Movement II from The Lost Birds. Composed by Christopher Tin. BH Secular Choral. Concert, Poetry. Octavo. 16 pages. Duration 270 seconds. Hal Leonard #M051486021. Published by Hal Leonard

Mixed Choir (SATB divisi)

SKU: HL.1496054

For SATB Divisi. Composed by Ellen Reid. Choral. Choral. Octavo. Duration 300 seconds. Chester Music #CH88309. Published by Chester Music (HL.1496054).

UPC: 196288218333.

Lost in the Blue by Ellen Reid, with text by Roxie Perkins, comes from her 2018 chamber opera p r I s m, premiered by the Los Angeles Opera.

Arranged by Ed Lojeski. (SATB). Pop Choral Series. Size 6.7x10.5 inches. 32 pages. Published by Hal Leonard.

By F. Melius Christiansen. For SATB choir divisi and Soprano voice solo. General. St Olaf. Anthem. Published by Augsburg Fortress.

By Michael Burkhardt. For SATB choir, Organ, Congregation. Choral Music. Advent. Medium

By Kurt Weill, Maxwell Anderson. Arranged by Paris Rutherford. (SATB a cappella). Jazz Chorals. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.

From Mary Poppins Returns. Composed by Marc Shaiman. Arranged by Mac Huff. Disney Choral. Movies, Lullaby, Disney, Ballad, Musicals. Octavo. 12 pages. Published by Hal Leonard

Dale Warland Choral Series. Composed by Carol Barnett. Choral. Concert. Octavo. 20 pages. Published by G. Schirmer

By Ruth B. By Ruth Berhe. Arranged by Mark A. Brymer. Pop Choral Series. Pop, Show Choir. Octavo. 16 pages. Published by Hal Leonard

Movement V from The Lost Birds. Composed by Christopher Tin. BH Secular Choral. Concert, Poetry. Octavo. 16 pages. Duration 255 seconds. Hal Leonard #M051486038. Published by Hal Leonard

Composed by Al Stillman and Seger Ellis. Arranged by Jacob Narverud. Shawnee Press. Octavo. 12 pages. Published by Shawnee Press (HL.35031358).

Soli SATB, SATB Choir, 2 Oboe da caccia, 2 Violins, Viola, [cello piccolo], Basso continuo

SKU: CA.3113903

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Vocal score. Composed 1724. BWV 139. 32 pages. Duration 20 minutes. Carus Verlag #CV 31.139/03. Published by Carus Verlag (CA.3113903).

ISBN 9790007181192. Language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

Composed by Michael Bussewitz-Quarm. Peermusic Classical. Concert. Octavo. 8 pages. Peermusic #70243-121. Published by Peermusic

Singing voice, SATB choir, orchestra (Vocal, Mixed choir, Orchestra) - Level 4

SKU: BA.BA05209

Recitatives and turbae by Reinhard Keiser (1674-1739). Composed by Johann Sebastian Bach. Edited by Austin Harvey Gomme. Paperback. A reconstruction. Score. BWV 247. Baerenreiter Verlag #BA05209_00. Published by Baerenreiter Verlag (BA.BA05209).

ISBN 9790006524136. 29.9 x 22.9 cm inches.

Although all that survives of Bach's “St. Mark Passion” is Picander's libretto, virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae , however, are probably lost forever. Rather than rewriting these numbers “in Bachs's style”, Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach, who performed it several times), thereby allowing this lost work to be performed in its entirety. A detailed preface sheds further light on this unique reconstruction based on the New Bach Edition.

SATB choir - Easy

SKU: WD.080689636172

Composed by Marty Hamby. Choral, cantatas. Christmas. Book. Word Music #080689636172. Published by Word Music (WD.080689636172).

UPC: 080689636172.

Chris tmas is a time for gratitude, a time for celebration and expectation! And it is a time for music! Songs of the season are everywhere around us, reminding us of the birth of the Savior, the anticipated coming of the Christ Child, the advent of the Messiah, and the JOY that is ours as believers. As followers of Christ, we have done more than just anticipate His coming; we have lived the reality of having received the Son of God into our hearts, of knowing Him as Savior, and worshipping Him as the King of kings and Lord of lords! And because of the wonderful gift of God’s Son, given to us, we not only hear the music of Christmas, we SING the song of Christmas, the Song of Joy!

