Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
Chorale SATB SATB, Piano [Octavo] Alfred Publishing
Arranged by , edited by Bob Dingley, composed by Greg Gilpin. Collection for SAT...(+)
Arranged by , edited by
Bob Dingley, composed by
Greg Gilpin. Collection
for SATB chorus and piano
accompaniment. Series:
Pop choral octavo (SATB).
172 pages. Published by
Alfred Publishing.
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
By George Frideric Handel. For SATB Choir, Piano Accompaniment. Baroque, Sacred,...(+)
By George Frideric
Handel. For SATB Choir,
Piano Accompaniment.
Baroque, Sacred, Choral,
Religious. Sheet Music.
264 pages. Published by
Novello and Co Ltd.
Kottarainen Chorale SATB SATB A Cappella Alliance Music Publications
Composed by Riika Pietilainenen-Caffrey. Edited by Lawrence Kaptein. Octavo. ...(+)
Composed by Riika
Pietilainenen-Caffrey.
Edited
by Lawrence Kaptein.
Octavo.
Alliance Music
Publications
#AMP 1072. Published by
Alliance Music
Publications
Rest for the Weary Chorale SATB SATB, Piano - Facile Concordia Publishing House
Piano (SATB) - early intermediate SKU: CR.984387 Composed by Benjamin Cul...(+)
Piano (SATB) - early
intermediate
SKU:
CR.984387
Composed by
Benjamin Culli. Choral.
Octavo. With music.
Concordia Publishing
House #984387. Published
by Concordia Publishing
House (CR.984387).
ISBN 9780758672841. 7
X 10.25
inches.
This
piece by Benjamin M.
Culli paints a beautiful
image of heaven. Arranged
for SATB and piano, Culli
treats the text with a
lyrical tune and
supportive piano
accompaniment. The piece
builds and modulates in
the middle section, then
finishes quietly in the
original key. A moving
selection for All Saints'
Day.
A rest
remains for all the
weary; Arise
, sad heart, and grieve
no
more; Though
long the way, and dark
and
dreary, It
opens to the golden
shore. Befor
e His throne the Lamb
will lead
you, On
heav'nly pastures He will
feed
you, Cast
off your burden, come
with
haste; Soon
toil and strife will be
unraveled, T
he weary way that you
have
traveled, Sw
eet is the rest that you
will taste.
The Father's house
has many a
dwelling, An
d there for you a place
will
be. With
perfect love His heart is
welling Who
loved you from
eternity. Hi
s precious blood the Lamb
has
given That
you may share the joys of
heaven, And
now He calls out far and
near: 'You
weary souls, cast off
your
sorrow; My
light shines bright upon
the
morrow. Come
, sweetest rest awaits
you here!'
There rest and
peace in endless
measure Will
be ours through
eternity; No
grief, no care, will mar
our
pleasure, An
d untold joy our lot will
be. Oh, had
we wings to hasten
yonder— No more this sinful
world to
ponder— To join the glad,
triumphant
band! Arise,
my soul, forget all
sadness, For
peace awaits you, joy and
gladness— The perfect rest and
promised land.
SATB Choir - Grade 3 SKU: BT.HU-4349-250 Composed by Hans Leenders. Harmo...(+)
SATB Choir - Grade 3
SKU:
BT.HU-4349-250
Composed by Hans
Leenders. Harmonia
Concert Series. Choral
Score. Composed 2013. 16
pages. Harmonia #HU
4349-250. Published by
Harmonia
(BT.HU-4349-250).
9x12
inches. German.
The
poetry on which this
composition is based is
the Ballad of External
Life (the Ballade des
äußeren Lebens) from
the pen of Viennese
author Hugo von
Hofmansthal (1874-1929).
He is known for, amongst
other things, his
libretti for the works of
Richard Strauss (Der
Rosenkavalier, Ariadne
auf Naxos, Elektra)
and as founder of the
Salzburg Festival. Von
Hofmansthal was one of
the last of the German
Symbolists. Central to
this literary movement
was the unification of
the internal and external
worlds. The search for
meaning was a cornerstone
of this fin-de-siècle
movement.In the
Ballade des äußeren
Lebens (Ballad of
External Life), the
meaninglessness
ofexistence is expressed
in restricting,
oppressive
metaphors—an
ambience that is
reflected in the music.
