Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230).
ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Composed by Gottfried August Homilius. Edited by Uwe Wolf. For SATB choir. Stutt...(+)
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. For SATB
choir. Stuttgart Urtext
Edition. Motets.
Collection. 440 pages.
Published by Carus Verlag
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano
SKU: CF.CM9713
Composed by Jacob
Narverud. 16 pages.
Duration 4:01. Carl
Fischer Music #CM9713.
Published by Carl Fischer
Music (CF.CM9713).
ISBN 9781491160084.
UPC: 680160918683. Key: G
major. English. Robert
Bode. Original.
The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering support.
Performance Notes This
lighthearted piece is a
great way to bring
multiple choirs together
in harmony. It may be
sung by a single SATB
choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs: Rehearsal Letters
A to B: Elementary choir
only (two-part, Soprano,
Alto) Rehearsal Letter B:
add Middle Level Soprano,
Alto with Elementary
choir Rehearsal Letter C:
Middle Level choir only
Rehearsal Letter D: High
School choir only
Rehearsal Letter E to the
end: Everyone! Song of
the Sound: Running on the
beach, digging in the
sand, Seaweed in my toes,
bucket in my hand. When
I'm at the shore, way
above the rest, These are
all the things that I
love the best. Skipping
like a stone on the
water, diving deep in the
silvery foam, Swimming
far where the land cannot
hold us, where the
lighthouse calls us home.
Flying free above the
marshes, soaring high
above the sea, Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing shore:
Where the gentle breezes
whisper and the mighty
breakers roar. We will
look to the shining
ocean, to the East, where
the new day dawned: We
will sing a song of the
edge of the world and the
waiting sky beyond. -Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019) About
the Composer: Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.com YouTube
& Spotify:
@jacobnarverud. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering
support.Performance
NotesThis lighthearted
piece is a great way to
bring multiple choirs
together in harmony. It
may be sung by a single
SATB choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs:Rehearsal Letters
AÂ to B: Elementary
choir only (two-part,
Soprano, Alto)Rehearsal
Letter B: add Middle
Level Soprano, Alto with
Elementary choirRehearsal
Letter C: Middle
Level choir onlyRehearsal
Letter D: High School
choir onlyRehearsal
Letter E to the end:
Everyone!Song of the
Sound:Running on the
beach, digging in the
sand,Seaweed in my toes,
bucket in my hand.When
I'm at the shore, way
above the rest,These are
all the things that I
love the
best. Skipping like a
stone on the water,
diving deep in the
silvery foam,Swimming far
where the land cannot
hold us, where the
lighthouse calls us
home.Flying free above
the marshes, soaring high
above the sea,Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing
shore:Where the gentle
breezes whisper and the
mighty breakers roar.We
will look to the shining
ocean, to the East, where
the new day dawned:We
will sing a song of the
edge of the world and the
waiting sky beyond.-Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019)About
the Composer:Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.comÂ
YouTube & Spotify:
@jacobnarverud.
(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
Simplified SATB Choir SKU: WD.080689062278 Composed by Mark Mcclure. Arra...(+)
Simplified SATB Choir
SKU:
WD.080689062278
Composed by Mark Mcclure.
Arranged by Mark McClure
& Russell Mauldin.
Choral. Simply the Best
Series. Sacred Anthem.
Book. Word Music
#080689062278. Published
by Word Music
(WD.080689062278).
UPC:
080689062278.
With
the weekly demands of
providing music for
corporate worship, choirs
need an easy solution for
quality worship music.
Music ministries need
arrangements that provide
options for performance,
conserve rehearsal time,
and are consistent with
the same style and
integrity of the
selections already at use
in their program.
Simply...the
Best is that
solution: an easy-to-sing
booklet with three proven
anthems re-arranged to
maximize rehearsal
efficiency. The songs are
familiar and the parts
are easy enough to learn
in as little as one
rehearsal.
Simply...the
Best arrangements
are even crafted to work
when there are no men
available to sing,
creating flexibility and
the option for a
women's-only
choir.
An
exclusive benefit of the
Simply...the
Best series is
the Virtual Accompanist
trax (included on the CD
accompaniment trax.) The
Virtual Accompanist trax
includes the women's
parts being sung and
played on the left
channel and men's voice
parts being sung and
played on the right. By
panning the trax to
either side, you can let
each section hear its
parts separately.
