(with Amazing Grace) Composed by Jonathan Rea, Keith Getty, orchestrated by Michael Lawrence, arranged by Tom Fettke. Octavo for SATB choir and piano accompaniment. Series: Alfred SingPraise Series. 12 pages. Published by Alfred Publishing.

Soloists, speakers, mixed choir (SATB) and combo (Score) - easy

SKU: HL.49006394

Eine satirische Chor-Revue in 10 Abteilungen. Composed by Pete Seeger. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Vocal score (also full score). 40 pages. Duration 30'. Schott Music #ED 6524. Published by Schott Music (HL.49006394).

ISBN 9790001069380.

Ware house-Life wurde zum ersten Mal in einem Studio der 'Internationalen Begegnung singender Jugend' des Deutschen Sangerbundes in Berlin aus dem Manuskript aufgefuhrt. Drei Gestalten haben besondere Bedeutung: das Mannequin - ein Reklame- Girl, klischeehaft schon, unpersonlich sexy, in warenbezogenen Kostumen auftretend; der Tenor, der Kaufertyp, der den Lockungen des Girls verfallt; und schliesslich der Dressman, das maskuline Gegenstuck zum Mannequin. Sing- und Spielstil sollten Song und Kabarett parodieren. Im Ubrigen lebt Warehouse- Life vom flotten, luckenlosen und temperamentvollen Ablauf der 10 Abteilungen, von Laune, Witz und Spielfreude der Akteure, sowie von gezielten Uberraschungen optischer und akustischer Art. Der Fantasie sind keine Grenzen gesetzt.'(Fritz Grasshoff) Die Absurditaten der Warenasthetik, die Perfidie der Reklamewelten, das schonungslose Einhammern von Werbespruchen, das rettungslose Ausgeliefertsein an einen Mechanismus des Verkaufens, Anpreisens und An-den-Mann-Bringens um jeden Preis sind Thema dieser Revue und werden mit den Mitteln textlicher wie musikalischer Ironie, Parodie und Persiflage blossgestellt. Die offene Form bietet vielfaltige, unbegrenzte Moglichkeiten zur szenischen Gestaltung; die Einbeziehung anderer Medien (Video, Film) bietet gute Moglichkeiten fur facherubergreifende Arbeit mit Kindern und Jugendlichen ab 10 Jahren.

Soloists, speakers, mixed choir (SATB) and combo (SCHLGZ) - easy

SKU: HL.49032125

Eine satirische Chor-Revue in 10 Abteilungen. Composed by Seeger. This edition: Saddle stitching. Sheet music. Edition Schott. Individual part. 8 pages. Duration 30'. Schott Music #ED 6524-16. Published by Schott Music (HL.49032125).

ISBN 9790001069458.

Die Absurditaten der Warenasthetik, die Perfidie der Reklamewelten, das schonungslose Einhammern von Werbespruchen, das rettungslose Ausgeliefertsein an einen Mechanismus des Verkaufens, Anpreisens und An-den-Mann-Bringens um jeden Preis sind Thema dieser Revue und werden mit den Mitteln textlicher wie musikalischer Ironie, Parodie und Persiflage blossgestellt. Die offene Form bietet vielfaltige, unbegrenzte Moglichkeiten zur szenischen Gestaltung; die Einbeziehung anderer Medien (Video, Film) ist durchaus beabsichtigt und bietet gute Moglichkeiten fur facherubergreifende Arbeit.

Soloists, speakers, mixed choir (SATB) and combo (Alto Sax) - easy

SKU: HL.49032120

Eine satirische Chor-Revue in 10 Abteilungen. Composed by Seeger. This edition: Saddle stitching. Sheet music. Edition Schott. Individual part. 8 pages. Duration 30'. Schott Music #ED 6524-11. Published by Schott Music (HL.49032120).

ISBN 9790001069403.

Die Absurditaten der Warenasthetik, die Perfidie der Reklamewelten, das schonungslose Einhammern von Werbespruchen, das rettungslose Ausgeliefertsein an einen Mechanismus des Verkaufens, Anpreisens und An-den-Mann-Bringens um jeden Preis sind Thema dieser Revue und werden mit den Mitteln textlicher wie musikalischer Ironie, Parodie und Persiflage blossgestellt. Die offene Form bietet vielfaltige, unbegrenzte Moglichkeiten zur szenischen Gestaltung; die Einbeziehung anderer Medien (Video, Film) ist durchaus beabsichtigt und bietet gute Moglichkeiten fur facherubergreifende Arbeit.

Soloists, speakers, mixed choir (SATB) and combo (POS) - easy

SKU: HL.49032122

Eine satirische Chor-Revue in 10 Abteilungen. Composed by Seeger. This edition: Saddle stitching. Sheet music. Edition Schott. Individual part. 8 pages. Duration 30'. Schott Music #ED 6524-13. Published by Schott Music (HL.49032122).

