| Beautiful: The Carole King Musical Chorale SATB Hal Leonard
Beautiful: The Carole King Musical (Choral Selections). Arranged by Roger Em...(+)
Beautiful: The Carole
King
Musical (Choral
Selections).
Arranged by Roger
Emerson.
For Choral (SATB).
Broadway
Choral. 52 pages.
Published
by Hal Leonard
(HL.139266).
Nominated for seven Tony
awards and winning two,
this
musical tells the story
of
one of pop music's
legends,
Carole King and her
remarkable early career.
In
four flexible sections,
this
12-minute medley is chock
full of classic hits
including: Beautiful, I
Feel
the Earth Move, It's
Too
Late, Love Potion Number
9,
On Broadway, Poison Ivy,
So
Far Away, Splish Splash,
Stupid Cupid, There Goes
My
Baby, Will You Love Me
Tomorrow, Yakety Yak.
$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Petite Messe solennelle Chorale SATB - Intermédiaire Barenreiter
(Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB ch...(+)
(Soprano Voice Solo, Alto
Voice Solo, Tenor Voice
Solo, Bass Voice Solo,
SATB choir, 2 piano,
Harmm) - Level 3 SKU:
BA.BA10501-91
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner and
Philip Gossett. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score. 60
pages. Baerenreiter
Verlag #BA10501_91.
Published by Baerenreiter
Verlag (BA.BA10501-91).
ISBN 9790006536863. 27
x 19 cm inches. Text
Language:
Latin. ThePetite
Messe solennelleis the
finest work of Rossini's
late years. He composed
it between 1863 and 1864
at the age of 71 as a
commission for Countess
Louise Pillet -Will for
the consecration of her
private chapel, where the
work received its first
performance in March
1864. Together with
theStabat mater, the mass
is one of the composer's
mostimportant sacred
works.
The unusual
instrumentation with two
pianos and harmonium is
entirely in keeping with
the Neapolitan keyboard
tradition of the 18th
century which was
cultivated in France in
Rossini's day. It forms a
distinct contrast to the
style of large-scale
sacred compositions as
written by, for example,
Liszt and Bruckner.
Rossini explained that he
wrote the later
orchestral version of the
work dating from 1867 out
of concern that if he did
not do this, other
composers might
orchestrate the mass too
heavily in later
arrangements.
-
Choral score based on the
Urtext of the seriesWorks
of Gioachino Rossini -
Supplements the already
existing material
available to this
work
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chorus 3 Chorale SATB Wilhelm Hansen
SATB Choir SKU: BT.MUSMF272 Composed by Blandet Kor Antologi. Arranged by...(+)
SATB Choir SKU:
BT.MUSMF272 Composed
by Blandet Kor Antologi.
Arranged by Svend-G.
Asmussen and Thomas
Alvad. Hymns & Chorals.
Book Only. Composed 2013.
184 pages. Edition
Wilhelm Hansen #MUSMF272.
Published by Edition
Wilhelm Hansen
(BT.MUSMF272). ISBN
9788774840954. Anth
ology for mixed choir.
Suitable for use
colleges, high schools
etc. $58.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Harmony's Never Too Late Chorale SATB Alfred Publishing
Choir Secular (SATB choir) SKU: AP.49702 Composed by Lynn Ahrens and Step...(+)
Choir Secular (SATB
choir) SKU:
AP.49702 Composed by
Lynn Ahrens and Stephen
Flaherty. Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Broadway;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-49702. Published by
Alfred Music (AP.49702).
UPC: 038081567891.
English. This
powerful choral anthem
was written by Broadway
songwriters Lynn Ahrens
and Stephen Flaherty in
honor of the 40th
anniversary of The Gay
Men's Chorus of
Washington, DC. Lynn's
text uses harmony as a
metaphor to represent
acceptance, and Stephen's
inspirational music is a
canvas of hope and
strength. Robust piano,
bass, and drum parts
provide a sturdy pop
accompaniment for three
full voicings designed to
accommodate any four-part
group.