Ultimately, man is
capable of establishing
order from seeming chaos.
The poet expresses this
powerfully in a
non-rhyming line of
poetry: ‘And yet, he
who says “evening”
says much, A word, from
which profundity and
sorrow flow’.This
composition follows the
overall structure of the
ballad, which is written
in terza
rima—interlocking
three-line rhymes.The
choral work can be
performed by a chamber
choir, but also by a much
larger ensemble. The
parts are mainly in four
voices (SATB), although
there are also six parts
(SAATBB). One chord is
arranged for eight
voices.The composer
conducted this work at
its première, to open
the 2013 International
Choir Biennial in Aachen.
The choir was comprised
of four chamber choirs:
Aachen Youth Choir,
Carmina Mundi, Aachen
Chamber Choir and Aachen
Madrigal Choir.
Het dichtwerk
waarop deze compositie is
gebaseerd, de Ballade
des äußeren Lebens
(Ballade van het
uiterlijke leven), is
geschreven door de in
Wenen geboren schrijver
Hugo von Hoffmansthal
(1874-1929), die onder
meer bekend is als
librettist van Richard
Strauss (Der
Rosenkavalier, Ariadne
auf Naxos, Elektra)
en medeoprichter was van
de Salzburger Festspiele.
Von Hoffmansthal behoorde
tot de laatste
vertegenwoordigers van
het Duitse symbolisme.
Deze stroming stelde zich
ten doel de innerlijke en
uiterlijke wereld met
elkaar te verenigen.
Zingeving vormde een van
de hoofdthematieken
binnen deze fin de
siècle-cultuur.In de
Ballade des äußeren
Lebens wordt
dezinloosheid van het
bestaan verwoord in
beklemmende metaforen -
een atmosfeer die in de
muziek wordt
weerspiegeld.
Uiteindelijk blijkt de
mens toch in staat te
zijn orde te scheppen in
de schijnbare willekeur.
De dichter benadrukt dit
in zijn enige versregel
zonder rijm: Und dennoch
sagt der viel, der
“Abend” sagt. De
compositie volgt in
hoofdlijnen de structuur
van de ballade, die in
terzinen is opgebouwd.Het
werk kan worden
uitgevoerd door
kamerkoor, maar ook door
een veel grotere
bezetting. De zetting is
voornamelijk vierstemmig
(SATB), maar er zijn
tevens zesstemmige delen
(SAATBB). Een enkel
akkoord is zelfs
achtstemmig.Het werk ging
onder leiding van de
componist tijdens de
Internationale
Chorbiennale Aachen 2013
als openingswerk in
première. Het koor was
samengesteld uit vier
kamerkoren: Der Junge
Chor Aachen, Carmina
Mundi, Aachener
Kammerchor en Der
Madrigalchor Aachen.
Die Dichtung, auf
welcher diese Komposition
basiert, ist die
Ballade des äußeren
Lebens aus der Feder
des gebürtigen Wiener
Schriftstellers Hugo von
Hoffmansthal (1874-1929),
der unter anderem als
Librettist von Richard
Strauss (Der
Rosenkavalier, Ariadne
auf Naxos, Elektra)
und Mitbegründer der
Salzburger Festspiele
bekannt ist. Von
Hoffmansthal gehörte zu
den letzten Vertretern
des Deutschen
Symbolismus. Diese
literarische Richtung
machte sich zur Aufgabe,
die innere und die
äußere Welt miteinander
zu vereinen. Sinngebung
bildete eine der
Hauptthematiken innerhalb
dieser
Fin-de-Siècle-Strömung.
In der Ballade des
äußeren Lebens wird
die Sinnlosigkeitdes
Daseins in beklemmenden
Metaphern formuliert -
eine Atmosphäre, die
sich in der Musik
widerspiegelt.
