(379 Songs and Hymns) Vocal score songbook for SATB choir. Hymnal. With vocal score notation and lyrics. Published by Brentwood-Benson Music Publishing.

Arranged by Mac Huff. SATB Score for SATB chorus. With vocal score, lyrics and spoken text. 55 pages. Published by Hal Leonard.

Arranged by Mac Huff. (SATB score). Broadway Choral. Size 9x12 inches. 96 pages. Published by Hal Leonard.

Arranged by Moses Hogan. For SATB choir and piano accompaniment (for rehearsal only) (SATB). Hal Leonard Choral Collection. Choral and Gospel. Songbook. Vocal score notation. 240 pages. Published by Hal Leonard

Arranged by Mark A. Brymer. (SATB score). Choral. Size 9x12 inches. 96 pages. Published by Hal Leonard.

Arranged by Cliff Duren. For SATB choir, piano accompaniment. Collection. 17 Songs in 10 Arrangements featuring Jesus Can Change Your Life, Alpha and Omega, The Blood Hasn't Ever Changes and 7 more. Southern Gospel. Easy/moderate. Choral score. Published by Word Music

Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, 5Tenor Voice Solo, 3Bass Voice Solo, SATB Choir, 2 Fl, 2 Ob, 2 bassoon, 2 Trp, 3trombone, timpani, Glsp, Str, Continuo) - Level 4

SKU: BA.BA04020

Oratorio in three acts. Composed by George Frideric Handel. Edited by Percy M. Young. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 13. Complete edition, Score. HWV 53. Duration 2 hours, 30 minutes. Baerenreiter Verlag #BA04020_00. Published by Baerenreiter Verlag (BA.BA04020).

ISBN 9790006443055. 33 x 26 cm inches. Text Language: English, German. Translation: Walther Siegmund-Schultze, Walther. Charles Jennens.

Saul was given its first performance under Handel’s direction at the Haymarket Theatre, London, on 16 January 1739. The original libretto (dated 1738) refers to the work as “an Oratorio or Sacred Drama”. This libretto was written by Charles Jennens (1700–1770), a wealthy amateur writer from Gopsall, Leicestershire. A letter of 28 July 1735 from Handel to Jennens suggests that a complete raft of the text already existed at that time.

Saul occupies an extraordinarily important position in the English oratorio tradition that Handel brought to perfection, standing alongside Israel in Egypt at the end of the first creative period of such works.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Johannes Brahms (1833-1897). Edited by Rogowoj, Sergej. This edition: paperbound. Secular choral music; Choral Collections for Mixed Choir. Score. 40 pages

Mixed choir (Mixed choir)

SKU: BA.BA02967

Composed by Leonhard Lechner. Edited by Konrad Ameln. This edition: complete edition, urtext edition. Linen. Leonhard Lechner Works 11. Lieder (Songs). Complete edition, Score, anthology. Composed 1589. Baerenreiter Verlag #BA02967_00. Published by Baerenreiter Verlag (BA.BA02967).

ISBN 9790006428182. 27.7 x 19.9 cm inches.

26 Kompositionen. Urtext der Lechner-Gesamtausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SSATB choir/orchestra (Mixed choir: SSATB, Orch)

SKU: BA.BA10557

Composed by Johann Pachelbel. Edited by Thomas Röder. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 7. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10557_00. Published by Baerenreiter Verlag (BA.BA10557).

ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

5 soprano voice solos, alto voice solo, 2 tenor voice solos, 3 bass voice solos, SATB choir, solo violin, 2 violins, violetta all'unisono/viola, basso continuo (harpsichord, cello, double bass) (5Soprano Voice Solo, Alto Voice Solo, 2 Tenor Voice Solo, 3Bass Voice Solo, SATB Choir, V-solo, 2 V, Violetta all'unisono, Va, Continuo (harpisc., Vc, double bass))

SKU: BA.BA07799

Musikalisches Drama. Composed by Georg Philipp Telemann. Edited by Ulf Grapenthin and Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Volume 50. Hamburg 1726. Edition of selected works, Score. Composed 1726. VWV 21. Baerenreiter Verlag #BA07799_00. Published by Baerenreiter Verlag (BA.BA07799).

