Soli T (Evangelist), B (Jesus), SATB, SATB Choir, 2 Fl, 2 Ob (Obda, Obca), 2 Vl, Va, Vg, Bc

SKU: CA.3124586

Traditional version (1739/1749). Composed by Johann Sebastian Bach. Arranged by Paul Horn. Carus Choir Coach. Johannespassion.Ccc. Sacred vocal music, Passions, Holy Week. Compact Disc. Composed 1739/1749. BWV 245. Duration 120 minutes. Carus Verlag #CV 31.245/86. Published by Carus Verlag (CA.3124586).

Language: German/English.

Bac h's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach's lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. Please use full score and performance material of our edition Carus 31.245/00. This edition includes also the traditional version. This work is now available in carus music, the choir app! Score available separately - see item CA.3124500.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB choir, SATB voices, 2 flutes, 2 oboes (oboe d'amore, basso continuo), 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124594

Traditional version (1739/1749). Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Paperback. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. German title: Johannespassion Bwv 245 Tradition.Fassung. Innovative practice aids, Sacred vocal music, Passions, Lent and Passiontide. Vocal score. Composed 1739/1749. BWV 245. 152 pages. Duration 120 minutes. Carus Verlag #CV 31.245/94. Published by Carus Verlag (CA.3124594).

ISBN 9790007181307. Language: German/English. John 1:18-19.

Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach's lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. Please use full score and performance material of our edition Carus 31.245/00. This edition includes also the traditional version. This work is now available in carus music, the choir app! Score available separately - see item CA.3124500.

Soli T (Evangelist), B (Jesus), SATB, SATB Choir, 2 Fl, 2 Ob (Obda, Obca), 2 Vl, Va, Vg, Bc

SKU: CA.3124585

Traditional version (1739/1749). Composed by Johann Sebastian Bach. Arranged by Paul Horn. Carus Choir Coach. Johannespassion.Ccc. Sacred vocal music, Passions, Holy Week. Compact Disc. Composed 1739/1749. BWV 245. Duration 120 minutes. Carus Verlag #CV 31.245/85. Published by Carus Verlag (CA.3124585).

Language: German/English.

Bac h's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach's lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. Please use full score and performance material of our edition Carus 31.245/00. This edition includes also the traditional version. This work is now available in carus music, the choir app! Score available separately - see item CA.3124500.

Soli T (Evangelist), B (Jesus), SATB, SATB Choir, 2 Fl, 2 Ob (Obda, Obca), 2 Vl, Va, Vg, Bc

SKU: CA.3124588

Traditional version (1739/1749). Composed by Johann Sebastian Bach. Arranged by Paul Horn. Carus Choir Coach. Johannespassion.Ccc. Sacred vocal music, Passions, Holy Week. Compact Disc. Composed 1739/1749. BWV 245. Duration 120 minutes. Carus Verlag #CV 31.245/88. Published by Carus Verlag (CA.3124588).

Language: German/English.

Bac h's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach's lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. Please use full score and performance material of our edition Carus 31.245/00. This edition includes also the traditional version. This work is now available in carus music, the choir app! Score available separately - see item CA.3124500.

Soli T (Evangelist), B (Jesus), SATB, SATB Choir, 2 Fl, 2 Ob (Obda, Obca), 2 Vl, Va, Vg, Bc

SKU: CA.3124587

Traditional version (1739/1749). Composed by Johann Sebastian Bach. Arranged by Paul Horn. Carus Choir Coach. Johannespassion.Ccc. Sacred vocal music, Passions, Holy Week. Compact Disc. Composed 1739/1749. BWV 245. Duration 120 minutes. Carus Verlag #CV 31.245/87. Published by Carus Verlag (CA.3124587).

Language: German/English.

Bac h's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach's lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. Please use full score and performance material of our edition Carus 31.245/00. This edition includes also the traditional version. This work is now available in carus music, the choir app! Score available separately - see item CA.3124500.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810203

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music. Vocal score. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/03. Published by Carus Verlag (CA.3810203).

ISBN M-007-13749-6. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810211

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music. Part. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/11. Published by Carus Verlag (CA.3810211).