Letztendlich scheint der
Mensch doch imstande zu
sein, Ordnung in der
scheinbaren Willkür zu
schaffen. Der Dichter
betont dies
nachdrücklich in der
einzigen Verszeile ohne
Reim: Und dennoch sagt
der viel, der Abend“
sagt. Die Komposition
folgt in ihren
Hauptzügen der Struktur
der Ballade, die in
Terzinen geschrieben
ist.Das Chorwerk kann von
einem Kammerchor, aber
auch von einem viel
größeren Ensemble
aufgeführt werden. Der
Satz ist hauptsächlich
vierstimmig (SATB), aber
es gibt auch
sechsstimmige Teile
(SAATBB). Ein einzelner
Akkord ist gar
achtstimmig.Das Werk ging
unter der Leitung des
Komponisten während der
Internationalen
Chorbiennale Aachen 2013
als Eröffnungswerk in
Premiere. Der Chor setzte
sich aus vier
Kammerchören zusammen:
Der Junge Chor Aachen,
Carmina Mundi, der
Aachener Kammerchor und
der Madrigalchor
Aachen.
Mixed choir SKU: FG.55011-857-7 Composed by ŽibuoklÄ— MartinaitytÄ...(+)
Mixed choir
SKU:
FG.55011-857-7
Composed by
Žibuoklė
MartinaitytÄ—.
Classical, contemporary.
Book. Fennica Gehrman
#55011-857-7. Published
by Fennica Gehrman
(FG.55011-857-7).
Žibuoklė
MartinaitytÄ— tells
about the background of
Aletheia (2022) for mixed
choir (SSSSAAAATTTTBBBB):
Aletheia is variously
translated from Greek as
unconcealedness,
revealing or
unclosedness. It is
uncovering of the Truth -
the one we are afraid to
face, the truth that can
only be expressed
directly through the
pre-verbal communication.
How do you find words for
the horrors of the war,
for all unimaginable
global atrocities? How do
you even allow yourself
to feel it out? Solely
through art, through
music that offer a safe
space and a formalized
framework for processing
these accumulated complex
emotions and sharing them
with others in a moment.
This piece has no verbal
text and it is based on
various combinations of
vowels and consonants,
thus connecting us on a
deeper level through the
immediate emotional
experience.
The
war in Ukraine in spring
of 2022 had an impact on
all of us and shattered
my deeply rooted
Lithuanian identity. When
the freedom is threatened
and innocent people are
dying, it is hard to make
sense out of the reality.
Yet there is poetry even
in the worst nightmares.
I was imagining that the
only instrument people
have even in situations
of destruction, in the
midst of the war, is
their VOICE. It brought
back memories of my youth
when Singing revolution
was taking place in the
Baltic countries. Human
voice was the only weapon
that people used to
express their
determination for freedom
and independence. Voice
is our first and the very
last instrument we have
in our lifetime. Thinking
in these terms brings
almost a sacred dimension
to the voice as an
expression of the life
itself - from the very
first baby's scream until
the last breath and
whisper.
Duration
c. 15'
The works
of New York -based
Lithuanian composer
Žibuoklė
MartinaitytÄ— (b.
1973) have been lauded as
breathtaking and
profoundly moving. Her
stimulating music
bristles with energy and
tension and revolves
often around the subject
of beauty, which she
calls both a guiding
principle and an
aesthetic measure for
sonic quality.
Mixed choir SKU: ST.B934 Composed by Brian Wren. Hymns & Relgious Drama. ...(+)
Mixed choir
SKU:
ST.B934
Composed by
Brian Wren. Hymns &
Relgious Drama. Hymns
& Psalms 2009-2012. .
If ordering from USA,
Canada, Australia or New
Zealand please contact.
Collection. Stainer &
Bell Ltd. #B934.
Published by Stainer &
Bell Ltd. (ST.B934).
ISBN
9780852499344.
