| Dixit Dominus HWV 232 Chorale SSATB SSATB, Piano [Reduction] Barenreiter
By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by ...(+)
By George Frideric Handel
(1685-1759). Edited by
Hans Joachim Marx.
Arranged by Andreas Kohs.
For soprano voice solo,
alto voice solo, tenor
voice solo, bass voice
solo, SSATB choir ,
violin (2), viola (2),
cello, basso continuo
(cello, double bass,
organ) (2 Solo
Sopranos/Solo Alto/Solo
Tenor/Solo Bass/Mixed
Choir: SSATB/2 Violins/2
Violas/Violoncello/Basses
(Violoncello/Contrabass/O
rgan)). This edition:
Paperback, Urtext
edition. Replaces BA
4002-90. Psalm 109. Piano
reduction. Language:
Latin. HWV 232. 93 pages.
Duration 40 minutes.
Published by Baerenreiter
Verlag
$27.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blake Fragments Chorale SATB SATB A Cappella Boosey and Hawkes
For SATB Chorus and Soloists a cappella. Composed by Sebastian Currier. BH Lar...(+)
For SATB Chorus and
Soloists
a cappella. Composed by
Sebastian Currier. BH
Large
Choral. Concert. Octavo.
24
pages. Boosey and Hawkes
#M051484478. Published by
Boosey and Hawkes
$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prayer of the Faithful from "Mass of the Nations" Chorale SATB SATB, Piano - Débutant GIA Publications
SATB choir, cantor, assembly, keyboard accompaniment - Beginning SKU: GI.G-54...(+)
SATB choir, cantor,
assembly, keyboard
accompaniment - Beginning
SKU: GI.G-5408
From Mass of the
Nations. Composed by
Donna Pena. Arranged by
Kate Cuddy. Ritual
Prayer. Sacred. Octavo.
With guitar chord names.
8 pages. GIA Publications
#5408. Published by GIA
Publications (GI.G-5408).
This is a
rather developed setting
of the sung
intercessions. The
four-measure response is
adapted for alternating
between two-measure
intentions (under which
the choir sings on
“ooâ€), and
two-measure responses. A
coda provides a repeated
response a step
higher. This is a
rather developed setting
of the sung
intercessions. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa solemnis, op. 123 Chorale SATB Barenreiter
MixedCh-SATB (Mixed choir (SATB)) SKU: BA.BA09038-91 Composed by Ludwig v...(+)
MixedCh-SATB (Mixed choir
(SATB)) SKU:
BA.BA09038-91
Composed by Ludwig van
Beethoven. Edited by
Barry Cooper. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score.
Opus 123. 78 pages.
Baerenreiter Verlag
#BA09038_91. Published by
Baerenreiter Verlag
(BA.BA09038-91). ISBN
9790006566730. 27 x 19 cm
inches. Text Language:
Latin.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| St. Matthew Passion (Matthaus-Passion) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Orchestra vocal soli, SATB/SATB choir, soprano voice in ripieno (cantus-firmus-c...(+)
Orchestra vocal soli,
SATB/SATB choir, soprano
voice in ripieno
(cantus-firmus-chor for
soprano), 2 orchestras -
I: 2 recorders, 2 flutes,
2 oboes (2 oboe d'amore,
2 oboe d'caccia/english
horn), viola da gamba, 2
violins, viola, basso
continuo (cello,
violone/doubl SKU:
CA.3124409 Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext. 1x
31.244/20 viola da gamba,
1x 31.244/21 choir 1:
flute 1, 1x 31.244/22
choir 1: flute 2, 1x
31.244/23 choir 1: oboe
1, 1x 31.244/24 choir 1:
oboe 2, 2x 31.244/25
choir 2: recorder 1+2, 1x
31.244/26 choir 2: flute
1, 1x 31.244/27 choir 2:
flute 2, 1x 31. Stuttgart
Urtext Edition: Bach
vocal; Carus sheet music
series: Vocal scores XL.
German title:
Matthauspassion.
Innovative practice aids,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
BWV 244. 184 pages.
Duration 175 minutes.
Carus Verlag #CV
31.244/09. Published by
Carus Verlag
(CA.3124409). ISBN
9790007211271. Language:
German/English. Pra
ctical performing Urtext
edition based on the
latest state of Bach
research. Every era hears
and interprets Bach anew,
and every era also
evaluates the sources
afresh and with new eyes.
40 years after the
publication of the St.
Matthew Passion in the
New Bach Edition, Klaus
Hofmann, Director of the
Johann Sebastian Bach
Institute Gottingen for
many years and a
contributing editor to
the New Bach Edition,
presents a new edition.
Hofmann has placed the
study of the sources at
the service of musical
practice and the detailed
investigation of Bach's
intentions. Bach scholars
are well aware that
Bach's original score and
performance parts,
running to almost 500
pages of music, are full
of ambiguities and
contradictions,
particularly regarding
articulation, which
constantly challenge
performers to new
interpretations. Hofmann
discusses these and other
problems in a concise
critical report,
frequently arriving at
new conclusions in the
process. Extensive notes
about parallel passages
offer valuable help for
interpretation. Special
attention was devoted to
the performance material
with regard to practical
needs. Thus, for example
the text incipits are
also printed in the
instrumental parts
(including tacet
passages). In short - an
Urtext edition for
practical performance
based on the latest
findings in Bach
research. Score and parts
available separately -
see item CA.3124400. $118.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Matthew Passion (Matthaus-Passion) Chorale SATB Carus Verlag
Orchestra vocal soli, SATB/SATB choir, soprano voice in ripieno (cantus-firmus-c...(+)
Orchestra vocal soli,
SATB/SATB choir, soprano
voice in ripieno
(cantus-firmus-chor for
soprano), 2 orchestras -
I: 2 recorders, 2 flutes,
2 oboes (2 oboe d'amore,
2 oboe d'caccia/english
horn), viola da gamba, 2
violins, viola, basso
continuo (cello,
violone/doubl SKU:
CA.3124406 Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL. German title:
Matthauspassion.
Innovative practice aids,
Passions, Lent and
Passiontide, Holy Week.
Choir part. BWV 244. 2
pages. Duration 175
minutes. Carus Verlag #CV
31.244/06. Published by
Carus Verlag
(CA.3124406). ISBN
9790007051181. Language:
German/English. Pra
ctical performing Urtext
edition based on the
latest state of Bach
research. Every era hears
and interprets Bach anew,
and every era also
evaluates the sources
afresh and with new eyes.
40 years after the
publication of the St.
Matthew Passion in the
New Bach Edition, Klaus
Hofmann, Director of the
Johann Sebastian Bach
Institute Gottingen for
many years and a
contributing editor to
the New Bach Edition,
presents a new edition.
Hofmann has placed the
study of the sources at
the service of musical
practice and the detailed
investigation of Bach's
intentions. Bach scholars
are well aware that
Bach's original score and
performance parts,
running to almost 500
pages of music, are full
of ambiguities and
contradictions,
particularly regarding
articulation, which
constantly challenge
performers to new
interpretations. Hofmann
discusses these and other
problems in a concise
critical report,
frequently arriving at
new conclusions in the
process. Extensive notes
about parallel passages
offer valuable help for
interpretation. Special
attention was devoted to
the performance material
with regard to practical
needs. Thus, for example
the text incipits are
also printed in the
instrumental parts
(including tacet
passages). In short - an
Urtext edition for
practical performance
based on the latest
findings in Bach
research. Score and part
available separately -
see item CA.3124400. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Matthaus-Passion. Carus Choir Coach, BWV 244 Chorale SATB Carus Verlag
Orchestra Soli Voices, SATB Choir, Soprano in ripieno (Cantus-firmus-Chor fur So...(+)
Orchestra Soli Voices,
SATB Choir, Soprano in
ripieno
(Cantus-firmus-Chor fur
Sopran), 2 Orchester: I:
2 Blfl, 2 Fl, 2 Ob /2
Obda, 2 Obca, 2 Vl, Va,
Vc/Cb, Vg, Org obl.; II:
2 Fl, 2 Ob /2 Obda, 2 Vl,
Va, Vg, Vc/Cb, Org obl
SKU: CA.3124494
Composed by Johann
Sebastian Bach. Carus CD
series: Carus Choir
Coach; Passions. Carus
Choir Coach.
Matthauspassion.Ccc.
Passions. Compact Disc.
BWV 244. Duration 175
minutes. Carus Verlag #CV
31.244/94. Published by
Carus Verlag
(CA.3124494).
Language:
German. Practical
performing Urtext edition
based on the latest state
of Bach research. Every
era hears and interprets
Bach anew, and every era
also evaluates the
sources afresh and with
new eyes. 40 years after
the publication of the
St. Matthew Passion in
the New Bach Edition,
Klaus Hofmann, Director
of the Johann Sebastian
Bach Institute Gottingen
for many years and a
contributing editor to
the New Bach Edition,
presents a new edition.
Hofmann has placed the
study of the sources at
the service of musical
practice and the detailed
investigation of Bach's
intentions. Bach scholars
are well aware that
Bach's original score and
performance parts,
running to almost 500
pages of music, are full
of ambiguities and
contradictions,
particularly regarding
articulation, which
constantly challenge
performers to new
interpretations. Hofmann
discusses these and other
problems in a concise
critical report,
frequently arriving at
new conclusions in the
process. Extensive notes
about parallel passages
offer valuable help for
interpretation. Special
attention was devoted to
the performance material
with regard to practical
needs. Thus, for example
the text incipits are
also printed in the
instrumental parts
(including tacet
passages). In short - an
Urtext edition for
practical performance
based on the latest
findings in Bach
research. Score available
separately - see item
CA.3124400. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messe de Requiem, Opus 48 Chorale SATB - Intermédiaire Barenreiter
(Soprano Voice Solo, BarSolo, SATB Choir, 2 Fl, 2 clarinet, 2 bassoon, 4Hn, 2 Tr...(+)
(Soprano Voice Solo,
BarSolo, SATB Choir, 2
Fl, 2 clarinet, 2
bassoon, 4Hn, 2 Trp,
3trombone, timpani, harp,
2 V, 2 Va, 2 Vc, KB, Org)
- Level 3 SKU:
BA.BA09461-91
Composed by Gabriel
Faure. Edited by
Christina M. Stahl and
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Version of 1900.
Choral score. Opus 48. 19
pages. Baerenreiter
Verlag #BA09461_91.
Published by Baerenreiter
Verlag (BA.BA09461-91).
ISBN 9790006565474. 27
x 19 cm inches. Text
Language:
Latin. TheMesse de
Requiemis probably the
internationally
best-known and most
frequently performed work
by Gabriel Faure . The
composer's first version
was limited to just five
movements and small-scale
forces with low strings,
harp and organ. The work
was then expanded several
times culminating in the
version for large
orchestra of 1900. This
orchestral version forms
the basis of this
edition.
Despite
its comparatively long
period of gestation, the
Requiem forms a stylistic
unity. Unlike other
requiem settings, the
composer foregoes any
theatrical gestures in
this work. A restrained
dynamic range together
with graceful melodic
writing for both soloists
and choir give the work a
gentle and optimistic
character.
The
choral score just as the
vocal score are based on
the volume of the
Complete Works of Gabriel
Faure (BA 9461) published
in 2010. It is important
to note that this choral
score is also compatible
with the first
small-scale version as
well as the second
chamber orchestra
version.
-
High-quality Urtext
edition based on
theComplete Works of
Gabriel Faure - First
systematic evaluation of
all sources - Based on
the large orchestral
version of 1900 -
Choral score suitable for
all versions of the
Requiem
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Petite Messe solennelle Chorale SATB - Intermédiaire Barenreiter
(Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB ch...(+)
(Soprano Voice Solo, Alto
Voice Solo, Tenor Voice
Solo, Bass Voice Solo,
SATB choir, 2 piano,
Harmm) - Level 3 SKU:
BA.BA10501-91
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner and
Philip Gossett. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score. 60
pages. Baerenreiter
Verlag #BA10501_91.
Published by Baerenreiter
Verlag (BA.BA10501-91).
ISBN 9790006536863. 27
x 19 cm inches. Text
Language:
Latin. ThePetite
Messe solennelleis the
finest work of Rossini's
late years. He composed
it between 1863 and 1864
at the age of 71 as a
commission for Countess
Louise Pillet -Will for
the consecration of her
private chapel, where the
work received its first
performance in March
1864. Together with
theStabat mater, the mass
is one of the composer's
mostimportant sacred
works.
The unusual
instrumentation with two
pianos and harmonium is
entirely in keeping with
the Neapolitan keyboard
tradition of the 18th
century which was
cultivated in France in
Rossini's day. It forms a
distinct contrast to the
style of large-scale
sacred compositions as
written by, for example,
Liszt and Bruckner.
Rossini explained that he
wrote the later
orchestral version of the
work dating from 1867 out
of concern that if he did
not do this, other
composers might
orchestrate the mass too
heavily in later
arrangements.
-
Choral score based on the
Urtext of the seriesWorks
of Gioachino Rossini -
Supplements the already
existing material
available to this
work
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Amarus Chorale SATB Barenreiter
Solo voices, choir, orchestra (Tenor Voice Solo, BarSolo, SATB Choir, Fl-Picc, 2...(+)
Solo voices, choir,
orchestra (Tenor Voice
Solo, BarSolo, SATB
Choir, Fl-Picc, 2 Fl, 2
Ob, EnglHn, 2 clarinet, 2
clarinet-a, clarinet-B-b,
2 bassoon, bassoon-Co,
4Hn, 2 Trp, 3trombone,
Tb, timpani, 2
percussion, harp, v-solo,
Va-Solo, vc-solo, Str)
SKU: BA.BA06851
Kantáta pro
sóla, SmÃseny sbor
a orchestr - Kantate
für Soli, gemischten
Chor und Orchester
(1897). Composed by
Leos Janacek. Edited by
Leoš Faltus, Marie
Kucerová, and Miloš
Å tedron. This edition:
complete edition, urtext
edition. Linen. Complete
Critical Edition of the
Works of Leos Janacek
B/1. Complete edition,
Score. Composed 1897.
Duration 28 minutes, 4
seconds. Baerenreiter
Verlag #BA06851_00.
Published by Baerenreiter
Verlag (BA.BA06851).
ISBN 9790006496723.
34.3 x 27.3 cm
inches. Over the
years Janácek’s
uvre has increasingly
received the recognition
it so richly merits and
performances of his works
are becoming more and
more frequent. This
development is, however,
offset by a manuscript
tradition so disorderly
that some of
Janácek’s works
continue, as before, to
be played in versions
which are heavily
adapted, corrupt or
otherwise contrary to the
composer’s
intentions. Thus, a
critical edition of
Janácek’s music
is indispensable for
scholars and performers
alike.
This
edition presents an
authentic printed text
based on all available
sources for each work. In
addition to the musical
text, each volume also
contains a critical
report (Czech/German), a
rendition of deleted or
rejected versions, and a
comprehensive appendix of
facsimiles.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$139.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Crossing the Bar Chorale SATB SATB, Piano Carl Fischer
Choral SATB choir, piano SKU: CF.CM9608 Composed by Jamey Ray. Fold. Perf...(+)
Choral SATB choir, piano
SKU: CF.CM9608
Composed by Jamey Ray.
Fold. Performance. 12
pages. Duration 3
minutes, 33 seconds. Carl
Fischer Music #CM9608.
Published by Carl Fischer
Music (CF.CM9608).
ISBN 9781491154304.
UPC: 680160912803. 6.875
x 10.5 inches. Key: E
major. English. Alfred,
Lord Tennyson
(1809-1892). The
beauty in Alfred, Lord
Tennysons poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 5764,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennysonas
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m.A 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word adeepa in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word adarka in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word aembark,a
which is to be an ascent
to Heaven. The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm. 57a64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word awhen.a Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.
~Jamey Ray. The beauty
in Alfred, Lord
Tennyson’s poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m.Â
19, providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word
“deep†in m.
27 gives another instance
of text painting.Take
advantage of the minor
second suspension on the
word “darkâ€
in m. 38 in order to
achieve a feeling of
suspense. The entrance at
m. 41 is full, and while
still minor, the text
gives us hope for a
change. The change comes
in m. 45 with the
staggered entrances
creating a sense of
building and ascent until
the climax of this moment
at m. 47 on the word
“embark,â€
which is to be an ascent
to Heaven.The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm.
57–64, the altos
trade the melody back and
forth with the sopranos.
Take note that the alto
melody should be brought
out, but the line does
not actually begin until
the word
“when.â€Lastly
, be intentional with
syllabic stress (no two
eighth notes or quarter
notes alike) and to give
direction to any note
longer than a quarter.I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.~Jamey
Ray. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pass Me the Jazz Chorale SATBB Walton Music
By The Real Group. By Anders Edenroth. SATBB A CAPPELLA. Walton Choral. 20 pages...(+)
By The Real Group. By
Anders Edenroth. SATBB A
CAPPELLA. Walton Choral.
20 pages. Walton Music
#WRG1019. Published by
Walton Music
$3.00 $2.85 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pass Me the Jazz Chorale SATBB - Intermédiaire Walton Music
By The Real Group. By Anders Edenroth. RHYTHM SECTION PARTS. Walton Choral. Walt...(+)
By The Real Group. By
Anders Edenroth. RHYTHM
SECTION PARTS. Walton
Choral. Walton Music
#WRG1019A. Published by
Walton Music
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Kindness Chorale SATB Hal Leonard
Choral (SATB) SKU: HL.1471379 A Chorale and Fugue in the Baroque Tradi...(+)
Choral (SATB) SKU:
HL.1471379 A
Chorale and Fugue in the
Baroque Tradition.
Composed by Mark Hayes.
Choral. Concert, Unity.
Softcover. 80 pages.
Duration 1800 seconds.
Published by Hal Leonard
(HL.1471379). ISBN
9798350127812. UPC:
196288213611.
6.75x10.5x0.238
inches. If you
enjoy singing Baroque
music and value the
importance of kindness,
courage and compassion,
this new 30 minute
through-composed work by
Mark Hayes for chorus,
soprano and tenor
soloists and orchestra is
for you. Drawing from the
writings of ancient and
contemporary authors, the
original text of
âKindness,â
written by Hayes, seeks
to answer the question,
âHow then shall we
live, especially in a
world that seems so
dysfunctional?â The
answer: live with
kindness, courage and
compassion. When we are
joined as one in our
pursuit of these values,
we can make a lasting
impact. To quote Margaret
Mead, âNever
underestimate the ability
of a small group of
committed individuals to
change the world.â
âKindnessâ is
set in the Baroque
tradition and features an
original chorale tune
with three separate
texts, a fugue, both
conventional and
retrograde,
recitative-like sections
for the soprano and tenor
soloists and extensive
instrumental interludes.
As a nod to Baroque
masters such as Johann
Sebastian Bach and George
Frideric Handel, Hayes
included passages
imitating âJesu, Joy
of Man's Desiringâ
and âHallelujah
Chorus.â This work
is perfect for high
school and college choirs
as well as community and
church choirs. The text
is intentionally not
sacred, rather universal
in its appeal. Imagine
how the music and message
of this work could join a
community together in the
pursuit of kindness,
courage and compassion.
It's what the world
needs.. now. $10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Canone ed Ostinato and Corale con Canto Chorale SATB Boosey and Hawkes
Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen ba...(+)
Choral (SATB Choir)
SKU: HL.48021234
From Cantata
academica, Carmen
basiliense. Composed
by Benjamin Britten.
Boosey & Hawkes Sacred
Choral. Classical.
Octavo. 16 pages. Boosey
& Hawkes #M051482474.
Published by Boosey &
Hawkes (HL.48021234).
ISBN 9781458423542.
UPC: 884088642037.
6.75x10.5
inches. Text: in
Latin compiled from the
charter of the
University, and from
older orations in praise
of Basle by Bernhard
Wyss.
Publisher:
Boosey &
Hawkes
Difficulty
level: 4 (for
chorus)
Britten's
genius lifts this work
above being just a worthy
celebration of the 500th
anniversary of the
foundation of Basle
University. It is
tongue-in-cheek and
mockingly non-academic
while referring all the
time to academic musical
forms and formulae. It is
written in two parts
(everything is in the
statutory Latin including
the titles of the parts -
Pars I and Pars II). The
titles of the movements
show Britten's intention
to show off a wide
variety of techniques.
Here are some examples:
Chorale/Alla Rovescio
(the theme is given and
responded to with the
same melody upside
down)/Recitativo/Tema
seriale con fuga/Canone
ed ostinato. There is a
good deal of humour
here.
There are
seven movements in Pars I
and six in Pars II. The
tenor soloist is given
three florid recitatives,
accompanied only by a
piano, which act as
bridges between other
orchestrally accompanied
movements. Of these the
most noteworthy are the
Arioso con canto popolare
for soprano solo with
tenors and basses who hum
a student song; another
terrific Britten scherzo;
and a wonderfully raucous
final pair of movements
(Canon ed ostinato and
Corale con canto) where
Britten seems to be aping
the Vivat Regina! cries
in Parry's I was glad or
encouraging the kind of
noisy 'I'm from the best
university' kind of
student touchline shout.
This has outrageously
high notes for the tenors
(top B) which further
endorse this feeling.
There are real echoes of
the Spring Symphony (see
separate entry) final
movement here which are
further underlined by the
last section of the
Cantata which brings in
the bells, piano, huge
percussion and the
inevitable chorale in
which the choir sings
'that a free academy may
thrive in a free
community, for ever the
ornament and treasure of
illustrious
Basle'.
This may
not be Britten at his
most soul-searching but,
as always, there is
plenty here to enjoy,
especially if the work is
not taken too seriously.
It is a celebratory,
occasional piece and it
could be well taken up by
other academic
establishments
celebrating big
anniversaries. The chorus
parts are not very
difficult, though they do
present challenges for
the choir - not least in
having tenors capable of
those very high notes at
the end. The Tema seriale
con fuga is sinewy and
needs careful tuning. It
also has the subject
regularly given upside
down after its initial
sounding by the basses.
All good
fun.
Duration: 21
minutes
Paul
Spicer, Lichfield,
2011. $2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Caedmon's Hymn Chorale SATB SATB A Cappella Subito Music
SATB Chorus, a cappella SKU: SU.26180040 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.26180040
For SATB Chorus, a
cappella. Composed by
William Mc Clelland.
Vocal/Choral, Sacred
Choral. A cappella.
Choral Octavo. Subito
Music Corporation
#26180040. Published by
Subito Music Corporation
(SU.26180040).
Cædmon's
Hymn is the oldest
English of known
authorship. It was
written in the seventh
century by the poet
Cædmon, supposedly
from divine inspiration.
My setting, for SATB
chorus and organ, begins
with four members of the
chorus speaking the
opening line of the poem
in Old English, the
intention being to evoke
the atmosphere of the
time and place of the
hymn’s creation.
The work was commissioned
by and is dedicated to
the South Bend (Indiana)
Chamber Singers, Nancy
Menk, Music Director, and
David Eicher, organist,
and was premiered in
2018.SATB Chorus, a
cappella Duration: 9'
Composed: 2018 Published
by: WMC Music (BMI)
Minimum order quantity: 8
copies. To order
quantities fewer than
8. $2.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Who I Want To Be Chorale SATB SATB, Piano Carl Fischer
Choral SATB Choir and Piano SKU: CF.CM9787 Composed by Coty Raven Morris....(+)
Choral SATB Choir and
Piano SKU:
CF.CM9787 Composed by
Coty Raven Morris.
Arranged by Saleel Menon.
Duration 3:45. Carl
Fischer Music #CM9787.
Published by Carl Fischer
Music (CF.CM9787).
ISBN 9781491164587.
UPC: 680160923496. Key: D
major. English.
Original. The text
for the first voicing
(SSA) of this piece came
to me in the fall of 2020
while teaching at Crosby
High School in Crosby,
Texas. My students,
though enthusiastic to be
back in Choir, were
struggling to cope with
the civil unrest around
them, in addition to the
pandemic. When
considering how I could
help them navigate this
time, I realized that
they were in need of some
sort of consistency, of
feeling grounded in
themselves. As weÂ
focused on building of
community and
citizenship, this text
and tune came to mind,
each phrase highlighting
an element of personal
and community wellness.I
lead with my
spirit keeping love in
the circle around me.
(Social)Expressing my
spirit
(Occupational)Loving what
I can see and cannot see,
I'll take care of the
vessel I am in
(Physical)I love with me
that's under the skin
(Emotional)Taking care of
my mind
(Intellectual)Envisioning
the me I want to be
(Spiritual)I had the
honor of collaborating
with composer/educator
Saleel Menon to create
the beautiful piano
accompaniment and SATB
setting.Who I Want To Be
opens with a solo
functioning as a mantra
throughout the tune. As
the piece continues,
voices join in unison and
harmony to emphasize the
intent.When the repeats
in mm. 48–51
occur, invite students to
share some of their own
mantras and affirmations,
or feel free to borrow
from the words my
students in the Crosby HS
choir inspired me to
write:Allow yourself
graceI am persistentI am
fragile, not brokenYou
are worthyI am worthyI
know that your success is
not my demise!The only
validation I need is my
ownI believe in myselfI
see youIt’s okay
to not be okayBreatheI
love and I am
lovedPrepare yourself for
not only a powerful
performance, but a
rewarding experience and
conversations with your
students.THIS is the
piece you want stuck in
your students’
heads!~CRM. $2.30 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Go forth into the world in peace Chorale SATB SATB, Orgue [Vocal Score] - Facile Oxford University Press
Composed by John Rutter (1945-). For SATB choir and organ/strings. This edition:...(+)
Composed by John Rutter
(1945-). For SATB choir
and organ/strings. This
edition: Paperback. Mixed
Voices. Sacred, Choral
Leaflet. Level B (easy).
