(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Stories of Jesus Medley Chorale SATB SATB, Piano [Octavo] - Intermédiaire Jackman Music Corporation
By F.A. Challinor / Leah Ashton Lloyd / Joseph Ballantyne. Arranged by David Len...(+)
By F.A. Challinor / Leah
Ashton Lloyd / Joseph
Ballantyne. Arranged by
David Len Allen. Text:
W.H. Parker/Jemima
Luke/James R. Murray. For
SATB Choir. Level: Medium
/ Medium-Difficult
(accompaniment). Duration
3:00. Published by
Jackman Music
Corporation.
Stilla lyfter
dimman. Composed by
Edvard Grieg. With
Language: Latin, Swedish.
Gehrmans Musikforlag #SKG
10236. Published by
Gehrmans Musikforlag
(GH.SKG-10236).
ISBN
9790070102360. 185 x 262
mm inches. Text: Jan
Arvid Hellstrom / Johan
Olof Wallin
(Swedish).
Jungfru
Marie bebadelsedag, 4
sond. i advent. Med
pianostamma for
instudering.
Featuring: When You Tell Me That You Love Me / When a Man Loves a Woman / To Lov...(+)
Featuring: When You Tell
Me That You Love Me /
When a Man Loves a Woman
/ To Love Somebody / I'm
Gonna Make You Love Me /
Love Can Build a Bridge /
You Raise Me Up / The
Greatest Love of All.
Arranged by Greg Gilpin.
For Choir. (SATB).
Choral Octavo. Pop
Choral. Pop. Choral
Octavo. 20 pages.
Published by Alfred
Publishing.
SATB chorus and piano - Medium SKU: JK.01258 Composed by David R. Watson....(+)
SATB chorus and piano -
Medium
SKU:
JK.01258
Composed by
David R. Watson. Choral
SATB, Difficulty Medium,
Piano Choir, Seasonal
Music Pioneer Day,
Special Events Home and
Family, Temple and Family
History. Christian,
Inspirational. Duration
4:02. Jackman Music
Corporation #01258.
Published by Jackman
Music Corporation
(JK.01258).
Doctrine
and Covenants
2.
Original
family history anthem
written for mixed chorus
(SATB) and piano, with
scriptural text from
Doctrine and Covenants 2:
I'll turn my heart to you
who went before me....
I'll find your name in
records filled with
miracles and promptings
that tell me you are
there.
Composer:
David R. Watson
Lyricist: Doctrine and
Covenants 2 / David R.
Watson Difficulty:
Medium Performance
time: 4:02 Reference:
Doctrine and Covenants
2.
Composed by Colin Brumby. Text: 13th C English poem. Easy macaronic carol to Our...(+)
Composed by Colin Brumby.
Text: 13th C English
poem. Easy macaronic
carol to Our Lady.
Marian. Octavo. Published
by CanticaNOVA
Publications (C5.5123).
0.49
Chorale SATB SATB A Cappella [Partition] Music Sales
For SATB voices (with optional guitar chords). Format: SATB songbook. With chora...(+)
For SATB voices (with
optional guitar chords).
Format: SATB songbook.
With choral notation,
lyrics, chord names and
guitar chord diagrams.
Americana, traditional
pop and pop vocal.
Series: Everybody's
Favorite Series #67. 127
pages. 9x12 inches.
Published by Music Sales.
SATB choir SKU: C4.9790902260312 Six motets for unaccompanied chorus(+)
SATB choir
SKU:
C4.9790902260312
Six motets for
unaccompanied chorus.
Composed by Michael
Leighton Jones.
Classical. Choral score.
Crescendo Music
Publications
#9790902260312. Published
by Crescendo Music
Publications
(C4.9790902260312).
ISBN 9790902260312.
8.27 x 11.7
inches.
Michael
Leighton Jones has
created a brilliant
sequence of six Marian
works that take their
lead from their plainsong
counterparts. These
wonderfully reflective
and carefully-crafted
motets take the practice
of fauxbourdon in new
directions, with free
harmonic invention
linking old to new in a
beautifully warm
soundworld. Motets may be
performed individually on
feast days or within the
appropriate liturgical
season, or the whole
sequence can make an
effective frame for a
concert programme.