This
, the ninth of a series
of books begun in 1983,
contains Brian Wren's 36
most recent hymns (2009
to 2012). It is nicely
presented and laid out in
a user-friendly way. The
hymns are divided into
five thematic sections:
Jesus from Cradle to
Cross; Easter Hymns;
Church and Mission;
Praise; and Metrical
Psalms. This last
section, rooted in
(though not bound by) the
Old Testament, is often
influenced by Isaac Watts
and will be of more use
to some than others; it
concludes with a
tremendous rendering of
Psalm 8; a paean of
praise which all will
love, set to a stirring
tune.
Each
section is prefaced with
a single page
introduction listing the
contents and, in some
instances, giving an
interesting insight into
Brian Wren's theology and
thinking which provides
food for contemplation.
Each hymn is printed in
words format with all the
necessary information for
inclusion in an order of
worship. Every hymn is
also printed with full
score music for
accompaniment interlined
with the words. The book
is slightly larger than
A5, and there are various
useful indexes.
The tunes range from
ancient to modern, some
very familiar, including
Candler (better known as
Ye Banks and
Braes). A number are
of a metre where
alternative tunes are
available. Those tunes
which are new vary in
ease of use; some will be
readily picked up, others
would prove challenging
for occasional use in a
small congregation but
could be used as music
group items.
These are hymns which
need to be read as a
whole and require
thought. The words are
chosen with care and
notable as much for those
not used as those
included e.g.: 'Christ,
untameably alive,/
breathe your life upon us
- / Compass, Governor and
Guide, / with us and
beyond us,/ Sky and
Sunlight, / spreading
Vine./ Spring of Living
Water,/ Truth and Wisdom,
Way and Word,/ here, and
then hereafter.' These
hymns will be useful in
worship as either sung or
read pieces, and will
also prove an invaluable
resource for private
devotion.
(Fifty Christmas Carols). By Bob Chilcott; David Blackwell. For SATB choir accom...(+)
(Fifty Christmas Carols).
By Bob Chilcott; David
Blackwell. For SATB choir
accompanied and
unaccompanied. Mixed
Voices. ...for Choirs
Collections. Christmas,
Choral Collection.
Paperback. 240 pages.
Published by Oxford
University Press
(Fifty Christmas Carols). By Bob Chilcott; David Blackwell. For SATB choir, acco...(+)
(Fifty Christmas Carols).
By Bob Chilcott; David
Blackwell. For SATB
choir, accompanied and
unaccompanied. Mixed
Voices. ...for Choirs
Collections. Christmas,
Choral Collection.
Spiral-bound paperback.
240 pages. Published by
Oxford University Press
SATB choir, SATB soli,
piano, cello/bass
instrument, percussion -
Late Intermediate to
Advanced
SKU:
MN.CH-1291
Composed
by Richard Thompson.
Graduation, 20th Century.
Choral score. Laurendale
Associates #CH-1291.
Published by Laurendale
Associates (MN.CH-1291).
Contains four
pieces: 1. Fifty-Second
Street Swing, 2.
Remembering Billie, 3. On
the Road, 4. Take Five.
The following is a
remembrance by the
composer: Under the
picture in my high school
yearbook it said, Silence
is golden. Lost my
diploma on the way home
from graduation but I
knew what I wanted to be:
A Big Band Pianist.
Started hanging out in
Manhattan on Fifty Second
Street. There were seven
jazz clubs in one block,
between Sixth and
Seventh. Couldnt drink at
seventeen, so just nursed
cokes at a dollar each.
My salary was twenty a
week. Sat by the great
Art Tatum, the incredible
blind pianist. My teacher
accompanied Billie at the
Onyx. Later, Dizzy and
Bird appeared on the
scene. This wonderful
year passed, and I
swapped my piano for a
rifle. The Marines had
plans for me. Where would
I find a piano? Would I
still be able to play?
But, find them I did: in
the States and even on
some Pacific Islands.
Sometimes you could even
recognize what you were
playing. Sometimes, had
to kick someone off the
bench. I told Kim Rich,
the poet, my stories and
somehow she made these
wonderful lyrics with
just a few phone
conversations. Hey! Im
immortal!!!
Commissioned by American Composers Forum. Composed by Rene Clausen. ChoralQues...(+)
Commissioned by American
Composers Forum. Composed
by
Rene Clausen.
