| Disney Spectacular (Medley) Chorale SATB SATB [Feuillet] Hal Leonard
Arranged by Mac Huff. (SATB). Disney Choral. Size 6.7x10.5 inches. 56 pages. Pu...(+)
Arranged by Mac Huff.
(SATB). Disney Choral.
Size 6.7x10.5 inches. 56
pages. Published by Hal
Leonard.
(2)$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I'm Goin' to That Place Chorale SATB SATB Fred Bock Music Company
By Lyle Lovett. Arranged by Jim Lucas. (SATB). Fred Bock Publications. Sacred. ...(+)
By Lyle Lovett. Arranged
by Jim Lucas. (SATB).
Fred Bock Publications.
Sacred. Size 6.75x10.5
inches. 10 pages.
Published by Fred Bock
Music Company.
$1.80 $1.71 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I'm Troubled in Mind Chorale SATB - Intermédiaire GIA Publications
SATB choir, voice solo, piano reduction - Late intermediate SKU: GI.G-8112(+)
SATB choir, voice solo,
piano reduction - Late
intermediate SKU:
GI.G-8112 Composed by
Traditional Spiritual.
Arranged by Brandon
Waddles. African American
Church Music Series.
Sacred. Octavo. 8 pages.
GIA Publications #8112.
Published by GIA
Publications (GI.G-8112).
UPC: 785147811206.
English. Text Source:
African American
spiritual. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I'm So Glad Chorale SATB - Intermédiaire MorningStar Music Publishers
SATB choir, mezzo-soprano voice solo, keyboard - Late Intermediate SKU: MN.50...(+)
SATB choir, mezzo-soprano
voice solo, keyboard -
Late Intermediate SKU:
MN.50-8834 Composed
by Michael R. Hassell.
Spirituals. Spiritual.
Octavo. MorningStar Music
Publishers #50-8834.
Published by MorningStar
Music Publishers
(MN.50-8834). UPC:
688670588341. Plain
tive blues solo passage
leads to explosion of
shout choruses and
hard-driving gospel piano
accompaniment. Fiery
setting of energetic,
uplifting
African-American
spiritual. $2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Will Praise You With Song Chorale SATB [Octavo] Hope Publishing Company
Composed by Joseph M. Martin. For SATB choir. Octavo. 12 pages. Published by Hop...(+)
Composed by Joseph M.
Martin. For SATB choir.
Octavo. 12 pages.
Published by Hope
Publishing Company
$2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Eyesight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. ...(+)
Choral SATB choir, piano
SKU: PR.342402070
Composed by Steven
Stucky. -. Ars Nova
Chamber Singers, Boulder
CO. Performance Score.
With Standard notation.
Composed 7-Feb. 8 pages.
Duration 3 minutes.
Theodore Presser Company
#342-40207. Published by
Theodore Presser Company
(PR.342402070). ISBN
9781491111253. UPC:
680160643226. Octavo
inches. Text: Archibald
R. Ammons. Archibald
Ammons. Text by A.R.
Ammons. To benefit
Chorus America, Stucky
allowed himself to be
auctioned off as a prize
- the high bidder would
receive a new work from
the composer. After a few
years and not really
hearing anything, Stucky
suddenly found himself up
against a deadline. He
reached back to a
favorite poem by A.R.
Ammons, Eyesight, which,
he says, Won't let...his
reader rest till the very
last word...one of those
sudden insights that
leave us
breathless.. This
piece has an odd history.
A few years ago, I agreed
to be one of
the“prizesâ€
in an auction to benefit
Chorus America: the
highest bidder wouldget a
new piece from me, while
their money went to the
organization. Thewinning
bid came from a
collection of several
professional choruses
anddirectors. But I was
always a little vague
about the details, and,
hearingnothing more about
it for a few years,
forgot the whole
thing.One day I received
a message from Thomas
Edward Morgan, directorof
the Ars Nova Chamber
Singers in Boulder: they
had scheduled thepremiere
of my new piece for a few
weeks later, and could
they have themusic,
please? I needed a text,
quickly, and (as usual) I
was in a Los Angeleshotel
room, not at home with my
books. So I turned to the
internet andsoon tracked
down my favorite poet,
A.R. Ammons
(1926-2001).Once I
stumbled on
“Eyesight,†I
remembered having loved
the poemyears before.
