A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
By Orlande De Lassus (1532-1594). Edited by Budde, Rudolf. This edition: paperbo...(+)
By Orlande De Lassus
(1532-1594). Edited by
Budde, Rudolf. This
edition: paperbound.
Sacred, Motets, Psalms,
Latin; Choral
Collections, Mixed Choir;
Occasions: Peace and
Justice, Prayer, Praise
and thanks, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Psalms,
Mourning, Death; Use
during church year:
Advent, Specia.
Collection. 52 pages
By Various. Edited by Hellmann, Diethard / Biller, Georg Christoph. This edition...(+)
By Various. Edited by
Hellmann, Diethard /
Biller, Georg Christoph.
This edition: paperbound.
Sacred, Hymn settings,
Motets; Choral
Collections, Mixed Choir;
Use during church year:
Advent, Christmas. Choral
collection. 64 pages
By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. Arranged by Klau...(+)
By Georg Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: paperbound.
Sacred, Motets, Psalms,
German; Choral
Collections, SAM Choir,
Choral Collections,
Women's Choir, Stuttgart
Urtext editions;
Occasions: Praise and
thanks, Psalms; Use
during church year:
Special Days, Holy Week,
Easter and Eastertide,
Ascension, Reformati.
Score. 112 pages
Composed
by Antonio Vivaldi. This
edition: urtext.
Stuttgart Urtext Edition:
Vivaldi-Archiv. German
title: Credo. Innovative
practice aids, Sacred
vocal music, Mass
sections. Single Part,
Viola. RV 591. 8 pages.
Duration 10 minutes.
Carus Verlag #CV
40.004/13. Published by
Carus Verlag
(CA.4000413).
ISBN
9790007057404. Key: E
minor. Language:
Latin/English.
The
Credo belongs to that
large group of church
works which Vivaldi
composed in Venice
between 1713 and 1717 for
the Ospedale della Pieta,
then his primary place of
employment. The
composition, conceived
solely for choir and
strings, is characterized
by a two-layered formal
design: a continuous,
basic motivic idea, i.e.,
a constant rhythmic
impulse with rapid tone
repetition builds an
instrumental layer, while
on the other hand the
writing for choir renders
the text in a blocklike
structure in chordal
declamation. This
structure will only be
abandoned briefly in the
concluding section of
work, where the text Et
vitam venturi saeculi is
embedded in a concise
fugue. Score and part
available separately -
see item CA.4000400.
Composed by Orlande De Lassus (1532-1594). Edited by Horst Leuchtmann. For mixed...(+)
Composed by Orlande De
Lassus (1532-1594).
Edited by Horst
Leuchtmann. For mixed
choir. This edition:
Complete edition, Urtext
edition. Linen. Orlando
di Lasso. Samtliche Werke
(Neue Reihe), Volume 26.
Sacred. Anthology.
Published by Baerenreiter
Verlag
SATB/SATB choir - Level 3 SKU: CA.115400 Composed by Martin Luther and Sa...(+)
SATB/SATB choir - Level 3
SKU: CA.115400
Composed by Martin Luther
and Samuel Scheidt.
Edited by Ursula
Herrmann. Coppenrath
series, Hymns by Martin
Luther: Nun komm, der
Heiden Heiland. German
title: Nun komm, der
Heiden Heiland. Sacred,
Hymn settings, Motets;
Use during church year:
Advent. Full score.
Composed 1620. SSWV 12. 8
pages. Duration 2
minutes. Carus Verlag #CV
01.154/00. Published by
Carus Verlag (CA.115400).
ISBN 9790007001216.
Key: A minor. Language:
German.
Composed
by Antonio Vivaldi. This
edition: urtext.
Stuttgart Urtext Edition:
Vivaldi-Archiv. German
title: Credo. Innovative
practice aids, Sacred
vocal music, Mass
sections. Choral Score.
RV 591. Duration 10
minutes. Carus Verlag #CV
40.004/05. Published by
Carus Verlag
(CA.4000405).
ISBN
9790007057374. Key: E
minor. Language:
Latin/English.
The
Credo belongs to that
large group of church
works which Vivaldi
composed in Venice
between 1713 and 1717 for
the Ospedale della Pieta,
then his primary place of
employment. The
composition, conceived
solely for choir and
strings, is characterized
by a two-layered formal
design: a continuous,
basic motivic idea, i.e.,
a constant rhythmic
impulse with rapid tone
repetition builds an
instrumental layer, while
on the other hand the
writing for choir renders
the text in a blocklike
structure in chordal
declamation. This
structure will only be
abandoned briefly in the
concluding section of
work, where the text Et
vitam venturi saeculi is
embedded in a concise
fugue. Score available
separately - see item
CA.4000400.
