Movement II from The Lost Birds. Composed by Christopher Tin. BH Secular Chora...(+)
Movement II from The Lost
Birds. Composed by
Christopher
Tin. BH Secular Choral.
Concert, Poetry. Octavo.
16
pages. Duration 270
seconds.
Hal Leonard #M051486021.
Published by Hal Leonard
Mixed Choir (SATB divisi) SKU: HL.1496054 For SATB Divisi. Compose...(+)
Mixed Choir (SATB divisi)
SKU: HL.1496054
For SATB Divisi.
Composed by Ellen Reid.
Choral. Choral. Octavo.
Duration 300 seconds.
Chester Music #CH88309.
Published by Chester
Music (HL.1496054).
UPC:
196288218333.
Lost
in the Blue by Ellen
Reid, with text by Roxie
Perkins, comes from her
2018 chamber opera p r I
s m, premiered by the Los
Angeles Opera.
By Kurt Weill, Maxwell Anderson. Arranged by Paris Rutherford. (SATB a cappella...(+)
By Kurt Weill, Maxwell
Anderson. Arranged by
Paris Rutherford. (SATB
a cappella). Jazz
Chorals. Size 6.7x10.5
inches. 8 pages.
Published by Hal Leonard.
From Mary Poppins Returns. Composed by Marc Shaiman. Arranged by Mac Huff. Dis...(+)
From Mary Poppins
Returns.
Composed by Marc Shaiman.
Arranged by Mac Huff.
Disney
Choral. Movies, Lullaby,
Disney, Ballad, Musicals.
Octavo. 12 pages.
Published
by Hal Leonard
Wild Swans Chorale SATB SATB divisi, A Cappella Hal Leonard
Movement V from The Lost Birds. Composed by Christopher Tin. BH Secular Choral...(+)
Movement V from The Lost
Birds. Composed by
Christopher
Tin. BH Secular Choral.
Concert, Poetry. Octavo.
16
pages. Duration 255
seconds.
Hal Leonard #M051486038.
Published by Hal Leonard
Choral (SATB) SKU: HL.1194269 From Avatar: The Way of Water. ...(+)
Choral (SATB)
SKU: HL.1194269
From Avatar: The Way
of Water. By The
Weeknd. By Abel Tesfaye.
Arranged by Mark A.
Brymer. Pop Choral
Series. Disney,
Motivational, Movies,
Multicultural, Pop.
Octavo. Duration 215
seconds. Published by Hal
Leonard (HL.1194269).
UPC: 196288133513.
6.75x10.5
inches.
Avatar: The
Way of Water was released
in movie theaters 13
years after the original,
yet it proceeded to scoop
up nearly every box
office record along the
way. This introspective
song by The Weeknd makes
us ponder the importance
of family (while
including diction
opportunities in the
unique â??Na'viâ?
language)!
7
Lieder für Chor oder
Solostimmen, teilweise
mit Basso continuo.
Composed by Johann
Hermann Schein. Edited by
Marianne Helms and
Siegmund Helms. This
edition: urtext edition.
Stapled. Chor-Archiv. Aus
Studentenschmaus und
Venuskränzlein. Choral
score, anthology.
Baerenreiter Verlag
#BA06227_00. Published by
Baerenreiter Verlag
(BA.BA06227).
ISBN
9790006477234.
7
Lieder fur Chor oder
Solostimmen, teilweise
mit Basso continuo aus
Studentenschmaus und
Venuskranzlein
Print
on demand (POD).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Vocal
score. Composed 1724. BWV
139. 32 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/03. Published
by Carus Verlag
(CA.3113903).
ISBN
9790007181192. Language:
German/English. Text:
Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score available
separately - see item
CA.3113900.
Lost Youth Chorale SATBB [Conducteur] Carus Verlag
SATBB chorus SKU: CA.940240 From: Five Songs op. 104. Composed by ...(+)
SATBB chorus
SKU:
CA.940240
From:
Five Songs op. 104.
