Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230).
ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English.
(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
Choral SATB Choir and Piano SKU: PR.312418770 No. 1 from Second April<...(+)
Choral SATB Choir and
Piano
SKU:
PR.312418770
No. 1
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41877.
Published by Theodore
Presser Company
(PR.312418770).
ISBN
9781491138120. UPC:
680160640195. Second
April, by Edna St.
Vincent
Millay.
Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The first
movement, SONG OF A
SECOND APRIL is dramatic,
detailing a time of
personal strife and
tragedy, perhaps the end
of a relationship or even
the end of a life. The
music is intense, fast,
in a minor key, creating
a feeling of powerful,
relentless emotions.
Little by little, the
music almost dies away,
getting quieter and
quieter, creating a
feeling of resignation,
but with a surprise
Picardy Third in the
final chord –
suggesting a bit of
hope!. SECOND APRIL
for S.A.T.B. Chorus and
Piano is a four-movement
set, based on the poetry
of Edna St. Vincent
Millay. I have long been
enamored with the poetry
of Millay for its
wonderfully vivid and
descriptive imagery, and
its often powerful and
profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
.
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9740
Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740).
ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson.
Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done.
Chorale SATB SATB A Cappella [Partition] Music Sales
For SATB voices (with optional guitar chords). Format: SATB songbook. With chora...(+)
For SATB voices (with
optional guitar chords).
Format: SATB songbook.
With choral notation,
lyrics, chord names and
guitar chord diagrams.
Americana, traditional
pop and pop vocal.
Series: Everybody's
Favorite Series #67. 127
pages. 9x12 inches.
Published by Music Sales.
Kottarainen Chorale SATB SATB A Cappella Alliance Music Publications
Composed by Riika Pietilainenen-Caffrey. Edited by Lawrence Kaptein. Octavo. ...(+)
Composed by Riika
Pietilainenen-Caffrey.
Edited
by Lawrence Kaptein.
Octavo.
Alliance Music
Publications
#AMP 1072. Published by
Alliance Music
Publications
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian.
“A
lmiraâ€,
Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text
to music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at
Almira’s crowning
ceremony, a duel, a
prison scene and a
masked-ball involving the
three continents Europe,
Africa and Asia.
The vocal score
to “Almiraâ€
by George Frideric Handel
brings about a small
sensation: Whilst
conducting a reenactment
of this work in 1732,
Georg Philipp Telemann
removed the Aria no. 28
“Ingrato,
spietato†from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Editionâ€.
Thanks to a recently
discovered contemporary
manuscript copy from the
beginning of the 18th
century which was found
in the music library of
the Mariengymnasium in
Jever, this aria has now
been made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträgeâ
. Now the aria can
be performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition†volume,
could be reconstructed
from the basso continuo
part of the Bellante aria
“Ich brenne
zwar†(no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; Softcover.
Eulenburg Orchestral
Series. Mass; Requiem;
Baroque. Part. 24 pages.
Duration 55'. Breitkopf
and Haertel #EOS 8047-15.
Published by Breitkopf
and Haertel
(BR.EOS-8047-15).
ISBN
9790004789735. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
SATB choir - Easy/Moderate SKU: WD.080689496776 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689496776
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Bulletins
(100-pak). Duration 32
minutes. Word Music
#080689496776. Published
by Word Music
(WD.080689496776).
UPC:
080689496776.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
SATB choir SKU: LP.OR-2192 Composed by Bob Kauflin. Arranged by Thomas Fe...(+)
SATB choir
SKU:
LP.OR-2192
Composed
by Bob Kauflin. Arranged
by Thomas Fettke.
Anthems. Inspirational
and Sacred. Score and
parts. Published by
Lillenas Publishing
Company (LP.OR-2192).
UPC:
765762111608.
This
is a strong and
meaningful text with a
compelling musical
setting. It can be used
any time during the year:
Easter Christmas or as a
general anthem. The short
phrases easy voicing and
pretty harmonies are sure
to win favor with your
choir. The profound
message of the song is
sure to win favor with
your pastor and
congregation.
Level
2. Composed by John
M. Feierabend. Choral.
Conversational Solfege.
Music Education. Octavo.
GIA Publications #527.
Published by GIA
Publications (GI.G-527).
Text by Noel
Goemanne.
Conversat
ional Solfege is a
dynamic and captivating
first-through-eighth
grade general music
program that enables
students to become
independent musical
thinkers with the help of
a rich variety of folk
and classical
music. It is organized
around increasingly
complex rhythmic and
melodic content. Each new
rhythmic or melodic
element is discovered
first in patterns and
then reinforced with folk
songs, rhymes, and
classical examples.