Composed
by Antonio Vivaldi. This
edition: urtext.
Stuttgart Urtext Edition:
Vivaldi-Archiv. German
title: Credo. Innovative
practice aids, Sacred
vocal music, Mass
sections. Single Part,
Violin 2. RV 591. 8
pages. Duration 10
minutes. Carus Verlag #CV
40.004/12. Published by
Carus Verlag
(CA.4000412).
ISBN
9790007057398. Key: E
minor. Language:
Latin/English.
The
Credo belongs to that
large group of church
works which Vivaldi
composed in Venice
between 1713 and 1717 for
the Ospedale della Pieta,
then his primary place of
employment. The
composition, conceived
solely for choir and
strings, is characterized
by a two-layered formal
design: a continuous,
basic motivic idea, i.e.,
a constant rhythmic
impulse with rapid tone
repetition builds an
instrumental layer, while
on the other hand the
writing for choir renders
the text in a blocklike
structure in chordal
declamation. This
structure will only be
abandoned briefly in the
concluding section of
work, where the text Et
vitam venturi saeculi is
embedded in a concise
fugue. Score and part
available separately -
see item CA.4000400.
Composed
by Antonio Vivaldi. This
edition: urtext.
Stuttgart Urtext Edition:
Vivaldi-Archiv. German
title: Credo. Innovative
practice aids, Sacred
vocal music, Mass
sections. Single Part,
Violin 1. RV 591. 8
pages. Duration 10
minutes. Carus Verlag #CV
40.004/11. Published by
Carus Verlag
(CA.4000411).
ISBN
9790007057381. Key: E
minor. Language:
Latin/English.
The
Credo belongs to that
large group of church
works which Vivaldi
composed in Venice
between 1713 and 1717 for
the Ospedale della Pieta,
then his primary place of
employment. The
composition, conceived
solely for choir and
strings, is characterized
by a two-layered formal
design: a continuous,
basic motivic idea, i.e.,
a constant rhythmic
impulse with rapid tone
repetition builds an
instrumental layer, while
on the other hand the
writing for choir renders
the text in a blocklike
structure in chordal
declamation. This
structure will only be
abandoned briefly in the
concluding section of
work, where the text Et
vitam venturi saeculi is
embedded in a concise
fugue. Score and part
available separately -
see item CA.4000400.
By Various. Edited by Hildebrandt, Herbert. This edition: paperbound. Sacred, Hy...(+)
By Various. Edited by
Hildebrandt, Herbert.
This edition: paperbound.
Sacred, Hymn settings,
Mass Sections, Motets,
Psalms, German; Choral
Collections, SAM Choir;
Occasions: Eucharist,
Communion, Praise and
thanks, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary; Use during
church year: Advent,
Special. Choral
collection. 116 pages
By Antonio Vivaldi (1678-1741). For SATB Choir, 2 Violins, Viola, Basso continuo...(+)
By Antonio Vivaldi
(1678-1741). For SATB
Choir, 2 Violins, Viola,
Basso continuo. This
edition: Paperbound.
Stuttgart Urtext
editions. Score available
separately - see item
CA.4000400. Mass
sections. Level 3. Vocal
score. Language:
Latin/English. RV 591. 24
pages. Duration 10 min.
Published by Carus Verlag
Composed by Antonio Vivaldi (1678-1741). This edition: urtext. Stuttgart Urtext ...(+)
Composed by Antonio
Vivaldi (1678-1741). This
edition: urtext.
Stuttgart Urtext Edition:
Vivaldi-Archiv. German
title: Credo. Mass
Sections. Complete
orchestral parts. RV 591.
Duration 10 minutes.
Published by Carus Verlag
(CA.4000419).
By Larry Shackley. For SATB choir and soloist (a cappella). Ascension, Christ th...(+)
By Larry Shackley. For
SATB choir and soloist (a
cappella). Ascension,
Christ the King, General,
Lent, Transfiguration,
Sacred. Sacred Anthem.
Published by Lorenz
Publishing Company.
(10/3748L)
SATB choir - Level 3 SKU: CA.712100 Composed by Gunter Raphael and Martin...(+)
SATB choir - Level 3
SKU: CA.712100
Composed by Gunter
Raphael and Martin
Luther. German title: Nun
Komm, Der Heiden Heiland.
