Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen ba...(+)
Choral (SATB Choir)
SKU: HL.48021234
From Cantata
academica, Carmen
basiliense. Composed
by Benjamin Britten.
Boosey & Hawkes Sacred
Choral. Classical.
Octavo. 16 pages. Boosey
& Hawkes #M051482474.
Published by Boosey &
Hawkes (HL.48021234).
ISBN 9781458423542.
UPC: 884088642037.
6.75x10.5
inches.
Text: in
Latin compiled from the
charter of the
University, and from
older orations in praise
of Basle by Bernhard
Wyss.
Publisher:
Boosey &
Hawkes
Difficulty
level: 4 (for
chorus)
Britten's
genius lifts this work
above being just a worthy
celebration of the 500th
anniversary of the
foundation of Basle
University. It is
tongue-in-cheek and
mockingly non-academic
while referring all the
time to academic musical
forms and formulae. It is
written in two parts
(everything is in the
statutory Latin including
the titles of the parts -
Pars I and Pars II). The
titles of the movements
show Britten's intention
to show off a wide
variety of techniques.
Here are some examples:
Chorale/Alla Rovescio
(the theme is given and
responded to with the
same melody upside
down)/Recitativo/Tema
seriale con fuga/Canone
ed ostinato. There is a
good deal of humour
here.
There are
seven movements in Pars I
and six in Pars II. The
tenor soloist is given
three florid recitatives,
accompanied only by a
piano, which act as
bridges between other
orchestrally accompanied
movements. Of these the
most noteworthy are the
Arioso con canto popolare
for soprano solo with
tenors and basses who hum
a student song; another
terrific Britten scherzo;
and a wonderfully raucous
final pair of movements
(Canon ed ostinato and
Corale con canto) where
Britten seems to be aping
the Vivat Regina! cries
in Parry's I was glad or
encouraging the kind of
noisy 'I'm from the best
university' kind of
student touchline shout.
This has outrageously
high notes for the tenors
(top B) which further
endorse this feeling.
There are real echoes of
the Spring Symphony (see
separate entry) final
movement here which are
further underlined by the
last section of the
Cantata which brings in
the bells, piano, huge
percussion and the
inevitable chorale in
which the choir sings
'that a free academy may
thrive in a free
community, for ever the
ornament and treasure of
illustrious
Basle'.
This may
not be Britten at his
most soul-searching but,
as always, there is
plenty here to enjoy,
especially if the work is
not taken too seriously.
It is a celebratory,
occasional piece and it
could be well taken up by
other academic
establishments
celebrating big
anniversaries. The chorus
parts are not very
difficult, though they do
present challenges for
the choir - not least in
having tenors capable of
those very high notes at
the end. The Tema seriale
con fuga is sinewy and
needs careful tuning. It
also has the subject
regularly given upside
down after its initial
sounding by the basses.
All good
fun.
SATB. Performed by Elton John. By Elton John, Tim Rice. Arranged by Mark A. Brym...(+)
SATB. Performed by Elton
John. By Elton John, Tim
Rice. Arranged by Mark A.
Brymer. (SATB). Disney
Choral. Size 6.75x10.5
inches. 32 pages.
Published by Hal Leonard.
Choral (SATB Choir) SKU: HL.35032392 By Shawn Mendes. By Geoff Warburton,...(+)
Choral (SATB Choir)
SKU: HL.35032392
By Shawn Mendes. By Geoff
Warburton, Scott Harris,
Shawn Mendes, and Teddy
Geiger. Arranged by Jacob
Narverud. Shawnee Press.
Pop. Octavo. 20 pages.
Published by Shawnee
Press (HL.35032392).
ISBN 9781540034441.
UPC: 888680789312.
6.75x10.5
inches.
This Shawn
Mendes GRAMMY®
Award-nominated song is
superbly set for mixed
voices as well as for
men's choirs. Shawn wrote
the song expressing his
own struggle with
anxiety. His positive,
self-affirming lyrics
express that
“Sometimes I feel
like giving up, but I
just can't. It isn't in
my blood.&rdquo.
