Arranged by Mark A. Brymer. (SATB score). Choral. Size 9x12 inches. 96 pages. Published by Hal Leonard.

Arranged by Mac Huff. (SATB score). Choral. Size 9x12 inches. 96 pages. Published by Hal Leonard.

Arranged by Mac Huff. (SATB score). Choral. Size 9x12 inches. 88 pages. Published by Hal Leonard.

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged by August Horn. Choir and piano. For Solo voices, SATB Choir, Piano. This edition: Paperback. Oratorio (complete), Transcriptions, Original Works, Choral. Romantic Period; Sacr. Large Vocal Score. Romantic Period; Sacred/Hymns, German.

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Composed by Gwyneth W. Walker (1947-). 21st Century. Complete piano/choral score. Duration 11 minutes, 45 seconds. Published by E.C. Schirmer Publishing (EC.8255).

Vocal songbook for SATB choir. With vocal score. 80 pages. Published by Hal Leonard.

SATB choir

SKU: ST.EM33

Composed by Richard Alison. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM33. Published by Stainer & Bell Ltd. (ST.EM33).

ISBN 9790220200076.

This interesting collection looks back to the 'Winter' of Byrd and Mundy in the conservative settings of such verse as My prime of youth (see EM35B); but it is also a contemporary record, with two madrigals celebrating the failure of Guy Fawkes' Gunpowder Plot against James I.

CONTENTS
Behold now praise the Lord (S (or A) S (or A) TBB)
But yet it seems (SSAB)
Can I abide this prancing? (SSATB)
Earth's but a point (SSATB)
For Lust is frail (SSATB)
He only can behold (SSAB)
Her eyes like angels (SSATB)
I can no more but hope (SSAB)
In hope a King (SSAB)
My prime of youth (SSAB)
O heavy heart (SSAB)
O Lord bow down thine ear (SATTB)
Rest with yourselves (SSATB)
Shall I abide this jesting (SSATB)
The man upright of life (SSAB)
The sacred choir of angels (SATBB)
The Spring is past (SSAB)
The stately stag (SSATB)
The sturdy rock (SSATB)
There is a garden in her face (SSATB)
Those cherries fairly do enclose (SSATB)
Though Wit bids Will (SSAB)
What if a day (SSATB)
Who loves this life (SSAB).

Composed by David Willcocks. For SATB choir accompanied and unaccompanied. Christmas Carols. Level B-C (easy - moderately difficult). Vocal score. 96 pages. Published by Oxford University Press

Composed by John Rutter (1945-). For SATB choir and organ/orchestra ([2.1.2.2(II optional)-2.0.0.0], strings). This edition: Paperback. Mixed Voices. Sacred, Choral Leaflet. Level A-B (very easy - easy). Vocal score. 8 pages. Duration 3 minutes. Published by Oxford University Press

This edition: paperback. Mixed Voices. Sacred, Choral Collection. Choral score. 256 pages. Published by Oxford University Press

(Behold the Cross of Christ). Arranged by Marty Parks. For SATB choir. Easy to Moderate. Choral score. Duration 40-45 minutes. Published by Word Music

Arranged by Moses Hogan. For SATB choir and piano accompaniment (for rehearsal only) (SATB). Hal Leonard Choral Collection. Choral and Gospel. Songbook. Vocal score notation. 240 pages. Published by Hal Leonard

By Rodgers and Hammerstein. Arranged by Mac Huff. For SATB voice (SATB). Choral. Broadway. Difficulty: medium. SATB vocal single (medley). Full score notation. 39 pages. Published by Hal Leonard

Composed by George Frideric Handel (1685-1759) and James Chepponis. Arranged by James Chepponis. Easter, Christ the King, Building Dedication, Church Anniversary, Ordination/Installation, 21st Century, Praise/Thanksgiving. Choral score. MorningStar Music Publishers #50-4710. Published by MorningStar Music Publishers

Arranged by Mac Huff. SATB Score for SATB chorus. With vocal score, lyrics and spoken text. 55 pages. Published by Hal Leonard.

Arranged by Mac Huff. (SATB score). Broadway Choral. Size 9x12 inches. 96 pages. Published by Hal Leonard.

By Steven Sametz (1954-). For 2 Soprano voice soli, Tenor voice solo, SATB/SATB choir. Secular. Choral score. Published by E.C. Schirmer Publishing

By Alan Bullard (1947-). For SATB choir and organ/piano/small orchestra/chamber group (1. With org/piano, using the accompaniment printed in the vocal score. 2. With small orchestra or chamber group: 1 flute, 1 Ob, 1 clarinet in A, 1 bassoon/Bass clarinet,

SATB choir

SKU: ST.EM22

Composed by Thomas Bateson. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM22. Published by Stainer & Bell Ltd. (ST.EM22).