About Alfred
Pop Choral
Series The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| It Is Not Too Late Chorale SATB SATB, Piano Bourne Music Co.
SATB choir and piano (with optional instrument(s) accompaniment) SKU: BC.6839...(+)
SATB choir and piano
(with optional
instrument(s)
accompaniment) SKU:
BC.68396 Composed by
Hourdeaux; McCarthy; Vic.
Choral Music. Sacred.
Octavo. Published by
Bourne Music (BC.68396).
English lyrics by John
McCarthy. $1.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Two Part-Songs: I Lov'd a Lass and Lift Boy Chorale SATB SATB, Piano - Facile Boosey and Hawkes
((1932) SATB and Piano, Complete Edition). By Benjamin Britten (1913-1976). For ...(+)
((1932) SATB and Piano,
Complete Edition). By
Benjamin Britten
(1913-1976). For Choral
(SATB). BH Secular
Choral. 24 pages. Boosey
and Hawkes #M051481941.
Published by Boosey and
Hawkes
$2.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Isthmus Chorale SATB [Conducteur] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir SKU:
BT.MUSM570368679
For choir and fixed
media. Composed by
Evis Sammoutis. Score
Only. Composed 2019. 14
pages. University of York
Music Press
#MUSM570368679. Published
by University of York
Music Press
(BT.MUSM570368679).
Isthmus denotes
a narrow strip of land
with sea on either side,
forming a link between
two larger ars of land.
The title is a metaphor
for an effort to bond
artistically my
experiences of living in
Cyprus, my birthplace,
and in the USA, my
recently adopted
homeland. Having lived in
a small, partitioned
island for my formative
years and in England for
eleven years, water has
always had a double
meaning: it has at once
served as a gateway to
other cultures but also
as a border, a violent
and absolute interruption
of a continuum. While in
the USA, or indeed in a
now connected Europe, it
is possible to travel on
land for days without
having to encounter a
border, in the countries
where I lived for most of
my life, that was not
possible. As an artist,
this notion of
establishing boundaries
and consciously trying to
break them is very close
to me, as my music deals
both with modernity but
also with tradition and,
similarly, with metaphor
and reality. As a
Cypriot, the sea, the
world of antiquity, the
mysteries of the oracles,
the notion of borders and
the pastoral are all very
central to my way of
thinking. In Cyprus,
different layers of
history are frequently
superimposed on a single
building that might still
preserve its Roman,
Byzantine, Venetian and
Ottoman features in its
layers of stone and
architecture. Similarly,
ancient ruins or the
barbed wire of modern
conflict often interrupt
placid fields. An
isthmus, therefore, can
be seen to symbolize my
artistic struggle to join
strikingly different
experiences and notions
in a cohesive way.
Similar to an isthmus, in
this short piece, I
connect these experiences
with the purpose of
creating a distinct and
unique sonic context,
connecting technology and
tradition, the pastoral
with the urban, the
musical with the
extra-musical and the
abstract with the
concrete. For example,
the choir does not always
sing in the traditional
sense, but the singers
imitate various natural
sounds, such as water,
air, crickets or birds,
to create a vivid visual
impression for the work.
Scandinavian herding
calls blend with field
recordings from the seas
of Cyprus and the lakes
of Upstate New York,
communicated within
clearly defined, singular
acoustic sources and
spaces through wireless
speakers. The text used
is both onomatopoeic,
articulating an imaginary
language, but also
literal, with a setting
of the poem, “To make a
prairie” by the iconic
American poet Emily
Dickinson and a tiny
fragment from
Callimachus’ “Hymn to
Demeter.” Technology is
used sparsely and very
intentionally to
articulate the expressive
qualities of pastoral
imagery, creating one
unified synthetic timbre
with the choristers’
sounds. This piece is
dedicated to the
wonderful singers of the
Georgia Institute of
Technology Chamber Choir
with special thanks to
Professors Hsu and
Ulrich, without whose
support this composition
would not have been
possible. Practical
notes: A choir of no
less than 24 singers is
sought with 4 additional
soloists (2 Sopranos and
2 Altos). Each singer
must have their own
wireless speaker, secured
either in the music
folder or as a strap
inside their shirts. All
sounds must match in
volume the sound from the
speakers, creating one
unified timbre. The
speakers should not be
noticeable to the public.
