Composed by Various. Edited by Dan Damon. For SATB choir, Unison choir. General. Hymn Collection. Published by Hope Publishing Company

Composed by Kevin A. Memley. Pavane Choral. Octavo. 8 pages. John Rich Music Press #JR1118. Published by John Rich Music Press (HL.204078).

Composed by Tom Trenney. Advent, Trust/Guidance, Word of God. Instrumental part. Duration 4 minutes, 30 seconds. MorningStar Music Publishers #50-6198. Published by MorningStar Music Publishers

SATB choir, piano

SKU: LO.10-5725L

Composed by Lloyd Larson. Choral. Sacred Anthem, General. Octavo. Lorenz Publishing Company #10/5725L. Published by Lorenz Publishing Company (LO.10-5725L).

ISBN 9780787777623.

This is one of the most moving anthems you will find. Master composer and arranger Lloyd Larson has taken the well-known, but anonymously written, affirmation of faith, “I believe in the sun even when it is not shining,” and set it to music. To complement this beautiful affirmation, he pairs it with one of the most cherished passages in all of Scripture, Mark 9:24. This truly inspired anthem will move your listeners and minister to those who are hurting or dealing with doubt.

By Jay Althouse. For Choir. (SATB). Choral Octavo. Choral Designs. Folk Song. Choral Octavo. 8 pages. Published by Alfred Publishing.

Composed by Josh Sparkman. Octavo. Beckenhorst Press #BP2133. Published by Beckenhorst Press (BP.BP2133).

Composed by Karen Crane. Arranged by Mary McDonald. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5700L. Published by Lorenz Publishing Company

Choral (SATB)

SKU: HL.1197742

Arranged by Brent Wells. Gentry Publications. Octavo. 12 pages. Duration 300 seconds. Gentry Publications #JG2622. Published by Gentry Publications (HL.1197742).

UPC: 196288134732. 6.75x10.5x0.029 inches.

Here is something truly different - Brent Wells' new arrangement of the Chinese folk song Ao bao Xiang Hui, “Let Us Meet at the Aobao.” The arrangement begins with a brief choral introduction, where the Erhu (violin) presents the melody of the folk song, complete with traditional ornamentation. The tenor and bass verse recounts the story of a young man who goes to the aobao, only to find that his true love is not there. The sopranos and altos answer, giving voice to her reassuring words: “If you wait patiently, I will run to your side.” Finally, they find one another - and under the clear moonlit sky, sing together. Your singers will enjoy the challenge of a different language, presented in the setting of a charming love story. High school, college, and festival choirs will savor learning and performing this unusual piece.

SATB choir, piano

SKU: LO.10-5664L

Composed by Ruth Elaine Schram. Arranged by Aren Newell Williams. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5664L. Published by Lorenz Publishing Company (LO.10-5664L).

ISBN 9780787776428.

Ruth Elaine Schram and Aren Williams remind us that peace is to be found only in the Father in this gentle new anthem. Incorporating Dona Nobis Pacem and a lovely original melody, your listeners will be captivated and encouraged by this beautiful setting. Optional parts for flute (or violin I), oboe (or violin II), and cello make this anthem a must-do. In this time of national and global stress, this piece will surely speak to your congregation in a special way.

Arranged by Rosephanye Powell. (SATB). Gentry Publications. Size 7x10.5 inches. 12 pages. Published by Raymond A. Hoffman Co.

Composed by J. Aaron McDermid. Church Anniversary, Ordination/Installation, 21st Century, Benediction/Sending. Octavo. Published by MorningStar Music Publishers

By Tim Hayden And Patrice Villines. Arranged by Jay Althouse. For Choir. (SATB). Choral Octavo. Choral Designs. Choral Octavo. 12 pages. Published by Alfred Publishing.

SATB Choir (Mixed choir)

SKU: BA.BA02937

Composed by Leonhard Lechner. Edited by Konrad Ameln. This edition: complete edition, urtext edition. Linen. Leonhard Lechner Works 7. Lieder (Songs). Complete edition, Singing Score, anthology. Composed 1582. Baerenreiter Verlag #BA02937_00. Published by Baerenreiter Verlag (BA.BA02937).

ISBN 9790006427765. 27.6 x 19.8 cm inches.

24 Kompositionen. Urtext der Lechner-Gesamtausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Robert A. Hobby (1962-). For Two-Part Mixed Voices or SATB, Soprano Solo, opt. Congregation, opt. Children's Choir or Treble Solo with Organ, Piano, Brass Quintet, Percussion, Handbells or Full Orchestra. Choral. Christmas, Advent. Medium to Moderately Difficult. Published by MorningStar Music Publishers

Composed by Lloyd Larson. For SATB choir. Sacred. Octavo. Published by Beckenhorst Press

By George Thalben-Ball. For SATB Choir. Choral, Sacred, 20th Century. Sheet Music. 16 pages. Published by Novello & Co Ltd.

Choral (SATB)

SKU: HL.380893

Composed by Cindy Berry. Shawnee Sacred. General Worship, Pentecost, Sacred. Octavo. 12 pages. Duration 250 seconds. Published by Shawnee Press (HL.380893).

UPC: 196288019381. 6.75x10.5x0.024 inches. Hebrews 12:1-3, I Corinthians 9:24-27.

An inspiration in song, this anthem springs from New Testament scripture and issues a challenge to the community of faith. A solid choral foundation is established that builds a sturdy soundscape, bringing us with confidence to the memorable theme. A great exclamation point to a sermon, this piece will find many noble purposes in your worship planning.

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

SATB Choir a Cappella

SKU: HL.14033692

Composed by Per Norgard. Music Sales America. Classical. Vocal Score. Composed 2005. Edition Wilhelm Hansen #WH30605. Published by Edition Wilhelm Hansen (HL.14033692).

1. The Native Land of Light (for mixed chorus, SATB) 2. Come lift me up (for mixed chorus, SATB -) -) the second movement may be performed by a children's chorus or by the female voices (SSA) from a mixed chorus Programme Note From my very first aquaintance with these Andersen poems, I was deeply moved by the simple, almost naive, yet evocative imagery, with which Andersen realized his visions, images like: The Melody of the Heart, The Poem of Beauty, A Spiritual Hindustan, Fly, Death, over the Sea of Time, fly to Eternal Summer. Along with this childishness Hans Christian Andersen's poetry encompasses enormous - almost Willim Blake-ish - cosmic visions, in theinterpolations between e.g. reaching the Heaven as opposed to you'll find it in a Rosebud, or the juxtaposition of Everyday Life and Eternal Poetry - which become one. Thus the music came to life in my immediate encounter with these words, which almost sang themselves into my Musical Furnace - if you will. Per Norgard.