By Randol Alan Bass. For SATB choir, piano or organ or brass quartet/percussion or brass ensemble/percussion or full orchestra. Christmas, General, Choral. Choral score. Published by E.C. Schirmer Publishing . choral score. Christmas, General, Choral.

Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. 21st Century. Choral score. Randol Bass Music #RBM-109. Published by Randol Bass Music

By Randol Alan Bass. For SATB choir, piano or orchestra. General. Octavo. Scripture: Psalm 33:1-3. 24 pages. Published by E.C. Schirmer Publishing . Octavo. General.

SATB choir, 2 oboes, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5199309

Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Paul Horn. This edition: urtext. 1x 51.993/21 oboe 1, 1x 51.993/22 oboe 2, 1x 51.993/31 trumpet 1, 1x 51.993/32 trumpet 1, 1x 51.993/41 timpani. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. O Jesu, Te Invocamus. Hymnus/Motetto. Sacred vocal music, Motets. Set of Orchestra Parts. Composed 1768. Hob. XXIVa:6/8b. 10 pages. Duration 7 minutes. Carus Verlag #CV 51.993/09. Published by Carus Verlag (CA.5199309).

ISBN 9790007225582. Language: Latin/German.

The motet O Jesu, te invocamus arose through an adaptation of the text of the final chorus of Joseph Haydn's Applausus, a festive cantata composed in 1768. For church music performances, the Latin text O Jesu, te invocamus was closely attached to the primary text and often only single words were replaced. The German alternative text Allmachtiger, Preis dir und Ehre, for which there was neither a biblical nor a liturgical basis, was added to the Latin text. Score and parts available separately - see item CA.5199300.

SATB choir, 2 oboes, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5199303

Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. O Jesu, Te Invocamus. Hymnus/Motetto. Sacred vocal music, Motets. Vocal score. Composed 1768. Hob. XXIVa:6/8b. 12 pages. Duration 7 minutes. Carus Verlag #CV 51.993/03. Published by Carus Verlag (CA.5199303).

ISBN 9790007094164. Language: Latin/German.

The motet O Jesu, te invocamus arose through an adaptation of the text of the final chorus of Joseph Haydn's Applausus, a festive cantata composed in 1768. For church music performances, the Latin text O Jesu, te invocamus was closely attached to the primary text and often only single words were replaced. The German alternative text Allmachtiger, Preis dir und Ehre, for which there was neither a biblical nor a liturgical basis, was added to the Latin text. Score available separately - see item CA.5199300.

SATB choir, 2 oboes, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5199311

Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. O Jesu, Te Invocamus. Hymnus/Motetto. Sacred vocal music, Motets. Single Part, Violin. Composed 1768. Hob. XXIVa:6/8b. 4 pages. Duration 7 minutes. Carus Verlag #CV 51.993/11. Published by Carus Verlag (CA.5199311).

ISBN 9790007225599. Language: Latin/German.

The motet O Jesu, te invocamus arose through an adaptation of the text of the final chorus of Joseph Haydn's Applausus, a festive cantata composed in 1768. For church music performances, the Latin text O Jesu, te invocamus was closely attached to the primary text and often only single words were replaced. The German alternative text Allmachtiger, Preis dir und Ehre, for which there was neither a biblical nor a liturgical basis, was added to the Latin text. Score and part available separately - see item CA.5199300.

SATB choir, 2 oboes, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5199313

Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. O Jesu, Te Invocamus. Hymnus/Motetto. Sacred vocal music, Motets. Single Part, Cello/Double Bass. Composed 1768. Hob. XXIVa:6/8b. 4 pages. Duration 7 minutes. Carus Verlag #CV 51.993/13. Published by Carus Verlag (CA.5199313).

ISBN 9790007225612. Language: Latin/German.

The motet O Jesu, te invocamus arose through an adaptation of the text of the final chorus of Joseph Haydn's Applausus, a festive cantata composed in 1768. For church music performances, the Latin text O Jesu, te invocamus was closely attached to the primary text and often only single words were replaced. The German alternative text Allmachtiger, Preis dir und Ehre, for which there was neither a biblical nor a liturgical basis, was added to the Latin text. Score and part available separately - see item CA.5199300.