The four soloists are
placed offstage at the
beginning of the work.
From 1:35’ onwards they
enter the hall and take
their positions, ideally
at the four corners of
the hall. If the hall is
too large, the singers
can find alternate
positions, but these
should always be
antiphonal. The four
soloists sing
predominantly in the
“kulning” style and
the antiphonal aspect is
very important to the
work. There are two sound
files for each section
(SATB) that are triggered
by each singer’s mobile
device. The first occurs
at the start of the
piece, and the second,
about a minute before the
end. The sound files are
able to be purchased
separately, on CD, or are
available directly from
UYMP. $5.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Christmas Surprises Chorale SATB SATB A Cappella Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5381-00 Composed by Howard Arman. Choir; st...(+)
Chorus a cappella SKU:
BR.CHB-5381-00
Composed by Howard Arman.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Song; Music
post-1945; New music
(post-2000). Choral
score. 80 pages.
Breitkopf and Haertel
#ChB 5381-00. Published
by Breitkopf and Haertel
(BR.CHB-5381-00). ISBN
9790004413821. 7.5 x 10.5
inches. English. As
director of the Bavarian
Radio Choir, Howard Arman
has been actively engaged
with international
Christmas carols through
various Christmas-related
CD productions in the
past years. This has
resulted in a number of
original arrangements for
four- to eight-part mixed
choir a cappella,
shedding new light on
well-known classics such
as O du frohliche [O, you
joyful], Stille Nacht
[Silent Night] and Lasst
uns froh und munter sein
[Let us be happy and
cheerful]. The first
volume includes five
Christmas carols from the
German-speaking regions.
They range from simple
but harmonically
intriguing settings such
as Lieb Nachtigall, wach
auf [Dear nightingale,
wake up] to eight-part
sound paintings with
bell-like chimes as in O
du frohliche and
classical double choir
settings such as Resonet
in laudibus. The second
volume includes five
Christmas spirituals with
English texts, forming a
contrast to the solemn
and festive character of
the first. The choir can
prove its swing and jazz
qualities here; the
stirring arrangements are
a gain for classical
Christmas concerts, too.
Following the tradition
of the spiritual, some
settings also require
soloists, which can,
however, also be
recruited from the choir
if adequate singers are
available. The first
piece combines the
spirituals It's a
Birthday and Wasn't That
a Mighty Day to form a
medley, Ain't That a
Rockin' gives a moment of
tranquility before the
likewise rousing
spirituals Mary Had a
Baby and Little David
conclude the volume. In
both volumes, Howard
Arman provides a short
preface in German and
English, explaining the
background of each piece
and giving advice on
performance. $26.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christmas Surprises Chorale SATB SATB A Cappella Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5380-00 Composed by Howard Arman. Choir; st...(+)
Chorus a cappella SKU:
BR.CHB-5380-00
Composed by Howard Arman.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Song; Music
post-1945; New music
(post-2000). Choral
score. 40 pages.
Breitkopf and Haertel
#ChB 5380-00. Published
by Breitkopf and Haertel
(BR.CHB-5380-00). ISBN
9790004413814. 7.5 x 10.5
inches. German /
Latin. As director
of the Bavarian Radio
Choir, Howard Arman has
been actively engaged
with international
Christmas carols through
various Christmas-related
CD productions in the
past years. This has
resulted in a number of
original arrangements for
four- to eight-part mixed
choir a cappella,
shedding new light on
well-known classics such
as O du frohliche [O, you
joyful], Stille Nacht
[Silent Night] and Lasst
uns froh und munter sein
[Let us be happy and
cheerful]. The first
volume includes five
Christmas carols from the
German-speaking regions.