Whether you
sing all three songs
together or on separate
occasions, with live
accompaniment or with the
split track accompaniment
CD, this series is a
simple solution to
encourage choirs to lift
their voices in praise.
No choir is too small or
too large to benefit from
the practical
arrangements and the new
trax features of
Simply...the
Best.
Symphonic Fragments -
2nd Suite. Composed
by Maurice Ravel. Great
Classics. Set (Score and
Parts). Composed 2011. 8
pages. De Haske
Publications #DHP
1115074-050. Published by
De Haske Publications
(BT.DHP-1115074-050).
SATB Chorus, a cappella SKU: SU.91480530 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.91480530
For SATB Chorus, a
cappella. Composed by
Dan Locklair.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Composed 2009. Duration
4'. Subito Music
Corporation #91480530.
Published by Subito Music
Corporation
(SU.91480530).
Vs. 2-5
Text: The First Letter of
Peter: Chapter
2.
The
words, Surely thou hast
tasted that the Lord is
good, open the anthem.
This gentle and lyrical
section, marked by
dialogue between the
sections of the choir,
unfolds and eventually
reaches a climax on the
words precious in the
sight of God. A quick,
energetic and imitative
middle section soon
emerges to proclaim the
words, Come, and let
yourselves be built, as
living stones, into a
spiritual temple. Here
the spirit of medieval
music, the building
stones for Western music,
is invoked. After the
anthem’s primary
climax is reached on the
words Jesus Christ, a
solo soprano emerges from
the choral texture to
close this work with a
serene Amen. The first
performance of Dan
Locklair’s anthem,
In the sight of God took
place on Sunday 4 October
2009. The occasion was
Dedication Sunday, and
the text was selected by
John Scott from The First
Letter of Peter, vv 2-5.
Professor Locklair has
provided us with a
delightful addition to
our repertoire at St
Thomas. The work is
grateful to sing, well
written for voices,
lyrical in style with a
well-crafted sense of
architecture and climax.
In every sense it is an
enjoyable piece for the
choir, quite
approachable, and judging
from the many positive
comments I heard
afterwards from members
of the congregation, it
was very well received.
-- Reflections on the
premiere by John Scott,
Director of Music, St.
Thomas Church Fifth
Avenue, New York, NY
SATB Chorus, a
cappella Duration: 4'
Text: The First Letter of
Peter: Chapter 2, vs. 2-5
Composed: 2009 Published
by: Subito Music
Publishing Minimum order
quantity: 8 copies.
Perusal copies are
available by contacting
perusalrequest@subitomusi
c.com (include the
organization name with
your request). To order
quantities fewer than 8,
please call customer
service at (973)
857-3440. YouTube:.
By Various. Edited by Mailander, Richard / Bonig, Winfried / Schuhenn, Reiner / ...(+)
By Various. Edited by
Mailander, Richard /
Bonig, Winfried /
Schuhenn, Reiner /
Kohlhaas, Emmanuela. This
edition: paperbound.
Sacred, Hymns,
Magnificat, Motets,
Psalms, German;
Occasions: Peace and
Justice, Praise and
thanks, Our Father; Use
during church year:
Advent, Easter and
Eastertide, Pentecost,
Christmas. Choral
collection. 216 pages
Let It Be Me Chorale SATB SATB [Octavo] - Intermédiaire Alfred Publishing
Arranged by Jeff Funk. English lyric by Mann Curtis, French lyric by Pierre Dela...(+)
Arranged by Jeff Funk.
English lyric by Mann
Curtis, French lyric by
Pierre Delanoe, music by
Gilbert Becaud. For
Choir. (SATB). Choral
Octavo. Level: Moderate
(grade 3). Choral Octavo.
8 pages. Published by
Alfred Publishing.
With Take My Life and Let It Be. Arranged by Lloyd Larson. (SATB). Brookfield Ch...(+)
With Take My Life and Let
It Be. Arranged by Lloyd
Larson. (SATB).
Brookfield Choral Series.
Sacred. Size 6.75x10.5
inches. 8 pages.
Published by Brookfield
Press.