Archie must have loved
it, too, because he
included it bothin his
Collected Poems 1951-1971
and in the later Selected
Poems. It haseverything
you want in an Archie
Ammons poem: what Edward
Hirschcalled his
“offbeat, sideways,
unpredictable
radiance,†his
“homespunglory.â
It has one of his
trademark conversations
with a mountain
(perhapsfrom his native
North Carolina), it has
the fluid motion from one
line tothe next
(enjambment, if you want
to get technical) that
won’t let him
orhis reader rest till
the very last word of the
very last line, and it
has in thatlast line one
of those sudden insights
that leave us breathless:
“some thingsthat go
are gone.â€I miss
Archie, but he’s
not gone. I’m
grateful for the
wonderful poems heleft
us, and I’m
grateful that he was
always generous and kind
when I hadthe chutzpah to
add my music to his. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| NOEL- Mormon Tabernacle Choir Chorale SATB SATB [Partition] - Intermédiaire Jackman Music Corporation
By Many. Arranged by Donald H. Ripplinger. Text: Many. For SATB Choir. Christmas...(+)
By Many. Arranged by
Donald H. Ripplinger.
Text: Many. For SATB
Choir. Christmas.
Published by Jackman
Music Corporation.
Level: Medium.
(1)$5.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Face of God (Orchestration) Chorale SATB Lillenas Publishing Co.
SATB choir - Moderate SKU: LP.765762173903 Composed by Dave Clark & Phil ...(+)
SATB choir - Moderate
SKU:
LP.765762173903
Composed by Dave Clark &
Phil Mehrens. Arranged by
Cliff Duren. Anthems.
Contemporary and Sacred.
Orchestration on CD-ROM.
Published by Lillenas
Publishing Company
(LP.765762173903).
UPC:
765762173903. Catch
a glimpse of the face of
God through this
beautiful and appealing
new work by the
songwriting team of Phil
Mehrens and Dave Clark.
Mary's words will
resonate with mothers
everywhere as she
contemplates the hands
that measured the heavens
in the tiny bundle of
promise I'm holding
tonight. This delicate
gift for SATB with female
solo is wrapped in Cliff
Duren's luscious
orchestration and is sure
to become a perennial
favorite of both choir
and congregation.
Instrumentation: Flute
Oboe Horn Trumpet 1
Trumpet 2 & 3 Trombone 1
& 2 Trombone 3/Tuba
Percussion Rhythm Violin
Viola Cello/Bassoon
String Bass Substitute
Instruments: Keyboard
String Reduction; Soprano
Sax (Sub. for Oboe); Alto
Sax (Sub. for Horn);
Tenor Sax (Sub. for
Trombone 1 & 2); Bari.
Sax (Sub. for Trombone
3/Tuba); Clarinet (Sub.
for Viola); Bass Clarinet
(Sub. for
Cello/Bassoon). $74.99 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| La vie anterieure Chorale SATB SATB, Piano [Conducteur] - Intermédiaire Carus Verlag
SSATB Choir, Piano - Level 3 SKU: CA.925000 Composed by Henri Duparc. Arr...(+)
SSATB Choir, Piano -
Level 3 SKU:
CA.925000 Composed by
Henri Duparc. Arranged by
Denis Rouger. Separate
edition to the CD.
Lieder, Secular choral
music. Full Score.
Duration 5 minutes. Carus
Verlag #CV 09.250/00.
Published by Carus Verlag
(CA.925000). ISBN
M-007-24902-1. Key: E
flat major. Language:
French. Text: Baudelaire,
Charles. The
harmonic turns and piano
configurations in La vie
anterieure - the former
life - seem almost
exuberantly lyrical. At
the beginning, the
archaic sounds and words
of the male choir conjure
up a dream world that is
soon flooded with the
power of the waves and
the rich polyphonic
harmony of the choir and
the piano. With the
outcry C'est la que j'ai
vecu! [I have lived
there] which expresses
the fervent yearning to
return to a past life,
the collective
desperately reinforces
the longing for the past.
Once more, the women's
choir conjures up this
lost paradise in an
undulating soft sound
before the desolate
sadness is pierced by the
power of the music of the
piano postlude, creating
a moment that is
completely in the
present. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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