| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Outlanders, Whence Come Ye Last? Chorale SATB SATB, Orgue [Octavo]
Composed by J. William Greene. For SATB choir, organ. An Epiphany scene. Christm...(+)
Composed by J. William
Greene. For SATB choir,
organ. An Epiphany scene.
Christmas, Epiphany.
Octavo. Published by
CanticaNOVA Publications
$2.10 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Who Has Seen the Wind? Chorale SSATB SSATB, Piano Alfred Publishing
Composed by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Chor...(+)
Composed by Jay Althouse.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular. Choral Octavo.
12 pages. Alfred Music
#00-45603. Published by
Alfred Music (AP.45603).
$1.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fleur jetee Chorale SATB SATB, Piano - Intermédiaire/avancé Carus Verlag
SSATB Choir, Piano - Grade 4 SKU: CA.928000 Composed by Gabriel Faure. Ar...(+)
SSATB Choir, Piano -
Grade 4 SKU:
CA.928000 Composed by
Gabriel Faure. Arranged
by Denis Rouger. Carus
digital: Extra digital
products. Fleur jetée.
Full Score. Composed
1885. Op. 39,2. Duration
2 minutes. Carus Verlag
#928000. Published by
Carus Verlag (CA.928000).
ISBN 9790007299330.
Key: F minor. French.
Text: Silvestre,
Armand. This
setting of Fleur
jetée is
often
called Fauréâ
۪s Erlk̦nig.
The hammering ferocity of
the piano accompaniment
and the drama of the song
in fact recall
Schubert’s musical
setting of
Goethe’s
ballad Erlköni
g. However, in Armand
Silvestre’s <
i>Fleur jetée, it
is lost love to which it
is dedicated. Just as a
flower, carelessly
plucked and thrown away,
is blown by the wind and
withers, so the wind
carries the
“madness†of
the unhappy lover away
and lets his heart
wither. Just as a
flower, carelessly
plucked and thrown away,
is blown by the wind and
withers, so the wind
carries the
“madness†of
the unhappy lover away
and lets his heart
wither.
This art
song was originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted it
to suit the requirements
and expressive
possibilities offered by
a larger ensemble,
without losing any of the
qualities of the original
in the process. Each part
in the choir has a
melodic line drawn from
the harmonic and rhythmic
framework. In the
process, the variety and
refinement of the choral
language combines with an
enormous flexibility in
form and expression, as
French melodies or German
art song demand from a
soloist and pianist. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Western Wind Mass Chorale SATB SATB Music Sales
By John Taverner. Edited by Anthony G. Petti. For SATB Choir (SATB). Music Sales...(+)
By John Taverner. Edited
by Anthony G. Petti. For
SATB Choir (SATB). Music
Sales America. Baroque,
Sacred, Choral. 48 pages
$15.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Norgard P Two Nocturner Satb Chor Book Chorale SATB SATB A Cappella Music Sales
SATB Choir a Cappella SKU: HL.14023340 Composed by Per Norgard. Music Sal...(+)
SATB Choir a Cappella
SKU: HL.14023340
Composed by Per Norgard.
Music Sales America.
Classical. Vocal Score.
26 pages. Music Sales
#KP01444. Published by
Music Sales
(HL.14023340). ISBN
9788759871911.
8.25x11.75x0.115 inches.
English. To
Nocturner (2001) - for
Chamber Choir (12 or 24
Voices). Texts by Ole
Sarvig and Ib Michael.