SATB choir, 2 oboes, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5199312

Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. O Jesu, Te Invocamus. Hymnus/Motetto. Sacred vocal music, Motets. Single Part, Violin 2. Composed 1768. Hob. XXIVa:6/8b. 4 pages. Duration 7 minutes. Carus Verlag #CV 51.993/12. Published by Carus Verlag (CA.5199312).

ISBN 9790007225605. Language: Latin/German.

The motet O Jesu, te invocamus arose through an adaptation of the text of the final chorus of Joseph Haydn's Applausus, a festive cantata composed in 1768. For church music performances, the Latin text O Jesu, te invocamus was closely attached to the primary text and often only single words were replaced. The German alternative text Allmachtiger, Preis dir und Ehre, for which there was neither a biblical nor a liturgical basis, was added to the Latin text. Score and part available separately - see item CA.5199300.

SATB choir, cantor, assembly, keyboard accompaniment - Intermediate

SKU: GI.G-10314

Composed by Charles Thatcher. Advent, Christmastide, Lent, Eastertide, Ordinary Time. Sacred. 64 pages. GIA Publications #10314. Published by GIA Publications (GI.G-10314).

ISBN 7851471031413. English, Latin. Text Source: Antiphons tr. Charles Thatcher, verses, The Grail, 1963.

Entrance Antiphons for the Church Year contains thirty antiphon texts from the Graduale Simplex, translated from Latin and set to newly composed music. The psalm verses appointed for these antiphons are taken from the Grail translation (1963). As with the Responsorial Psalm of the Mass, the assembly sings the antiphon after its intonation by the cantor/choir, repeating it after each verse of the psalm. The number of psalm verses which are sung may vary according to need. The singing of the doxology, Glory to the Father, while recommended, is optional. In several cases (e.g., Christmas and Easter), the assembly sings a refrain—a simple acclamation in Latin—and the actual antiphon text is sung by the cantor/choir. The antiphon functions as a first and final verse. It is thought that liturgical singing in the early Church consisted in part of such short acclamatory phrases. Many of the antiphons in this collection are proper to a specific Sunday, solemnity, or feast. The rest are seasonal in nature and, like the common Responsorial Psalms of the Lectionary, may be chosen according to what seems best for the occasion. The antiphons of Christmas Day and Easter Sunday could be used at daily Masses during their octaves. Notations in the scores of some antiphons suggest alternate occasions when they are appropriate. Regarding performance, these compositions were conceived with flexibility in mind. Assembly participation and instrumental accompaniment are assumed. SATB choral singing is effective, but not necessary. Discrete use of descants where provided can lend an air of festivity. Psalm verses might be sung by an entire choir, by a small group or cantor, or a combination of both.

SATB choir, assembly, keyboard accompaniment - Beginning

SKU: GI.G-8234

Composed by Michel Guimont. Holy Thursday. Choral. Sacred. Octavo. 4 pages. GIA Publications #8234. Published by GIA Publications (GI.G-8234).

UPC: 785147823407. English, Latin. Text Source: Latin, 9th c.; Translation: Kelly A. Dobbs Mickus.

Whether sung by choir alone or with assembly, this lush setting will find a home on Holy Thursday. Guimont’s choral writing is fresh and the verse texts in English and Latin offer increased flexibility for use throughout the liturgical year.

Complete Vocal Score. By Karl Jenkins. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 106 pages. Published by Boosey & Hawkes.

For Mixed Choir A Cappella - Vocal Score. By James Macmillan. (Mixed Choir A Cappella). Boosey and Hawkes Large Choral. 36 pages. Published by Boosey and Hawkes.

By Franz Joseph Haydn (1732-1809). Edited by Wilhelm Weismann. Arranged by August Eberhard Muller. Choir and piano. For Soprano voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Original Works, Transcriptions, Liturgic

Mixed choir

SKU: CA.210300

Composed by Various. Edited by Stefan Schuck. Sacred vocal music, Psalms, German, Psalms, Latin. Choral collections. Conductor's score, with CD. Sacred vocal music, Psalms, German, Psalms, Latin. Choir Book. Carus Verlag #CV 02.103/00. Published by Carus Verlag (CA.210300).

ISBN 9790007244668.

