(Choral Selections from the Movie). By Alain Boublil, Claude-Michel Schonberg, Herbert Kretzmer, Jean-Marc Natel, John Caird, and Trevor Nunn. Arranged by Mac Huff. For Choral (SATB). Choral. 60 pages. Published by Hal Leonard

Composed by Tomas Luis de Victoria (0-1611). Edited by Wilhelm Horn. For double SATB choir. Stapled. Choral score. Published by Suddeutscher Musikverlag

(from Les Miserables the movie). Arranged by Ed Lojeski. For Choral (SATB). Choral. 12 pages. Published by Hal Leonard

((from Little Shop of Horrors)). By Alan Menken and Howard Ashman. Arranged by Alan Billingsley. SATB. Broadway Choral. 16 pages. Published by Hal Leonard

Composed by Israeli Folk Song. Arranged by Dan Davison. Sws. Octavo. 16 pages. Duration 2 minutes, 57 seconds. BriLee Music #BL1151. Published by BriLee Music

(Sechs Satze). Composed by Hermann Schroeder (1904-1984). For SATB choir. Stapled. Vocal score. Published by Suddeutscher Musikverlag

(Die Eigengesange der Herz-Jesu-Messe). Composed by Ernst Pfiffner. For SATB choir. Stapled. Messen (Masses). Vocal score. Published by Suddeutscher Musikverlag

4 soprano voice solos/alto voice solo/2 tenor voice solos/baritone voice solo/bass voice solo/SATB choir/piccolo/3 flutes/2 oboes/english horn/2 clarinets/bass clarinet/2 bassoons/contrabassoon/4 horns/3 trumpets/4 trombones/tuba/timpani/tr iangle/bass dru (solo voices, SATB Choir, Fl-picc, 3Fl, 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, 4Hn, 3Trp, 4trombone, Tb, timpani, Tri, Tr-Gr, Tam, Be, Xyl, Gl, harp, Org, piano, 2 Violin, Viola, Cello, Double Bass, (2 Va-dam), Kindertrompete, Tr-Kl) - Level 4

SKU: BA.BA09562-01

Three novel-like scenes. Composed by Leos Janacek. Edited by Jirí Zahrádka. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA09562_01. Published by Baerenreiter Verlag (BA.BA09562-01).

ISBN 9790260107380. 34 x 27.5 cm inches. Text Language: Czech, English, German. Preface: Zahrádka, Jirí. Text: Bartošová, Fedora.

Janacek's operaOsudis an extraordinary example of the creative boldness of the composer and presents demanding dramaturgical challenges.
This new critical edition is based on a thorough comparison of all surviving sources. The principle source is a copyist's copy of authorised by Janacek in which all revisions are marked. Further sources include a manuscript copy of the vocal score together with the orchestral parts and various copies of the libretto. The score of this new edition will be published as part of theComplete Critical Edition of the Works of Leos Janacek.

* First critical edition of this opera
* Foreword on the genesis of the work and its reception by Jiri Zahradka (Cz/Eng/Ger)
* New idiomatic piano reduction by Rasmus Baumann
* Singable German translation

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(aus: Vier Gesange). By Robert Schumann. For SATB Choir. Secular Choral Music. Level 3. Score. Language: German. Composed 1846. 59 no. 1. 8 pages. Duration 5 min

Vocal Score. Composed by Michael Engelhardt. Concert, Church. Lynne Gackle. Octavo. Walton Music #WLG165. Published by Walton Music

SATB (4 or 5 vocal parts) Choir and Piano - Intermediate-Advanced

SKU: YM.GTC01097796

Jazz Chorus Series. Voice. J-POP. Octavo. Yamaha Music Media #GTC01097796. Published by Yamaha Music Media (YM.GTC01097796).

ISBN 9784636977967.

Here comes a great jazz choir music sheet collection of famous songs that you can enjoy!
It is arranged by Tsunenori Lee Abe, an active Associate Professor for Contemporary Writing and Production department at Berklee College of Music.
For those who are new to jazz choir, the basic lecture section is featured on the opening pages to help them to get familiar with the jazz sounds and rhythms. The piano reduction (piano transcription) scores are included for some songs.

