SATB choir - Moderate SKU: WD.080689504778 A Dramatic Musical for Chri...(+)
SATB choir - Moderate
SKU:
WD.080689504778
A
Dramatic Musical for
Christmas. Composed
by Heidi Petak & Daniel
Semsen, Jeff Bumgardner,
and Joel Lindsey.
Arranged by Daniel
Semsen. Choral, cantatas.
Bulletins (100-pak).
Duration 55 minutes. Word
Music #080689504778.
Published by Word Music
(WD.080689504778).
UPC:
080689504778.
For
many of us, Christmas is
a time of joy and
celebration, a time to be
spent with family and
friends...a festive,
happy time. But for
others, the same holiday
season only serves to
underscore the
loneliness,pain, and
hopelessness of their own
lives. In our story,
Susanna King's bright
spirit and love for life
overrides her
circumstances; you see,
Susanna has been recently
diagnosed with cancer.
But in spite of bad news
and challenging times,
she lives with the joy of
Christmas in her
heart. This is an
emotion-filled story,
rich with heart. It comes
alive with great new
songs that are sometimes
powerful, sometimes
celebratory, sometimes
poignant; sometimes
happy, sometimes sad;
songs that propel the
story along while
speaking to our hearts
with the love language of
God's Christmas
story...the birth of our
Savior,
Jesus. Designed to
bring your music and
drama ministries
together, Shepherds and
Kings proclaims a strong,
vibrant message about the
power of love--our love
for one another, our love
for God, and most
importantly, God's desire
that ALL would come to
know of His great love
for us. Share the hope
and good news of
Christmas with your
church and community this
year, through your
presentation of Shepherds
and Kings.
Song
Titles: Christmas All
Over the World (Opener) *
Underscore 1 (Susanna
Arrives) * Underscore 2
(Mattiello's) * We All
Need Christmas * Hopes
and Fears (Duet) * Mercy
for Me * Everlasting
Light * Underscore 3
(Accusations) * Prince of
Peace * Underscore 4
(Realization) * Winter
White * Shepherds and
Kings * Christmas Makes
Us One (with We All Need
Christmas; Christmas
Makes Us One; O Come, All
Ye Faithful and Shepherds
and Kings).
By Robert King. Arranged by John Rutter. For SATB choir with keyboard/unaccompan...(+)
By Robert King. Arranged
by John Rutter. For SATB
choir with
keyboard/unaccompanied/ba
sso continuo. Mixed
Voices. Oxford Choral
Classics Collections.
Sacred, Choral
Collection. Vocal score.
384 pages. Published by
Oxford University Press
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
SATB chorus and piano SKU: JK.19990 Composed by Janice Kapp Perry. Choral...(+)
SATB chorus and piano
SKU: JK.19990
Composed by Janice Kapp
Perry. Choral General
Conference, Choral SATB,
Difficulty Medium, Piano
Choir, Special Events
Home and Family, Hope,
Jesus Christ - Savior.
Christian, Inspirational.
Jackman Music Corporation
#19990. Published by
Jackman Music Corporation
(JK.19990).
Hebrews
9:28, John 14:6*** Some
Janice Kapp Perry
products may require a
few days additional
shipping time. Thank
you!
46 new hymns,
inspired by the General
Conference addresses of
Elder Jeffry R. Holland.