They range from simple
but harmonically
intriguing settings such
as Lieb Nachtigall, wach
auf [Dear nightingale,
wake up] to eight-part
sound paintings with
bell-like chimes as in O
du frohliche and
classical double choir
settings such as Resonet
in laudibus. The second
volume includes five
Christmas spirituals with
English texts, forming a
contrast to the solemn
and festive character of
the first. The choir can
prove its swing and jazz
qualities here; the
stirring arrangements are
a gain for classical
Christmas concerts, too.
Following the tradition
of the spiritual, some
settings also require
soloists, which can,
however, also be
recruited from the choir
if adequate singers are
available. The first
piece combines the
spirituals It's a
Birthday and Wasn't That
a Mighty Day to form a
medley, Ain't That a
Rockin' gives a moment of
tranquility before the
likewise rousing
spirituals Mary Had a
Baby and Little David
conclude the volume. In
both volumes, Howard
Arman provides a short
preface in German and
English, explaining the
background of each piece
and giving advice on
performance. $22.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Psalm Non nobis Domine / Nicht unserm Namen, Herr MWV A 9 / op. 31 (score) Chorale SATB SATB, Orchestre [Conducteur] Barenreiter
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Coop...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. This
edition: Urtext edition.
Score. Published by
Baerenreiter Verlag
(BA.BA9079).
$57.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eyesight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. ...(+)
Choral SATB choir, piano
SKU: PR.342402070
Composed by Steven
Stucky. -. Ars Nova
Chamber Singers, Boulder
CO. Performance Score.
With Standard notation.
Composed 7-Feb. 8 pages.
Duration 3 minutes.
Theodore Presser Company
#342-40207. Published by
Theodore Presser Company
(PR.342402070). ISBN
9781491111253. UPC:
680160643226. Octavo
inches. Text: Archibald
R. Ammons. Archibald
Ammons. Text by A.R.
Ammons. To benefit
Chorus America, Stucky
allowed himself to be
auctioned off as a prize
- the high bidder would
receive a new work from
the composer. After a few
years and not really
hearing anything, Stucky
suddenly found himself up
against a deadline. He
reached back to a
favorite poem by A.R.
Ammons, Eyesight, which,
he says, Won't let...his
reader rest till the very
last word...one of those
sudden insights that
leave us
breathless.. This
piece has an odd history.
A few years ago, I agreed
to be one of
the“prizesâ€
in an auction to benefit
Chorus America: the
highest bidder wouldget a
new piece from me, while
their money went to the
organization. Thewinning
bid came from a
collection of several
professional choruses
anddirectors. But I was
always a little vague
about the details, and,
hearingnothing more about
it for a few years,
forgot the whole
thing.One day I received
a message from Thomas
Edward Morgan, directorof
the Ars Nova Chamber
Singers in Boulder: they
had scheduled thepremiere
of my new piece for a few
weeks later, and could
they have themusic,
please? I needed a text,
quickly, and (as usual) I
was in a Los Angeleshotel
room, not at home with my
books. So I turned to the
internet andsoon tracked
down my favorite poet,
A.R. Ammons
(1926-2001).Once I
stumbled on
“Eyesight,†I
remembered having loved
the poemyears before.
