If I Can Sing Chorale SATB SATB, Piano Alfred Publishing
Choir Secular (SATB choir) SKU: AP.47688 Composed by Lon Beery. Single Ti...(+)
Choir Secular (SATB
choir)
SKU:
AP.47688
Composed by
Lon Beery. Single Titles.
Alfred Choral Designs.
Secular. Choral Octavo.
12 pages. Alfred Music
#00-47688. Published by
Alfred Music (AP.47688).
UPC: 038081543819.
English. Words by Sara
Teasdale.
If I can
sing, I still am free.
Sara Teasdale's 1917 poem
Refuge is certain to
resonate with anyone who
possesses an appreciation
for singing. This lush
setting plays out across
a shifting palette of
harmonic colors and
choral textures, and is
offered in wonderfully
adaptable alternate
voicings that address the
needs of choirs at any
level.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
SATB and Piano. Composed by Alma Bazel Androzzo. Arranged by Andre Thomas. B...(+)
SATB and Piano. Composed
by
Alma Bazel Androzzo.
Arranged
by Andre Thomas. BH
Secular
Choral. Concert,
Festival,
Inspirational. Octavo. 12
pages. Duration 255
seconds.
Boosey & Hawkes
#M051485895.
Published by Boosey &
Hawkes
Praise
Gathering Choral.
Christmas. Softcover. 128
pages. Duration 2520
seconds. PraiseGathering
#A08458. Published by
PraiseGathering
(HL.2050306).
ISBN
9781705151495. UPC:
797242334795.
6.75x10.5x0.307
inches.
Three
gifts, gifts of great
significance; gold,
frankincense and myrrh
were laid at feet of the
Christ Child. These were
gifts that could only
comefrom royal treasures.
The gifts we bring are of
much greater value to the
Lord; my life, my heart,
my praise, all of my
desires, all of my
accomplishments, all of
my failures, all of the
thanksgiving I can
comprehend, all of me,
the surrender of my
imagined authority to the
Author of all life, the
Giver of every good and
perfect gift - Jesus.
Messiah.
The Last Hour Chorale SATB SATB A Cappella [Partie séparée] Theodore Presser Co.
Five Choruses for S.A.T.B., A Cappella. By Leo Smit. Text: Emily Dickinson. Choi...(+)
Five Choruses for
S.A.T.B., A Cappella. By
Leo Smit. Text: Emily
Dickinson. Choir (SATB,
keyboard). For SATB
Chorus, Piano Rehearsal.
Choral. Choral Part(s).
18 pages. Duration 9:00.
Published by Theodore
Presser Company.
Choral (SATB) SKU: HL.350581 Five Beatles Songs. By The Beatles. B...(+)
Choral (SATB)
SKU:
HL.350581
Five
Beatles Songs. By The
Beatles. By John Lennon
and Paul McCartney.
Arranged by Philip
Lawson. Choral. Classic
Rock, Collection, Oldies,
Pop, Pop/Rock, Rock,
Sixties. Octavo. 44
pages. Duration 695
seconds. Published by Hal
Leonard (HL.350581).
ISBN 9781705105351.
UPC: 840126935110.
6.75x10.5x0.093
inches.
Five songs
from the album 'A Hard
Day's Night' arranged by
Philip Lawson. These
simple arrangements are
easy to learn and fun to
sing for all choirs.
Includes: And I Love Her,
Can't Buy Me Love, A Hard
Day's Night, I Should
Have Known Better and If
I Fell.
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen ba...(+)
Choral (SATB Choir)
SKU: HL.48021234
From Cantata
academica, Carmen
basiliense. Composed
by Benjamin Britten.
Boosey & Hawkes Sacred
Choral. Classical.
Octavo. 16 pages. Boosey
& Hawkes #M051482474.
Published by Boosey &
Hawkes (HL.48021234).
ISBN 9781458423542.
UPC: 884088642037.
6.75x10.5
inches.
Text: in
Latin compiled from the
charter of the
University, and from
older orations in praise
of Basle by Bernhard
Wyss.
Publisher:
Boosey &
Hawkes
Difficulty
level: 4 (for
chorus)
Britten's
genius lifts this work
above being just a worthy
celebration of the 500th
anniversary of the
foundation of Basle
University. It is
tongue-in-cheek and
mockingly non-academic
while referring all the
time to academic musical
forms and formulae. It is
written in two parts
(everything is in the
statutory Latin including
the titles of the parts -
Pars I and Pars II). The
titles of the movements
show Britten's intention
to show off a wide
variety of techniques.