Central to the
Conversational Solfege
program is the use of
music harvested from our
rich and diverse American
musical history. This
variety of music serves
as a common thread that
spans and bonds
generations. Each book
contains varied song
material so the teacher
can select appropriate
music for the lower
grades or older
beginners. This 12-step
teaching method carefully
brings students from
readiness to, ultimately,
creating music through
inner hearing and then
transferring their
musical thoughts into
notation—in other
words, to compose music!
This CD provides
14Â classical
selections referenced in
Conversational Solfege
Level 2. These examples
provide reinforcement for
emerging literacy skills,
and they also enable
students to listen to
wonderful classical
examples with greater
attention. Listening to
classical music can be
challenging for
elementary students. With
nothing to hang onto, the
many notes can be too
much to comprehend and
attention soon wanes. But
with minimal literacy
skills, students will
have enough musical
information to discover
that classical music can
be accessible and
appealing. In the
included booklet, timings
are given for each
selection and the
portions of the music
that are readable by the
students are reproduced.
Whether using this CD
with Conversational
Solfege instructional
materials or simply as a
resource of classical
music with simple to read
rhythmic and melodic
material, both teachers
and students will delight
in discovering this
wonderful music through
literacy. This series is
a complete, innovative
approach to teaching
music that will stay
fresh year after year.
CONTENTS Conversational
Solfege Unit 5:Â 1.
Antonin Dvorak •
New World Theme
Conversational Solfege
Unit 6:Â 2. Franz
Joseph Haydn •
Theme from  the
Surprise Symphony, 3.
Camille
Saint-Sans •
Turtles from Carnival of
the Animals, 4. Ludwig
van Beethoven •
Symphony No. 7, 2nd
Movement, 5. Josef
Strauss •
Feuerfest (Fireproof)
Polka, Op. 269
Conversational Solfege
Unit 7:Â 6. Jacques
Offenbach •
Can-Can, 7. Dmitry
Kabalevsky •
Pantomime from the
Comedians, 8. Edvard
Grieg • In the
Hall of the Mountain King
Conversational Solfege
Unit 9 and Unit 11:Â 9.
Jacques
Offenbach •
Barcarolle Conversational
Solfege Unit 10:Â 10.
Edvard Grieg •
Morning Conversational
Solfege Unit 11:Â 11.
Ottorino
Respighi •
Ground in G
Conversational Solfege
Unit 12:Â 12. Johann
Sebastian Bach •
Jesu, Joy of Men's
Desiring, 13. Jean
Sibelius •
Finlandia Conversational
Solfege Unit 13:Â 14.
Ludwig Van
Beethoven •
Symphony No. 6, Movement
5Â John M. Feierabend
is Professor Emeritus and
former Director of Music
Education at The Hartt
School of Music,
University of Hartford,
Connecticut.
SATB choir - Easy/Moderate SKU: WD.080689535673 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689535673
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Christmas.
Orchestration. Duration
32 minutes. Word Music
#080689535673. Published
by Word Music
(WD.080689535673).
UPC:
080689535673.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
SATB choir - Easy/Moderate SKU: WD.080689594090 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689594090
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Accompaniment
DVD. Duration 32 minutes.
Word Music #080689594090.
Published by Word Music
(WD.080689594090).
UPC:
080689594090.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
SATB choir - Easy/Moderate SKU: WD.080689495779 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689495779
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Posters
(12-pak). Duration 32
minutes. Word Music
#080689495779. Published
by Word Music
(WD.080689495779).
UPC:
080689495779.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
SATB choir - Easy/Moderate SKU: WD.080689621390 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689621390
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. DVD preview
pak. Duration 32 minutes.
Word Music #080689621390.
Published by Word Music
(WD.080689621390).
UPC:
080689621390.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
SATB choir - Easy/Moderate SKU: WD.080689849725 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689849725
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Bulk CD
(10-pak). Duration 32
minutes. Word Music
#080689849725. Published
by Word Music
(WD.080689849725).
UPC:
080689849725.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
SATB choir SKU: ST.EM42 Composed by Nicholas Yonge. Edited by David Greer...(+)
SATB choir
SKU:
ST.EM42
Composed by
Nicholas Yonge. Edited by
David Greer. Library
Volumes. Edited by David
Greer. Paperback.
Madrigals. Collection.
Stainer & Bell Ltd.
#EM42. Published by
Stainer & Bell Ltd.
(ST.EM42).
ISBN
9790220223136.