Songs both new and old, celebratory and worshipful, joy-filled and awe-inspired, soul-searching and soul-soothing, weave a tapestry of Christmas wonder that invites the believer to worship and rejoice in His presence, while offering Hope to the downtrodden and Salvation to the lost. In perhaps some of its most powerful moments, Song of Joy ushers the listener into the serene and peaceful strains of the beloved carol Silent Night! Holy Night!, followed by compelling narration leading to the poignant and reflective new song, Somewhere in Your Silent Night (made popular by Casting Crowns). That is followed by a song of invitation and worship with Crowder’s Come As You Are, encouraging the lost to come to Christ and give Him their heart. This song of invitation leads us into the declaration that He is the King of kings who will reign forever in the medley featuring Tomlin’s, He Shall Reign Forevermore, and Elevation Worship’s, Only King Forever.

Composed by Richard Burchard. For Choral (SSATB A Cappella). Pavane Secular. Pavane Publishing #P1527. Published by Pavane Publishing

By James Hopkins. For SATB Choir, Orchestra (Mixed Voices). Secular. Choral. 48 pages

SSATB choir, a cappella (SATB) - Easy to Moderately Difficult

SKU: OU.9780193407855

Composed by Cecilia McDowall. Secular Choral - Mixed Voices. New Horizons. Vocal score. 12 pages. Duration 4'. Oxford University Press #9780193407855. Published by Oxford University Press (OU.9780193407855).

ISBN 9780193407855. 10 x 7 inches.

For SATB unaccompanied Setting a well-known poem by Percy Shelley, Love's Philosophy is a sweet and tender choral song reflecting on the idea of love with reference to nature and the interdependent relationships evident in the world around us. Mellifluous choral writing and sighing interjections convey the theme of unrequited or lost love.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116913

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Whitsun. Single Part, Viola. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/13. Published by Carus Verlag (CA.3116913).

ISBN 9790007209346. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116909

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. 1x 31.169/21 oboe d'amore 1, 1x 31.169/22 oboe d'amore 2, 1x 31.169/23 English horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Whitsun. Set of Orchestra Parts. Composed 1726. BWV 169. Duration 17 minutes. Carus Verlag #CV 31.169/09. Published by Carus Verlag (CA.3116909).

ISBN 9790007209315. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and parts available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116912

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Whitsun. Single Part, Violin 2. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/12. Published by Carus Verlag (CA.3116912).

ISBN 9790007209339. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116911

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Whitsun. Single Part, Violin 1. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/11. Published by Carus Verlag (CA.3116911).

ISBN 9790007209322. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

Choral (SATB)

SKU: HL.1422541

Composed by Mari Esabel Valverde. Gentry Publications. Octavo. Gentry Publications #JG2728. Published by Gentry Publications (HL.1422541).

UPC: 196288199762.

In “A Green Voice,” spring is reborn after a period of cold desolation; wishes for nourishing light are granted as blooming trees foretell their abundance, and a lost memory is recovered with sweet music. From wintry breeze and silence to shining sun and colorful harmony, the piano creates a dynamic background as the choir sings a song of hope and regeneration. This work was commissioned for the Metropolitan Chorale of Iowa's Cedar Valley, an ensemble of amateur and professional singers of diverse ages and experiences.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116914

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Whitsun. Single Part, basso continuo. Composed 1726. BWV 169. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.169/14. Published by Carus Verlag (CA.3116914).

ISBN 9790007209353. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116905

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Whitsun. Choral Score. Composed 1726. BWV 169. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.169/05. Published by Carus Verlag (CA.3116905).

ISBN 9790007170752. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116949

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Whitsun. Single Part, Organ. Composed 1726. BWV 169. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.169/49. Published by Carus Verlag (CA.3116949).

ISBN 9790007209377. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.