(October 1994 - April
2017). Collection
includes: All Ye Who
Watch the Master's
Sheep Are the Heavens
Truly Open? Are We
Not All Beggars? As
an Ensign to the
Nations A Sinless,
Pure and Holy Man Be
Clean, Oh House of
Israel Be Not Afraid,
But Be Believing
Bless Me to Be a Little
More Like Thee Do You
Love Me? Christ Can
Heal the Broken
Hearted ever We'll
Remember For God
Loves Us With All His
Heart For God So
Loved the World God
Has Raised Up Noble
Daughters God will
Never Leave the Weary
He Will Bring Rest to
Your Soul His More
Excellent Way Holy
Father, King of
Heaven How Fair Upon
the Mountain I Am a
Child of Destiny I
Bear My Witness of the
Lord In Heaven There
Is a Law Inviting All
to Come to Christ I
Testify I Would Be
Thy True Disciple let
Not Your Heart Be
Troubled Let Thy Word
Be In Our Hearts
Lord, Accept My Humble
Offering Lord, I
Believe Lord, I'll
Strive to Live Worthy of
Thy Love Lord, We
Pray For All the
Children May We Have
the Tongues of Angels
My Life is Not My Own
None Were With Him Oh
Come Ye Heavy Laden
Come Our Faith Unites
Us With One Heart The
Keys of the Kingdom
The Love of God Is
Without End The
Mother of All Living
The Words of God Will
Never Cease The Worth
of Souls Is Great
Indeed Through a
Thousand Generations
To the Rising
Generation Who Will
Now Speak For the
Widow? Wilt Thou,
Lord, In Me Abide You
Can Always Come Back
Home Composer: Janice
Kapp Perry Lyricist:
David B.
Larsen Reference:
Hebrews 9:28, John
14:6 *** Some Janice
Kapp Perry products may
require a few days
additional shipping time.
Thank you!
SATB Chorus, & Piano SKU: SU.96010062 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010062
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010062. Published by
Subito Music Corporation
(SU.96010062).
Instrumentation
: SATB Chorus, &
Piano Duration:
4' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
Choral (SATB) SKU: HL.2050751 Arranged by Rick Vale. Praise Gathering Cho...(+)
Choral (SATB)
SKU:
HL.2050751
Arranged
by Rick Vale. Praise
Gathering Choral.
Christmas. Softcover. 96
pages. Hal Leonard
#7L0305. Published by Hal
Leonard (HL.2050751).
UPC: 797242173394.
6.75x10.5x0.308
inches.
WATCHNIGHT
is, in many ways, a
traditional Christmas Eve
service, with all of the
moments that have defined
similar services over the
years; quiet music,
children reading the
Christmas Story,
candlelight and
communion. But this
musical worship time is a
quiet celebration of
waiting, a rekindling of
the child's soul in all
of us, a reminder that
the mystery and magic of
God's plan for Christmas
Day is still alive...if
we will see it again
through the eyes of a
child. Walk through
WATCHNIGHT with an open
heart, let your childlike
soul be “led
home†through the
singing of carols, and
the hearing of the
Christmas Story, enacted
by children. Share the
Lord's Supper and the
lighting of candles to
welcome the Child. Know
that the Child of
Bethlehem wishes to have
the child of your soul
holding His hand. Tiny
Babe of Bethlehem Won't
you take my hand again;
Wake the child that has
my name, So I will never
be the same.
Level
2. Composed by John
M. Feierabend. Choral.
Conversational Solfege.
Music Education. Octavo.
GIA Publications #527.
Published by GIA
Publications (GI.G-527).
Text by Noel
Goemanne.
Conversat
ional Solfege is a
dynamic and captivating
first-through-eighth
grade general music
program that enables
students to become
independent musical
thinkers with the help of
a rich variety of folk
and classical
music. It is organized
around increasingly
complex rhythmic and
melodic content. Each new
rhythmic or melodic
element is discovered
first in patterns and
then reinforced with folk
songs, rhymes, and
classical examples.
Central to the
Conversational Solfege
program is the use of
music harvested from our
rich and diverse American
musical history. This
variety of music serves
as a common thread that
spans and bonds
generations. Each book
contains varied song
material so the teacher
can select appropriate
music for the lower
grades or older
beginners. This 12-step
teaching method carefully
brings students from
readiness to, ultimately,
creating music through
inner hearing and then
transferring their
musical thoughts into
notation—in other
words, to compose music!