SATB Choir - Grade 3 SKU: BT.HU-4349-250 Composed by Hans Leenders. Harmo...(+)
SATB Choir - Grade 3
SKU:
BT.HU-4349-250
Composed by Hans
Leenders. Harmonia
Concert Series. Choral
Score. Composed 2013. 16
pages. Harmonia #HU
4349-250. Published by
Harmonia
(BT.HU-4349-250).
9x12
inches. German.
The
poetry on which this
composition is based is
the Ballad of External
Life (the Ballade des
äußeren Lebens) from
the pen of Viennese
author Hugo von
Hofmansthal (1874-1929).
He is known for, amongst
other things, his
libretti for the works of
Richard Strauss (Der
Rosenkavalier, Ariadne
auf Naxos, Elektra)
and as founder of the
Salzburg Festival. Von
Hofmansthal was one of
the last of the German
Symbolists. Central to
this literary movement
was the unification of
the internal and external
worlds. The search for
meaning was a cornerstone
of this fin-de-siècle
movement.In the
Ballade des äußeren
Lebens (Ballad of
External Life), the
meaninglessness
ofexistence is expressed
in restricting,
oppressive
metaphors—an
ambience that is
reflected in the music.
Ultimately, man is
capable of establishing
order from seeming chaos.
The poet expresses this
powerfully in a
non-rhyming line of
poetry: ‘And yet, he
who says “evening”
says much, A word, from
which profundity and
sorrow flow’.This
composition follows the
overall structure of the
ballad, which is written
in terza
rima—interlocking
three-line rhymes.The
choral work can be
performed by a chamber
choir, but also by a much
larger ensemble. The
parts are mainly in four
voices (SATB), although
there are also six parts
(SAATBB). One chord is
arranged for eight
voices.The composer
conducted this work at
its première, to open
the 2013 International
Choir Biennial in Aachen.
The choir was comprised
of four chamber choirs:
Aachen Youth Choir,
Carmina Mundi, Aachen
Chamber Choir and Aachen
Madrigal Choir.
Het dichtwerk
waarop deze compositie is
gebaseerd, de Ballade
des äußeren Lebens
(Ballade van het
uiterlijke leven), is
geschreven door de in
Wenen geboren schrijver
Hugo von Hoffmansthal
(1874-1929), die onder
meer bekend is als
librettist van Richard
Strauss (Der
Rosenkavalier, Ariadne
auf Naxos, Elektra)
en medeoprichter was van
de Salzburger Festspiele.
Von Hoffmansthal behoorde
tot de laatste
vertegenwoordigers van
het Duitse symbolisme.
Deze stroming stelde zich
ten doel de innerlijke en
uiterlijke wereld met
elkaar te verenigen.
Zingeving vormde een van
de hoofdthematieken
binnen deze fin de
siècle-cultuur.In de
Ballade des äußeren
Lebens wordt
dezinloosheid van het
bestaan verwoord in
beklemmende metaforen -
een atmosfeer die in de
muziek wordt
weerspiegeld.
Uiteindelijk blijkt de
mens toch in staat te
zijn orde te scheppen in
de schijnbare willekeur.
De dichter benadrukt dit
in zijn enige versregel
zonder rijm: Und dennoch
sagt der viel, der
“Abend” sagt. De
compositie volgt in
hoofdlijnen de structuur
van de ballade, die in
terzinen is opgebouwd.Het
werk kan worden
uitgevoerd door
kamerkoor, maar ook door
een veel grotere
bezetting. De zetting is
voornamelijk vierstemmig
(SATB), maar er zijn
tevens zesstemmige delen
(SAATBB). Een enkel
akkoord is zelfs
achtstemmig.Het werk ging
onder leiding van de
componist tijdens de
Internationale
Chorbiennale Aachen 2013
als openingswerk in
première. Het koor was
samengesteld uit vier
kamerkoren: Der Junge
Chor Aachen, Carmina
Mundi, Aachener
Kammerchor en Der
Madrigalchor Aachen.
Die Dichtung, auf
welcher diese Komposition
basiert, ist die
Ballade des äußeren
Lebens aus der Feder
des gebürtigen Wiener
Schriftstellers Hugo von
Hoffmansthal (1874-1929),
der unter anderem als
Librettist von Richard
Strauss (Der
Rosenkavalier, Ariadne
auf Naxos, Elektra)
und Mitbegründer der
Salzburger Festspiele
bekannt ist. Von
Hoffmansthal gehörte zu
den letzten Vertretern
des Deutschen
Symbolismus. Diese
literarische Richtung
machte sich zur Aufgabe,
die innere und die
äußere Welt miteinander
zu vereinen. Sinngebung
bildete eine der
Hauptthematiken innerhalb
dieser
Fin-de-Siècle-Strömung.
In der Ballade des
äußeren Lebens wird
die Sinnlosigkeitdes
Daseins in beklemmenden
Metaphern formuliert -
eine Atmosphäre, die
sich in der Musik
widerspiegelt.
Letztendlich scheint der
Mensch doch imstande zu
sein, Ordnung in der
scheinbaren Willkür zu
schaffen. Der Dichter
betont dies
nachdrücklich in der
einzigen Verszeile ohne
Reim: Und dennoch sagt
der viel, der Abend“
sagt. Die Komposition
folgt in ihren
Hauptzügen der Struktur
der Ballade, die in
Terzinen geschrieben
ist.Das Chorwerk kann von
einem Kammerchor, aber
auch von einem viel
größeren Ensemble
aufgeführt werden. Der
Satz ist hauptsächlich
vierstimmig (SATB), aber
es gibt auch
sechsstimmige Teile
(SAATBB). Ein einzelner
Akkord ist gar
achtstimmig.Das Werk ging
unter der Leitung des
Komponisten während der
Internationalen
Chorbiennale Aachen 2013
als Eröffnungswerk in
Premiere. Der Chor setzte
sich aus vier
Kammerchören zusammen:
Der Junge Chor Aachen,
Carmina Mundi, der
Aachener Kammerchor und
der Madrigalchor
Aachen.
Composed by Elizabeth Alexander. Collegiate Repertoire, Community Chorus, Concer...(+)
Composed by Elizabeth
Alexander. Collegiate
Repertoire, Community
Chorus, Concert Music,
Church Choir-Anthem.
Seasonal-Spring,
Sacred-Seasonal-Thanksgiv
ing, Choral, Worship
and Praise. Octavo. With
Text language: English.
Duration 5 minutes.
Published by Seafarer
Press (SF.SEA-078-00).
Opera in three
acts. Composed by
George Frideric Handel.
Edited by Bernd Baselt.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie
II-Supplement/1. Oper,
Barock (Opera, Baroque).
Complete edition, Score.
HWV A. Duration 2 hours.
Baerenreiter Verlag
#BA04045_00. Published by
Baerenreiter Verlag
(BA.BA04045).
ISBN
9790006443536. 33 x 26.1
cm inches. Text Language:
Italian.
Anonymus.
In 1734
Handel provided the
pasticcio “ Oreste
†for his third
operatic enterprise
which, following the
bankruptcy of the Royal
Academy and its successor
academy, felt threatened
by competition from the
newly-founded Opera of
the Nobility. Hence, the
composer did not compile
the work from favourite
movements from his own
and other composer's
pieces as was usual at
that time; rather in
“ Oreste †he
presented a selection of
the most beautiful arias
and ensembles exclusively
from his own operas. In
addition, he expanded the
ballet and choral scenes
which he thought would
make a great impact after
the move into the newly
built Covent Garden
Theatre. As most of
the singers in his
Italian company had been
enticed away by the
competition, Handel
increasingly began to
engage English virtuosi.
He probably even worked
on the new version of the
libretto himself in order
to place the new stars in
the limelight to the best
effect.
The new
vocal score is based on
Volume 1 of the
Supplement to Series II
of the “Halle
Handel†Edition
edited by Bernd Baselt
.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Embracing the passion of those who lived the story). By Pepper Choplin. For SAT...(+)
(Embracing the passion of
those who lived the
story). By Pepper
Choplin. For SATB choir,
piano (with optional
orchestration). Cantatas.
Christmas, Sacred. Choral
score and CD. 96 pages.
Duration 35 minutes.
Published by Lorenz
Publishing Company
(LO.65-20
By Franz Joseph Haydn (1732-1809). Edited by Wilhelm Weismann. Arranged by Augus...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Wilhelm Weismann.
Arranged by August
Eberhard Muller. Choir
and piano. For Soprano
voice, Tenor voice, and
Bass voice (Soli), SATB
Choir, Piano. This
edition: Paperback.
Original Works,
Transcriptions, Liturgic
(SATB). Composed by Alexander L'Estrange. Choir Sacred. For Organ, bras...(+)
(SATB). Composed by
Alexander
L'Estrange. Choir
Sacred. For Organ, brass
and
percussion (SATB choir).
Choral Octavo. Faber
Edition: Choral Signature
Series. Sacred. Published
by
Faber Music
Composed by Traditional.
Arranged by Jacob De
Haan. Musica Sacra. Set
(Score & Parts). Composed
1991. De Haske
Publications #DHP
0910313-050. Published by
De Haske Publications
(BT.DHP-0910313-050).
German.
The
lyrics to Der Mond ist
aufgegangen (The Moon
Is Risen) come from
Matthias Claudius, one of
Germany’s
best-known poets. The
1779 poem with the
original title
Abendlied (Evening
song) was set to music by
Johann Abraham Peter
Schulz and has become
perhaps the most famous
Abendlied in the
German-speaking world.
Johann de Haan has
created a delightful
arrangement of this
poignant melody. The wind
orchestra can optionally
be accompanied by a choir
(Dutch and German texts
are provided).
De
tekst van het lied Der
Mond ist aufgegangen
is van de hand van
Matthias Claudius, een
bekende Duitse dichter.
Het gedicht komt uit 1779
en had oorspronkelijk de
titel Abendlied.
Johann Abraham Peter
Schulz zette hetop
muziek. Daarmee werd het
een van de bekendste
avondliederen in het
Duitstalige gebied. Jacob
de Haan maakte een fraaie
bewerking van deze
rustige melodie. Wilt u
dit werk met koor
uitvoeren? Dat kan. Zowel
de Nederlandse alsde
Duitse liedtekst wordt
meegeleverd.
Der
Liedtext zu Der Mond
ist aufgegangen
stammt von Matthias
Claudius, einem der
bekanntesten deutschen
Dichter. Das Gedicht mit
dem ursprünglichen
Titel Abendlied
von 1779 wurde von Johann
Abraham Peter Schulz
vertont und damit zum
vielleicht bekanntesten
Abendlied im deutschen
Sprachraum. Jacob de Haan
schuf eine reizvolle
Bearbeitung der
ergreifenden Melodie. Das
Blasorchester kann ad
libitum von einem Chor
begleitet werden (der
deutsche Text wird
mitgeliefert).
Der Mond ist
aufgegangen, il cui
vero nome è
Abendlied, è
uno dei poemi più
popolari della
letteratura tedesca. Fu
composto nel 1779 da
Matthias Claudius e messo
in musica da Johann
Abraham Schulz. Jacob de
Haan ha composto un
piacevole arrangiamento
di questa straziante
melodia. La banda può
essere accompagnata da un
coro (testi in tedesco e
olandese).
Composed by Leonhard
Lechner. Edited by Konrad
Ameln. This edition:
complete edition, urtext
edition. Linen. Leonhard
Lechner Works 11. Lieder
(Songs). Complete
edition, Score,
anthology. Composed 1589.
Baerenreiter Verlag
#BA02967_00. Published by
Baerenreiter Verlag
(BA.BA02967).
ISBN
9790006428182. 27.7 x
19.9 cm inches.
26
Kompositionen. Urtext der
Lechner-Gesamtausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Let Freedom Ring Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
Composed by William J Gaither. Arranged by Mark Hayes. For SATB choir, piano (wi...(+)
Composed by William J
Gaither. Arranged by Mark
Hayes. For SATB choir,
piano (with optional full
orchestra, duet). Sacred
Anthem, General, Lent,
Patriotic. Octavo. Lorenz
Publishing Company
#10/4706L. Published by
Lorenz Publishing Company
SATB choir SKU: WD.080689673023 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689673023
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Christmas.
Practice trax. Word Music
#080689673023. Published
by Word Music
(WD.080689673023).
UPC:
080689673023.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.
SATB choir SKU: WD.080689751721 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689751721
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Easter,
Musical. Bulk CD
(10-pak). Word Music
#080689751721. Published
by Word Music
(WD.080689751721).
UPC:
080689751721.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.