Composed by Arvo Part (1935-). Bible, St John 15, 1-14. World Premiere: Norwich Cathedral Norwich / Great Britain. Choral part(s). With Standard notation. Composed 1996. Universal Edition #UE30301. Published by Universal Edition

Composed by John Rutter (1945-). For SATB choir and piano/orchestra (2fl, 2ob, 2cl, 2bsn, 2hn, perc (1 player, glock xylo), opt. timp, opt. pno, hp, str). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Full score. Duration 3 minutes. Published by Oxford University Press

Composed by John Rutter (1945-). For SATB choir and organ (fl picc, ob, bsn, 2hn, hp, str). Mixed Voices. John Rutter Anniversary Edition. Christmas Carols. Level A-B (very easy - easy). Octavo. 16 pages. Duration 3 minutes. Published by Oxford University Press

(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSATB). BH Large Choral. 48 pages. Boosey and Hawkes #M051481666. Published by Boosey and Hawkes

By Stephanie Boosahda. By David J. Stearman III and Stephanie Boosahda. Arranged by John Leavitt. Daybreak Choral Series. Christmas, Communion, General Worship, Sacred. Octavo. 12 pages. Published by Daybreak Music

Composed by John Rutter (1945-). For SATB choir and small orchestra (fl picc, ob, bsn, 2hn, hp, str). John Rutter Anniversary Edition. Full score for SATB version. 28 pages. Duration 3'. Published by Oxford University Press

By Arvo Part (1935-). For SATB, piano. This edition: Language: Russian. Published by Universal Edition

Composed by John Rutter (1945-). John Rutter Anniversary Edition. Vocal score. 8 pages. Duration 3.5'. Published by Oxford University Press (OU.9780193413931).

Composed by Thomas Keesecker. Lent, Lent 5 B, All Souls. Tune Name: Seasons Turn. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9183. Published by GIA Publications

Composed by Natalie Sleeth. Arranged by John Leavitt. Shawnee Sacred. Easter, General Worship, Sacred. Octavo. Duration 165 seconds. Published by Shawnee Press

(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Composed by Richard Rodgers. Octavo for SATB chorus and piano accompaniment. With chord names. Series: Hal Leonard Broadway Choral. 80 pages. Published by Hal Leonard.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106969

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. BWV BWV 69a. Duration 25 minutes. Carus Verlag #CV 31.069/69. Published by Carus Verlag (CA.3106969).

ISBN 9790007206734. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and parts available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106999

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Trinity. Single Part, Organ. BWV BWV 69a. 16 pages. Duration 25 minutes. Carus Verlag #CV 31.069/99. Published by Carus Verlag (CA.3106999).

ISBN 9790007206741. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106959

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. 1x 31.069/71 recorder, 1x 31.069/72 oboe 1, 1x 31.069/73 oboe 2, 1x 31.069/74 oboe 3, 1x 31.069/75 bassoon, 4x 31.069/81 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. BWV BWV 69a. Duration 25 minutes. Carus Verlag #CV 31.069/59. Published by Carus Verlag (CA.3106959).

ISBN 9790007206680. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and parts available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106953

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Vocal score. BWV BWV 69a. 36 pages. Duration 25 minutes. Carus Verlag #CV 31.069/53. Published by Carus Verlag (CA.3106953).

ISBN 9790007186371. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106955

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Choral Score. BWV BWV 69a. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.069/55. Published by Carus Verlag (CA.3106955).

ISBN 9790007186388. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106950

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Full score. BWV BWV 69a. 60 pages. Duration 25 minutes. Carus Verlag #CV 31.069/50. Published by Carus Verlag (CA.3106950).

ISBN 9790007181529. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.

Arranged by John Rutter. For SATB choir and small orchestra (2fl (I picc), 2ob, bsn, 2hn, str). John Rutter Anniversary Edition. Full score. 20 pages. Duration 3'. Published by Oxford University Press

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Composed by John Rutter (1945-). For SATBB choir and organ/chamber ensemble (flute, oboe, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Christmas Carols. Level A (very easy). Vocal score. Duration 4 minutes. Published by Oxford University Press

((Collection)). By The King's Singers, Harold Arlen, Imogen Heap, Ira Gershwin, Jason Mraz, Michael Buble, Mika, and Sarah McLachlan. SATB DV A Cappella. King's Singer's Choral. 144 pages. Published by Hal Leonard

Composed by John Rutter (1945-). For SATB choir and chamber orchestra (4 trumpets, 3 trombones, tuba, drum kit, harp (opt), piano, strings). Mixed Voices. John Rutter Anniversary Edition. Secular. Level A-B (very easy - easy). Full score. 28 pages. Duration 4'. Published by Oxford University Press

SATB choir - Moderate

SKU: LP.765762174504

Arranged by Russell Mauldin. Anthems. Contemporary and Sacred. CD-ROM orchestration. Published by Lillenas Publishing Company (LP.765762174504).

UPC: 765762174504.

It's here: the first truly exciting version of this well-loved classic to come along in ages! The simple uncomplicated melody with minor overtones explodes into percussion licks fit for any drum line in this dynamic new arrangement. Arranger/Orchestrator Russell Mauldin keeps the choral writing accessible to choirs of all sizes and the orchestrations exciting and challenging. This is a must-have for your choir and sure to become a perennial favorite. Instrumentation: Flute 1 & 2 Oboe Clarinet 1 & 2 Horn 1 & 2 Trumpet 1 Trumpet 2 & 3 Trombone 1 & 2 Trombone 3 Percussion Snare Drums Timpani/Bass Drum Rhythm Violin 1 & 2 Viola Cello String Bass Substitute Instruments: Keyboard String Reduction; Soprano Sax (sub for Oboe); Alto Sax 1 & 2 (sub for Horn 1 & 2); Baritone T.C./Tenor Sax (sub for Trombone 1 & 2); Baritone Sax (sub for Trombone 3); Bassoon/Bass Clarinet (sub for Cello).

Composed by John Rutter (1945-). For SATB choir and chamber orchestra (4 trumpets, 3 trombones, tuba, drum kit, harp (opt), piano, strings). Mixed Voices. John Rutter Anniversary Edition. Secular. Level A-B (very easy - easy). Set of parts. 112 pages. Duration 4'. Published by Oxford University Press

Composed by Arvo Part (1935-). Bible, St Luke 3, 23-38. In Hallgrimskirkja Cathedral Reykjavik / Iceland by the Voices of Europe 2000 conducted by Thorgerdur Ing?lfsd?ttir. Choral part(s). With Standard notation. Composed 2000. Duration 7 minutes. Universal Edition #UE31507. Published by Universal Edition