By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry ...(+)
By Janice Kapp Perry.
Text: John V. Pearson /
Rodney Turner / Janice
Kapp Perry / Neal A.
Maxwell / Orrin G. Hatch
/ David B. Larsen / Olga
S. Whitaker. For SATB
Choir. Level: Varied.
Published by Jackman
Music Corporation.
By Luca Marenzio (1553-1599). Edited by John Steele. For 5 mixed voices. Madriga...(+)
By Luca Marenzio
(1553-1599). Edited by
John Steele. For 5 mixed
voices. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. Arranged by Klau...(+)
By Georg Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: paperbound.
Sacred, Motets, Psalms,
German; Choral
Collections, SAM Choir,
Choral Collections,
Women's Choir, Stuttgart
Urtext editions;
Occasions: Praise and
thanks, Psalms; Use
during church year:
Special Days, Holy Week,
Easter and Eastertide,
Ascension, Reformati.
Score. 112 pages
By George Frideric Handel. For SATB Choir, Piano Accompaniment. Baroque, Sacred,...(+)
By George Frideric
Handel. For SATB Choir,
Piano Accompaniment.
Baroque, Sacred, Choral,
Religious. Sheet Music.
264 pages. Published by
Novello and Co Ltd.
Arranged by Joel Raney. For SATB choir with optional unison choir (or vocal solo...(+)
Arranged by Joel Raney.
For SATB choir with
optional unison choir (or
vocal soloist). General
Worship, Hymn-based,
Intergenerational.
Octavo. Published by Hope
Publishing Company
Mixed choir SKU: FG.55011-567-5 Composed by Alex Freeman. Fennica Gehrman...(+)
Mixed choir
SKU:
FG.55011-567-5
Composed by Alex Freeman.
Fennica Gehrman
#55011-567-5. Published
by Fennica Gehrman
(FG.55011-567-5).
ISBN
9790550115675.
Alex
Freeman's (b. 1972)
Cathedral of Spring for
chamber choir (2019) to
poems of e.e. cummings
and Robert Frost was
commissioned and
premiered by Somnium
Ensemble. The composer
tells: For the
celebration of the 10th
anniversary of Somnium
Ensemble (Finland), I was
commissioned to write a
piece with spring as a
central theme. While
contemplating that and
perusing appropriate
poetry, I was inspired by
memories of the
night-time sky in early
spring--the warm air, the
teeming, buzzing energy
of life all around, and
an expansive dome of
stars overhead. I then
imagined that moment in
time as a kind of sacred
space; this is the point
where the cathedral
notion came to mind. The
frenetic and joyous
poetry of e.e. cummings,
from his Epithalamion,
gives an exclamatory
introduction to the set,
followed by his vision of
spring from the point of
view of giddy children in
his iconic poem, [in
Just-]. We then take a
moment to contemplate the
ephemerality of all this
beauty (spring giveth and
spring taketh away, i.e.
an offertorium of sorts);
Robert Frost's
Blue-Butterfly Day places
us in a moment where, by
chance, we find ourselves
enveloped by a delicately
fluttering swarm of
butterflies. Peaceful and
still, yet in constant
flux, we spend a some
time taking that
phenomenon in, while also
experiencing a twinge of
the realisation that this
is truly fleeting. The
final movement, returning
to a later stanza from
Epithalamion, cummings's
sparkling paean to May is
set as a kind of final
anthem..
Composed by Leonhard
Lechner. Edited by Uwe
Martin. This edition:
complete edition, urtext
edition. Linen. Leonhard
Lechner Works 3. Lieder
(Songs). Complete
edition, anthology.
Composed 1577. 79 pages.
Baerenreiter Verlag
#BA02933_00. Published by
Baerenreiter Verlag
(BA.BA02933).
ISBN
9790006427727. 27.6 x
19.6 cm inches.