Here are some examples:
Chorale/Alla Rovescio
(the theme is given and
responded to with the
same melody upside
down)/Recitativo/Tema
seriale con fuga/Canone
ed ostinato. There is a
good deal of humour
here.
There are
seven movements in Pars I
and six in Pars II. The
tenor soloist is given
three florid recitatives,
accompanied only by a
piano, which act as
bridges between other
orchestrally accompanied
movements. Of these the
most noteworthy are the
Arioso con canto popolare
for soprano solo with
tenors and basses who hum
a student song; another
terrific Britten scherzo;
and a wonderfully raucous
final pair of movements
(Canon ed ostinato and
Corale con canto) where
Britten seems to be aping
the Vivat Regina! cries
in Parry's I was glad or
encouraging the kind of
noisy 'I'm from the best
university' kind of
student touchline shout.
This has outrageously
high notes for the tenors
(top B) which further
endorse this feeling.
There are real echoes of
the Spring Symphony (see
separate entry) final
movement here which are
further underlined by the
last section of the
Cantata which brings in
the bells, piano, huge
percussion and the
inevitable chorale in
which the choir sings
'that a free academy may
thrive in a free
community, for ever the
ornament and treasure of
illustrious
Basle'.
This may
not be Britten at his
most soul-searching but,
as always, there is
plenty here to enjoy,
especially if the work is
not taken too seriously.
It is a celebratory,
occasional piece and it
could be well taken up by
other academic
establishments
celebrating big
anniversaries. The chorus
parts are not very
difficult, though they do
present challenges for
the choir - not least in
having tenors capable of
those very high notes at
the end. The Tema seriale
con fuga is sinewy and
needs careful tuning. It
also has the subject
regularly given upside
down after its initial
sounding by the basses.
All good
fun.
Simple Gifts. By The King's Singers. Arranged by Philip Lawson, Peter Knight, Bo...(+)
Simple Gifts. By The
King's Singers. Arranged
by Philip Lawson, Peter
Knight, Bob Chilcott.
(SATB DV A Cappella).
King's Singer's Choral.
112 pages. Published by
Hal Leonard.
25
Southern Gospel
Favorites. Arranged
by Mosie Lister. Choral.
Excel Series. Southern
Gospel and Sacred. Score
and parts. Published by
Lillenas Publishing
Company (LP.OR-9223).
UPC:
765762088900.
What
a collection! Compiled by
Gospel Music Hall of Fame
songwriter Mosie Lister
who has a real heart both
for gospel music and for
the choir with limited
resources. The format is
Easy 2 Excel flexible so
choirs can either sing
easy SATB or adapt the
voicing to their own
needs. Each arrangement
is easy to learn yet fun
to sing. Titles include I
Should Have Been
Crucified; I Bowed on My
Knees and Cried 'Holy!';
Peace in the Midst of the
Storm; Beyond the Cross;
Canaanland Is Just in
Sight; Do You Know My
Jesus?; Faith Unlocks the
Door; I Thirst; I Will
Serve Thee; I'm Not
Giving Up; Your First Day
in Heaven; The Unclouded
Day; Love Is Why; Keep on
the Firing Line; Joy
Comes in the Morning ;
more. See Table of
Contents (below) for
additional titles.
The Reproaches Chorale SATB SATB A Cappella CanticaNOVA Publications
Composed by James Morrison. Text: The Roman Missal. Ritual music for Good Friday...(+)
Composed by James
Morrison. Text: The Roman
Missal. Ritual music for
Good Friday. Good Friday.
Octavo. Published by
CanticaNOVA Publications
(C5.3086-2).
SATB Choir (Mixed choir) SKU: BA.BA04284 Nunc dimittis, Benedictus Dom...(+)
SATB Choir (Mixed choir)
SKU: BA.BA04284
Nunc dimittis,
Benedictus Dominus Deus
Israel, Miserere mei
Deus, Responsorien,
Antiphonae, zweifelhafte
Werke. Composed by
Orlande De Lassus. Edited
by Peter Bergquist. This
edition: complete
edition, urtext edition.
Linen. Orlando di Lasso,
Complete Works (Samtliche
Werke - Neue Reihe),
Volume 24. Complete
edition, anthology.