ISBN 9790001069427.

Die Absurditaten der Warenasthetik, die Perfidie der Reklamewelten, das schonungslose Einhammern von Werbespruchen, das rettungslose Ausgeliefertsein an einen Mechanismus des Verkaufens, Anpreisens und An-den-Mann-Bringens um jeden Preis sind Thema dieser Revue und werden mit den Mitteln textlicher wie musikalischer Ironie, Parodie und Persiflage blossgestellt. Die offene Form bietet vielfaltige, unbegrenzte Moglichkeiten zur szenischen Gestaltung; die Einbeziehung anderer Medien (Video, Film) ist durchaus beabsichtigt und bietet gute Moglichkeiten fur facherubergreifende Arbeit.

Soloists, speakers, mixed choir (SATB) and combo (TRP(B)) - easy

SKU: HL.49032121

Eine satirische Chor-Revue in 10 Abteilungen. Composed by Seeger. This edition: Saddle stitching. Sheet music. Edition Schott. Individual part. 8 pages. Duration 30'. Schott Music #ED 6524-12. Published by Schott Music (HL.49032121).

ISBN 9790001069410.

Die Absurditaten der Warenasthetik, die Perfidie der Reklamewelten, das schonungslose Einhammern von Werbespruchen, das rettungslose Ausgeliefertsein an einen Mechanismus des Verkaufens, Anpreisens und An-den-Mann-Bringens um jeden Preis sind Thema dieser Revue und werden mit den Mitteln textlicher wie musikalischer Ironie, Parodie und Persiflage blossgestellt. Die offene Form bietet vielfaltige, unbegrenzte Moglichkeiten zur szenischen Gestaltung; die Einbeziehung anderer Medien (Video, Film) ist durchaus beabsichtigt und bietet gute Moglichkeiten fur facherubergreifende Arbeit.

Soloists, speakers, mixed choir (SATB) and combo (GIT) - easy

SKU: HL.49032123

Eine satirische Chor-Revue in 10 Abteilungen. Composed by Seeger. This edition: Saddle stitching. Sheet music. Edition Schott. Individual part. 8 pages. Duration 30'. Schott Music #ED 6524-14. Published by Schott Music (HL.49032123).

ISBN 9790001069434.

Die Absurditaten der Warenasthetik, die Perfidie der Reklamewelten, das schonungslose Einhammern von Werbespruchen, das rettungslose Ausgeliefertsein an einen Mechanismus des Verkaufens, Anpreisens und An-den-Mann-Bringens um jeden Preis sind Thema dieser Revue und werden mit den Mitteln textlicher wie musikalischer Ironie, Parodie und Persiflage blossgestellt. Die offene Form bietet vielfaltige, unbegrenzte Moglichkeiten zur szenischen Gestaltung; die Einbeziehung anderer Medien (Video, Film) ist durchaus beabsichtigt und bietet gute Moglichkeiten fur facherubergreifende Arbeit.

Soloists, speakers, mixed choir (SATB) and combo (KB(PIZZ)) - easy

SKU: HL.49032124

Eine satirische Chor-Revue in 10 Abteilungen. Composed by Seeger. This edition: Saddle stitching. Sheet music. Edition Schott. Individual part. 8 pages. Duration 30'. Schott Music #ED 6524-15. Published by Schott Music (HL.49032124).

ISBN 9790001069441.

Die Absurditaten der Warenasthetik, die Perfidie der Reklamewelten, das schonungslose Einhammern von Werbespruchen, das rettungslose Ausgeliefertsein an einen Mechanismus des Verkaufens, Anpreisens und An-den-Mann-Bringens um jeden Preis sind Thema dieser Revue und werden mit den Mitteln textlicher wie musikalischer Ironie, Parodie und Persiflage blossgestellt. Die offene Form bietet vielfaltige, unbegrenzte Moglichkeiten zur szenischen Gestaltung; die Einbeziehung anderer Medien (Video, Film) ist durchaus beabsichtigt und bietet gute Moglichkeiten fur facherubergreifende Arbeit.

(SATB and Orchestra). Composed by George Walker. For Chorus and Orchestra (SATB). LKM Music. 76 pages. Lauren Keiser Music Publishing #X078039. Published by Lauren Keiser Music Publishing

(SATB AND ORGAN)

SKU: HL.1428493

For SATB Chorus, Flute and Organ. Composed by David Schiff. LKM Music. Octavo. Duration 360 seconds. Lauren Keiser Music Publishing #X941101. Published by Lauren Keiser Music Publishing (HL.1428493).

ISBN 9798892701761. UPC: 196288202554. 9.0x12.0x0.144 inches.