English version
available: KP01444E
Programme note: These two
choral pieces for 12
voices consists of
radical recompositions on
of earlier themes: in
Summer's Sleep we hear
new combinations of two
'Sarvig melodies' from
the 1970s (one of which
is now in the Danish
Hymnbook under the title
aret, The Year):
Michael's Night is based
on an earlier, simple
choral song (Star
Mirror,1987), now for 12
voices and composed such
that an original idea of
simultaneously displaced,
opposite motions cf. the
poem) comes out as
desired. Of the Nocturnes
Norgard writes: Summer's
Sleep wascomposed to
stanzas of Ole Sarvig's
poem The Year (from the
collection Forstadsdigte
('Suburban Poems')) and
forms the picture of the
summer of life, which is
asleep - while the heaven
seed waits for the summer
wind (invisible to every
mind). The many layers of
text are expressed
musically in a
multilayered choral
texture with 'looks' up
and down through the
various tempo and
time-worlds: summer
sleep, summer dream. The
second nocturne,
Michael's Night, takes
its name from the author
Ib Michael, whose poem
Star Mirror (from the
collection
Himmelbegravelse ('Sky
Funeral') (1986) I
pushed/coaxed him to
expand from one to nine
stanzas. The four
selected stanzas set in
the nocturne focus on the
pan-erotic elements of
the moonlit, starlit
night. With the titles I
have chosen I have
stressed the mythic layer
of the text, the summer
night not as a dream but
as sensual reality. The
two nocturnes are
dedicated to Ivan Hansen
on the occasion of his
fiftieth birthday on 25th
February 2003, out of
gratitude for over a
quarter of a century of
inspiring
collaboration. $11.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dearest Jesus, sore I need Thee (Liebster Jesu, mein Verlangen) Chorale SATB Carus Verlag
SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.310...(+)
SB vocal soli, SATB
choir, oboe, 2 violins,
viola, basso continuo
SKU: CA.3103212
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1726.
BWV 32. 4 pages. Duration
24 minutes. Carus Verlag
#CV 31.032/12. Published
by Carus Verlag
(CA.3103212). ISBN
9790007042516. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms. The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Jesus, sore I need Thee (Liebster Jesu, mein Verlangen) Chorale SATB Carus Verlag
SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.310...(+)
SB vocal soli, SATB
choir, oboe, 2 violins,
viola, basso continuo
SKU: CA.3103213
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1726. BWV
32. 4 pages. Duration 24
minutes. Carus Verlag #CV
31.032/13. Published by
Carus Verlag
(CA.3103213). ISBN
9790007042523. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms. The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Jesus, sore I need Thee (Liebster Jesu, mein Verlangen) Chorale SATB Carus Verlag
SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.310...(+)
SB vocal soli, SATB
choir, oboe, 2 violins,
viola, basso continuo
SKU: CA.3103205
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu, mein
Verlangen. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1726. BWV 32. 2
pages. Duration 24
minutes. Carus Verlag #CV
31.032/05. Published by
Carus Verlag
(CA.3103205). ISBN
9790007042493. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms. The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score
available separately -
see item CA.3103200. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, ...(+)
Soli SATB, SATB Choir,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106969
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Trinity. Set of Orchestra
Parts. BWV BWV 69a.
Duration 25 minutes.
Carus Verlag #CV
31.069/69. Published by
Carus Verlag
(CA.3106969). ISBN
9790007206734. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and parts available
separately - see item
CA.3106900. $152.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, ...(+)
Soli SATB, SATB Choir,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106999
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Organ. BWV BWV 69a. 16
pages. Duration 25
minutes. Carus Verlag #CV
31.069/99. Published by
Carus Verlag
(CA.3106999). ISBN
9790007206741. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, ...(+)
Soli SATB, SATB Choir,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106959
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. 1x
31.069/71 recorder, 1x
31.069/72 oboe 1, 1x
31.069/73 oboe 2, 1x
31.069/74 oboe 3, 1x
31.069/75 bassoon, 4x
31.069/81 3 trumpets and
timpani. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Trinity. Set of Orchestra
Parts. BWV BWV 69a.
Duration 25 minutes.
Carus Verlag #CV
31.069/59. Published by
Carus Verlag
(CA.3106959). ISBN
9790007206680. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and parts available
separately - see item
CA.3106900. $46.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, ...(+)
Soli SATB, SATB Choir,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106953
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Vocal score. BWV BWV 69a.
36 pages. Duration 25
minutes. Carus Verlag #CV
31.069/53. Published by
Carus Verlag
(CA.3106953). ISBN
9790007186371. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score available
separately - see item
CA.3106900. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, ...(+)
Soli SATB, SATB Choir,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106955
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Choral Score. BWV BWV
69a. 12 pages. Duration
25 minutes. Carus Verlag
#CV 31.069/55. Published
by Carus Verlag
(CA.3106955). ISBN
9790007186388. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score available
separately - see item
CA.3106900. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, ...(+)
Soli SATB, SATB Choir,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106950
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Full score. BWV BWV 69a.
60 pages. Duration 25
minutes. Carus Verlag #CV
31.069/50. Published by
Carus Verlag
(CA.3106950). ISBN
9790007181529. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score available
separately - see item
CA.3106900. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Snow Begins to Fall Chorale SATB SATB [Octavo] Alfred Publishing
By Andy Beck. For Choir. (SATB). Choral Octavo. Level: Level 4 (grade L4). Chor...(+)
By Andy Beck. For Choir.