The Choral Collection Psalms contains over 50 settings for mixed unaccompanied choir from six centuries. It is a true treasure-trove of compositions in various styles and levels of difficulty: with some unknown new discoveries and some classics of the choral literature, the selection will enrich both worship and concerts. The 150 psalms of the Old Testament express rejoicing, joy, confidence, but also lament, grief, anger, and even doubt. The psalms are present throughout Christianity and Judaism to this day, and are sung worldwide in countless settings. The Choral Collection Psalms displays the whole stylistic and linguistic variety ranging from contemplative, simple Anglican chant through Russian Orthodox homophony to virtuoso motets with jazzy echoes. The linguistic spectrum is equally broad: English, French, German (some with added singable English translation), Estonian, Icelandic and, of course, Latin psalm settings are represented, as well as works in Church Slavonic and Hebrew (both accompanied by transliterations and a singable German text). The foreword (German / English) offers many hints regarding the performance of the psalm settings, and a detailed index will help with choosing appropriate pieces for the liturgical occasion according to the Anglican, Protestant, or Catholic calendar. Over the last ten years editor Stefan Schuck has performed two psalm compositions every week in his NoonSong series in Berlin. From the resulting 800 works, he has selected the most interesting compositions arranged according to level of difficulty. The choral director's volume includes a CD with recordings of selected works, sung by sirventes and conducted by the editor, which will help with learning and rehearsing the repertoire. over 50 psalm settings from six centuries for worship and concert use stylistic variety and mixed levels of difficulty: from Anglican Chant to virtuoso motets for four-part mixed choir, some with organ/piano accompaniment transliterations and German singing texts help with practising cross-cultural repertoire liturgical classification of all settings for Catholic, Protestant, and Anglican lectionary includes many unknown jewels such as Boze, Boze moj (Cesar Cui), Jauschew be seser eljaun (David Rubin), and Schubert's setting of Psalm 23 in the first Hebrew version CD recording (sirventes berlin, cond. Stefan Schuck) with a selection of settings helps with getting to know the pieces economical choral edition (editionchor) available.

SS vocal soli, SATB choir, 2 violins, cello/contrabass, organ - Level 2

SKU: CA.4060149

Composed by Franz Joseph Haydn. Edited by Willi Schulze. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Missa Brevis In F Xxii:1. Innovative practice aids, Sacred vocal music, Missa brevis in Latin. Single Part, Organ. Composed 1749-50 (?). Hob. XXII:1. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.601/49. Published by Carus Verlag (CA.4060149).

ISBN 9790007219321. Key: F major. Text language: Latin.

Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time that Pope Benedict XIV treated questions concerning church music in his encyclical Annus qui in which he condemned the frequently operatic style of church music and demanded liturgical music that revealed an awareness of its religious purpose and that sought to fulfill it with simple means of musical expression. In its liturgical attitude Haydn's first mass is anchorded in this point of view (that to a great extent corresponded to the general standpoint of the churches of the eighteenth century). Score and part available separately - see item CA.4060100.

Choral (SATB a cappella)

SKU: HL.48025165

SATB a cappella Latin. Composed by Becky McGlade. Boosey & Hawkes Sacred Choral. General Worship, Latin, Mass, Sacred. Octavo. 12 pages. Duration 600 seconds. Boosey & Hawkes #M060137266. Published by Boosey & Hawkes (HL.48025165).

UPC: 196288105145.

A beautiful short setting of the ordinary of the Latin mass (Kyrie, Gloria, Sanctus & Benedictus, and Agnus Dei) by emerging Cornishcomposer Becky McGlade. The Kyrie finds beauty in its simplicity, which is later echoed in the Agnus Dei. The sumptuous parallel harmony and natural melodies create an atmosphere of penitent sorrow, so central to both texts. The Gloria offers something more joyous and upbeat, yet not straying from the cleverly constructed harmony and voice leading. The emotional climax comes with the Sanctus & Benedictus, which begins with the warm texture of the full choir, and through the gentle dissonances and soaring soprano line the composer conveys something of the holiness and glory of God. Ideal for choirs looking to expand their liturgical music repertoire with a manageable but impressive new mass setting. Also appropriate for concert use.