ISBN M-007-25258-8. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810209

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music. Set of Orchestra Parts. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/09. Published by Carus Verlag (CA.3810209).

ISBN M-007-25257-1. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810212

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music. Part. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/12. Published by Carus Verlag (CA.3810212).

ISBN M-007-25259-5. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810213

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music. Part. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/13. Published by Carus Verlag (CA.3810213).

ISBN M-007-25260-1. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810219

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music. Set of Orchestra Parts. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/19. Published by Carus Verlag (CA.3810219).

ISBN M-007-24974-8. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810205

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music. Choral Score. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/05. Published by Carus Verlag (CA.3810205).

ISBN M-007-25252-6. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810214

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Violoncello. Sacred vocal music. Single Part, Cello. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/14. Published by Carus Verlag (CA.3810214).

ISBN M-007-25261-8. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810200

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music. Full Score. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/00. Published by Carus Verlag (CA.3810200).

ISBN M-007-25076-8. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810412

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Violin 2. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/12. Published by Carus Verlag (CA.3810412).

ISBN 9790007215088. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810405

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Choral Score. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/05. Published by Carus Verlag (CA.3810405).

ISBN 9790007215057. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810419

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/19. Published by Carus Verlag (CA.3810419).

ISBN 9790007215118. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and parts available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810409

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. 1x 38.104/21 oboe 1, 1x 38.104/22 oboe 2, 1x 38.104/31 horn 1, 1x 38.104/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/09. Published by Carus Verlag (CA.3810409).

ISBN 9790007215064. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and parts available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810411

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Violin. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/11. Published by Carus Verlag (CA.3810411).

ISBN 9790007215071. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810449

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Organ. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/49. Published by Carus Verlag (CA.3810449).

ISBN 9790007215125. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810413

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Viola. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/13. Published by Carus Verlag (CA.3810413).

ISBN 9790007215095. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810414

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, basso continuo. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/14. Published by Carus Verlag (CA.3810414).

ISBN 9790007215101. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810403

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Vocal score. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/03. Published by Carus Verlag (CA.3810403).

ISBN 9790007143978. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score available separately - see item CA.3810400.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003805

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Choral Score. Composed circa 1772. KV 142 (Anh. 186d). 4 pages. Duration 5 minutes. Carus Verlag #CV 40.038/05. Published by Carus Verlag (CA.4003805).

ISBN 9790007058227. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score available separately - see item CA.4003800.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003813

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Single Part, Viola. Composed circa 1772. KV 142 (Anh. 186d). 2 pages. Duration 5 minutes. Carus Verlag #CV 40.038/13. Published by Carus Verlag (CA.4003813).

ISBN 9790007217075. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score and part available separately - see item CA.4003800.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003814

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Single Part, Cello/Double Bass. Composed circa 1772. KV 142 (Anh. 186d). 2 pages. Duration 5 minutes. Carus Verlag #CV 40.038/14. Published by Carus Verlag (CA.4003814).

ISBN 9790007217082. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score and part available separately - see item CA.4003800.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003803

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Vocal score. Composed circa 1772. KV 142 (Anh. 186d). 8 pages. Duration 5 minutes. Carus Verlag #CV 40.038/03. Published by Carus Verlag (CA.4003803).

ISBN 9790007058210. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score available separately - see item CA.4003800.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003800

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Full score. Composed circa 1772. KV 142 (Anh. 186d). 12 pages. Duration 5 minutes. Carus Verlag #CV 40.038/00. Published by Carus Verlag (CA.4003800).

ISBN 9790007089245. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003809

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Single Part, Baroque Trumpet 1+2. Composed circa 1772. KV 142 (Anh. 186d). 4 pages. Duration 5 minutes. Carus Verlag #CV 40.038/09. Published by Carus Verlag (CA.4003809).

ISBN 9790007217044. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score and part available separately - see item CA.4003800.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003849

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Single Part, Organ. Composed circa 1772. KV 142 (Anh. 186d). 2 pages. Duration 5 minutes. Carus Verlag #CV 40.038/49. Published by Carus Verlag (CA.4003849).

ISBN 9790007217105. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score and part available separately - see item CA.4003800.