(SATB). Choral Octavo.
Level: Level 4 (grade
L4). Choral Octavo. 12
pages. Published by
Alfred Publishing.
(3)$2.05 $1.9475 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Novello Shakespeare Choral Collection Chorale SATB Novello & Co Ltd.
Composed by Various. Edited by David Wordsworth. For Choral (SATB). Choral. Soft...(+)
Composed by Various.
Edited by David
Wordsworth. For Choral
(SATB). Choral.
Softcover. 192 pages.
Novello and Co Ltd.
#NOV164681. Published by
Novello and Co Ltd.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Coronation Gloria in Bb. SATB & Org Chorale SATB Stainer and Bell
SATB choir & Org SKU: ST.W227 Composed by Charles Villiers Stanford. SATB...(+)
SATB choir & Org SKU:
ST.W227 Composed by
Charles Villiers
Stanford. SATB and organ.
Octavo. Stainer & Bell
Ltd. #W227. Published by
Stainer & Bell Ltd.
(ST.W227). ISBN
9790220223617. The
Gloria in
Excelsis was written
by Sir Charles Villiers
Stanford for the
coronation of HM King
George V on 22 June 1911.
It was an occasion of
some note in the annals
of British music, for
Elgar's Coronation March
and Parry's grand
festival Te Deum
were also heard for the
first time that day. In
addition, there was music
by Thomas Tallis, Orlando
Gibbons and Sir John
Stainer, as well as by
the Master of the King's
Music and organist of St
George's Chapel, Windsor,
Sir Walter Parratt.
It was published the
following year as part of
Stanford's Opus 128, the
Festal Communion
Service for voices
and orchestra, which was
also made available with
the accompaniment
arranged by the composer
for organ. However, such
was the popularity of the
Gloria, a
magnificent and wholly
representative example of
Stanford's genius for
church music, that it
soon became popular as a
separate piece, either
with organ or orchestral
accompaniment, and it was
included in the orders of
service for the
coronations of HM King
George VI on 12 May 1937
and HM Queen Elizabeth II
on 2 June 1953.
Orchestral material is
available on hire (ref.
HL189). $5.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Hathor Suite op 70 Chorale SATB Fennica Gehrman
SATB choir, vocal soloists, ensemble SKU: FG.042-07701-6 Composed by Erik...(+)
SATB choir, vocal
soloists, ensemble
SKU:
FG.042-07701-6
Composed by Erik Valdemar
Bergman. Score. Published
by Fennica Gehrman
(FG.042-07701-6). ISBN
979-0-042-07701-6.
The Hathor Suite for
soprano, baritone, mixed
chorus and ensemble (cor
anglais, flute, harp and
percussion) is Bergman's
most colourful works. The
first movement is to the
goddess' power and glory.
In the second movement
the glissandos and
changing vowel-sounds of
the chorus wind around a
harp ostinato. The
ecstatic third movement
is based on an ostinato
rhythm. In the fourth
movement the vibraphone
and female chorus have a
chord which gradually
expands to include all
twelve chromatic notes.
The fifth movement
celebrates the goddess as
'a lady of the dance,
mistress of the music'.
Text: Siegfried Schott
after ancient Egyptian
texts (German), duration
18 minutes. $46.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Waloyo Yamoni Chorale SSATBB Boosey & Hawkes
Choral (SSATBB) SKU: HL.48025430 Movement X from The Drop That Contain...(+)
Choral (SSATBB) SKU:
HL.48025430
Movement X from The
Drop That Contained the
Sea. Composed by
Christopher Tin. BH
Secular Choral.
Classical, Concert, World
Music. Octavo. Duration
735 seconds. Boosey &
Hawkes #M051500062.
Published by Boosey &
Hawkes (HL.48025430).
ISBN 9798350126297.
UPC: 196288210825.
6.75x10.5
inches. “Walo
yo Yamoni (We Overcome
the Wind)†is the
grand finale to
Christopher Tin's second
album 'The Drop That
Contained the Sea'. The
lyrics are a setting of a
Lango rainmaking prayer.
