Chorale SATB SATB A Cappella [Partition] Music Sales
For SATB voices (with optional guitar chords). Format: SATB songbook. With chora...(+)
For SATB voices (with
optional guitar chords).
Format: SATB songbook.
With choral notation,
lyrics, chord names and
guitar chord diagrams.
Americana, traditional
pop and pop vocal.
Series: Everybody's
Favorite Series #67. 127
pages. 9x12 inches.
Published by Music Sales.
Composed by Frank Martin (1890-1974). Edited by Antje Wissemann. For Double Choi...(+)
Composed by Frank Martin
(1890-1974). Edited by
Antje Wissemann. For
Double Choir a cappella.
This edition: Urtext
edition. Stapled. Choral
score. Language: Latin,
Text Language:
German/English. 48 pages.
Published by Baerenreiter
Verlag
Choral (SATB) SKU: HL.428247 A Beatles Super Medley. By The Beatle...(+)
Choral (SATB)
SKU:
HL.428247
A
Beatles Super Medley.
By The Beatles. By George
Harrison, John Lennon,
and Paul McCartney.
Arranged by Mark A.
Brymer. Pop Choral
Series. Classic Rock,
Medley, Novelty, Pop,
Pop/Rock, Rock, Sixties.
Octavo. 20 pages.
Duration 240 seconds.
Published by Hal Leonard
(HL.428247).
UPC:
196288063384.
6.75x10.5x0.045
inches.
A Fab Four
Medley with 18 classic
songs in just four
minutes!? As Brian Wilson
once said, “There's
no outdoing the
Beatles.†Includes:
All You Need Is Love,
Blackbird, Come Together,
Eight Days a Week,
Eleanor Rigby, A Hard
Day's Night, Here Comes
the Sun, Hey Jude, I Want
to Hold Your Hand, In My
Life, Let It Me, Love Me
Do, Penny Lane,
Strawberry Fields
Forever, We Can Work it
Out, With a Little Help
from My Friends and
Hello, Goodbye.
(Blessing, glory, and wisdom, and thanks). Composed by Johann Sebastian Bach (16...(+)
(Blessing, glory, and
wisdom, and thanks).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Kalus Winkler. Arranged
by Georg Gottfried
Wagner. For SATB/SATB
choir. Anthem. Choral
score. Language:
German/English. BWV Anh.
162. Duration 10 minutes.
Published by Carus Verlag
(Choral Selections from the Movie). By Alain Boublil, Claude-Michel Schonberg, H...(+)
(Choral Selections from
the Movie). By Alain
Boublil, Claude-Michel
Schonberg, Herbert
Kretzmer, Jean-Marc
Natel, John Caird, and
Trevor Nunn. Arranged by
Mac Huff. For Choral
(SATB). Choral. 60 pages.
Published by Hal Leonard
(Crazy Little Thing Called Love with It's Still Rock and Roll to Me). By Billy...(+)
(Crazy Little Thing
Called
Love with It's Still Rock
and
Roll to Me). By Billy
Joel
and Queen. By Billy Joel
and
Freddie Mercury. Arranged
by
Tom Anderson. Pop Choral
Series. Classic Rock,
Show
Choir, Medley, Pop, Rock.
Octavo. Published by Hal
Leonard
Performed by The Beatles. By John Lennon, Paul McCartney. Arranged by Ed Lojeski...(+)
Performed by The Beatles.
By John Lennon, Paul
McCartney. Arranged by Ed
Lojeski. (SATB). Pop
Choral Series. Size
6.7x10.5 inches. 32
pages. Published by Hal
Leonard.
Chorale SATB SATB, Piano [Vocal Score] Oxford University Press
100 Carols for Choirs by David Willcocks; John Rutter. For Mostly SATB and piano...(+)
100 Carols for Choirs by
David Willcocks; John
Rutter. For Mostly SATB
and piano. Mixed Voices.
. . . for Choirs
Collections. Advent,
Christmas, Epiphany,
Easter, Sacred, Secular.
Paperback. 388 pages.
