Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230).
ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
(Embracing the passion of those who lived the story). By Pepper Choplin. For SAT...(+)
(Embracing the passion of
those who lived the
story). By Pepper
Choplin. For SATB choir,
piano (with optional
orchestration). Cantatas.
Christmas, Sacred. Choral
score and CD. 96 pages.
Duration 35 minutes.
Published by Lorenz
Publishing Company
(LO.65-20
Composed by Giovanni Da Palestrina. Edited by Eleanor C. Gregory. Mixed Voices. ...(+)
Composed by Giovanni Da
Palestrina. Edited by
Eleanor C. Gregory. Mixed
Voices. Church Music
Society Publications.
Sacred, Choral Leaflet.
Vocal score. Duration 5'.
Oxford University Press
#9780193952928. Published
by Oxford University
Press (OU.9780193952928).
Composed by Leonhard
Lechner. Edited by Konrad
Ameln. This edition:
complete edition, urtext
edition. Linen. Leonhard
Lechner Works 11. Lieder
(Songs). Complete
edition, Score,
anthology. Composed 1589.
Baerenreiter Verlag
#BA02967_00. Published by
Baerenreiter Verlag
(BA.BA02967).
ISBN
9790006428182. 27.7 x
19.9 cm inches.
26
Kompositionen. Urtext der
Lechner-Gesamtausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Albert Riemenschneider,
Charles Boyd. Vocal score
book for SATB choir. With
vocal score notation
(open score in German;
closed score in English),
introductory text and .
Text language English;
lyrics in German and
English. 127 pages.
Published by G. Schirmer,
Inc.
By Samuel Sebastian Wesley (1810-1876). Arranged by Richard Lyne. For SATB choir...(+)
By Samuel Sebastian
Wesley (1810-1876).
Arranged by Richard Lyne.
For SATB choir and organ.
Mixed Voices. Church
Music Society
publications. Sacred,
Choral Leaflet. Vocal
score. 8 pages. Duration
3'. Published by Oxford
University Press
By Debra Scroggins. For SATB choir with divisions and piano. Mixed Voices. Secul...(+)
By Debra Scroggins. For
SATB choir with divisions
and piano. Mixed Voices.
Secular, Choral Leaflet.
Vocal score. 12 pages.
Duration 3.5'. Published
by Oxford University
Press
Aus: Israelsbrunnlein.
Geistliche Madrigale.
Composed by Johann
Hermann Schein. Edited by
Gunter Graulich. Arranged
by Paul Horn. German
title: Ich Lasse Dich
Nicht, Du Segnest Mich
De. Sacred, Motets;
Occasions: Psalms. Full
score. Composed 1623. No.
4. Duration 3 minutes.
Carus Verlag #CV
01.804/00. Published by
Carus Verlag (CA.180400).
ISBN 9790007036911.
Language:
German/English.
Joh
ann Hermann Schein's
Israelsbrunnlein,
published in Leipzig in
1623, is a supreme
achievement not only
among the works of this
composer, who had been
Thomaskantor in Leipzig
since 1616, but also for
the entire body of German
music written during the
first half of the 17th
century. Among the 26
motets written in the
Italian madrigal manner
23 are settings of Old
Testament texts, a fact
to which the collection
owes its title. The
source for the text of
this collection is the
inexhaustible fountain of
the Psalms, the books of
Moses, the Prophets, the
Songs of Solomon, and
other books of the Old
Testament.
Orchestra Soli SATB, SATB Choir, 2 Oboes ( Ob I auch Obda), Trumpet, Violin solo...(+)
Orchestra Soli SATB, SATB
Choir, 2 Oboes ( Ob I
auch Obda), Trumpet,
Violin solo, 2 Violins,
Viola, Viola da gamba,
Basso continuo - Grade 3
SKU: CA.3107649
Cantata for the 2nd
Sunday afer Trinity /
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Organ. Composed 1723. BWV
76. 32 pages. Duration 35
minutes. Carus Verlag #CV
31.076/49. Published by
Carus Verlag
(CA.3107649).
Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
Orchestra Soli SATB, SATB Choir, 2 Oboes ( Ob I auch Obda), Trumpet, Violin solo...(+)
Orchestra Soli SATB, SATB
Choir, 2 Oboes ( Ob I
auch Obda), Trumpet,
Violin solo, 2 Violins,
Viola, Viola da gamba,
Basso continuo - Grade 3
SKU: CA.3107615
Cantata for the 2nd
Sunday afer Trinity /
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
BWV 76. Viola da gamba.
Sacred vocal music,
Cantatas, Psalms, German.
Single Part, Viola da
gamba. Composed 1723. BWV
76. 16 pages. Duration 35
minutes. Carus Verlag #CV
31.076/15. Published by
Carus Verlag
(CA.3107615).
Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
The Oxford Book of Spirituals by Moses Hogan. For SATB choir accompanied and a c...(+)
The Oxford Book of
Spirituals by Moses
Hogan. For SATB choir
accompanied and a
cappella. Mixed Voices.
Spirituals Collection.
Vocal score. 236 pages.
Published by Oxford
University Press
Let us go in peace Chorale SATB SATB, Piano - Facile Oxford University Press
SATB choir and piano (SATB) - easy SKU: OU.9780193504417 Composed by John...(+)
SATB choir and piano
(SATB) - easy
SKU:
OU.9780193504417
Composed by John Rutter.
This edition: paperback.
Sacred choral - mixed
voices. Sacred, Choral
Leaflet. Vocal score. 8
pages. Duration 3'.
Oxford University Press
#9780193504417. Published
by Oxford University
Press (OU.9780193504417).
ISBN 9780193504417. 10
x 7 inches.
For
SATB and piano. A bright
and optimistic
benediction contrasting
passages of unison
writing with homophonic
chordal sections. The
piece builds to a
triumphant
conclusion.
Composed by Michael John Trotta. Presbyterian Association of Musicians Series. H...(+)
Composed by Michael John
Trotta. Presbyterian
Association of Musicians
Series. Holy Week/Three
Days, Lent, 21st
Century. Choral score.
Published by MorningStar
Music Publishers
(MN.70-390).
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner and
Philip Gossett. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score. 60
pages. Baerenreiter
Verlag #BA10501_91.
Published by Baerenreiter
Verlag (BA.BA10501-91).
ISBN 9790006536863. 27
x 19 cm inches. Text
Language:
Latin.
ThePetite
Messe solennelleis the
finest work of Rossini's
late years. He composed
it between 1863 and 1864
at the age of 71 as a
commission for Countess
Louise Pillet -Will for
the consecration of her
private chapel, where the
work received its first
performance in March
1864. Together with
theStabat mater, the mass
is one of the composer's
mostimportant sacred
works.
The unusual
instrumentation with two
pianos and harmonium is
entirely in keeping with
the Neapolitan keyboard
tradition of the 18th
century which was
cultivated in France in
Rossini's day. It forms a
distinct contrast to the
style of large-scale
sacred compositions as
written by, for example,
Liszt and Bruckner.
Rossini explained that he
wrote the later
orchestral version of the
work dating from 1867 out
of concern that if he did
not do this, other
composers might
orchestrate the mass too
heavily in later
arrangements.
-
Choral score based on the
Urtext of the seriesWorks
of Gioachino Rossini -
Supplements the already
existing material
available to this
work
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by John Rutter (1945-). For SATB choir and organ/strings. This edition:...(+)
Composed by John Rutter
(1945-). For SATB choir
and organ/strings. This
edition: Paperback. Mixed
Voices. Sacred, Choral
Leaflet. Level B (easy).
Vocal score. Duration 2.5
minutes. Published by
Oxford University Press
Eyesight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. ...(+)
Choral SATB choir, piano
SKU: PR.342402070
Composed by Steven
Stucky. -. Ars Nova
Chamber Singers, Boulder
CO. Performance Score.
With Standard notation.
Composed 7-Feb. 8 pages.
Duration 3 minutes.
Theodore Presser Company
#342-40207. Published by
Theodore Presser Company
(PR.342402070).
ISBN
9781491111253. UPC:
680160643226. Octavo
inches. Text: Archibald
R. Ammons. Archibald
Ammons. Text by A.R.
Ammons.
To benefit
Chorus America, Stucky
allowed himself to be
auctioned off as a prize
- the high bidder would
receive a new work from
the composer. After a few
years and not really
hearing anything, Stucky
suddenly found himself up
against a deadline. He
reached back to a
favorite poem by A.R.
Ammons, Eyesight, which,
he says, Won't let...his
reader rest till the very
last word...one of those
sudden insights that
leave us
breathless.. This
piece has an odd history.
A few years ago, I agreed
to be one of
the“prizesâ€
in an auction to benefit
Chorus America: the
highest bidder wouldget a
new piece from me, while
their money went to the
organization. Thewinning
bid came from a
collection of several
professional choruses
anddirectors. But I was
always a little vague
about the details, and,
hearingnothing more about
it for a few years,
forgot the whole
thing.One day I received
a message from Thomas
Edward Morgan, directorof
the Ars Nova Chamber
Singers in Boulder: they
had scheduled thepremiere
of my new piece for a few
weeks later, and could
they have themusic,
please? I needed a text,
quickly, and (as usual) I
was in a Los Angeleshotel
room, not at home with my
books. So I turned to the
internet andsoon tracked
down my favorite poet,
A.R. Ammons
(1926-2001).Once I
stumbled on
“Eyesight,†I
remembered having loved
the poemyears before.
Archie must have loved
it, too, because he
included it bothin his
Collected Poems 1951-1971
and in the later Selected
Poems. It haseverything
you want in an Archie
Ammons poem: what Edward
Hirschcalled his
“offbeat, sideways,
unpredictable
radiance,†his
“homespunglory.â
It has one of his
trademark conversations
with a mountain
(perhapsfrom his native
North Carolina), it has
the fluid motion from one
line tothe next
(enjambment, if you want
to get technical) that
won’t let him
orhis reader rest till
the very last word of the
very last line, and it
has in thatlast line one
of those sudden insights
that leave us breathless:
“some thingsthat go
are gone.â€I miss
Archie, but he’s
not gone. I’m
grateful for the
wonderful poems heleft
us, and I’m
grateful that he was
always generous and kind
when I hadthe chutzpah to
add my music to his.
(Embracing the passion of those who lived the story). By Pepper Choplin. For SAT...(+)
(Embracing the passion of
those who lived the
story). By Pepper
Choplin. For SATB choir,
piano (with optional
orchestration). Cantatas.
Christmas, Sacred. Choral
score. 96 pages. Duration
35 minutes. Published by
Lorenz Publishing Company
Kantate zum 1.
Advent. Composed by
Georg Philipp Telemann.
Edited by Traugott
Fedtke, Klaus Hofmann.
Arranged by Traugott
Fedtke. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Machet die
Tore weit. Innovative
practice aids, Sacred
vocal music, Cantatas,
Psalms, German, Advent,
Praise and thanks. Single
Part, Violin 2. TVWV
1:1074. 8 pages. Duration
16 minutes. Carus Verlag
#CV 39.105/12. Published
by Carus Verlag
(CA.3910512).
ISBN
9790007055233. Language:
German/English.
The
Advent cantata Machet die
Tore weit has long been
one of the most
frequently performed of
Telemann's sacred works.
Among the copies of this
cantata which have been
handed down is a copy by
J. S. Bach which bears
testimony to the high
respect he paid to his
then more celebrated
colleague from Hamburg:
It is a copy of the score
in the hand of the
Thomaskantor which was
made for a performance in
Leipzig on Avent Sunday
in 1734 (therefore during
the same period as the
first performance of
Bach's Christmas
Oratorio). Of the four
solo singers the soprano
and bass, each of whom
has an aria, are
indispensable. The brief
alto solos in the opening
chorus can be sung by a
member of the choir, and
the tenor recitative can
be sung by the soprano
soloist. This work is now
available in carus music,
the choir app! Score and
part available separately
- see item
CA.3910500.
Kantate zum 1.
Advent. Composed by
Georg Philipp Telemann.
Edited by Traugott
Fedtke, Klaus Hofmann.
Arranged by Traugott
Fedtke. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Machet die
Tore weit. Innovative
practice aids, Sacred
vocal music, Cantatas,
Psalms, German, Advent,
Praise and thanks. Single
Part, Violin 1. TVWV
1:1074. 8 pages. Duration
16 minutes. Carus Verlag
#CV 39.105/11. Published
by Carus Verlag
(CA.3910511).
ISBN
9790007055226. Language:
German/English.
The
Advent cantata Machet die
Tore weit has long been
one of the most
frequently performed of
Telemann's sacred works.
Among the copies of this
cantata which have been
handed down is a copy by
J. S. Bach which bears
testimony to the high
respect he paid to his
then more celebrated
colleague from Hamburg:
It is a copy of the score
in the hand of the
Thomaskantor which was
made for a performance in
Leipzig on Avent Sunday
in 1734 (therefore during
the same period as the
first performance of
Bach's Christmas
Oratorio). Of the four
solo singers the soprano
and bass, each of whom
has an aria, are
indispensable. The brief
alto solos in the opening
chorus can be sung by a
member of the choir, and
the tenor recitative can
be sung by the soprano
soloist. This work is now
available in carus music,
the choir app! Score and
part available separately
- see item
CA.3910500.
Kantate zum 1.
Advent. Composed by
Georg Philipp Telemann.
Edited by Traugott
Fedtke, Klaus Hofmann.
Arranged by Traugott
Fedtke. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Machet die
Tore weit. Innovative
practice aids, Sacred
vocal music, Cantatas,
Psalms, German, Advent,
Praise and thanks. Single
Part, Viola. TVWV 1:1074.
8 pages. Duration 16
minutes. Carus Verlag #CV
39.105/13. Published by
Carus Verlag
(CA.3910513).
ISBN
9790007055240. Language:
German/English.
The
Advent cantata Machet die
Tore weit has long been
one of the most
frequently performed of
Telemann's sacred works.
Among the copies of this
cantata which have been
handed down is a copy by
J. S. Bach which bears
testimony to the high
respect he paid to his
then more celebrated
colleague from Hamburg:
It is a copy of the score
in the hand of the
Thomaskantor which was
made for a performance in
Leipzig on Avent Sunday
in 1734 (therefore during
the same period as the
first performance of
Bach's Christmas
Oratorio). Of the four
solo singers the soprano
and bass, each of whom
has an aria, are
indispensable. The brief
alto solos in the opening
chorus can be sung by a
member of the choir, and
the tenor recitative can
be sung by the soprano
soloist. This work is now
available in carus music,
the choir app! Score and
part available separately
- see item
CA.3910500.
Kantate zum 1.
Advent. Composed by
Georg Philipp Telemann.
Edited by Traugott
Fedtke, Klaus Hofmann.
Arranged by Traugott
Fedtke. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Machet die
Tore weit. Innovative
practice aids, Sacred
vocal music, Cantatas,
Psalms, German, Advent,
Praise and thanks. Single
Part, Cello/Double Bass.
TVWV 1:1074. 8 pages.
Duration 16 minutes.
Carus Verlag #CV
39.105/14. Published by
Carus Verlag
(CA.3910514).
ISBN
9790007055257. Language:
German/English.
The
Advent cantata Machet die
Tore weit has long been
one of the most
frequently performed of
Telemann's sacred works.
Among the copies of this
cantata which have been
handed down is a copy by
J. S. Bach which bears
testimony to the high
respect he paid to his
then more celebrated
colleague from Hamburg:
It is a copy of the score
in the hand of the
Thomaskantor which was
made for a performance in
Leipzig on Avent Sunday
in 1734 (therefore during
the same period as the
first performance of
Bach's Christmas
Oratorio). Of the four
solo singers the soprano
and bass, each of whom
has an aria, are
indispensable. The brief
alto solos in the opening
chorus can be sung by a
member of the choir, and
the tenor recitative can
be sung by the soprano
soloist. This work is now
available in carus music,
the choir app! Score and
part available separately
- see item
CA.3910500.
Chorale SATB SATB A Cappella [Vocal Score] - Intermédiaire Faber Music Limited
By The King's Singers. Arranged by Clifford Bartlett. For voice quartet (4 Part)...(+)
By The King's Singers.
Arranged by Clifford
Bartlett. For voice
quartet (4 Part). King's
Singer's Choral. Pop
Vocal, Renaissance and
Classical Period.
Difficulty: medium. Vocal
score (a cappela - four
copies needed for
performance). Vocal
score. 80 pages. Faber
Music #F100511. Published
by Faber Music