Sacred vocal music,
Advent. Full score.
Composed 1969. Carus
Verlag #CV 07.121/00.
Published by Carus Verlag
(CA.712100).
ISBN
9790007014070. Key: G
dorian. Language: German.
Text: Luther, Martin.
Text: Martin
Luther.
(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
Composed by Craig
Courtney. Choral,
cantatas. Holy Week,
Eastertide. SA/TB
part-dominant rehearsal
CDs (reproducible).
Lorenz Publishing Company
#99/3226L. Published by
Lorenz Publishing Company
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen nach dem
Glaube. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1726. BWV 102. Duration
24 minutes. Carus Verlag
#CV 31.102/19. Published
by Carus Verlag
(CA.3110219).
ISBN
9790007136529. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and parts available
separately - see item
CA.3110200.
Music
for the Dedication Rites
/ Música para los
Ritos de
Dedicación.
Composed by David
Kauffman. Arranged by
William Gokelman. This
edition: Book and CD
edition. Sacred. Book and
CD. With guitar chord
names. 64 pages. GIA
Publications #6002.
Published by GIA
Publications (GI.G-6002).
English, Spanish. Text
Source: Adapt. from Rite
of Dedication, tr. Jaime
Cortez; Translation:
Jaime Cortez.
It's
true that most pastoral
musicians never face the
challenge of choosing
music for the Rite of
Dedication of a Church.
For those who do, this
can be a
once-in-a-lifetime event!
Specific music is
required and the assembly
must be educated and
prepared for this blessed
occasion. In David
Kauffman's collection
Bless This Church, the
same melodic line graces
each of the six different
texts (each in English
and in Spanish) used for
the rites of dedication.
The repetitive,
wonderfully singable tune
serves the assembly well,
making it easy for the
congregation to fully
participate in this
unique event. Use all six
pieces or just one.
Assembly reprint boxes in
Spanish and in English
are included in the music
collection. Each and
every parish dedicating a
new space needs to
consider this practical
and inspired collection!
CONTENTS: Litany of the
Saints/Letania de los
Santos - Depositing of
the Relics/Deposito de
las Reliquias - Anointing
of the Altar and the
Walls/ Unción del
Altar y de los Muros -
Incensation of the Altar
and the Church/Incienso
del Altar y la Iglesia -
Lighting of the Altar and
the Church/
Iluminación del Altar
y la Iglesia -
Inauguration of the
Blessed Sacrament
Chapel/Inauguración de
la Capilla del Santisimo
Sacramento.
SATB choir, assembly,
keyboard accompaniment,
flute, oboe, trumpet 1 in
B-flat, trumpet 2 in
B-flat, trombone 1,
trombone 2, timpani
SKU: GI.G-6002B
Music for the
Dedication Rites /
Música para los Ritos
de Dedicación.
Composed by David
Kauffman. Arranged by
William Gokelman. This
edition: Book edition.
Sacred. Book. With guitar
chord names. 64 pages.
GIA Publications #6002B.
Published by GIA
Publications
(GI.G-6002B).
English,
Spanish. Text Source:
Adapt. from Rite of
Dedication, tr. Jaime
Cortez; Translation:
Jaime Cortez.
It's
true that most pastoral
musicians never face the
challenge of choosing
music for the Rite of
Dedication of a Church.
For those who do, this
can be a
once-in-a-lifetime event!
Specific music is
required and the assembly
must be educated and
prepared for this blessed
occasion. In David
Kauffman's collection
Bless This Church, the
same melodic line graces
each of the six different
texts (each in English
and in Spanish) used for
the rites of dedication.
The repetitive,
wonderfully singable tune
serves the assembly well,
making it easy for the
congregation to fully
participate in this
unique event. Use all six
pieces or just one.
Assembly reprint boxes in
Spanish and in English
are included in the music
collection. Each and
every parish dedicating a
new space needs to
consider this practical
and inspired collection!
CONTENTS: Litany of the
Saints/Letania de los
Santos - Depositing of
the Relics/Deposito de
las Reliquias - Anointing
of the Altar and the
Walls/ Unción del
Altar y de los Muros -
Incensation of the Altar
and the Church/Incienso
del Altar y la Iglesia -
Lighting of the Altar and
the Church/
Iluminación del Altar
y la Iglesia -
Inauguration of the
Blessed Sacrament
Chapel/Inauguración de
la Capilla del Santisimo
Sacramento.