16
Kompositionen. Urtext der
Lechner-Gesamtausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Various. Edited by David Wordsworth. For Choral (SATB). Choral. Soft...(+)
Composed by Various.
Edited by David
Wordsworth. For Choral
(SATB). Choral.
Softcover. 192 pages.
Novello and Co Ltd.
#NOV164681. Published by
Novello and Co Ltd.
Composed by George Frideric Handel, edited by T. Tertius Noble. For SATB choir (...(+)
Composed by George
Frideric Handel, edited
by T. Tertius Noble. For
SATB choir (with solos)
and piano accompaniment.
Format: vocal score. With
choral notation, piano
reduction and
introductory text.
Baroque. Text language
English only. 252 pages.
6.7x10.5 inches.
Published by Schirmer.
Kottarainen Chorale SATB SATB A Cappella Alliance Music Publications
Composed by Riika Pietilainenen-Caffrey. Edited by Lawrence Kaptein. Octavo. ...(+)
Composed by Riika
Pietilainenen-Caffrey.
Edited
by Lawrence Kaptein.
Octavo.
Alliance Music
Publications
#AMP 1072. Published by
Alliance Music
Publications
Composed by Philip Lane Ledger. Edited by Philip Lane Ledger. Mixed Voices. Secu...(+)
Composed by Philip Lane
Ledger. Edited by Philip
Lane Ledger. Mixed
Voices. Secular, Choral
Collection. Vocal score.
408 pages. Oxford
University Press
#9780193436640. Published
by Oxford University
Press
Choral SATB Choir and Piano SKU: CF.CM9787 Composed by Coty Raven Morris....(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9787
Composed by
Coty Raven Morris.
Arranged by Saleel Menon.
Duration 3:45. Carl
Fischer Music #CM9787.
Published by Carl Fischer
Music (CF.CM9787).
ISBN 9781491164587.
UPC: 680160923496. Key: D
major. English.
Original.
The text
for the first voicing
(SSA) of this piece came
to me in the fall of 2020
while teaching at Crosby
High School in Crosby,
Texas. My students,
though enthusiastic to be
back in Choir, were
struggling to cope with
the civil unrest around
them, in addition to the
pandemic. When
considering how I could
help them navigate this
time, I realized that
they were in need of some
sort of consistency, of
feeling grounded in
themselves. As weÂ
focused on building of
community and
citizenship, this text
and tune came to mind,
each phrase highlighting
an element of personal
and community wellness.I
lead with my
spirit keeping love in
the circle around me.
(Social)Expressing my
spirit
(Occupational)Loving what
I can see and cannot see,
I'll take care of the
vessel I am in
(Physical)I love with me
that's under the skin
(Emotional)Taking care of
my mind
(Intellectual)Envisioning
the me I want to be
(Spiritual)I had the
honor of collaborating
with composer/educator
Saleel Menon to create
the beautiful piano
accompaniment and SATB
setting.Who I Want To Be
opens with a solo
functioning as a mantra
throughout the tune. As
the piece continues,
voices join in unison and
harmony to emphasize the
intent.When the repeats
in mm. 48–51
occur, invite students to
share some of their own
mantras and affirmations,
or feel free to borrow
from the words my
students in the Crosby HS
choir inspired me to
write:Allow yourself
graceI am persistentI am
fragile, not brokenYou
are worthyI am worthyI
know that your success is
not my demise!The only
validation I need is my
ownI believe in myselfI
see youIt’s okay
to not be okayBreatheI
love and I am
lovedPrepare yourself for
not only a powerful
performance, but a
rewarding experience and
conversations with your
students.THIS is the
piece you want stuck in
your students’
heads!~CRM.
For SATB choir a cappella (SATB). Choral. Shawnee Press. Supports: Matthew 28:18...(+)
For SATB choir a cappella
(SATB). Choral. Shawnee
Press. Supports: Matthew
28:18-20, Luke 23:23.
Sacred, General,
evangelism, revival, life
of Christ. 8 pages.
Shawnee Press #A8854.
Published by Shawnee
Press