It was commissioned by
the St. Matthews Chamber
Orchestra, and recorded
by the Royal Philharmonic
Orchestra with the Soweto
Gospel Choir. New York
Concert Review wrote of
the Carnegie Hall
premiere “The
audience reacted after
the final notes with the
loudest and longest
standing ovation I have
ever heard at any
concertâ€, while The
York Press wrote
“We Overcome The
Wind was an outpouring of
joy; a unanimous standing
ovation evinced the sense
of togetherness at the
heart of this
concert.â€. $3.45 - Voir plus => Acheter | | |
| Evening Waterfall Chorale SATB SATB A Cappella Peermusic Classical
Mixed Choir a Cappella [SATB] SKU: BT.PMC4516 Mixed chorus (SATB) a ca...(+)
Mixed Choir a Cappella
[SATB] SKU:
BT.PMC4516 Mixed
chorus (SATB) a
cappella. Composed by
Russell Horton. Choral
Score. Composed 2020. 12
pages. Peermusic
Classical #PMC4516.
Published by Peermusic
Classical (BT.PMC4516).
Evening
Waterfall comes from a
cycle of eleven a
cappella choral pieces
derived from Early Moon,
a collection of poetry by
Carl Sandburg. The images
in these simple, direct
lyrics have a depth and
resonance that all but
cry outfor musical
expression. Evening
Waterfall is one of the
easiest, certainly the
most diatonic, of the
Early Moon pieces.
Imagine yourself, or
perhaps, your childhood
self, sitting in a tree
or lying on the grass in
the gloaming ofa summer's
evening. The sounds of
birds, the feel of wind
on your skin, the sight
of early stars: all seem
to conspire to give you a
name...to call you by
your real name. But such
knowledge--a kind of
certainty about one's
selfand place--is
ephemeral. It cannot be
willed to appear, or to
stay. We are left alone,
wondering what was the
name you called me? and
why did you go so
soon? $3.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Lacrimosa (from Requiem) Chorale SATB SATB [Octavo] Alfred Publishing
By Wolfgang Amadeus Mozart. Arranged by Patrick M. Liebergen. For Choir. (SATB)...(+)
By Wolfgang Amadeus
Mozart. Arranged by
Patrick M. Liebergen. For
Choir. (SATB). Choral
Octavo. Choral Designs.
Masterwork. Choral
Octavo. 8 pages.
Published by Alfred
Publishing. Level:
Level 5 (grade L5).
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Velvet Shoes Chorale SATB Alfred Publishing
Choir Secular (SATB choir) SKU: AP.48852 Composed by Text adapted from th...(+)
Choir Secular (SATB
choir) SKU:
AP.48852 Composed by
Text adapted from the
poem by Elinor Wylie.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular; Winter. Choral
Octavo. 12 pages. Alfred
Music #00-48852.
Published by Alfred Music
(AP.48852). UPC:
038081561769. English.
Andy Beck. Andy
Beck brings his gift for
vivid text painting,
evocative piano motives,
and tuneful melodies to a
favorite wintertime poem.
Though not a
word-for-word setting,
the themes of the Elinor
Wylie's words are evident
from the snow-covered
introduction, winding
melody, and expressive
andante, to the silken
harmonic palette and lacy
choral layers. Choose
this piece with the
confidence that it has
been carefully
constructed to encourage
musicality and artistry
from any ensemble.
Program the eloquent
concert and contest work
from fall to spring,
anytime there might be
snow on the ground. We
shall walk in velvet
shoes . . . under a veil
of lace. This title is
available in MakeMusic
Cloud.
About Alfred
Choral
Designs Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests. $2.05 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Songs and Psalms (1594) Chorale SATB Stainer and Bell
SATB choir SKU: ST.EM35B Composed by John Mundy. Edited by Edmund H Fello...(+)
SATB choir SKU:
ST.EM35B Composed by
John Mundy. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart and Philip
Brett. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM35B. Published by
Stainer & Bell Ltd.
(ST.EM35B). ISBN
9790220211652. Orga
nist of St George's,
Windsor, and successor to
the famous Marbecke,
Mundy was amongst the
earliest of the English
madrigalists. There are
12 madrigals in this
collection, ranging from
Of all the
birds, a tribute to
William Byrd, to In
deep distress and
the tragic setting of
words written by Chideock
Tichborne on the eve of
his execution in the
Tower of London, My
prime of youth. The
volume also contains 25
psalms in three, four,
and five parts.
CONTENTS As I went
walking (SAT) Blessed
art thou (SAT) Have
mercy on me, O Lord
(SSATB) Hear my
prayer, O Lord (STB)
Heigh Ho! 'chill go to
plough (SSAB) I lift
my heart to thee
(SSAT) In deep
distress (SATB) In
midst of woods
(SSATB) Lightly she
whipped o'er the dales
(SSATB) Lord arise
and help thy servant
(SSATB) Lord to thee
I make my moan (SATB)
My prime of youth
(SATB) O all ye
nations (S (or A) AT)
O come let us lift up our
voice (SAT) O Lord of
whom I do depend
(SSAT) O Lord turn
not away thy face
(SAT) Of all the
birds (SAT) Penelope
that longed (SSATB)
Praise the Lord, O my
soul (SAT) Save me, O
God (SAT) Sing ye
unto the Lord (SSAT)
The black-bird made
(SSATB) The longer
that I live (SSAT)
The Shepherd Stephon (S
solo, A. viol, T. viol,
B. viol) Thus art
thou bless'd (SAT)
Turn about and see me (SA
(or T) T) Unto thee
lift I up mine eyes
(SSATB) Were I a king
(SATBB) Who loves a
life (SSATB) Witness
ye heav'ns (S solo, A.
viol, T. viol, B.
viol) Ye people all
in one accord (SAB). $47.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Christmas Waltz Chorale SATB
Choir Secular (SATB choir) SKU: AP.51370 Composed by Jule Styne. Arranged...(+)
Choir Secular (SATB
choir) SKU:
AP.51370 Composed by
Jule Styne. Arranged by
Lisa DeSpain. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Christmas;
Holiday Pops; Jazz;
Nostalgia; Secular.
Choral Octavo. 12 pages.
Alfred Music #00-51370.
Published by Alfred Music
(AP.51370). UPC:
038081588681. English.
Words by Sammy
Cahn. Kristin
Chenoweth's cover of the
beloved frosted
windowpanes waltz
inspired this
arrangement, which
sparkles with holiday
nostalgia. A music
box-like accompaniment
supports lyrical vocal
lines and expressive
tempo changes that make
for an impressive concert
performance. Originally
written for Frank
Sinatra, this is a
Christmastime standard
not to be missed! $2.35 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa Sancti Bernardi von Offida in B Chorale SATB Carus Verlag
SSATBB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 clarinos/trum...(+)
SSATBB vocal soli, SATB
choir, 2 oboes, 2
clarinets, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo, [2
horns] SKU:
CA.4060805
Heiligmesse.
Composed by Franz Joseph
Haydn. Edited by Andreas
Traub. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
Haydn: Heiligmesse In B
Xxii:10. Sacred vocal
music, Masses, Latin.
Choral Score. Hob.
XXII:10. 28 pages.
Duration 50 minutes.
Carus Verlag #CV
40.608/05. Published by
Carus Verlag
(CA.4060805). ISBN
9790007113094. Language:
Latin. The Missa
Sti Bernardi von Offida
(1796) stands at the
beginning of Joseph
Haydn's late works. The
Mass earned its nickname
because in the Sanctus
Haydn quoted the then
well-known sacred hymn
Heilig, heilig, heilig.
The text of the music for
this critical edition
presents the work with
the complete scoring for
winds, including the
clarinets and horns
missing in the autograph
score and the first
edition. The optional
horn parts are contained
in the appendix and as
part of the performance
material. However, these
parts cannot be dispensed
with if we wish to fully
re-create the Mass within
the context of
Eisenstadt. Score
available separately -
see item CA.4060800. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Bernardi von Offida in B Chorale SATB Carus Verlag
SSATBB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 clarinos/trum...(+)
SSATBB vocal soli, SATB
choir, 2 oboes, 2
clarinets, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo, [2
horns] SKU:
CA.4060819
Heiligmesse.
Composed by Franz Joseph
Haydn. Edited by Andreas
Traub. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
Haydn: Heiligmesse In B
Xxii:10. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts. Hob.
XXII:10. Duration 50
minutes. Carus Verlag #CV
40.608/19. Published by
Carus Verlag
(CA.4060819). ISBN
9790007133252. Language:
Latin. The Missa
Sti Bernardi von Offida
(1796) stands at the
beginning of Joseph
Haydn's late works. The
Mass earned its nickname
because in the Sanctus
Haydn quoted the then
well-known sacred hymn
Heilig, heilig, heilig.