Vocal score. Duration 2.5
minutes. Published by
Oxford University Press
$2.85 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Canntaireachd Chorale SATB SATB A Cappella Pavane Publishing
Choral (SATB a cappella) SKU: HL.466834 Based on Traditional Scottish ...(+)
Choral (SATB a cappella)
SKU: HL.466834
Based on Traditional
Scottish Sung Dance Music
Excellence in Chor.
By Chanticleer. By Paul
Ely Smith. Pavane Choral.
Concert, Scottish.
Octavo. 20 pages. Pavane
Publishing #P1702.
Published by Pavane
Publishing (HL.466834).
UPC: 196288070627.
6.75x10.5x0.045
inches. First made
popular in performances
by the famous choral
ensemble, Chanticleer,
the composer has revoiced
it for SATB choir. The
music is original
although its connection
to Irish Celtic music is
undeniable, and quite
intentional. The words
have no meaning but
continue the essence of
the folk song idiom it is
celebrating. It is a
joyful concert piece with
a challenging title to
pronounce. $3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| When David Heard Chorale SATB SATB divisi, A Cappella Boosey and Hawkes
SATB (divisi) a cappella. By Norman Dinerstein. (SATB DV A Cappella). Boosey an...(+)
SATB (divisi) a cappella.
By Norman Dinerstein.
(SATB DV A Cappella).
Boosey and Hawkes Sacred
Choral. Size 6.8x10.5
inches. 20 pages.
Published by Boosey and
Hawkes.
$4.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Love Divine Chorale SATB SATB, Piano Hope Publishing Company
SATB chorus, piano (opt. Cello, Clarinet, Flute, French Horn) SKU: HP.9011(+)
SATB chorus, piano (opt.
Cello, Clarinet, Flute,
French Horn) SKU:
HP.9011 Composed by
Joel Raney. Musicals for
Adults. Lent, Palm
Sunday, Holy Week, Maundy
Thursday, Good Friday,
Easter Sunday, Jesus
Christ - Cross, Jesus
Christ - Death, Jesus
Christ - Redeemer, Jesus
Christ - Resurrection,
Jesus Christ - Savior.
Choral score. Hope
Publishing Company #9011.
Published by Hope
Publishing Company
(HP.9011). UPC:
763628190118. A
Choral Worship Experience
for Holy Week Familiar
hymns and original music,
combined with two
narrators reading from
scripture, tell the story
of Jesus' final days in
this new cantata for the
Lent & Easter season.
Intentionally, written to
be accessible to most
choirs, and suitable
anytime during the Lent &
Easter season.
Accompaniment can be
provided by piano, or
piano plus flute,
clarinet, French horn,
and cello. Performance
time is 30 minutes, so
this will fit nicely into
a worship service. $12.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Hallelujah Chorus Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
By George Frideric Handel (1685-1759) and Larry Pugh. For SATB choir and piano (...(+)
By George Frideric Handel
(1685-1759) and Larry
Pugh. For SATB choir and
piano (with optional 2
trumpets). All Saints
Day, Christmas,
Eastertide, General,
Sacred. Sacred Anthem
$3.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Light of Hope, A Song of Peace Chorale SATB SATB, Piano Alfred Publishing
Choir Secular (SATB choir) SKU: AP.49763 Composed by Mark Burrows. MakeMu...(+)
Choir Secular (SATB
choir) SKU:
AP.49763 Composed by
Mark Burrows. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas;
Peace/Brotherhood;
Secular; Winter. Choral
Octavo. 8 pages. Alfred
Music #00-49763.
Published by Alfred Music
(AP.49763). UPC:
038081568508.
English. When
considering various
winter holidays, what is
the common thread? A
candle and a song.
Beautiful in its
simplicity, here's a
quiet celebration crafted
to resonate universally.
Mark's delicate melody
and sweet sonorities
float effortlessly over a
flowing piano
accompaniment. With
readable rhythms, easy to
learn notes, and sensible
vocal ranges, it's
intentionally
uncomplicated so that the
message of the text will
clearly speak. Hushed and
heartfelt, a memorable
moment. This title is
available in MakeMusic
Cloud.