Archie must have loved
it, too, because he
included it bothin his
Collected Poems 1951-1971
and in the later Selected
Poems. It haseverything
you want in an Archie
Ammons poem: what Edward
Hirschcalled his
“offbeat, sideways,
unpredictable
radiance,†his
“homespunglory.â
It has one of his
trademark conversations
with a mountain
(perhapsfrom his native
North Carolina), it has
the fluid motion from one
line tothe next
(enjambment, if you want
to get technical) that
won’t let him
orhis reader rest till
the very last word of the
very last line, and it
has in thatlast line one
of those sudden insights
that leave us breathless:
“some thingsthat go
are gone.â€I miss
Archie, but he’s
not gone. I’m
grateful for the
wonderful poems heleft
us, and I’m
grateful that he was
always generous and kind
when I hadthe chutzpah to
add my music to his. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Summer Is Gone Chorale SATB SATB A Cappella Gentry Publications
SATB a cappella Choral (SATB a cappella) SKU: HL.1197761 Out from the ...(+)
SATB a cappella Choral
(SATB a cappella) SKU:
HL.1197761 Out
from the Shadows: A
Contemporary Choral
Series. Composed by
Samuel Coleridge-Taylor.
Edited by James E. Green
and Marques L. A.
Garrett. Gentry
Publications. Concert.
Octavo. 8 pages. Duration
180 seconds. Gentry
Publications #JG2655.
Published by Gentry
Publications
(HL.1197761). UPC:
196288134930.
6.75x10.5x0.019
inches. The Out
from the Shadows Choral
Series brings you
“Summer Is
Gone,†a new
setting of British poet
Christina Rosetti's 1862
poem “Bitter for
Sweet.†The
composer, Samuel
Coleridge Taylor,
displays superb control
of text painting and
dynamics, creating vocal
lines as natural as
speech. In perfect
harmony with Rosetti's
text, falling chromatic
figures tossed back and
forth among voice parts
create an inescapable
sense of decay and
sorrow. Taylor's harmonic
rhythm conveys the latent
impression of time
stretching and
constricting. A truly
masterful work, this
piece makes for a great
festival or competition
performance. A fun
challenge for an
accomplished chamber or
larger choir, and a
memorable addition to any
concert. Samuel
Coleridge-Taylor
(1875-1912) was an
English-born composer and
conductor who hailed from
an English and African
musical family. After
discovering his inherent
musical ability,
Coleridge-Taylor's family
arranged for him to study
at the Royal College of
Music under composition
professor Charles
Villiers Stanford. After
completing his degree,
Coleridge-Taylor was
appointed a professor at
the Crystal Palace School
of Music and became the
conductor of the Croydon
Conservatoire Orchestra.
With his compositions,
Samuel Coleridge-Taylor
sought to draw from
traditional African music
and integrate it into the
classical tradition, in a
similar fashion to Brahms
and Dvorak with Hungarian
and Bohemian music. He
was a prolific composer
and a well-respected
conductor in England and
America, even touring in
America and being
received at the White
House by President
Theodore Roosevelt. His
most celebrated work was
his cantata Hiawatha's
Wedding Feast. On his
death, close friend and
poet Alfred Noyes said,
“Too young to die:
his great simplicity, his
happy courage in an alien
world, his gentleness,
made all that knew him
love him.â€. $2.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ave Maria Chorale SATB SATB divisi, A Cappella - Intermédiaire Laurendale Associates
SATB choir divisi (a cappella) - Late Intermediate SKU: MN.CH-1296 Compos...(+)
SATB choir divisi (a
cappella) - Late
Intermediate SKU:
MN.CH-1296 Composed
by Andrew Bonacci.
Catholic Year A
Immaculate Conception.
21st Century. Choral
score. Laurendale
Associates #CH-1296.
Published by Laurendale
Associates (MN.CH-1296).