ChoralQuest.
Chamber, Concert. Octavo.
12
pages. Published by
American
Composers Forum
((1932) SATB and Piano, Complete Edition). By Benjamin Britten (1913-1976). For ...(+)
((1932) SATB and Piano,
Complete Edition). By
Benjamin Britten
(1913-1976). For Choral
(SATB). BH Secular
Choral. 24 pages. Boosey
and Hawkes #M051481941.
Published by Boosey and
Hawkes
SATB choir SKU: ST.CN20P Composed by Rhiannon Randle. This PRINTED versio...(+)
SATB choir
SKU:
ST.CN20P
Composed by
Rhiannon Randle. This
PRINTED version is
available to purchase as
a regular sheet music
title for delivery by
post. Octavo. Stainer &
Bell Ltd. #CN20P.
Published by Stainer &
Bell Ltd. (ST.CN20P).
ISBN
9790220224850.
Grea
tly admiring the poetry
of Christina Rossetti,
and in particular the
elegance and poignancy of
her sonnet 'An Echo from
Willow-Wood', the
composer initially wrote
this work as the second
of a group of three
anthems entitled
Echoes from Willow
Wood, exploring
aspects of hope and
despair in love. These
are indeed powerful
themes throughout
Rossetti's oeuvre, and
there was a strong
creative tension here
with another text
selected for the
collection, her much
anthologised 'A
Birthday', which is
brimming with hope and
joy at the prospect of
love. By contrast, in
On Life's Dividing
Sea the poet tugs
vainly at the
heart-strings of hope and
concludes in dejection.
Taking its title from
line 8 of the poem, the
setting focuses on
imagery of the sea, an
emblem which inspired
many of the textures of
the central section.
Cluster chords, more
lyrical gestures, and
suggestions of
quasi-Purcellian cadences
convey a message of
youthful, innocent desire
being torn apart, while
maintaining Rossetti's
poised Victorian turn of
phrase.
Composed by Traditional Spiritual. Arranged by Dan Davison. Sws. Octavo. 16 ...(+)
Composed by Traditional
Spiritual. Arranged by
Dan
Davison. Sws. Octavo. 16
pages. Duration 2
minutes, 50
seconds. BriLee Music
#BL1155. Published by
BriLee
Music
Praise
Gathering Choral.
Christmas. Softcover. 128
pages. Duration 2880
seconds. PraiseGathering
#A08439. Published by
PraiseGathering
(HL.2050289).
UPC:
797242852596.
6.75x10.5x0.302
inches.
Peace on
earth. Has there ever
been such a thing - will
there ever be? Wars and
rumors of wars are the
mile markers of history.
Wars seem to be the
events by which history
is recorded. Did you ever
hear of World Peace I or
World Peace II - or the
years of Civil Peace? Did
the Holy Scriptures
really promise Peace On
Earth? Did an angel from
heaven really proclaim
“Glory to God in the
highest, and on earth
peace among those with
whom He is pleased!” ?
(Luke 2:14) The answer
is...YES!Butwhatabout...?
- Butwhatabout...? -
Butwhatabout...?We could
spend most of our lives
filling in these blanks.
However - if we take the
cognizant, courageous
leap of faith - if we
choose to believe God's
Word is true - then we
must refine our
understanding of peace.
Jesus said - “Peace I
leave with you; my peace
I give you. I do not give
to you as the world
gives. Do not let your
hearts be troubled and do
not be afraid.” John
14:27Jesus knows about
peace - He is indeed the
Prince of Peace. How then
can we define peace...?
Peace is not the absence
of conflict - Peace is
the presence of God.God
made His presence known
in a spectacular,
miraculous way long ago
in the ancient city of
Bethlehem. His presence
remains just as real -
just as powerful - just
as loving.Thanks be to
God for His tender mercy
and all sufficient grace.
May we be instruments
used of God to live out
and reach others with the
good news. Glory to God
in the highest! There Is
Peace in the World
Tonight.