SATB choir, cantor, priest, assembly, keyboard accompaniment, flute, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, timpani, guitar

SKU: GI.G-7864FS

Revised Order of Mass 2010. Composed by Jan Michael Joncas. Mass. Sacred. Full score. With guitar chord names. 68 pages. GIA Publications #7864FS. Published by GIA Publications (GI.G-7864FS).

UPC: 785147786498. English, Latin, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

Commission ed by the Maryknoll Community to celebrate its centenary of papal approval in 2011, Missa ad Gentes was composed with a particular vision – to create a Mass setting with the 2010 revised English texts representing both Maryknoll’s United States heritage as well as the diverse cultures in which Maryknoll missioners serve in Central and South America, Africa, Asia, and Oceania.   With each piece of the Mass, Fr. Joncas honors the musical heritage of a different culture, creating a truly unique setting celebrating the Church’s diversity.  The title, meaning “Mass ‘to the peoples’” draws on the text of the Second Vatican Council’s document on missionary activities. “It is my hope that the Missa ad Gentes will assist English-speaking Roman Rite Catholics to worship with new liturgical texts, faithful to their heritage but enriched by the great diversity of languages and cultures that make up the Church Catholic.” -Michael Joncas Keyboard accompaniment and guitar chords are printed in the edition.

SATB choir, cantor, priest, assembly, keyboard accompaniment, flute, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, timpani, guitar - Early intermediate

SKU: GI.G-7864

Revised Order of Mass 2010. Composed by Jan Michael Joncas. This edition: Choral / Accompaniment edition. Mass. Mass. Sacred. Choral score. With guitar chord names. 64 pages. GIA Publications #7864. Published by GIA Publications (GI.G-7864).

UPC: 785147786405. English, Latin, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

Commission ed by the Maryknoll Community to celebrate its centenary of papal approval in 2011, Missa ad Gentes was composed with a particular vision – to create a Mass setting with the 2010 revised English texts representing both Maryknoll’s United States heritage as well as the diverse cultures in which Maryknoll missioners serve in Central and South America, Africa, Asia, and Oceania.   With each piece of the Mass, Fr. Joncas honors the musical heritage of a different culture, creating a truly unique setting celebrating the Church’s diversity.  The title, meaning “Mass ‘to the peoples’” draws on the text of the Second Vatican Council’s document on missionary activities. “It is my hope that the Missa ad Gentes will assist English-speaking Roman Rite Catholics to worship with new liturgical texts, faithful to their heritage but enriched by the great diversity of languages and cultures that make up the Church Catholic.” -Michael Joncas.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 4 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org

SKU: CA.4068904

Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. XL in large print. Innovative practice aids, Sacred vocal music, Masses, Latin. Vocal score. Composed 1817/23. Op. 123. 128 pages. Duration 90 minutes. Carus Verlag #CV 40.689/04. Published by Carus Verlag (CA.4068904).

ISBN 9790007187842. Key: D major. Language: Latin.

Beethoven described his Missa solemnis as his greatest work several times, a work which, coming from the heart, was to touch and move audiences. The surviving sources enable us to recognize how intensively and how long he worked on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings, and the premiere took place, for good reason, in a concert hall. The chorus plays a key structural role in the work, and in the process has to master some extremely demanding sections. The leading Beethoven expert Ernst Herttrich has produced an Urtext edition based on the available sources, and reflecting the latest state of scholarship. Score available separately - see item CA.4068900.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068891

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, soprano. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/91. Published by Carus Verlag (CA.4068891).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068892

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, alto. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/92. Published by Carus Verlag (CA.4068892).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, organ)

SKU: CA.4068804

Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Vocal score. Op. 86. 80 pages. Duration 50 minutes. Carus Verlag #CV 40.688/04. Published by Carus Verlag (CA.4068804).

ISBN 9790007183547. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068893

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, tenore. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/93. Published by Carus Verlag (CA.4068893).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068894

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, basso. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/94. Published by Carus Verlag (CA.4068894).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3123511

Kyrie-Gloria-Messe (Lutherische Messe). Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Missa In G /Bwv 235 Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Single Part, Violin 1. Composed the period at Leipzig. BWV 235. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.235/11. Published by Carus Verlag (CA.3123511).

ISBN 9790007085926. Key: G minor. Language: Latin.