UPC:
765844005764. Ave
Maria was composed for
the University of Kansas
Choirs, and dedicated
with appreciation to
Simon Carrington (Kings
Singers). It was
premiered by the Oread
Consort at Edington
Priori Church in
Wiltshire, England in May
of 1997. The Gregg Smith
Singers brought new life
to this work at the 2000
Adirondack Festival of
American Music in Saranac
Lake, and followed with a
recording on the Living
Artist series. This piece
was inspired by Gyorgy
Ligeti's setting of Lux
Aeterna (1966), as well
as by Giuseppe Verdi's
Ave Maria, the scala
enigmatica armonizzata a
Quattro voci (1898). It
is shaped by a series of
breath-like harmonic
swells leading to
climactic homophonic
statements of the text,
with strident voice
pairings yearning for
resolution. New York
writer Watson Bosler
describes the work as an
iridescent wash of color
as an intricate web of
interrelated melodic and
rhythmic themesThis Ave
hymns not the sugar-water
Virgin of Gounod or
Scott, but rather the
powerful Goddess Yeats
depicts: The Roman Empire
stood appalled:/ It
dropped the reins of
peace and war/ When that
fierce virgin and her
Star/ Out of the fabulous
darkness called. $4.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dominus Vobiscum Chorale SATB Carl Fischer
Composed by Jacob Narverud. Fold. Octavo. 8 pages. Duration 2 minutes. Carl ...(+)
Composed by Jacob
Narverud.
Fold. Octavo. 8 pages.
Duration 2 minutes. Carl
Fischer Music #CM9648.
Published by Carl Fischer
Music
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Lion and the Mouse Chorale SATB Carl Fischer
Composed by Darmon Meader. Sws. Octavo. 20 pages. Duration 4 minutes, 7 se...(+)
Composed by Darmon
Meader.
Sws. Octavo. 20 pages.
Duration 4 minutes, 7
seconds. Carl Fischer
Music
#CM9649. Published by
Carl
Fischer Music
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa Sancti Josephi, ZWV 14 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.270...(+)
Soli SATB, Coro SATB, 2
Fl, 2 Ob, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.2708212
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn. Violin 2.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. ZWV 14.
24 pages. Duration 38
minutes. Carus Verlag #CV
27.082/12. Published by
Carus Verlag
(CA.2708212). ISBN
9790007242947. Language:
Latin. Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score and part
available separately -
see item CA.2708200. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Josephi, ZWV 14 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.270...(+)
Soli SATB, Coro SATB, 2
Fl, 2 Ob, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.2708203
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn. Sacred
vocal music, Masses,
Latin. Vocal score. ZWV
14. 76 pages. Duration 38
minutes. Carus Verlag #CV
27.082/03. Published by
Carus Verlag
(CA.2708203). ISBN
9790007188603. Language:
Latin. Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score available
separately - see item
CA.2708200. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Josephi, ZWV 14 Chorale SATB satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.270...(+)
Soli SATB, Coro SATB, 2
Fl, 2 Ob, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.2708209
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn. 1x
27.082/21 flute 1, 1x
27.082/22 flute 2, 1x
27.082/23 oboe 1, 1x
27.082/24 oboe 2, 1x
27.082/31 horn 1, 1x
27.082/32 horn 2, 3x
27.082/33 Trombone 1+2
and timpani. Harmony
parts. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts. ZWV
14. Duration 38 minutes.
Carus Verlag #CV
27.082/09. Published by
Carus Verlag
(CA.2708209). ISBN
9790007242985. Language:
Latin. Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score and parts
available separately -
see item CA.2708200. $73.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Josephi, ZWV 14 Chorale SATB satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.270...(+)
Soli SATB, Coro SATB, 2
Fl, 2 Ob, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.2708219
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn. Complete
orchestral parts. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. ZWV 14. Duration
38 minutes. Carus Verlag
#CV 27.082/19. Published
by Carus Verlag
(CA.2708219). ISBN
9790007242992. Language:
Latin. Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score and parts
available separately -
see item CA.2708200. $340.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Josephi, ZWV 14 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.270...(+)
Soli SATB, Coro SATB, 2
Fl, 2 Ob, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.2708215
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn.
Bassoon/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Bassoon/Double
Bass. ZWV 14. 16 pages.
