirs: Rehearsal Letters A to B: Elementary choir only (two-part, Soprano, Alto) Rehearsal Letter B: add Middle Level Soprano, Alto with Elementary choir Rehearsal Letter C: Middle Level choir only Rehearsal Letter D: High School choir only Rehearsal Letter E to the end: Everyone! Song of the Sound: Running on the beach, digging in the sand, Seaweed in my toes, bucket in my hand. When I'm at the shore, way above the rest, These are all the things that I love the best. Skipping like a stone on the water, diving deep in the silvery foam, Swimming far where the land cannot hold us, where the lighthouse calls us home. Flying free above the marshes, soaring high above the sea, Where the tern and cormorant and plover call to lands we cannot see.Come let us go to the water, let us go to the singing shore: Where the gentle breezes whisper and the mighty breakers roar. We will look to the shining ocean, to the East, where the new day dawned: We will sing a song of the edge of the world and the waiting sky beyond. -Poem by Robert Bode (Hope Springs Retreat Center, Ohio. August 2019) About the Composer: Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. Dr. Narverud is an active guest Conductor/Clinician for Choral Festivals and All-State Choirs across the country and is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble comprised of musicians from across the Great Plains. As a sought-after composer, Narverud has been commissioned to write new works for a variety of choral ensembles and organizations. Many of his Editors' Choirs compositions are publisher Best Sellers and are performed worldwide by choirs of all levels. Website: www.jnarverud.com YouTube & Spotify: @jacobnarverud.
The piece was commissioned by Kevin Scully, Director of Creative Arts, for the Port Washington School District, New York, with special thanks to the Ed Foundation and HEARTS for their unwavering support.Performance NotesThis lighthearted piece is a great way to bring multiple choirs together in harmony. It may be sung by a single SATB choir, though it is intended to be performed by multiple choirs of varying age levels. Song of the Sound was written for an all-district feeder festival piece for combined elementary, middle level, and high school choirs. Here is a suggested outline for combining multiple choirs:Rehearsal Letters A to B: Elementary choir only (two-part, Soprano, Alto)Rehearsal Letter B: add Middle Level Soprano, Alto with Elementary choirRehearsal Letter C: Middle Level choir onlyRehearsal Letter D: High School choir onlyRehearsal Letter E to the end: Everyone!Song of the Sound:Running on the beach, digging in the sand,Seaweed in my toes, bucket in my hand.When I'm at the shore, way above the rest,These are all the things that I love the best. Skipping like a stone on the water, diving deep in the silvery foam,Swimming far where the land cannot hold us, where the lighthouse calls us home.Flying free above the marshes, soaring high above the sea,Where the tern and cormorant and plover call to lands we cannot see.Come let us go to the water, let us go to the singing shore:Where the gentle breezes whisper and the mighty breakers roar.We will look to the shining ocean, to the East, where the new day dawned:We will sing a song of the edge of the world and the waiting sky beyond.-Poem by Robert Bode (Hope Springs Retreat Center, Ohio. August 2019)About the Composer:Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. Dr. Narverud is an active guest Conductor/Clinician for Choral Festivals and All-State Choirs across the country and is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble comprised of musicians from across the Great Plains. As a sought-after composer, Narverud has been commissioned to write new works for a variety of choral ensembles and organizations. Many of his Editors' Choirs compositions are publisher Best Sellers and are performed worldwide by choirs of all levels. Website: www.jnarverud.com  YouTube & Spotify: @jacobnarverud.

SATB choir with keyboard accompaniment

SKU: LP.DC-9214S

Composed by Dennis Allen. Songbook. Contemporary and Sacred. Split-Channel Accompaniment CD. Published by Lillenas Publishing Company (LP.DC-9214S).

UPC: 765762010222.

All the Best Songs for Youth features 102 of the best songs for youth. This collection contains new songs choruses praise songs and favorites from artists and writers including Audio Adrenaline Newsboys Al Denson Steven Curtis Chapman Clay Crosse Twila Paris Michael W. Smith and more. A great all-around resource for group singing youth choirs or solos. Arranged by Dennis Allen. Titles include Big House; Facts Are Facts; Shine; Be Bold Be Strong; Awesome God; God Is in Control; His Love Is Strong; I Am Somebody; I Believe in Jesus; Pharaoh Pharaoh; Lord I Lift Your Name on High; I Pledge Allegiance to the Lamb; Jesus Is a River of Love; God Will Make a Way; No Fear; Sing Shout Clap; Victory Chant; Willing Heart; You Are the One; My Turn Now; Change My Heart O God; Be the One; Hosanna; You're the King; I'm Not Ashamed; and more.

SATB choir with keyboard accompaniment

SKU: LP.MB-748A

Composed by Dennis Allen. This edition: Paperback, Words Only Edition. Songbook. Contemporary and Sacred. Words only. 34 pages. Published by Lillenas Publishing Company (LP.MB-748A).

ISBN 9780834195813.

All the Best Songs for Youth features 102 of the best songs for youth. This collection contains new songs choruses praise songs and favorites from artists and writers including Audio Adrenaline Newsboys Al Denson Steven Curtis Chapman Clay Crosse Twila Paris Michael W. Smith and more. A great all-around resource for group singing youth choirs or solos. Arranged by Dennis Allen. Titles include Big House; Facts Are Facts; Shine; Be Bold Be Strong; Awesome God; God Is in Control; His Love Is Strong; I Am Somebody; I Believe in Jesus; Pharaoh Pharaoh; Lord I Lift Your Name on High; I Pledge Allegiance to the Lamb; Jesus Is a River of Love; God Will Make a Way; No Fear; Sing Shout Clap; Victory Chant; Willing Heart; You Are the One; My Turn Now; Change My Heart O God; Be the One; Hosanna; You're the King; I'm Not Ashamed; and more.

By Pepper Choplin. For SATB choir, piano. General, Lent. Octavo. Published by Lorenz Publishing Company

Composed by A. M. Cagle and George Clinton. Arranged by George Clinton. Octavo. Duration 2 minutes. Laurendale Associates #CH-1024. Published by Laurendale Associates (MN.CH-1024).

Composed by Joseph M. Martin. For Choral (SATB). Harold Flammer Christmas. 96 pages. Published by Shawnee Press

By Joseph M. Martin. For Choral (PREV PAK). Harold Flammer Christmas. 93 pages. Published by Shawnee Press

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

SATB/opt. Flute Choral; Flute (SATB W/ FLUTE)

SKU: HL.379623

Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Sacred. Octavo. 16 pages. Duration 225 seconds. Published by Shawnee Press (HL.379623).

ISBN 9781705151334. UPC: 196288018094. 6.75x10.5x0.034 inches. Ephesians 3:17-18, I John 3:1, Romans 5:8.

Buoyant with hopefulness, this joyful anthem in 6/8 rises and falls in waves of assurance. A fluid accompaniment provides an impressionistic element as the refreshing images of sacred water flow freely from the anthem to the heart of the listener. Unison singing establishes confidence with pleasing harmonies adding their magic to the mix. This sacred selection is a welcome addition to music for baptisms or services of renewal.