Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Albert Riemenschneider,
Charles Boyd. Vocal score
book for SATB choir. With
vocal score notation
(open score in German;
closed score in English),
introductory text and .
Text language English;
lyrics in German and
English. 127 pages.
Published by G. Schirmer,
Inc.
Choir Secular (SATB choir) SKU: AP.48312 Composed by Sally K. Albrecht. M...(+)
Choir Secular (SATB
choir)
SKU:
AP.48312
Composed by
Sally K. Albrecht.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Graduation;
Peace/Brotherhood;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-48312. Published by
Alfred Music (AP.48312).
UPC: 038081551357.
English.
I will be
brave, I will be strong
echoes from choir to
soloist (or small group)
at the powerful start of
this inspirational
gospel-style original.
Soon, a bright tempo
kicks in to deliver an
undeniably uplifting
choral experience. Just
right for combined
concerts, festival
groups, graduation
celebrations, or at any
time of year! A free
online video invites the
use of sign language,
demonstrated by the
author herself. This
title is available in
MakeMusic Cloud. This
title is available in
MakeMusic Cloud.
10
Southern Gospel Favorites
- Large Print, No
Repeats. Composed by
Steve Mauldin & Dave
Clark. Arranged by Steve
W. Mauldin. This edition:
Large Print. Choral.
Sacred. Split-channel
accompaniment CD.
Published by Lillenas
Publishing Company
(LP.765762172425).
UPC:
765762172425.
Toes
will be tapping and
hearts will be singing
when you introduce your
choir and congregation to
this joy-filled
collection of 10 Southern
Gospel old school
classics. Created by Dave
Clark and Steve W.
Mauldin and arranged and
orchestrated by Mauldin
Songs of Victory is part
of the Lillenas Large
Print No Repeats series
and is perfect for a
memorable program or for
special numbers all year
round. Your congregation
will love the delightful
mix of both upbeat and
contemplative songs and
your basses will
appreciate that this
collection has parts
written especially for
them. Add Songs of
Victory to your music
library today!
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano
SKU: CF.CM9713
Composed by Jacob
Narverud. 16 pages.
Duration 4:01. Carl
Fischer Music #CM9713.
Published by Carl Fischer
Music (CF.CM9713).
ISBN 9781491160084.
UPC: 680160918683. Key: G
major. English. Robert
Bode. Original.
The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering support.
Performance Notes This
lighthearted piece is a
great way to bring
multiple choirs together
in harmony. It may be
sung by a single SATB
choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs: Rehearsal Letters
A to B: Elementary choir
only (two-part, Soprano,
Alto) Rehearsal Letter B:
add Middle Level Soprano,
Alto with Elementary
choir Rehearsal Letter C:
Middle Level choir only
Rehearsal Letter D: High
School choir only
Rehearsal Letter E to the
end: Everyone! Song of
the Sound: Running on the
beach, digging in the
sand, Seaweed in my toes,
bucket in my hand. When
I'm at the shore, way
above the rest, These are
all the things that I
love the best. Skipping
like a stone on the
water, diving deep in the
silvery foam, Swimming
far where the land cannot
hold us, where the
lighthouse calls us home.
Flying free above the
marshes, soaring high
above the sea, Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing shore:
Where the gentle breezes
whisper and the mighty
breakers roar. We will
look to the shining
ocean, to the East, where
the new day dawned: We
will sing a song of the
edge of the world and the
waiting sky beyond. -Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019) About
the Composer: Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.com YouTube
& Spotify:
@jacobnarverud. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering
support.Performance
NotesThis lighthearted
piece is a great way to
bring multiple choirs
together in harmony. It
may be sung by a single
SATB choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs:Rehearsal Letters
AÂ to B: Elementary
choir only (two-part,
Soprano, Alto)Rehearsal
Letter B: add Middle
Level Soprano, Alto with
Elementary choirRehearsal
Letter C: Middle
Level choir onlyRehearsal
Letter D: High School
choir onlyRehearsal
Letter E to the end:
Everyone!Song of the
Sound:Running on the
beach, digging in the
sand,Seaweed in my toes,
bucket in my hand.When
I'm at the shore, way
above the rest,These are
all the things that I
love the
best. Skipping like a
stone on the water,
diving deep in the
silvery foam,Swimming far
where the land cannot
hold us, where the
lighthouse calls us
home.Flying free above
the marshes, soaring high
above the sea,Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing
shore:Where the gentle
breezes whisper and the
mighty breakers roar.We
will look to the shining
ocean, to the East, where
the new day dawned:We
will sing a song of the
edge of the world and the
waiting sky beyond.-Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019)About
the Composer:Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.comÂ
YouTube & Spotify:
@jacobnarverud.