Written for the First Unitarian Church of Portland, Oregon. A version is also available for Chorus, Flute and String Orchestra.

SATB chorus

SKU: CA.221570

Composed by Andreas N. Tarkmann. Arranged by Markus Pohlmann. Gattungen vokal: Lieder for choir. Full Score. Duration 3 minutes. Published by Carus Verlag (CA.221570).

ISBN 9790007294632. German. Text: Zuccalmaglio, Anton Wilhelm.

In this a cappella version, the composer Andreas N. Tarkmann extends the well-known folk song Kein schoner Land by adding vocal introductions and interludes (text: Markus Pohlmeyer, 2021). These match the original verses of the song by Anton Wilhelm von Zuccalmaglio both textually and musically. These sections can be sung by a choir, a choral group, or by soloists (ATB). Alternatively, the introductions and interludes can be omitted, so that just the four verses of the song (indicated by numbers) are heard in sequence.Other versions of Kein schoner Land (with instrumental introductions and interludes) by Andreas N. Tarkmann in the LIEDERPROJEKT:in Carus 2.215 for SATB choir and piano duetin Carus 2.215/11 for SATB choir and wind quintetThe wind version has been recorded on CD Carus 83.037 with Canadian Brass and the Hanover Boys' Choir, conducted by Jorg Breiding . Score available separately - see item CA.221500.

SSATB choir

SKU: CA.104800

Composed by Melchior Franck. German title: Es hat's kein Aug gesehen. Sacred, Motets; Use during church year: Epiphany. Full score. 2 pages. Carus Verlag #CV 01.048/00. Published by Carus Verlag (CA.104800).

ISBN 9790007000271. Language: German.

Composed by William Byrd (1540-1623). For Choral (SATB). LKM Music. Lauren Keiser Music Publishing #S940006. Published by Lauren Keiser Music Publishing

(The Compassion Hymn). By Keith Getty, Kristyn Lennox Getty and Stuart Townend. Arranged by Lloyd Larson. For SATB choir and piano with optional C instrument. Octavo. 12 pages. Published by Hope Publishing Company

By Keith Getty / Stuart Townend. Edited by Michael Perry. Arranged by Lloyd Larson. For SATB choir. Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

Composed by Stuart Townend, Keith Getty. Arranged by Lloyd Larson. For SATB choir. Love, Peace, Wisdom, General. Octavo. Published by Hope Publishing Company

By Keith Getty and Kristyn Lennox. Arranged by Lloyd Larson. For SATB choir with optional Violin and Cello. Scripture Reference: Revelation 7:9-12. Redemption, Contemporary, Sacred. Choir. 12 pages

Composed by Stuart Townend, Keith Getty. Arranged by Lloyd Larson. For SATB choir with optional cello (part included). Easter, Pentecost, Prayer, Christian Community. Performance/Accompaniment CD. Published by Hope Publishing Company

Mixed choir (SATB) - very easy

SKU: HL.49026525

Composed by LANG. This edition: Folding. Sheet music. Schott Chorblattreihe (Choral Music). Choral Score. 4 pages. Schott Music #CHBL 298. Published by Schott Music (HL.49026525).

ISBN 9790001019217.

Composed by Stuart Townend, Keith Getty. Arranged by Lloyd Larson. For SATB choir with optional cello (part included). Easter, Pentecost, Prayer, Christian Community. Octavo. Published by Hope Publishing Company

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106014

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Cello/Double Bass. Composed 1723. BWV 60. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.060/14. Published by Carus Verlag (CA.3106014).

ISBN 9790007043452. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

Orchestra ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106007

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Study score. Composed 1723. BWV 60. 64 pages. Duration 20 minutes. Carus Verlag #CV 31.060/07. Published by Carus Verlag (CA.3106007).

ISBN 9790007043407. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106019

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Set of Orchestra Parts. Composed 1723. BWV 60. Duration 20 minutes. Carus Verlag #CV 31.060/19. Published by Carus Verlag (CA.3106019).

ISBN 9790007134044. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106013

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Viola. Composed 1723. BWV 60. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.060/13. Published by Carus Verlag (CA.3106013).

ISBN 9790007043445. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106005

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Choral Score. Composed 1723. BWV 60. 2 pages. Duration 20 minutes. Carus Verlag #CV 31.060/05. Published by Carus Verlag (CA.3106005).

ISBN 9790007043391. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106000

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Full score. Composed 1723. BWV 60. 60 pages. Duration 20 minutes. Carus Verlag #CV 31.060/00. Published by Carus Verlag (CA.3106000).

ISBN 9790007043377. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist..

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106011

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Violin 1. Composed 1723. BWV 60. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.060/11. Published by Carus Verlag (CA.3106011).

ISBN 9790007043421. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.