Composed by Various. Arranged by Mark A. Brymer. Disney Choral. Broadway, Coll...(+)
Composed by Various.
Arranged
by Mark A. Brymer. Disney
Choral. Broadway,
Collection,
Disney, Medley, Musicals,
Show
Choir. Octavo. 48 pages.
Duration 635 seconds.
Published by Hal Leonard
25
Southern Gospel
Favorites. Arranged
by Mosie Lister. Choral.
Excel Series. Southern
Gospel and Sacred. Score
and parts. Published by
Lillenas Publishing
Company (LP.OR-9223).
UPC:
765762088900.
What
a collection! Compiled by
Gospel Music Hall of Fame
songwriter Mosie Lister
who has a real heart both
for gospel music and for
the choir with limited
resources. The format is
Easy 2 Excel flexible so
choirs can either sing
easy SATB or adapt the
voicing to their own
needs. Each arrangement
is easy to learn yet fun
to sing. Titles include I
Should Have Been
Crucified; I Bowed on My
Knees and Cried 'Holy!';
Peace in the Midst of the
Storm; Beyond the Cross;
Canaanland Is Just in
Sight; Do You Know My
Jesus?; Faith Unlocks the
Door; I Thirst; I Will
Serve Thee; I'm Not
Giving Up; Your First Day
in Heaven; The Unclouded
Day; Love Is Why; Keep on
the Firing Line; Joy
Comes in the Morning ;
more. See Table of
Contents (below) for
additional titles.
Just As I Am Chorale SATB SATB, Cloches [Octavo] Hope Publishing Company
By William B. Bradbury. Arranged by Arnold B. Sherman. Sacred. Print Music Singl...(+)
By William B. Bradbury.
Arranged by Arnold B.
Sherman. Sacred. Print
Music Single (SATB w/opt.
3- oct. Handbells). 8
pages. Published by Hope
Publishing Company.
Choral (SATB) SKU: HL.428247 A Beatles Super Medley. By The Beatle...(+)
Choral (SATB)
SKU:
HL.428247
A
Beatles Super Medley.
By The Beatles. By George
Harrison, John Lennon,
and Paul McCartney.
Arranged by Mark A.
Brymer. Pop Choral
Series. Classic Rock,
Medley, Novelty, Pop,
Pop/Rock, Rock, Sixties.
Octavo. 20 pages.
Duration 240 seconds.
Published by Hal Leonard
(HL.428247).
UPC:
196288063384.
6.75x10.5x0.045
inches.
A Fab Four
Medley with 18 classic
songs in just four
minutes!? As Brian Wilson
once said, “There's
no outdoing the
Beatles.†Includes:
All You Need Is Love,
Blackbird, Come Together,
Eight Days a Week,
Eleanor Rigby, A Hard
Day's Night, Here Comes
the Sun, Hey Jude, I Want
to Hold Your Hand, In My
Life, Let It Me, Love Me
Do, Penny Lane,
Strawberry Fields
Forever, We Can Work it
Out, With a Little Help
from My Friends and
Hello, Goodbye.
Piano (SATB) - early intermediate SKU: CR.984283 Composed by David von Ka...(+)
Piano (SATB) - early
intermediate
SKU:
CR.984283
Composed by
David von Kampen. Choral.
Sacred. Octavo. With
music. Concordia
Publishing House #984283.
Published by Concordia
Publishing House
(CR.984283).
ISBN
9780758659088. 7 x 10.25
inches.
David
von Kampen masterfully
crafts the text of
Revelation 21:4 - 5 into
an inspiring and striking
piece for SATB and piano.
A variety of
compositional
techniques—includin
g declamatory writing,
polytextuality, and a
skillful use of
key—connect the
biblical text and song
powerfully. Smaller
choirs can easily adapt
this piece for two-part
voicing by singing just
soprano and tenor in the
middle section. Use this
piece for Easter Vigil,
during the rest of the
Easter Season, on All
Saints' Day, and for
funerals.
Revelation 21:4 -
5 (ESV)
He will wipe away
ev'ry tear from their
eyes, and death shall be
no more, neither shall
there be mourning nor
crying nor pain anymore,
for the former things
have passed
away.