Malaika Chorale SATB SATB, Percussion(s) Carl Fischer
Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. ...(+)
Angel. Composed by
Fadhilli
William Mdawida. Arranged
by
Russell L. Robinson. Sws.
Octavo. 16 pages.
Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9650.
Published by Carl Fischer
Music
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9740
Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740).
ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson.
Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done.
Mixed Choir; Organ Accompaniment (SATB AND ORGAN) SKU: HL.48025409 SAT...(+)
Mixed Choir; Organ
Accompaniment (SATB AND
ORGAN)
SKU:
HL.48025409
SATB/organ.
Composed by Anna Lapwood.
Boosey & Hawkes Sacred
Choral. Choral, General
Worship, Sacred. Octavo.
Duration 300 seconds.
Boosey & Hawkes
#M060140815. Published by
Boosey & Hawkes
(HL.48025409).
UPC:
196288201595.
Writt
en for the Pembroke
College Chapel Choir in
November 2022, Drop down,
ye heavens is a setting
of the refrain and final
stanza of the Advent
Prose, itself based on
various portions of the
Book of Isaiah. An
incessant ostinato figure
on the organ accompanies
rich homophony in the
mixed chorus (with
occasional divisi),
creating a sense of
tension and mystery. The
ostinato develops as the
piece builds to its
climactic phrase: 'I have
blotted out as a thick
cloud thy
transgressions'. Here the
ostinato ceases and the
voices break free.
However, it soon returns
and the voices hush:
'Fear not, for I will
save thee'. The return of
the refrain text heralds
a second climax ('let the
skies poor down') when
the ostinato and vivid
harmonies modulate before
a soft and content
close.
He Is Able Chorale SATB SATB, Piano Medallion Music
SATB choir, piano SKU: LO.10-5130MD Composed by Jon Mohr. Arranged by Jay...(+)
SATB choir, piano
SKU:
LO.10-5130MD
Composed
by Jon Mohr. Arranged by
Jay Rouse. Choral. Sacred
Anthem. Octavo. Medallion
Music #10/5130MD.
Published by Medallion
Music (LO.10-5130MD).
ISBN
9780787760236.
Jay
Rouse brings us an
inspired arrangement of
the classic song from
Roger Breland and Truth.
This powerful ministry
song includes a freely
sung solo, quickly
prepared choir parts, and
words filled with
conviction: I will stand
behind His Word, for He
is able!.
Choral (SATB choir a cappella) SKU: HL.50490629 Composed by Mark Adamo. C...(+)
Choral (SATB choir a
cappella)
SKU:
HL.50490629
Composed
by Mark Adamo. Choral.
Classical. Octavo. 12
pages. G. Schirmer #ED
4497. Published by G.
Schirmer (HL.50490629).
ISBN 9781458415950.
UPC: 884088607340.
6.75x10.5
inches.
Composed
for Craig Hella Johnson
and Conspirare, the
composer writes: Same
Train, in many
arrangements seems to
sing of good news coming.
But – maybe it was
the relentlessness, the
conclusiveness of the
title phrase – I
wondered if what was
coming might actually
have been a funeral
train: coming for
“our sister, our
mother,” and...soon
enough for us, too. I
thought of so many other
spirituals which sing
about dark truths in
bright music, and
wondered if I couldn't
use the imitative,
“ch-ch-train”
ostinato to honor that
willfully smiling aspect
of the piece, while also
freeing the harmonies to
make audible the more
disconsolate feelings
underneath.
The Cloud Chorale SATB SATB, Piano [Octavo] - Intermédiaire Schirmer
Composed by Stephen Chatman. For SATB choir, piano accompaniment. Secular, 21st ...(+)
Composed by Stephen
Chatman. For SATB choir,
piano accompaniment.
Secular, 21st Century.
Medium. Octavo. Text
Language: English.
Published by E.C.
Schirmer Publishing