By George Frideric Handel. For SATB Choir, Piano Accompaniment. Baroque, Sacred,...(+)
By George Frideric
Handel. For SATB Choir,
Piano Accompaniment.
Baroque, Sacred, Choral,
Religious. Sheet Music.
264 pages. Published by
Novello and Co Ltd.
Chorale SATB SATB, Piano [Vocal Score] - Intermédiaire/avancé Barenreiter
(Vocal Score based on the Urtext of the New Bach Edition (English/German) Organ ...(+)
(Vocal Score based on the
Urtext of the New Bach
Edition (English/German)
Organ Chorus I and Organ
Chorus II available). By
Johann Sebastian Bach
(1685-1750). Edited by
Alfred Durr. For soprano
solo voice, alto solo
voice, tenor solo voice,
bass solo voice, SATB
choir and piano
accompaniment. Baroque
and Sacred. Difficulty:
medium-difficult. Vocal
score. Choral notation,
piano reduction and
introductory text. BWV
244. 304 pages. Published
by Baerenreiter Verlag
By Thomas Morley; Henry Purcell. For SATB Choir, Oboe Band, Four Slide Trumpets,...(+)
By Thomas Morley; Henry
Purcell. For SATB Choir,
Oboe Band, Four Slide
Trumpets, Kettle Drums,
Military Drums. Baroque,
Choral. Sheet Music. 32
pages. Published by
Novello & Co Ltd.
Composed by Johann Sebastian Bach (1685-1750), edited by Chrisoph Wolff, Johanne...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Chrisoph Wolff, Johannes
Muntschick. BWV 232. For
SSATB solos, SSATB choir
and piano accompaniment.
Urtext. Format: vocal
score. With choral
notation, piano reduction
and introductory text.
Baroque. Text language
Latin. 199 pages.
7.5x10.5 inches.
Published by C.F. Peters.
Soli SATB, Coro SATB, 2 Ob, 2 Blfl f1, 2 Vl, Va, Bc - Level 3 SKU: CA.3912249...(+)
Soli SATB, Coro SATB, 2
Ob, 2 Blfl f1, 2 Vl, Va,
Bc - Level 3
SKU:
CA.3912249
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. Stuttgart
Urtext Edition:
Telemann-Archiv. Organ.
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Organ. TVWV
9:18. 24 pages. Duration
20 minutes. Carus Verlag
#CV 39.122/49. Published
by Carus Verlag
(CA.3912249).
ISBN
9790007245092. Key: G
major. Language:
German/English.
As
one of the three
canticles from the New
Testament, the Magnificat
- the Canticle of Mary -
has at all times held a
prominent position in
church music. Telemann's
setting of Luther's
German translation of the
text bears eloquent
witness both to the
composer's rich
imagination and to his
ability to mold a variety
of musical shapes into a
coherent formal Baroque
architecture. Four solo
movements with colorfully
contrasting
instrumentation are
juxtaposed with four
emphatically homogeneous
choral movements; all of
the latter are in 6/8
meter and in motet
setting with instruments
doubling colla parte.
Particularly the choral
movements are
characterized by lively
text portrayal and a
wealth of at times
dramatic imagery. A work
of exceptional magnetism
for both listeners and
choir singers! Score and
part available separately
- see item
CA.3912200.
Composed by George Frideric Handel, edited by T. Tertius Noble. For SATB choir (...(+)
Composed by George
Frideric Handel, edited
by T. Tertius Noble. For
SATB choir (with solos)
and piano accompaniment.
Format: vocal score. With
choral notation, piano
reduction and
introductory text.
Baroque. Text language
English only. 252 pages.
6.7x10.5 inches.
Published by Schirmer.
Five Centuries Of Choral Music For Mixed Voices by Various. For Choral (SATB). C...(+)
Five Centuries Of Choral
Music For Mixed Voices by
Various. For Choral
(SATB). Choral
Collection. Renaissance,
Baroque, Classical
Period, 20th Century and
Vocal Standards.
Difficulty: medium. Vocal
score (6 copies needed
for performance). Vocal
score and piano
accompaniment. 156 pages.
G. Schirmer #ED2529.
Published by G. Schirmer
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118800
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year, Trinity. Full
score. Composed 1728. BWV
188. 64 pages. Duration
25 minutes. Carus Verlag
#CV 31.188/00. Published
by Carus Verlag
(CA.3118800).
ISBN
9790007181567. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118803
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year, Trinity. Vocal
score. Composed 1728. BWV
188. 32 pages. Duration
25 minutes. Carus Verlag
#CV 31.188/03. Published
by Carus Verlag
(CA.3118803).
ISBN
9790007187293. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score available
separately - see item
CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118813
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, End of the
church year, Trinity.
Single Part, Viola.
Composed 1728. BWV 188. 8
pages. Duration 25
minutes. Carus Verlag #CV
31.188/13. Published by
Carus Verlag
(CA.3118813).
ISBN
9790007210052. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118849
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, End of the
church year, Trinity.
Single Part, Organ.
Composed 1728. BWV 188.
16 pages. Duration 25
minutes. Carus Verlag #CV
31.188/49. Published by
Carus Verlag
(CA.3118849).
ISBN
9790007210090. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
For
SATB Choir & 2-part
accompaniment.
Composed by Paul Ayres.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Zimbel Press #80101129.
Published by Zimbel Press
(SU.80101129).