Duration 38 minutes.
Carus Verlag #CV
27.082/15. Published by
Carus Verlag
(CA.2708215). ISBN
9790007242978. Language:
Latin. Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score and part
available separately -
see item CA.2708200. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Josephi, ZWV 14 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.270...(+)
Soli SATB, Coro SATB, 2
Fl, 2 Ob, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.2708214
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn.
Violoncello. Sacred vocal
music, Masses, Latin.
Single Part, Cello. ZWV
14. 20 pages. Duration 38
minutes. Carus Verlag #CV
27.082/14. Published by
Carus Verlag
(CA.2708214). ISBN
9790007242961. Language:
Latin. Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score and part
available separately -
see item CA.2708200. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Josephi, ZWV 14 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.270...(+)
Soli SATB, Coro SATB, 2
Fl, 2 Ob, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.2708213
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn. Viola.
Sacred vocal music,
Masses, Latin. Single
Part, Viola. ZWV 14. 20
pages. Duration 38
minutes. Carus Verlag #CV
27.082/13. Published by
Carus Verlag
(CA.2708213). ISBN
9790007242954. Language:
Latin. Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score and part
available separately -
see item CA.2708200. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Josephi, ZWV 14 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.270...(+)
Soli SATB, Coro SATB, 2
Fl, 2 Ob, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.2708211
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn. Violin 1.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. ZWV 14.
24 pages. Duration 38
minutes. Carus Verlag #CV
27.082/11. Published by
Carus Verlag
(CA.2708211). ISBN
9790007242930. Language:
Latin. Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score and part
available separately -
see item CA.2708200. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Josephi, ZWV 14 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.270...(+)
Soli SATB, Coro SATB, 2
Fl, 2 Ob, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.2708249
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn. Organ /
tiorba. Sacred vocal
music, Masses, Latin.
Single Part, Organ /
Theorba. ZWV 14. 32
pages. Duration 38
minutes. Carus Verlag #CV
27.082/49. Published by
Carus Verlag
(CA.2708249). ISBN
9790007242923. Language:
Latin. Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score and part
available separately -
see item CA.2708200. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Josephi, ZWV 14 Chorale SATB Carus Verlag
Soli SATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU...(+)
Soli SATB Voices, SATB
Choir, 2 Fl, 2 Ob, 2 Cor,
2 Tr, Timp, 2 Vl, Va, Bc
SKU: CA.2708205
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn. Sacred
vocal music, Masses,
Latin. Sacred vocal
music, Masses, Latin.
Choral Score. ZWV 14. 28
pages. Duration 38
minutes. Carus Verlag #CV
27.082/05. Published by
Carus Verlag
(CA.2708205). ISBN
9790007241971. Language:
Latin. Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score available
separately - see item
CA.2708200. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Chorale SATB Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180103 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180103
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Vocal score. KV.
28 pages. Duration 15
minutes. Carus Verlag #CV
51.801/03. Published by
Carus Verlag
(CA.5180103). ISBN
9790007186180. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score available
separately - see item
CA.5180100. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Chorale SATB Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180113 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180113
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Basso continuo. Sacred
vocal music, Masses,
Latin, Whole church year
/ Omni tempore. Single
Part, basso continuo. KV.
8 pages. Duration 15
minutes. Carus Verlag #CV
51.801/13. Published by
Carus Verlag
(CA.5180113). ISBN
9790007225360. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and part available
separately - see item
CA.5180100. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Chorale SATB Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180112 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180112
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Violin 2. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 2. KV. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
51.801/12. Published by
Carus Verlag
(CA.5180112). ISBN
9790007225353. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and part available
separately - see item
CA.5180100. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Chorale SATB Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180149 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180149
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Organ. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Organ. KV. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
51.801/49. Published by
Carus Verlag
(CA.5180149). ISBN
9790007225384. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and part available
separately - see item
CA.5180100. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
Page suivante 1 31 |