As well as the Mass in B minor, there are four further, shorter mass compositions by Bach, the so-called Lutheran or Kyrie-Gloria masses. Despite their high musical qualities, they are often overshadowed by other church works by Bach. With their six-movement structure (up to the Cum sancto spiritu) they had their specific liturgical position in church services of the time of Bach. The masses largely comprise parodies, with the original music mainly taken from cantatas which Bach sometimes considerably reworked in his well-known style according to the new context of the work. Ulrich Leisinger has edited the four works for Carus in new critical editions. Score and part available separately - see item CA.3123500.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3123509

Kyrie-Gloria-Messe (Lutherische Messe). Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. 1x 31.235/21 oboe 1, 1x 31.235/22 oboe 2. Stuttgart Urtext Edition: Bach vocal. German title: Missa In G /Bwv 235 Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Set of Orchestra Parts. Composed the period at Leipzig. BWV 235. 20 pages. Duration 30 minutes. Carus Verlag #CV 31.235/09. Published by Carus Verlag (CA.3123509).

ISBN 9790007211080. Key: G minor. Language: Latin.

As well as the Mass in B minor, there are four further, shorter mass compositions by Bach, the so-called Lutheran or Kyrie-Gloria masses. Despite their high musical qualities, they are often overshadowed by other church works by Bach. With their six-movement structure (up to the Cum sancto spiritu) they had their specific liturgical position in church services of the time of Bach. The masses largely comprise parodies, with the original music mainly taken from cantatas which Bach sometimes considerably reworked in his well-known style according to the new context of the work. Ulrich Leisinger has edited the four works for Carus in new critical editions. Score and parts available separately - see item CA.3123500.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3123505

Kyrie-Gloria-Messe (Lutherische Messe). Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Missa In G /Bwv 235 Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Choral Score. Composed the period at Leipzig. BWV 235. 16 pages. Duration 30 minutes. Carus Verlag #CV 31.235/05. Published by Carus Verlag (CA.3123505).

ISBN 9790007085919. Key: G minor. Language: Latin.

As well as the Mass in B minor, there are four further, shorter mass compositions by Bach, the so-called Lutheran or Kyrie-Gloria masses. Despite their high musical qualities, they are often overshadowed by other church works by Bach. With their six-movement structure (up to the Cum sancto spiritu) they had their specific liturgical position in church services of the time of Bach. The masses largely comprise parodies, with the original music mainly taken from cantatas which Bach sometimes considerably reworked in his well-known style according to the new context of the work. Ulrich Leisinger has edited the four works for Carus in new critical editions. Score available separately - see item CA.3123500.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3123513

Kyrie-Gloria-Messe (Lutherische Messe). Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Missa In G /Bwv 235 Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Single Part, Viola. Composed the period at Leipzig. BWV 235. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.235/13. Published by Carus Verlag (CA.3123513).

ISBN 9790007085940. Key: G minor. Language: Latin.

As well as the Mass in B minor, there are four further, shorter mass compositions by Bach, the so-called Lutheran or Kyrie-Gloria masses. Despite their high musical qualities, they are often overshadowed by other church works by Bach. With their six-movement structure (up to the Cum sancto spiritu) they had their specific liturgical position in church services of the time of Bach. The masses largely comprise parodies, with the original music mainly taken from cantatas which Bach sometimes considerably reworked in his well-known style according to the new context of the work. Ulrich Leisinger has edited the four works for Carus in new critical editions. Score and part available separately - see item CA.3123500.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3123514

Kyrie-Gloria-Messe (Lutherische Messe). Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Missa In G /Bwv 235 Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Single Part, Cello/Double Bass. Composed the period at Leipzig. BWV 235. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.235/14. Published by Carus Verlag (CA.3123514).

ISBN 9790007085957. Key: G minor. Language: Latin.

As well as the Mass in B minor, there are four further, shorter mass compositions by Bach, the so-called Lutheran or Kyrie-Gloria masses. Despite their high musical qualities, they are often overshadowed by other church works by Bach. With their six-movement structure (up to the Cum sancto spiritu) they had their specific liturgical position in church services of the time of Bach. The masses largely comprise parodies, with the original music mainly taken from cantatas which Bach sometimes considerably reworked in his well-known style according to the new context of the work. Ulrich Leisinger has edited the four works for Carus in new critical editions. Score and part available separately - see item CA.3123500.