This anthem is
a neo-Baroque setting of
this classic hymn tune
with a special focus on
the individual phrases of
the words. The
accompaniment can be
played on keyboard or any
bass and treble
instruments. 12 pages
Published by: Zimbel
Press.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118811
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music, End
of the church year,
Trinity. Single Part,
Violin 1. Composed 1728.
BWV 188. 8 pages.
Duration 25 minutes.
Carus Verlag #CV
31.188/11. Published by
Carus Verlag
(CA.3118811).
ISBN
9790007210038. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118814
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, End of the church
year, Trinity. Single
Part, basso continuo.
Composed 1728. BWV 188.
16 pages. Duration 25
minutes. Carus Verlag #CV
31.188/14. Published by
Carus Verlag
(CA.3118814).
ISBN
9790007210069. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118805
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year, Trinity. Choral
Score. Composed 1728. BWV
188. 2 pages. Duration 25
minutes. Carus Verlag #CV
31.188/05. Published by
Carus Verlag
(CA.3118805).
ISBN
9790007210014. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score available
separately - see item
CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118809
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
1x 31.188/21 oboe 1, 1x
31.188/22 oboe 2, 1x
31.188/23 taille.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, End of the church
year, Trinity. Set of
Orchestra Parts. Composed
1728. BWV 188. Duration
25 minutes. Carus Verlag
#CV 31.188/09. Published
by Carus Verlag
(CA.3118809).
ISBN
9790007210021. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and parts
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118848
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Harpsichord.
Sacred vocal music, End
of the church year,
Trinity. Single Part,
Cembalo. Composed 1728.
BWV 188. 20 pages.
Duration 25 minutes.
Carus Verlag #CV
31.188/48. Published by
Carus Verlag
(CA.3118848).
ISBN
9790007210083. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118819
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, End of the
church year, Trinity. Set
of Orchestra Parts.
Composed 1728. BWV 188.
Duration 25 minutes.
Carus Verlag #CV
31.188/19. Published by
Carus Verlag
(CA.3118819).
ISBN
9790007210076. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and parts
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118812
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music, End
of the church year,
Trinity. Single Part,
Violin 2. Composed 1728.
BWV 188. 8 pages.
Duration 25 minutes.
Carus Verlag #CV
31.188/12. Published by
Carus Verlag
(CA.3118812).
ISBN
9790007210045. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Gunt...(+)
1st Sunday after
Epiphany.
Composed by Johann
Sebastian
Bach. Edited by Gunter
Raphael. Arranged by
Gunter
(KA) Raphael. Choir;
stapled.
Edition Breitkopf.
Cantata;
Baroque. Piano/Vocal
Score. 26
pages. Duration 15'.
Breitkopf
and Haertel #EB 7124.
Published by Breitkopf
and
Haertel
6 Stücke zu Messe
und 6 weitere
Kompositionen für Chor
a cappella oder mit Basso
continuo. Composed by
Heinrich Schutz. Edited
by Konrad Ameln. This
edition: complete
edition, urtext edition.
Linen. Heinrich Schutz.
Neue Ausgabe samtlicher
Werke 7. Kirchenmusik,
Fruhbarock (Sacred Music,
Early Baroque). Complete
edition, Score,
anthology. Composed 1657.
SWV 420-431. Baerenreiter
Verlag #BA03668_00.
Published by Baerenreiter
Verlag (BA.BA03668).
ISBN 9790006438310.
27.4 x 19.5 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian.
“A
lmiraâ€,
Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text
to music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at
Almira’s crowning
ceremony, a duel, a
prison scene and a
masked-ball involving the
three continents Europe,
Africa and Asia.
The vocal score
to “Almiraâ€
by George Frideric Handel
brings about a small
sensation: Whilst
conducting a reenactment
of this work in 1732,
Georg Philipp Telemann
removed the Aria no. 28
“Ingrato,
spietato†from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Editionâ€.
Thanks to a recently
discovered contemporary
manuscript copy from the
beginning of the 18th
century which was found
in the music library of
the Mariengymnasium in
Jever, this aria has now
been made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträgeâ
. Now the aria can
be performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition†volume,
could be reconstructed
from the basso continuo
part of the Bellante aria
“Ich brenne
zwar†(no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Opera in three
acts. Composed by
George Frideric Handel.
Edited by Bernd Baselt.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie
II-Supplement/1. Oper,
Barock (Opera, Baroque).
Complete edition, Score.
HWV A. Duration 2 hours.
Baerenreiter Verlag
#BA04045_00. Published by
Baerenreiter Verlag
(BA.BA04045).
ISBN
9790006443536. 33 x 26.1
cm inches. Text Language:
Italian.
Anonymus.
In 1734
Handel provided the
pasticcio “ Oreste
†for his third
operatic enterprise
which, following the
bankruptcy of the Royal
Academy and its successor
academy, felt threatened
by competition from the
newly-founded Opera of
the Nobility. Hence, the
composer did not compile
the work from favourite
movements from his own
and other composer's
pieces as was usual at
that time; rather in
“ Oreste †he
presented a selection of
the most beautiful arias
and ensembles exclusively
from his own operas. In
addition, he expanded the
ballet and choral scenes
which he thought would
make a great impact after
the move into the newly
built Covent Garden
Theatre. As most of
the singers in his
Italian company had been
enticed away by the
competition, Handel
increasingly began to
engage English virtuosi.
He probably even worked
on the new version of the
libretto himself in order
to place the new stars in
the limelight to the best
effect.
The new
vocal score is based on
Volume 1 of the
Supplement to Series II
of the “Halle
Handel†Edition
edited by Bernd Baselt
.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding