(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Vocal songbook for SATB choir. With vocal score. 80 pages. Published by Hal Leonard.

For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

Composed by Colin Brumby. Delightfully easy Christmas anthem. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5059).

100 Carols for Choirs by David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . for Choirs Collections. Advent, Christmas, Epiphany, Easter, Sacred, Secular. Paperback. 388 pages. Published by Oxford University Press

Composed by David Rasbach. Hinshaw Music. Anthem, Maundy Thursday, Holy Week, Sacred, Good Friday. Octavo. 8 pages. Hinshaw Music Inc. #HMC2504. Published by Hinshaw Music Inc. (HL.201234).

By David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . for Choirs Collections. Christmas Choral Collection. Pack of 10 copies. 384 pages

By Willcocks and John Rutter. For Choral Collection: Mixed Choir Spiralbound. Published by Oxford University Press.

SATB choir with divisi, organ, handbells, oboe and brass quartet - Medium

SKU: PL.0529IP

Composed by Brian William Luckner. Cathedral. Choral, Chant, Christmas. Instrumental Parts. Paraclete Press #0529IP. Published by Paraclete Press (PL.0529IP).

* Introit for Christmas Eve or for a service of Advent Lessons and Carols * familiar Latin antiphon interspersed with English verses * seamlessly interwoven vocal and instrumental lines * glorious ending

Brian Luckner's anthem, Dominus dixit ad me (SSATB, handbells, oboe, brass quartet, organ... is plucked straight out of the Gregorain chant repertory, and manages to do it in a somewhat less diaphanous manner than some other chant-based pieces have done. The Introit for Chirstmas Midnight Mass is here qouted in toto, cast in a fluid but rhythmic framework. Starting rather mysteriously at the outset, oboe and handbells are effectively brought into the fabric of the piece. This work carefully submits to the antiphon/psalm verse/antiphon Introit form and is thus entirely liturgical by intent. At the return of the antiphon, the score becomes much more expansive, and only the outline of the chant is suggested. The oboe wisely doubles the first soprano part, as it ascends to two high B-flats. In my mind's ear, I hear a very capable choir singing this piece, preparatory to the opening hymn/carol. While it captures the very quiet side of the mystery of Verbum caro factus est, it nicely prepares us for the joys of festive clangor that are sure to follow. Cue up Hymn 87, please! - Monte Mason AAM Journal October 18, 2005.

SATB choir with divisi, organ, handbells, oboe and brass quartet - Medium

SKU: PL.0529

Composed by Brian William Luckner. Cathedral. Choral, Christmas. Octavo. Paraclete Press #0529. Published by Paraclete Press (PL.0529).

* Introit for Christmas Eve or for a service of Advent Lessons and Carols * familiar Latin antiphon interspersed with English verses * seamlessly interwoven vocal and instrumental lines * glorious ending

Brian Luckner's anthem, Dominus dixit ad me (SSATB, handbells, oboe, brass quartet, organ... is plucked straight out of the Gregorain chant repertory, and manages to do it in a somewhat less diaphanous manner than some other chant-based pieces have done. The Introit for Chirstmas Midnight Mass is here qouted in toto, cast in a fluid but rhythmic framework. Starting rather mysteriously at the outset, oboe and handbells are effectively brought into the fabric of the piece. This work carefully submits to the antiphon/psalm verse/antiphon Introit form and is thus entirely liturgical by intent. At the return of the antiphon, the score becomes much more expansive, and only the outline of the chant is suggested. The oboe wisely doubles the first soprano part, as it ascends to two high B-flats. In my mind's ear, I hear a very capable choir singing this piece, preparatory to the opening hymn/carol. While it captures the very quiet side of the mystery of Verbum caro factus est, it nicely prepares us for the joys of festive clangor that are sure to follow. Cue up Hymn 87, please! - Monte Mason AAM Journal October 18, 2005.

By David Hill (Editor). For SATB Choir. Christmas, Religious, Choral. Sheet Music. 268 pages. Published by Novello and Co Ltd.