This CD provides
14Â classical
selections referenced in
Conversational Solfege
Level 2. These examples
provide reinforcement for
emerging literacy skills,
and they also enable
students to listen to
wonderful classical
examples with greater
attention. Listening to
classical music can be
challenging for
elementary students. With
nothing to hang onto, the
many notes can be too
much to comprehend and
attention soon wanes. But
with minimal literacy
skills, students will
have enough musical
information to discover
that classical music can
be accessible and
appealing. In the
included booklet, timings
are given for each
selection and the
portions of the music
that are readable by the
students are reproduced.
Whether using this CD
with Conversational
Solfege instructional
materials or simply as a
resource of classical
music with simple to read
rhythmic and melodic
material, both teachers
and students will delight
in discovering this
wonderful music through
literacy. This series is
a complete, innovative
approach to teaching
music that will stay
fresh year after year.
CONTENTS Conversational
Solfege Unit 5:Â 1.
Antonin Dvorak •
New World Theme
Conversational Solfege
Unit 6:Â 2. Franz
Joseph Haydn •
Theme from  the
Surprise Symphony, 3.
Camille
Saint-Sans •
Turtles from Carnival of
the Animals, 4. Ludwig
van Beethoven •
Symphony No. 7, 2nd
Movement, 5. Josef
Strauss •
Feuerfest (Fireproof)
Polka, Op. 269
Conversational Solfege
Unit 7:Â 6. Jacques
Offenbach •
Can-Can, 7. Dmitry
Kabalevsky •
Pantomime from the
Comedians, 8. Edvard
Grieg • In the
Hall of the Mountain King
Conversational Solfege
Unit 9 and Unit 11:Â 9.
Jacques
Offenbach •
Barcarolle Conversational
Solfege Unit 10:Â 10.
Edvard Grieg •
Morning Conversational
Solfege Unit 11:Â 11.
Ottorino
Respighi •
Ground in G
Conversational Solfege
Unit 12:Â 12. Johann
Sebastian Bach •
Jesu, Joy of Men's
Desiring, 13. Jean
Sibelius •
Finlandia Conversational
Solfege Unit 13:Â 14.
Ludwig Van
Beethoven •
Symphony No. 6, Movement
5Â John M. Feierabend
is Professor Emeritus and
former Director of Music
Education at The Hartt
School of Music,
University of Hartford,
Connecticut.
SATB choir - Easy/Moderate SKU: WD.080689496776 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689496776
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Bulletins
(100-pak). Duration 32
minutes. Word Music
#080689496776. Published
by Word Music
(WD.080689496776).
UPC:
080689496776.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
(A Christmas Musical). By Joel Raney. For SATB choir. This edition: Complete. Ch...(+)
(A Christmas Musical). By
Joel Raney. For SATB
choir. This edition:
Complete. Christmas,
Cantata. Christmas,
Sacred. Preview Pack
(Score and Listening CD)
- Limit 1 per customer.
84 pages. Published by
Hope Publishing Company
Composed by Gabriel
Faure. Edited by
Christina M. Stahl and
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Version of 1900.
Choral score. Opus 48. 19
pages. Baerenreiter
Verlag #BA09461_91.
Published by Baerenreiter
Verlag (BA.BA09461-91).
ISBN 9790006565474. 27
x 19 cm inches. Text
Language:
Latin.
TheMesse de
Requiemis probably the
internationally
best-known and most
frequently performed work
by Gabriel Faure . The
composer's first version
was limited to just five
movements and small-scale
forces with low strings,
harp and organ. The work
was then expanded several
times culminating in the
version for large
orchestra of 1900. This
orchestral version forms
the basis of this
edition.
Despite
its comparatively long
period of gestation, the
Requiem forms a stylistic
unity. Unlike other
requiem settings, the
composer foregoes any
theatrical gestures in
this work. A restrained
dynamic range together
with graceful melodic
writing for both soloists
and choir give the work a
gentle and optimistic
character.
The
choral score just as the
vocal score are based on
the volume of the
Complete Works of Gabriel
Faure (BA 9461) published
in 2010. It is important
to note that this choral
score is also compatible
with the first
small-scale version as
well as the second
chamber orchestra
version.
-
High-quality Urtext
edition based on
theComplete Works of
Gabriel Faure - First
systematic evaluation of
all sources - Based on
the large orchestral
version of 1900 -
Choral score suitable for
all versions of the
Requiem
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Featuring a Collection
of Songs from Southern
Gospel's Finest.
Arranged by Wayne Haun.
Choral. Southern Gospel
and Sacred. CD preview
pack. Published by
Lillenas Publishing
Company
(LP.765762166707).
ISBN 9780834180871.
UPC:
765762166707.
There
are so many styles of
music but there is no
style of music better
suited to spreading the
word of God than southern
gospel. This collection
unapologetically and
candidly proclaims the
message of Salvation and
will stir your
congregation to lift
their hands stand to
their feet and shout
AMEN! Through songs like
Heaven Will Be My Reward
and The Blood of Jesus
you will experience God's
message of salvation in a
powerful way. The song Oh
the Thought That Jesus
Loves Me will instantly
become a favorite as a
sweet reminder of Jesus'
love. Let this collection
be a reminder of that
glorious landmark in your
life - the day your
received amazing grace
from Him who laid it all
down!
SATB choir, voice solo,
piano accompaniment -
Beginning
SKU:
GI.G-5126
Composed by
Stephen Foster. Arranged
by Martin J. Willett.
Advent 2 C, Lent 5 C,
Ordinary Time 30 B.
Choral. Tune name: Hard
Times Come Again No More.
Sacred. Octavo. 8 pages.
GIA Publications #5126.
Published by GIA
Publications (GI.G-5126).
UPC: 785147512608.
Text Source: Psalm 126.
Text by Martin J.
Willett. Scripture: Psalm
126.
Steven
Foster's 1855 tune is
paired by this arranger
with his own paraphrase
of Psalm 126. The
arrangement utilized
various voicings, though
predominantly SATB.
Varied accompaniments
lead to the third stanza
that begins, “Lord,
you flow as a river
through dry and barren
lands,†with a
characteristically
rippling piano part.
Though the assembly can
join in the refrain, this
makes a solid stand-alone
choir
piece.Â
Composed by Traditional Spiritual. Arranged by Dan Davison. Sws. Octavo. 16 ...(+)
Composed by Traditional
Spiritual. Arranged by
Dan
Davison. Sws. Octavo. 16
pages. Duration 2
minutes, 50
seconds. BriLee Music
#BL1155. Published by
BriLee
Music
An Affirmation Chorale SATB SATB divisi, A Cappella - Débutant Oxford University Press
SATB choir, a cappella (SATB) - Very Easy to Easy SKU: OU.9780193511552 C...(+)
SATB choir, a cappella
(SATB) - Very Easy to
Easy
SKU:
OU.9780193511552
Composed by Andrew
Carter. Sacred choral -
mixed voices. Sacred,
Choral Leaflet. Vocal
score. 4 pages. Duration
1.5'. Oxford University
Press #9780193511552.
Published by Oxford
University Press
(OU.9780193511552).
ISBN 9780193511552. 10
x 7 inches.
For
unaccompanied SATB choir.
Andrew Carter's setting
matches in its powerful
simplicity the text
attributed to the French
Quaker missionary,
Stephen Grellet: 'I
expect to pass through
this world but once; any
good thing therefore that
I can do, or any kindness
I can show, or any
service I can render to
any soul of man or
animal, let me do it now;
let me not defer or
neglect it, for I shall
not pass this way
again.'.
Anthems I Chorale SATB SATB, Orgue [Conducteur] Stainer and Bell
SKU: ST.MB57 Composed by Samuel Sebastian Wesley. Edited by Peter Horton....(+)
SKU: ST.MB57
Composed by Samuel
Sebastian Wesley. Edited
by Peter Horton. Library
Volumes. Edited by Peter
Horton. First published
in 1990. Pages: 270.
Format: Paperback.
Dimensions (mm): 330 x
254 x 20. Score. Stainer
& Bell Ltd. #MB57.
Published by Stainer &
Bell Ltd. (ST.MB57).
ISBN
9790220218293.
11
anthems by this vigorous
reformer of Victorian
church music show
Romantic harmony and
Bachian counterpoint
combined with imaginative
structures. These works
brought new life to a
uniquely English genre
that had fallen into
neglect at the time of
their composition.
CONTENTS Blessed
be the God and Father (S
solo SATB and Organ)
Glory to God on high
(SATB and Organ) Let
us lift up our heart (B
solo SATB and Organ)
Man that is born of woman
(SATB and Organ) O
give thanks unto the Lord
(S solo SATB and
Organ) O God, whose
nature and property
(original version) (SATB
and Organ) O God,
whose nature and property
(revised version) (SATB
and Organ) O Lord,
thou art my God (B solo
SATB and Organ) Tho'
round thy radiant throne
on high (SS and
Organ) To my request
and earnest cry (B solo
SSATB and Organ)
Trust ye in the Lord (S
solo SATB and Organ)
Wash me throughly (S solo
SATB and Organ) Ye
who the widdow's griefs
have cheer'd (SS and
Organ).
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner and
Philip Gossett. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score. 60
pages. Baerenreiter
Verlag #BA10501_91.
Published by Baerenreiter
Verlag (BA.BA10501-91).
ISBN 9790006536863. 27
x 19 cm inches. Text
Language:
Latin.
ThePetite
Messe solennelleis the
finest work of Rossini's
late years. He composed
it between 1863 and 1864
at the age of 71 as a
commission for Countess
Louise Pillet -Will for
the consecration of her
private chapel, where the
work received its first
performance in March
1864. Together with
theStabat mater, the mass
is one of the composer's
mostimportant sacred
works.
The unusual
instrumentation with two
pianos and harmonium is
entirely in keeping with
the Neapolitan keyboard
tradition of the 18th
century which was
cultivated in France in
Rossini's day. It forms a
distinct contrast to the
style of large-scale
sacred compositions as
written by, for example,
Liszt and Bruckner.
Rossini explained that he
wrote the later
orchestral version of the
work dating from 1867 out
of concern that if he did
not do this, other
composers might
orchestrate the mass too
heavily in later
arrangements.
-
Choral score based on the
Urtext of the seriesWorks
of Gioachino Rossini -
Supplements the already
existing material
available to this
work
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
SATB and Piano Jazz Ensemble Optional Choral; Piano Accompaniment (SATB with Pia...(+)
SATB and Piano Jazz
Ensemble Optional Choral;
Piano Accompaniment (SATB
with Piano)
SKU:
HL.48024900
Come
Down, O Love Divine; God
Is Love/Love Divine; Let
All Mortal Flesh Keep
Silence. Composed by
Ralph Vaughan-Williams.
Arranged by Will Todd. BH
Large Choral. Classical,
Jazz. Octavo. 28 pages.
Boosey & Hawkes
#M060136412. Published by
Boosey & Hawkes
(HL.48024900).
ISBN
9781784545475. UPC:
840126930696.
7.25x10.5x0.108
inches.
These jazz
arrangements of
well-known hymns were
written for Andrew Earis
and choirs of St
Martin-in-the-Fields,
London for various
services and BBC
broadcasts from that
church. The setting of
“Come down, O Love
divine†supplies
some new harmonic moves
to Vaughan Williams'
lovely tune “Down
Ampneyâ€, gradually
adding vocal harmony
through the verses, with
a short descant section
in the final verse. The
compound-time arrangement
of “God Is
Love,†which can
also be sung to the
supplied words of Charles
Wesley's hymn “Love
Divine,†again adds
more of Todd's iconic
jazz harmonies and
textures in the vocal
parts with each
successive verse. The
setting of “Let all
mortal flesh keep
silence†is
structured to gradually
build layers over the
moody piano chords and
the pedal harmony. At the
end the music builds to a
large climax for the text
“Lord most
highâ€. The hymns
can be performed using
the supplied piano part
or using the chord
symbols above. Double
bass may also be used in
addition to piano, again
following the supplied
chord symbols, and parts
for optional jazz
ensemble are available.
Performers of these hymns
should feel free to
include the congregation
or audience in
imaginative ways.
Mixed choir SKU: FG.55011-857-7 Composed by ŽibuoklÄ— MartinaitytÄ...(+)
Mixed choir
SKU:
FG.55011-857-7
Composed by
Žibuoklė
MartinaitytÄ—.
Classical, contemporary.
Book. Fennica Gehrman
#55011-857-7. Published
by Fennica Gehrman
(FG.55011-857-7).
Žibuoklė
MartinaitytÄ— tells
about the background of
Aletheia (2022) for mixed
choir (SSSSAAAATTTTBBBB):
Aletheia is variously
translated from Greek as
unconcealedness,
revealing or
unclosedness. It is
uncovering of the Truth -
the one we are afraid to
face, the truth that can
only be expressed
directly through the
pre-verbal communication.
How do you find words for
the horrors of the war,
for all unimaginable
global atrocities? How do
you even allow yourself
to feel it out? Solely
through art, through
music that offer a safe
space and a formalized
framework for processing
these accumulated complex
emotions and sharing them
with others in a moment.
This piece has no verbal
text and it is based on
various combinations of
vowels and consonants,
thus connecting us on a
deeper level through the
immediate emotional
experience.
The
war in Ukraine in spring
of 2022 had an impact on
all of us and shattered
my deeply rooted
Lithuanian identity. When
the freedom is threatened
and innocent people are
dying, it is hard to make
sense out of the reality.
Yet there is poetry even
in the worst nightmares.
I was imagining that the
only instrument people
have even in situations
of destruction, in the
midst of the war, is
their VOICE. It brought
back memories of my youth
when Singing revolution
was taking place in the
Baltic countries. Human
voice was the only weapon
that people used to
express their
determination for freedom
and independence. Voice
is our first and the very
last instrument we have
in our lifetime. Thinking
in these terms brings
almost a sacred dimension
to the voice as an
expression of the life
itself - from the very
first baby's scream until
the last breath and
whisper.
Duration
c. 15'
The works
of New York -based
Lithuanian composer
Žibuoklė
MartinaitytÄ— (b.
1973) have been lauded as
breathtaking and
profoundly moving. Her
stimulating music
bristles with energy and
tension and revolves
often around the subject
of beauty, which she
calls both a guiding
principle and an
aesthetic measure for
sonic quality.
SATB choir, organ accompaniment - Early intermediate SKU: GI.G-7591 Compo...(+)
SATB choir, organ
accompaniment - Early
intermediate
SKU:
GI.G-7591
Composed by
Paul Nicholson.
Eastertide, Easter 5 B.
Choral. Sacred. Octavo. 8
pages. GIA Publications
#7591. Published by GIA
Publications (GI.G-7591).
UPC: 785147759102.
English. Text Source: 1
John 3:18–19,
adapt. PN. Scripture: 1
John
3:18–19.
An
exuberant, 5/8 setting of
a simple message from the
first letter of John.
Brief passages for the
organ overlap with choral
phrases that move
primarily in step-wise
motion. This short piece
has the added benefit of
exercising the intonation
of your singers through
unison and
dissonance—without
having to invest hours of
precious rehearsal
time!