Baerenreiter Verlag
#BA04284_00. Published by
Baerenreiter Verlag
(BA.BA04284).
ISBN
9790006446650. 27.5 x
19.5 cm
inches.
Nunc
dimittis, Benedictus
Dominus Deus Israel,
Miserere mei Deus,
Responsorien, Antiphonae,
zweifelhafte Werke.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Choir Secular (SATB choir) SKU: AP.50214 Recorded by Justin Bieber...(+)
Choir Secular (SATB
choir)
SKU:
AP.50214
Recorded
by Justin Bieber.
Composed by Jonathan
Bellion, Jordan Kendall
Johnson, Justin Bieber,
Michael Pollack, and
Stefan Johnson. Arranged
by Andy Beck. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Halloween; Pop;
Radio; Secular. Choral
Octavo. 12 pages. Alfred
Music #00-50214.
Published by Alfred Music
(AP.50214).
UPC:
038081573847.
English.
Justin
Bieber's tribute to a
lost loved one topped
Billboard charts around
the world. Equally
suitable for the concert
hall or the pop choir
stage, this
acoustic-inspired setting
features a variety of
choral textures to
showcase the meaningful
text. Light strings and
guitar add a contemporary
touch on the SoundTrax
CD, or perform with just
piano for a more intimate
presentation. If I can't
be close to you, I'll
settle for the ghost of
you.
About
Alfred Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
((1932) SATB and Piano, Complete Edition). By Benjamin Britten (1913-1976). For ...(+)
((1932) SATB and Piano,
Complete Edition). By
Benjamin Britten
(1913-1976). For Choral
(SATB). BH Secular
Choral. 24 pages. Boosey
and Hawkes #M051481941.
Published by Boosey and
Hawkes
Composed by David Gleba. Text: Missale Romanum. A setting of the actual Communio...(+)
Composed by David Gleba.
Text: Missale Romanum. A
setting of the actual
Communion Antiphon for
Midnight Mass. Christmas.
Octavo. Published by
CanticaNOVA Publications
(C5.5007).
SATB choir, piano SKU: LO.15-3519H Composed by Shane W. Dittmar. Choral. ...(+)
SATB choir, piano
SKU:
LO.15-3519H
Composed
by Shane W. Dittmar.
Choral. Octavo. Heritage
Music Press #15/3519H.
Published by Heritage
Music Press
(LO.15-3519H).
ISBN
9780787760687.
An
artistic piano part
creates the lovely
musical backdrop for this
sensitive, nuanced
setting of an Emily
Dickinson favorite. The
rich choral textures and
soaring melodic lines
result in a wonderfully
expressive work for
concert or contest
programming.
SATB chorus and piano - Medium-easy SKU: JK.01524 Composed by Traditional...(+)
SATB chorus and piano -
Medium-easy
SKU:
JK.01524
Composed by
Traditional Irish Tune.
Arranged by Brent
Jorgensen. Choral SATB,
Difficulty Easy Medium,
Piano Choir, Atonement,
Encouragement, God the
Father, Gratitude, Jesus
Christ - Example, Jesus
Christ - Friend, Jesus
Christ - Savior,
Testimony, Trials.
Christian, Inspirational.
Duration 4:20. Jackman
Music Corporation #01524.
Published by Jackman
Music Corporation
(JK.01524).
3 Nephi
12:48, 3 Nephi
27:27.
Anthem
of comfort and solace for
mixed chorus (SATB) and
piano, bearing testimony
that in the Savior we can
find relief. When the
burdens of life press
upon me And become
more than I can bear;
When the shadows of
darkness surround me
There is One who is
always
there. Composer:
Traditional Irish Tune
Arranger: Brent
Jorgensen Lyricist:
Janice Kapp Perry
Difficulty:
Medium-easy
Performance time:
4:20 Reference: 3
Nephi 12:48, 3 Nephi
27:27.
If I Faint Not Chorale SATB SATB, Piano GIA Publications
By Kevin Johnson and Celeste Johnson. For SATB Choir, Solo Voice and Piano accom...(+)
By Kevin Johnson and
Celeste Johnson. For SATB
Choir, Solo Voice and
Piano accompaniment.
African American Church
Music Series. Sacred.
Easy/Medium. Text
language: English. 12
pages. Published by GIA
Publications