And
He who was seated on the
throne said, 'Behold, I
am making all things
new.'
Choral (SATB) SKU: HL.1311466 Composed by Cedric Dent/Cedric Dent, Jr. Ge...(+)
Choral (SATB)
SKU:
HL.1311466
Composed
by Cedric Dent/Cedric
Dent, Jr. Gentry
Publications. Spiritual.
Octavo. Gentry
Publications #JG2696.
Published by Gentry
Publications
(HL.1311466).
UPC:
196288177401.
6.75x10.5x0.041
inches.
“I
Hear the Drum†was
inspired by Dr. Martin
Luther King, Jr.'s 1968
“Drum Major
Instinct†speech,
sometimes called the
“Drum Major for
Justice.†This
powerful choral setting
includes a rap that can
be led by a soloist or
performed by a select
group. It was
commissioned for the
annual “Let Freedom
Sing Concert†in
Nashville, TN, which
honors the legacy of Dr.
Martin Luther King, Jr.
With a message that
addresses social justice,
it is a timely anthem for
the 21st century.
SATB choir SKU: LP.765762074323 Arranged for Any Choir. Arranged b...(+)
SATB choir
SKU:
LP.765762074323
Arranged for Any
Choir. Arranged by
Marty Parks. Choral. Any
Choir Series.
Multicultural and Sacred.
Split-channel
accompaniment CD.
Published by Lillenas
Publishing Company
(LP.765762074323).
UPC:
765762074323.
Split
-channel accompaniment CD
can be used for both
rehearsal and
performance. Each
contains the instrumental
accompaniment on one
channel, vocals on the
other. For performance
purposes, only the
accompaniment channel is
normally used. Includes
multiple r.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 3.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 3.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/13. Published by
Carus Verlag
(CA.3101813).
ISBN
9790007204860. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext. 1x
31.018/21 flute 1, 1x
31.018/22 flute 2, 1x
31.018/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Holy
Week. Set of Orchestra
Parts. Composed 1715(?).
BWV 18. Duration 21
minutes. Carus Verlag #CV
31.018/09. Published by
Carus Verlag
(CA.3101809).
ISBN
9790007204839. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and parts
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 4.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 4.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/14. Published by
Carus Verlag
(CA.3101814).
ISBN
9790007204877. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Holy Week. Single Part,
Organ. Composed 1715(?).
BWV 18. 12 pages.
Duration 21 minutes.
Carus Verlag #CV
31.018/49. Published by
Carus Verlag
(CA.3101849).
ISBN
9790007204907. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 2.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 2.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/12. Published by
Carus Verlag
(CA.3101812).
ISBN
9790007204853. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Holy
Week. Study score.
Composed 1715(?). BWV 18.
32 pages. Duration 21
minutes. Carus Verlag #CV
31.018/07. Published by
Carus Verlag
(CA.3101807).
ISBN
9790007165680. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score available
separately - see item
CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Cello/Double
Bass. Composed 1715(?).
BWV 18. 8 pages. Duration
21 minutes. Carus Verlag
#CV 31.018/15. Published
by Carus Verlag
(CA.3101815).
ISBN
9790007204884. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Holy
Week. Full score.
Composed 1715(?). BWV 18.
32 pages. Duration 21
minutes. Carus Verlag #CV
31.018/00. Published by
Carus Verlag
(CA.3101800).
ISBN
9790007143190. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 1.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 1.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/11. Published by
Carus Verlag
(CA.3101811).
ISBN
9790007204846. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Holy Week. Set of
Orchestra Parts. Composed
1715(?). BWV 18. Duration
21 minutes. Carus Verlag
#CV 31.018/19. Published
by Carus Verlag
(CA.3101819).
ISBN
9790007204891. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and parts
available separately -
see item CA.3101800.
Malaika Chorale SATB SATB, Percussion(s) Carl Fischer
Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. ...(+)
Angel. Composed by
Fadhilli
William Mdawida. Arranged
by
Russell L. Robinson. Sws.
Octavo. 16 pages.
Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9650.
Published by Carl Fischer
Music