This
is the first ever
complete published
edition of a major
madrigal collection that
is essential to our
understanding of the
fruitful interaction of
Renaissance Italian and
English music.
In four, five and six
voices, the 57 pieces of
Musica
Transalpina include
51 madrigals by Marenzio,
Palestrina and others,
the two parts of Byrd's
'La virginella', and four
French chansons.
Uniquely, the anthology
also features singing
translations of the
original poems from the
Italian into the
vernacular, for which it
was widely admired and
circulated. As a printed
source from which
composers could learn the
madrigal style and
aesthetic, it was hugely
influential in inspiring
the 'golden age' of Tudor
and Jacobean vocal
music.
An
important addition to
The English
Madrigalists series,
Musica
Transalpina of 1588
is not only of great
scholarly interest but is
also an outstanding
addition to the
repertoire that will
delight contemporary
singers no less than it
enthralled those
Elizabethans who first
responded with such
enthusiasm to its fine
music and accessible
'Englished' texts.
Individual titles
from this volume are
available as Adobe PDF
files...
Choral SATB Choir and Piano SKU: CF.CM9787 Composed by Coty Raven Morris....(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9787
Composed by
Coty Raven Morris.
Arranged by Saleel Menon.
Duration 3:45. Carl
Fischer Music #CM9787.
Published by Carl Fischer
Music (CF.CM9787).
ISBN 9781491164587.
UPC: 680160923496. Key: D
major. English.
Original.
The text
for the first voicing
(SSA) of this piece came
to me in the fall of 2020
while teaching at Crosby
High School in Crosby,
Texas. My students,
though enthusiastic to be
back in Choir, were
struggling to cope with
the civil unrest around
them, in addition to the
pandemic. When
considering how I could
help them navigate this
time, I realized that
they were in need of some
sort of consistency, of
feeling grounded in
themselves. As weÂ
focused on building of
community and
citizenship, this text
and tune came to mind,
each phrase highlighting
an element of personal
and community wellness.I
lead with my
spirit keeping love in
the circle around me.
(Social)Expressing my
spirit
(Occupational)Loving what
I can see and cannot see,
I'll take care of the
vessel I am in
(Physical)I love with me
that's under the skin
(Emotional)Taking care of
my mind
(Intellectual)Envisioning
the me I want to be
(Spiritual)I had the
honor of collaborating
with composer/educator
Saleel Menon to create
the beautiful piano
accompaniment and SATB
setting.Who I Want To Be
opens with a solo
functioning as a mantra
throughout the tune. As
the piece continues,
voices join in unison and
harmony to emphasize the
intent.When the repeats
in mm. 48–51
occur, invite students to
share some of their own
mantras and affirmations,
or feel free to borrow
from the words my
students in the Crosby HS
choir inspired me to
write:Allow yourself
graceI am persistentI am
fragile, not brokenYou
are worthyI am worthyI
know that your success is
not my demise!The only
validation I need is my
ownI believe in myselfI
see youIt’s okay
to not be okayBreatheI
love and I am
lovedPrepare yourself for
not only a powerful
performance, but a
rewarding experience and
conversations with your
students.THIS is the
piece you want stuck in
your students’
heads!~CRM.
SATB Chorus, & Piano SKU: SU.96010060 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010060
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010060. Published by
Subito Music Corporation
(SU.96010060).
Instrumentation
: SATB Chorus, &
Piano Duration:
3:30' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010061 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010061
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010061. Published by
Subito Music Corporation
(SU.96010061).
Instrumentation
: SATB Chorus, &
Piano Duration:
5' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.T
As a
matter of practicality,
when I was first asked to
write a piece for the New
York Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Massthat I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.
Like a bolt of
lightning, divine
intervention interceded
whereupon I instantly
realized that he needed a
piece to wake up the
audience, not another
Kyrie. I took a breath
and spontaneously began
to talk through and
improvise the concept of
a piece that became the
basis for Taxi.
At that moment I was
clueless as to what kind
of piece I would write
but it appeared to be a
good idea at the time.
David's reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and ... as a matter
of practicality, I
happily agreed.
-- Joe Gianono
Note: Taxi, Noise, and
Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010062 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010062
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010062. Published by
Subito Music Corporation
(SU.96010062).
Instrumentation
: SATB Chorus, &
Piano Duration:
4' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSAT...(+)
(SSATB with Solos a
cappella). By Benjamin
Britten (1913-1976). For
Choral (SSATB). BH Large
Choral. 48 pages. Boosey
and Hawkes #M051481666.
Published by Boosey and
Hawkes