About Alfred
Choral
Designs Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests. $2.05 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hallelujah Chorale SATB SATB, Piano - Intermédiaire GIA Publications
SATB choir, piano accompaniment - Intermediate SKU: GI.G-8618 From Mes...(+)
SATB choir, piano
accompaniment -
Intermediate SKU:
GI.G-8618 From
Messiah. Composed by
George Frideric Handel.
Edited by Dennis Shrock.
Christmas Vigil,
Christmas Night,
Christmas Dawn, Christmas
Day, Easter Day. GIA
Historical Music. Music
Education. Octavo. 12
pages. GIA Publications
#8618. Published by GIA
Publications (GI.G-8618).
UPC: 785147861805.
English. Text Source:
Revelation 19:6, 11:15,
19:16. Scripture:
Revelation 11:15,
Revelation 19:6,
16. The
“Hallelujahâ€
chorus is the final
movement of part two of
Handel’s Messiah,
the part that comments on
Christ’s
crucifixion,
resurrection, and
ascension. The text of
the chorus, assembled
from Biblical passages by
the oratorio’s
librettist, Charles
Jennens, is from
Revelation 19:6, 11:15,
and 19:16:
“Hallelujah, for
the Lord God omnipotent
reigneth. The kingdom of
this world is become the
kingdom of our Lord and
of his Christ, and he
shall reign for ever and
ever. KING OF KINGS, AND
LORD OF LORDS.â€
This edition has been
prepared from the first
published score in 1767,
with comparisons to
Handel’s autograph
manuscript now housed in
the British Museum. The
text has been reproduced
here without alterations.
However, the beamings of
the vocal parts have been
modernized for ease of
reading (the original
material has flags
instead of beams for
every separate syllable).
The piano accompaniment
is a reduction of the
orchestral material: the
first and second violin
parts are represented in
the upper staff, with
only occasional inclusion
of the viola, trumpet,
and timpani parts, the
basso continuo, in its
original form, is in the
bottom staff. The GIA
Historical Music Series
edited by Dennis Shrock,
presents repertoire
suitable for performance
by public school, college
and university, church,
and community ensembles,
with the purpose of
making available to
today’s conductors
lesser-known and
previously
difficult-to-procure
historical masterpieces.
The music, drawn from the
Renaissance through the
Romantic eras, is in
performance editions
based on the most current
and rigorous scholarly
research. The musical
scores reflect original
intent of notation, with
all editorial markings
and emendations clearly
identified as such. In
addition, preface
material accompanying the
music contains literal
translations of foreign
language texts and
information regarding the
lives of the composers,
genres, and relevant
performance practices.
Dennis Shrock is Director
of Choral Activities at
Texas Christian
University. He has been
called one of the top
choral scholars in the
United States and has
received a number of
awards for his work. He
received a bachelor's
degree in music education
from Westminster Choir
College and both master's
and doctoral degrees in
choral conducting from
Indiana University. $2.60 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Yes, I am your angel Chorale SATB SATB divisi Oxford University Press
Composed by Gabriel Jackson (1962-). Secular Choral - Mixed Voices. New Hori...(+)
Composed by Gabriel
Jackson
(1962-). Secular Choral -
Mixed Voices. New
Horizons.
Secular. Vocal score. 8
pages. Duration 4'.
Oxford
University Press
#9780193415706. Published
by
Oxford University Press
$3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Holly and the Ivy Chorale SATB SATB divisi, A Cappella - Intermédiaire MorningStar Music Publishers
Composed by Matthew Culloton. Christmas, Sacred, 21st Century. Instrumental pa...(+)
Composed by Matthew
Culloton.
Christmas, Sacred, 21st
Century. Instrumental
part.
MorningStar Music
Publishers
#50-1925. Published by
MorningStar Music
Publishers
$2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lord of the Dance (I Danced in the Morning) (Choral Score) Chorale SATB SATB, Piano MorningStar Music Publishers
Composed by Neil Harmon. Easter, 21st Century. MorningStar Music Publishers #...(+)
Composed by Neil Harmon.
Easter, 21st Century.
MorningStar Music
Publishers
#50-4365. Published by
MorningStar Music
Publishers
$2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Are Yours, Lord Chorale SATB SATB, Piano [Octavo] Choristers Guild
By Mark Patterson. For SATB/SAB choir and piano. Mixed Voices Series. Sacred Ant...(+)
By Mark Patterson. For
SATB/SAB choir and piano.
Mixed Voices Series.
Sacred Anthem. Octavo.
Published by Chorister's
Guild
$1.85 $1.7575 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
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