By Robert Kyr. Text: William Blake and Alexander Pope. For Boy soprano and Tenor...(+)
By Robert Kyr. Text:
William Blake and
Alexander Pope. For Boy
soprano and Tenor soli,
SATB Choir [divisi],
piano and optional cello.
(Mixed Voices). General.
Choral. Level: moderately
difficult. Octavo. 20
pages. Published by Ione
Press.
The Lamb Chorale SATB SATB, Piano Lorenz Publishing Company
Composed by Jay Rouse. Choral, cantatas. Eastertide, Holy Week. Choral score. L...(+)
Composed by Jay Rouse.
Choral, cantatas.
Eastertide, Holy Week.
Choral score. Lorenz
Publishing Company
#55/1192MD. Published by
Lorenz Publishing Company
(LO.55-1192MD).
Choir Secular (SATB choir) SKU: AP.51237 Composed by Liz Rose and Taylor ...(+)
Choir Secular (SATB
choir)
SKU:
AP.51237
Composed by
Liz Rose and Taylor
Swift. Arranged by Bryan
Sharpe. Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Contemporary A Cappella;
Country; Pop; Radio;
Secular. Choral Octavo.
24 pages. Alfred Music
#00-51237. Published by
Alfred Music (AP.51237).
UPC: 038081582740.
English.
A Taylor
Swift hit in three
voicings! Bryan's
contemporary a cappella
arrangement bubbles with
youthful charm. There's
no divisi, but a full
palette of choral colors
is on display. A featured
soloist is accompanied in
a variety of ways by the
other voices as they
imitate instruments of a
pop band. It's a blast
from start to finish.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
SATB choir, soprano descant, brass quintet, and organ, with optional timpani and...(+)
SATB choir, soprano
descant, brass quintet,
and organ, with optional
timpani and percussion -
Early Intermediate
SKU: MN.60-4011
Composed by Jeremy J.
Bankson and K. Lee Scott.
Easter, 21st Century.
Instrument parts.
MorningStar Music
Publishers #60-4011.
Published by MorningStar
Music Publishers
(MN.60-4011).
UPC:
688670640117.
English.
The hymn
tune SHADES MOUNTAIN (K.
Lee Scott, 1987) is
paired with a 1976 Erik
Routley text in this
concertato for choir,
congregation, brass
quintet, organ, and
optional timpani and
percussion. Six stanzas
of the fifteen-measure
melody are provided here.
Two stanzas are notated
in SATB layout. Stanza 2
encourages the
congregation to sing in
four parts as in a hymnal
layout (reproducible
congregational pages are
provided). Stanza 4 is
for the choir alone, a
cappella, in four parts.
One stanza (1) asks the
women of the congregation
to sing with the women of
the choir, and this
concept is repeated with
the men (stanza 3).
Stanza 5 is unison,
stanza 6 is unison with
descant. An introduction
and interlude before the
final stanza round out
the piece. A majestic
piece, full of wonderful
variety and color.
Choral (SATB) SKU: HL.428247 A Beatles Super Medley. By The Beatle...(+)
Choral (SATB)
SKU:
HL.428247
A
Beatles Super Medley.
By The Beatles. By George
Harrison, John Lennon,
and Paul McCartney.
Arranged by Mark A.
Brymer. Pop Choral
Series. Classic Rock,
Medley, Novelty, Pop,
Pop/Rock, Rock, Sixties.
Octavo. 20 pages.
Duration 240 seconds.
Published by Hal Leonard
(HL.428247).
UPC:
196288063384.
6.75x10.5x0.045
inches.
A Fab Four
Medley with 18 classic
songs in just four
minutes!? As Brian Wilson
once said, “There's
no outdoing the
Beatles.†Includes:
All You Need Is Love,
Blackbird, Come Together,
Eight Days a Week,
Eleanor Rigby, A Hard
Day's Night, Here Comes
the Sun, Hey Jude, I Want
to Hold Your Hand, In My
Life, Let It Me, Love Me
Do, Penny Lane,
Strawberry Fields
Forever, We Can Work it
Out, With a Little Help
from My Friends and
Hello, Goodbye.