Ed. Critica Di Alessandro Borin - Ril. Brochure. Par VIVALDI ANTONIO. La Gloria e Imeneo, RV 687, belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of importantrecurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in the ambassador’s garden on the evening of 12 September 1725. This critical edition is based on the autographscore held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes anapparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic- interpretative edition of the poetic text, inferred – since no libretto has come down to us – by the words underlaid to the notesin the manuscript of the serenata. La Gloria E Imeneo, RV 687, belongs to a group of so-called ‘ French serenatas' by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place inthe ambassador's garden on the evening of 12 September 1725. This critical edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes an apparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic- interpretative edition of the poetic text, inferred & since no libretto has come down to us & by the words underlaid to the notes in the manuscript of the serenata. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-08/ Répertoire / SATB, Violon, Alto et Basse Continue

Gioachino Rossini (1792-1868) se réferrait a sa petite messe solennelle comme au 'dernier péché mortel de son vieil age'. Ecris en 1863 pour la comtesse Louise Pillet-Will et interpréte pour la première fois le 14 mars 1864 a la consecration de la chapel privee Comtesse, la Messe est une des reussite les plus extraordinaire de Rossini et l'impressionante oeuvre de sa 'retraite'.Pour le soli SATB, le refrain SATB, l'harmonium et deux pianos ( ou un orchestra). Partition de vocal avec les parties de piano. / Voix / niveau : Intermédiaire / Partition

A classic from the golden age of the show tune, Smoke Gets In Your Eyes is a soulful and sophisticated number originally written by Jerome Kern and Otto Harbach for the musical Roberta. Over the years the song has been covered by Bryan Ferry, Jerry Garcia, and was a 1958 chart topping hit on both sides of the Atlantic for doo wop group, The Platters . With a deep dynamic range and rich, floating harmonies, this luxurious choral arrangement by Christopher Hussey for SATB chorus with Piano accompaniment, is a beautifully re-imagined new take on a timeless song. Full of engrossing tension and dramatic relief that swells up through thick, complex chords and a memorable lead line, this is a must perform piece for amateur-intermediate choirs. / Choeur Mixte (SATB) Et Piano

Nelson-Messe. Par HAYDN FRANZ JOSEF. The 'Missa' in D minor, published here, the third of Haydn's six late masses, was written during the summer of 1798 between the two late oratorios. According to the dates given on Haydn's autograph score he completed the composition in less than eight weeks. The score bears no particular title, but in Haydn's manuscript thematic catalogue of his works he referred to it as 'Missa in Angustiis'. Joseph Haydn's Missa In Angustiis (Hob. XXII:11) for SATB. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Trompettes, Timbales

Vocal score. Par HARMAN ALEC. Pendant les quatre-vingts ans environ. 1535 plusieurs milliers de madrigaux italiens ont été composées. Voici 55 pour voix mixtes couvrant l'ensemble des types, et toute la période. Tous ont été choisis pour leur valeur musicale - ils sont de petits chefs-d'oeuvre. / Date parution : 1983-05-05/ Recueil / Choeur Mixte (SATB)