Enjoy Japanese Pop music with jazz choir with 4 or 5 voices. All 6 J-POP songs are arranged for A Capella.

Choral SATB choir, piano

SKU: PR.342402070

Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070).

ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.

To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..
This piece has an odd history. A few years ago, I agreed to be one of the“prizes” in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,” I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,” his “homespunglory.â� � It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.”I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.

By George Frideric Handel. Arranged by David Len Allen. Text: G. F. Handel/scriptures. For SATB Choir. Level: Medium. Duration 17:00. Published by Jackman Music Corporation.

Arranged by Mark Hayes. For Choir. (SSATB, a cappella). Choral Octavo. Choral Designs. Spiritual. Choral Octavo. 20 pages. Published by Alfred Publishing.
Level: Level 5 (grade L5).

By Jay Althouse. For Choir. (SATB, a cappella). Choral Octavo. Choral Designs. Spiritual, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.
Level: Level 4 (grade L4).

2 Mixed choir-SATB Composed by Tomas Luis de Victoria (1548-1611). Edited by Wilhelm Horn. Stapled. Choral score. 40 pages. Duration 22 minutes. Suddeutscher Musikverlag #SM01670. Published by Suddeutscher Musikverlag

Composed by Cesar Bresgen (1913-1988). For SATB choir. Stapled. Choral score. Published by Suddeutscher Musikverlag

By George Frideric Handel. For SATB Choir, Piano Accompaniment. Baroque, Sacred, Choral, Religious. Sheet Music. 264 pages. Published by Novello and Co Ltd.

Choral SATB Choir and Piano

SKU: CF.CM9740

Composed by Mark Burrows. 16 pages. Duration 4 minutes, 22 seconds. Carl Fischer Music #CM9740. Published by Carl Fischer Music (CF.CM9740).

ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.

Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to.   The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text.   And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.
Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War” finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.” Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly” in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O” is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.

SATB choir, piano accompaniment - Intermediate

SKU: GI.WW1679

Composed by Thomas Juneau. Walton Choral. Classical. Octavo. 12 pages. Walton Music #WW1679. Published by Walton Music (GI.WW1679).

UPC: 785147009665. English. Text by D. G. Rossetti.

This setting of Rossetti's remarkable work utilizes a great amount of musical nuance and harmonic color. With accessible vocal writing and a supportive piano accompaniment, this will be an excellent selection for high school choirs and above.

By Anonymous. Arranged by Robert Suderburg. For SATB Chorus, Organ Rehearsal. Piano reduction/vocal score. Standard notation. 12 pages. Published by Theodore Presser Company

Choral (SATB)

SKU: HL.390329

(April 12 & 9). Composed by Roger Emerson. Choral. Concert, Educational, Friendship. Octavo. Duration 200 seconds. Published by Hal Leonard (HL.390329).

UPC: 196288027911. 6.75x10.5x0.029 inches.

Hal Leonard composer and arranger Roger Emerson has written a poignant musical response to the sudden loss of a student by suicide. If you or someone you know are experiencing suicidal thoughts, call the National Suicide Prevention Lifeline at 800-273-TALK (8255) or call or text 988.

By David Mennicke. For SATB choir divisi, with opt. Keyboard . Easter. Level: Moderately Difficult. Octavo. Published by MorningStar Music Publishers.

SATB choir, organ accompaniment

SKU: GI.G-005724

Composed by Gregory Fox. Pentecost. Tune Name: Graduale Romanum. Sacred. Octavo. GIA Publications #005724. Published by GIA Publications (GI.G-005724).

UPC: 641151057248.

(Heil`ge Nacht, o giesse). By Ludwig van Beethoven (1770-1827). For SATB choir. Choral score. 1 pages. Published by Suddeutscher Musikverlag

Shine in the Darkness. Composed by Paul David Thomas. Fold. OCTAVO. 12 pages. Duration 3 minutes, 13 seconds. Carl Fischer Music #CM9610. Published by Carl Fischer Music