ISBN 9790220200861.

CONT ENTS
Ah, Cupid, grant (SSATTB)
All the day I waste (SSA(or T)A(or T)B)
Camilla fair tripped o'er the plain (SSA(or T)T(or B)B)
Come, Sorrow, help me to lament (SSATB)
Cupid in a bed of roses (SSATTB)
Cytherea smiling said (SSATTB)
Down the hills Corinna trips (SSATB)
Fond love is blind (SSATTB)
Have I found her? (SST(or A)BB)
Her hair the net of golden wire (SSATTB)
I heard a noise (SSATB)
If floods of tears (S(or T)Solo)
If I seek to enjoy (SST)
In depth of grief (SA(or T)TTB)
Life of my life (SSATB)
Live not, poor bloom (SSA(or T)B)
Love is the fire (SAT)
My mistress after service due (SAT)
O what is she? (SSAB)
One woman scarce of twenty (SST)
Pleasure is a wanton thing (SST)
Sadness, sit down (SSATB)
See forth her eyes (SAA(or T)B(or T))
She with a cruel frown (SSTTBB)
Sweet those trammels of your hair (SAT)
The nightingale in silent night (SSAT)
When to the gloomy woods (SATB)
Why do I, dying, live? (SSA(or T)TB)
Why dost thou fly? (SSA(or T)T(or A)B)
With bitter sighs (SS(or A)A(or T)TB).

Composed by Michael D. Costello. Ordination/Installation, 21st Century, Communion. Choral score. MorningStar Music Publishers #60-7026. Published by MorningStar Music Publishers

SATB choir

SKU: ST.EM35B

Composed by John Mundy. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart and Philip Brett. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM35B. Published by Stainer & Bell Ltd. (ST.EM35B).

ISBN 9790220211652.

Orga nist of St George's, Windsor, and successor to the famous Marbecke, Mundy was amongst the earliest of the English madrigalists. There are 12 madrigals in this collection, ranging from Of all the birds, a tribute to William Byrd, to In deep distress and the tragic setting of words written by Chideock Tichborne on the eve of his execution in the Tower of London, My prime of youth. The volume also contains 25 psalms in three, four, and five parts.

CONTENTS
As I went walking (SAT)
Blessed art thou (SAT)
Have mercy on me, O Lord (SSATB)
Hear my prayer, O Lord (STB)
Heigh Ho! 'chill go to plough (SSAB)
I lift my heart to thee (SSAT)
In deep distress (SATB)
In midst of woods (SSATB)
Lightly she whipped o'er the dales (SSATB)
Lord arise and help thy servant (SSATB)
Lord to thee I make my moan (SATB)
My prime of youth (SATB)
O all ye nations (S (or A) AT)
O come let us lift up our voice (SAT)
O Lord of whom I do depend (SSAT)
O Lord turn not away thy face (SAT)
Of all the birds (SAT)
Penelope that longed (SSATB)
Praise the Lord, O my soul (SAT)
Save me, O God (SAT)
Sing ye unto the Lord (SSAT)
The black-bird made (SSATB)
The longer that I live (SSAT)
The Shepherd Stephon (S solo, A. viol, T. viol, B. viol)
Thus art thou bless'd (SAT)
Turn about and see me (SA (or T) T)
Unto thee lift I up mine eyes (SSATB)
Were I a king (SATBB)
Who loves a life (SSATB)
Witness ye heav'ns (S solo, A. viol, T. viol, B. viol)
Ye people all in one accord (SAB).

Choral (SATB)

SKU: HL.1103656

Composed by Amber R. Maxwell. Arranged by Heather Sorenson. Daybreak Choral Series. Easter, General Worship, Lent, Sacred. Octavo. Duration 275 seconds. Published by Daybreak Music (HL.1103656).

ISBN 9781705176696. UPC: 196288101659. 6.75x10.5x0.029 inches. I Corinthians 1:9, II Thessalonians 3:3, II Timothy 2:13.

The unchangeable character of God is the subject of this impressive anthem. Structured with both contemporary and traditional elements, there are many artful moments to celebrate as the song unfolds. Score and Parts (ob, vc) available as a digital download.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118809

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. 1x 31.188/21 oboe 1, 1x 31.188/22 oboe 2, 1x 31.188/23 taille. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, End of the church year, Trinity. Set of Orchestra Parts. Composed 1728. BWV 188. Duration 25 minutes. Carus Verlag #CV 31.188/09. Published by Carus Verlag (CA.3118809).

ISBN 9790007210021. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and parts available separately - see item CA.3118800.