The text of the music for
this critical edition
presents the work with
the complete scoring for
winds, including the
clarinets and horns
missing in the autograph
score and the first
edition. The optional
horn parts are contained
in the appendix and as
part of the performance
material. However, these
parts cannot be dispensed
with if we wish to fully
re-create the Mass within
the context of
Eisenstadt. Score and
parts available
separately - see item
CA.4060800. $318.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Joannis Nepomuceni Chorale SATB Carus Verlag
SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso ...(+)
SATB choir, 2 oboes, 2
clarinos/trumpets, 2
trumpets, timpani, 2
violins, basso continuo,
[3 trombones colla parte]
SKU: CA.5031419
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. German title:
Missa Sti Johannis
Nepomuceni Mh 182. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1772. MH
182. Duration 20 minutes.
Carus Verlag #CV
50.314/19. Published by
Carus Verlag
(CA.5031419). ISBN
9790007138295. Key: C
major. Language:
Latin. Haydn's
Missa Sancti Joannis
Nepomuceni, dated 21 May
1772, is dedicated to the
Bohemian martyr and
patron Saint of bridges,
Johannes Nepomuk (ca.
1340-1393, canonized in
1729). Despite the
addition of woodwinds and
brass to the three-part
string section, the Mass
is in a comparatively
simple, compact form as
was expressly required by
Count Hieronymus
Colloredo, Haydn's second
employer in Salzburg.
Even in the final
sections of the Gloria
and Credo Haydn forgoes
not only vocal
virtuosity, but also the
polyphonic artifices
which traditionally
characterize these
passages in the Mass.
Like the Missa Sancti
Amandi (1776), the
Nepomuk Mass does not
employ vocal soloists.
Score and parts available
separately - see item
CA.5031400. $213.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Joannis Nepomuceni Chorale SATB Carus Verlag
SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso ...(+)
SATB choir, 2 oboes, 2
clarinos/trumpets, 2
trumpets, timpani, 2
violins, basso continuo,
[3 trombones colla parte]
SKU: CA.5031449
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa Sti Johannis
Nepomuceni Mh 182. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1772. MH
182. 20 pages. Duration
20 minutes. Carus Verlag
#CV 50.314/49. Published
by Carus Verlag
(CA.5031449). ISBN
9790007135379. Key: C
major. Language:
Latin. Haydn's
Missa Sancti Joannis
Nepomuceni, dated 21 May
1772, is dedicated to the
Bohemian martyr and
patron Saint of bridges,
Johannes Nepomuk (ca.
1340-1393, canonized in
1729). Despite the
addition of woodwinds and
brass to the three-part
string section, the Mass
is in a comparatively
simple, compact form as
was expressly required by
Count Hieronymus
Colloredo, Haydn's second
employer in Salzburg.
Even in the final
sections of the Gloria
and Credo Haydn forgoes
not only vocal
virtuosity, but also the
polyphonic artifices
which traditionally
characterize these
passages in the Mass.
Like the Missa Sancti
Amandi (1776), the
Nepomuk Mass does not
employ vocal soloists.
Score and part available
separately - see item
CA.5031400. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Joannis Nepomuceni Chorale SATB Carus Verlag
SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso ...(+)
SATB choir, 2 oboes, 2
clarinos/trumpets, 2
trumpets, timpani, 2
violins, basso continuo,
[3 trombones colla parte]
SKU: CA.5031413
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa Sti Johannis
Nepomuceni Mh 182. Sacred
vocal music, Masses,
Latin. Single Part,
Cello/Double Bass.
Composed 1772. MH 182. 16
pages. Duration 20
minutes. Carus Verlag #CV
50.314/13. Published by
Carus Verlag
(CA.5031413). ISBN
9790007223809. Key: C
major. Language:
Latin. Haydn's
Missa Sancti Joannis
Nepomuceni, dated 21 May
1772, is dedicated to the
Bohemian martyr and
patron Saint of bridges,
Johannes Nepomuk (ca.
1340-1393, canonized in
1729). Despite the
addition of woodwinds and
brass to the three-part
string section, the Mass
is in a comparatively
simple, compact form as
was expressly required by
Count Hieronymus
Colloredo, Haydn's second
employer in Salzburg.
Even in the final
sections of the Gloria
and Credo Haydn forgoes
not only vocal
virtuosity, but also the
polyphonic artifices
which traditionally
characterize these
passages in the Mass.
Like the Missa Sancti
Amandi (1776), the
Nepomuk Mass does not
employ vocal soloists.
Score and part available
separately - see item
CA.5031400. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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