ISBN 9790006498109. 33 x 26 cm inches. Language: German. Preface: Wolfgang Hirschmann.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Vocal, Duet SATB choir; handbell; vocal solo/duet - Level 2

SKU: HP.8690

Composed by Jay Althouse. General Worship, Assurance, Children, Christ's Presence, Comfort, Devotion, Guidance, Promise, Sacred. Vocal score. Hope Publishing Company #8690. Published by Hope Publishing Company (HP.8690).

UPC: 763628186906. Romans 12:12, Matthew 15:21, Matthew 15:22, Matthew 15:23, Matthew 15:24, Matthew 15:25, Matthew 15:26, Matthew 15:27, Matthew 15:28.

Original anthem
This Jay Althouse original is one of the all-time top-sellers in the Hope catalog; available in SATB, SAB, two-part mixed or treble choir, and now a new setting for men's voices. Accompaniment can be provided by keyboard or by the separate 3-5 octave handbell setting. The bell setting also works wonderfully as a stand alone handbell piece.

Vocal, Duet SATB choir; handbell; vocal solo/duet - Level 2

SKU: HP.8710

Composed by Jay Althouse. General Worship, Assurance, Children, Christ's Presence, Comfort, Devotion, Guidance, Promise, Sacred. Vocal score. Hope Publishing Company #8710. Published by Hope Publishing Company (HP.8710).

UPC: 763628187101. Romans 12:12, Matthew 15:21, Matthew 15:22, Matthew 15:23, Matthew 15:24, Matthew 15:25, Matthew 15:26, Matthew 15:27, Matthew 15:28.

Original anthem
This Jay Althouse original is one of the all-time top-sellers in the Hope catalog; available in SATB, SAB, two-part mixed or treble choir, and now a new setting for men's voices. Accompaniment can be provided by keyboard or by the separate 3-5 octave handbell setting. The bell setting also works wonderfully as a stand alone handbell piece.

Alto voice solo, tenor voice solo, bass voice solo, SSATB choir, orchestra (Soli, Mixed choir, Orch)

SKU: BA.BA10706-01

Composed by George Frideric Handel. Edited by Amanda Babington. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series III, Volume 13. Complete edition, Score, anthology. HWV 283, HWV 265. Baerenreiter Verlag #BA10706_01. Published by Baerenreiter Verlag (BA.BA10706-01).

ISBN 9790006550227. 33 x 26 cm inches. Text Language: English. Preface: Amanda Babington.

The Dettinger Te Deum was written to celebrate England's victory over the French at the Battle of Dettingen.
It is Handel's last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.
The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.
This edition, edited by Baroque specialist Amanda Babington, is based on the Urtext from the Halle Handel Edition.

* First Urtext edition
* Includes a Foreword (Eng/Ger).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

3 soprano voice solos, 2 tenor voice solos, bass voice solo, SATB choir, orchestra (3Soprano Voice Solo, 2 Tenor Voice Solo, Bass Voice Solo, SATB Choir, Orchestra)

SKU: BA.BA05526

Fragment of a religious drama in 3 acts. Consists of act 1, act 2 (incomplete)and the end of a libretto. Urtext based on the New Schubert Edition. Composed by Franz Schubert. Edited by Reinhold Kubik. This edition: complete edition, urtext edition. Linen. New Schubert Edition (Neue Ausgabe samtlicher Werke) Series II, Volume 10. Complete edition, Score. D 689. Baerenreiter Verlag #BA05526_00. Published by Baerenreiter Verlag (BA.BA05526).

ISBN 9790006472215. 33.1 x 26.5 cm inches. Text: August H Niemeyer.

Fragment eines religiosen Dramas in 3 Akten. 1. und 2. unvollstandiger Akt, Schluss des Lbrettos. Uretxt der Neuen Schubert-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB choir/basso continuo (2 SATB Choir, Continuo)

SKU: BA.BA10560

Composed by Johann Pachelbel. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 10. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10560_00. Published by Baerenreiter Verlag (BA.BA10560).

ISBN 9790006553099. 33 x 26 cm inches. Language: German/English. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SSATB choir/orchestra (SSATB Choir, Orchestra)

SKU: BA.BA10555

Composed by Johann Pachelbel. Edited by Katharina Larissa Paech. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 5. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10555_00. Published by Baerenreiter Verlag (BA.BA10555).

ISBN 9790006553044. 33 x 26 cm inches. Text Language: Latin. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding