Performed by Dwight Yoakam. By Freddie Mercury. Arranged by Mark A. Brymer. (SATB). Pop Choral Series. Size 6.7x10.5 inches. 12 pages. Published by Hal Leonard.

By Queen. By Freddie Mercury. Arranged by Kirby Shaw. For Choral (SATB). Pop Choral Series. Published by Hal Leonard

(Crazy Little Thing Called Love with It's Still Rock and Roll to Me). By Billy Joel and Queen. By Billy Joel and Freddie Mercury. Arranged by Tom Anderson. Pop Choral Series. Classic Rock, Show Choir, Medley, Pop, Rock. Octavo. Published by Hal Leonard

Arranged by Deke Sharon, Anne Raugh. (SATB a cappella). Choral Collection. Size 6.75x10.5 inches. 84 pages. Published by Hal Leonard.

Composed by Ron Barnett. For SATB choir, Medium Voice Solo, Cello/Bass Instrument and Piano. Moderately Easy. Octavo. Published by MorningStar Music Publishers

(Choral Medley). Arranged by Mark A. Brymer. Pop Choral Series. 72 pages. Published by Hal Leonard

Choral Collection. By Queen. Arranged by Philip Lawson. De Haske Choral Music. Pop. Octavo. 72 pages. Published by De Haske Publications

Composed by Eric Whitacre (1970-). Eric Whitacre Choral. Concert. Octavo. Duration 300 seconds. Published by Hal Leonard

Composed by Stephen Sondheim (1930-). Medley for SATB chorus and piano. Series: Hal Leonard Broadway Choral. 72 pages. Published by Hal Leonard.

By David Angerman. For SATB Choir. Choral, Lite Trax, Thanksgiving and Sacred. Sheet Music. Published by Shawnee Press.

By Bernard Tan. For SSA/2-Part/Unison Choir. Successful Sight Singing Performance Selections. Secular. Grade 3. Choral octavo

Choral SATB choir, piano

SKU: PR.342402070

Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070).

ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.

To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..
This piece has an odd history. A few years ago, I agreed to be one of the“prizes” in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,” I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,” his “homespunglory.â� � It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.”I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.

By Beale And Milloy. For Choral Method (Spiralbound Book and CD). Play along. Published by Oxford University Press.

Five Centuries Of Choral Music For Mixed Voices by Various. For Choral (SATB). Choral Collection. Renaissance, Baroque, Classical Period, 20th Century and Vocal Standards. Difficulty: medium. Vocal score (6 copies needed for performance). Vocal score and piano accompaniment. 156 pages. G. Schirmer #ED2529. Published by G. Schirmer

((1932) SATB and Piano, Complete Edition). By Benjamin Britten (1913-1976). For Choral (SATB). BH Secular Choral. 24 pages. Boosey and Hawkes #M051481941. Published by Boosey and Hawkes

SATB. By Mark A. Brymer, Susan Naylor Callaway. (SATB). Daybreak Christmas Choral. Sacred. Size 6.7x10.5 inches. 80 pages. Published by Daybreak Music.

SATB choir, piano

SKU: LO.10-5549L

Composed by Mark Hayes. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5549L. Published by Lorenz Publishing Company (LO.10-5549L).

ISBN 9780787774097.

Mark Hayes and Herb Frombach step a little bit outside the box with this rollicking anthem based on Romans chapter 8. Powerful rhythms and syncopations move the message forward that nothing can separate us from the love of God. Be sure to listen to the demo, featuring rhythm section and horn parts.

Chorus Parts. By Sir Arthur Seymour Sullivan, W.S. Gilbert. (SATB). Opera. Size 6.8x10.5 inches. 56 pages. Published by G. Schirmer, Inc.

Arranged by John Higgins. (SATB). Secular Christmas Choral. Size 6.75x10.5 inches. 32 pages. Published by Hal Leonard.

Composed by Marc Shaiman. Arranged by Roger Emerson. Disney Choral. Medley, Movies, Pop, Concert, Disney. Octavo. Published by Hal Leonard

Mixed choir

SKU: FG.55011-355-5

Composed by Matthew Whittall. Score. Fennica Gehrman #55011-355-5. Published by Fennica Gehrman (FG.55011-355-5).

Asked to contribute a carol to the already rich Finnish Christmas repertoire, music I've sung myself for many years, I was very aware of the things that mark the season for my adopted countrymen: peace, stillness, the cold landscape and home. When I came across Ester Ahokainen's gentle poem, so focused around these images, it seemed like providence. The resulting song is modest and warmly modal, departing only a little from Finnish tradition: a lingering dissonance here, a moment of quiet sentiment held slightly longer expected there. Like the words, the music opens outward in thanks at the end. Aattoilta was composed for the Helsinki Chamber Choir Christmas CD recording, and is dedicated to them.