(Carols, Hymns and Seasonal Anthems for Mixed Voices Mixed Choir and Organ). By Various. Edited by Stephen Cleobury. Choral. Book only. 256 pages

Composed by David Gleba. Text: Missale Romanum. A setting of the actual Communion Antiphon for Midnight Mass. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5007).

Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Choral score. Duration 7 minutes, 30 seconds. E.C. Schirmer Publishing #7946. Published by E.C. Schirmer Publishing

By Joel Raney. Scripture Reference: Luke 2:8-14. Hymntune, Hymntune and Sacred. Print Music Single (SATB with optional 8 Handbells, Flute, Oboe and Cello). 12 pages. Published by Hope Publishing Company.

Composed by Matthew Culloton. Christmas with The Singers Series. Christmas, 20th Century. Octavo. Published by MorningStar Music Publishers (MN.50-1962).

Composed by David Barton. Text: 15th century texts. Medieval-flavor motet. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5054).

Carols for Choirs 2 by David Willcocks and John Rutter (1945-). Edited by David Willcocks, John Rutter. For mixed choir. Mixed Voices. ...for Choirs Collections. Christmas, Choral Collection. Choral collection. 224 pages. Published by Oxford University Press

SATB Choir, piano, assembly - Medium Advanced

SKU: AU.9781506486505

Composed by Tom Trenney. Augsburg Choral Hymn Series. Christian. Octavo. Augsburg Fortress #9781506486505. Published by Augsburg Fortress (AU.9781506486505).

ISBN 9781506486505. 7 x 10.25 inches.

Imaginative text painting brings added depth to this well-loved carol arranged by Tom Trenney. Lyrical writing is mixed with lush chordal harmonies along with a full piano accompaniment or optional instrumental setting. The final stanza concludes with the words the whole world gives back the song which now the angels sing and appropriately the assembly is invited to join the choir with the sopranos singing a glorious descant.

(50 Christmas Favorites for Church, School, and Community) Arranged by Janet Day. SATB songbook for SATB or mixed choir. With choral notation, lyrics and performance suggestions. 56 pages. Published by Hal Leonard.

(A Large Print, No Repeats Southern Christmas Musical). By Wayne Haun and Dake Clark. Arranged by Wayne Haun. For SATB choir. Traditional and Southern Gospel. Christmas. Easy. Choral score. Duration 28 minutes. Published by Lillenas Publishing Company

For Chorus and Wind Ensemble. By Vincent Persichetti. Text: Walt Whitman. For SATB Chorus, Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Trumpet I, Cornet I, Trumpet II, Cornet II, Trumpet III, Cornet III, French Horn I, French Horn II, French Horn III,. Cantata No. 3. Full Score - Large. Opus 103. 81 pages. Duration 23:00. Published by Theodore Presser Company.

Composed by Bob Chilcott. For SATB choir (with divisions) unaccompanied. This edition: paperback. Mixed Voices. Christmas Carols. Level B (easy). Vocal score. 4 pages. Duration 2.5 minutes. Published by Oxford University Press

SATB choir, percussion

SKU: CA.965700

Composed by Daniel Elder. Edited by Stefan Schuck. Carus Contemporary. CARUS CONTEMPORARY. Full score. 20 pages. Carus Verlag #CV 09.657/00. Published by Carus Verlag (CA.965700).

ISBN 9790007165079. Text language: English.

Into the Wordless compares two poems by Walt Whitman, both from his landmark publication Leaves of Grass. These two disparate texts fit together in a hauntingly symbiotic way, and in this setting they are compared musically in two distinct styles that represent a dual-reality experienced by the narrator. As the poems are interwoven section by section, the plagal nature of Gliding Over All joins seamlessly with the pa n-diatonicpatterns in A Clear Midnight, in particular their shared weight of A-flat major - historically theorized as the key of the grave (Christian Schubart's Ideen zu einer Asthetik der Tonkunst, 1806) - albeit in different harmonic contexts. (Daniel Elder).

Arranged by Jay Althouse. For Choir. (SATB). Choral Octavo. Christmas. Level: Level 4 (grade L4). Choral Octavo. 20 pages. Published by Alfred Publishing.