Published by Oxford
University Press
Mixed choir (SATB/SATB);
basso continuo and/or
instruments ad lib
SKU:
M2.MOS-64015-02
Motette. Composed
by Johann Sebastian Bach.
Sacred. Set of parts.
Möseler Verlag #MOS
64015-02. Published by
Möseler Verlag
(M2.MOS-64015-02).
ISBN
9790203770237.
Der
Text stammt vom
Thomas-Lehrer Paul
Thymich. Die Tatsache,
dass der Thomas-Kantor
Johann Schelle fur die
Beerdigung seines
Vorgangers den selben
Text vertont hat, erlaubt
die Vermutung zum
gleichen
Kompositionsanlass bei
Bach.
Mixed choir (SATB/SATB);
basso continuo and/or
instruments ad lib
SKU: M2.MOS-64015
Motette. Composed
by Johann Sebastian Bach.
Sacred. Score. Möseler
Verlag #MOS 64015.
Published by Möseler
Verlag (M2.MOS-64015).
ISBN
9790203770213.
Der
Text stammt vom
Thomas-Lehrer Paul
Thymich. Die Tatsache,
dass der Thomas-Kantor
Johann Schelle fur die
Beerdigung seines
Vorgangers den selben
Text vertont hat, erlaubt
die Vermutung zum
gleichen
Kompositionsanlass bei
Bach.
Mixed choir (SATB/SATB);
basso continuo and/or
instruments ad lib
SKU:
M2.MOS-64015-01
Motette. Composed
by Johann Sebastian Bach.
Sacred. Separate part.
Möseler Verlag #MOS
64015-01. Published by
Möseler Verlag
(M2.MOS-64015-01).
ISBN
9790203770220.
Der
Text stammt vom
Thomas-Lehrer Paul
Thymich. Die Tatsache,
dass der Thomas-Kantor
Johann Schelle fur die
Beerdigung seines
Vorgangers den selben
Text vertont hat, erlaubt
die Vermutung zum
gleichen
Kompositionsanlass bei
Bach.
SATB Choir (SATB) SKU: HL.14006255 Composed by Claude-Michel Schonberg. M...(+)
SATB Choir (SATB)
SKU:
HL.14006255
Composed
by Claude-Michel
Schonberg. Music Sales
America.
TV-Film-Musical-Show.
Choral Score. 8 pages.
Music Sales #NOV160230.
Published by Music Sales
(HL.14006255).
6.75x9.75x0.04
inches.
Novello
Voices Show Singles,
(From Les Miserables.),
Arranged by Francis Shaw.
Fabulous SATB
arrangements of popular
modern songs from West
End shows and the worlds
of jazz and pop
music.
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
The Music of the Beatles. By The Beatles. Composed by John Lennon, Paul McCartne...(+)
The Music of the Beatles.
By The Beatles. Composed
by John Lennon, Paul
McCartney. Arranged by
Roger Emerson. (SATB).
Pop Choral Series. 48
pages. Published by Hal
Leonard.
By Alain Boublil, Claude-Michel Schonberg, Herbert Kretzmer, Jean-Marc Natel. Ar...(+)
By Alain Boublil,
Claude-Michel Schonberg,
Herbert Kretzmer,
Jean-Marc Natel. Arranged
by Ed Lojeski. (SATB).
Pop Choral Series. Size
6.7x10.5 inches. 32
pages. Published by Hal
Leonard.
Composed by Various. Arranged by Mark A. Brymer. Disney Choral. Broadway, Coll...(+)
Composed by Various.
Arranged
by Mark A. Brymer. Disney
Choral. Broadway,
Collection,
Disney, Medley, Musicals,
Show
Choir. Octavo. 48 pages.
Duration 635 seconds.
Published by Hal Leonard
By The Beatles. By John Lennon and Paul McCartney. Arranged by Philip Lawson. ...(+)
By The Beatles. By John
Lennon and Paul
McCartney.
Arranged by Philip
Lawson.
Pop Choral Series.
Classical
Crossover, Oldies,
Pop/Rock,
Rock, Sixties. Octavo. 16
pages. Published by Hal
Leonard