Composed by Johannes
Brahms. Edited by Uwe
Wolf. Carus digital:
Extra digital products.
Full Score. Op. 104,4.
Duration 2 minutes. Carus
Verlag #940240. Published
by Carus Verlag
(CA.940240).
ISBN
9790007313043. Key: D
minor / d major.
German/English. Text:
Wenzig,
Josef.
Recitatives and turbae
by Reinhard Keiser
(1674-1739). Composed
by Johann Sebastian Bach.
Edited by Austin Harvey
Gomme. Paperback. A
reconstruction. Score.
BWV 247. Baerenreiter
Verlag #BA05209_00.
Published by Baerenreiter
Verlag (BA.BA05209).
ISBN 9790006524136.
29.9 x 22.9 cm
inches.
Although
all that survives of
Bach's “St. Mark
Passion†is
Picander's libretto,
virtually all the arias
and choruses can be
reconstructed from
“parodyâ€
versions. The original
recitatives and turbae ,
however, are probably
lost forever. Rather than
rewriting these numbers
“in Bachs's
styleâ€, Gomme has
added passages from
Reinhard Keiser's setting
of the Passion (a setting
highly esteemed by Bach,
who performed it several
times), thereby allowing
this lost work to be
performed in its
entirety. A detailed
preface sheds further
light on this unique
reconstruction based on
the New Bach
Edition.
Composed by Marty Hamby.
Choral, cantatas.
Christmas. Book. Word
Music #080689636172.
Published by Word Music
(WD.080689636172).
UPC:
080689636172.
Chris
tmas is a time for
gratitude, a time for
celebration and
expectation! And it is
a time for music!
Songs of the season are
everywhere around us,
reminding us of the birth
of the Savior, the
anticipated coming of the
Christ Child, the advent
of the Messiah, and the
JOY that is ours
as believers. As
followers of Christ, we
have done more than just
anticipate His coming; we
have lived the
reality of having
received the Son of God
into our hearts, of
knowing Him as Savior,
and worshipping Him as
the King of kings and
Lord of lords! And
because of the wonderful
gift of God’s Son,
given to us, we not only
hear the music of
Christmas, we SING
the song of Christmas,
the Song of
Joy!
Songs both new and old,
celebratory and
worshipful, joy-filled
and awe-inspired,
soul-searching and
soul-soothing, weave a
tapestry of Christmas
wonder that invites the
believer to worship and
rejoice in His presence,
while offering Hope to
the downtrodden and
Salvation to the
lost. In perhaps some of
its most powerful
moments, Song of
Joy ushers the
listener into the serene
and peaceful strains of
the beloved carol
Silent Night! Holy
Night!, followed by
compelling narration
leading to the poignant
and reflective new song,
Somewhere in Your
Silent Night (made
popular by Casting
Crowns). That is followed
by a song of invitation
and worship with
Crowder’s Come
As You Are,
encouraging the lost to
come to Christ and give
Him their heart. This
song of invitation leads
us into the declaration
that He is the King of
kings who will reign
forever in the medley
featuring
Tomlin’s, He
Shall Reign
Forevermore, and
Elevation
Worship’s, Only
King Forever.
SSATB choir, a cappella (SATB) - Easy to Moderately Difficult SKU: OU.9780193...(+)
SSATB choir, a cappella
(SATB) - Easy to
Moderately Difficult
SKU:
OU.9780193407855
Composed by Cecilia
McDowall. Secular Choral
- Mixed Voices. New
Horizons. Vocal score. 12
pages. Duration 4'.
Oxford University Press
#9780193407855. Published
by Oxford University
Press (OU.9780193407855).
ISBN 9780193407855. 10
x 7 inches.
For
SATB unaccompanied
Setting a well-known poem
by Percy Shelley, Love's
Philosophy is a sweet and
tender choral song
reflecting on the idea of
love with reference to
nature and the
interdependent
relationships evident in
the world around us.
Mellifluous choral
writing and sighing
interjections convey the
theme of unrequited or
lost love.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Whitsun.
Single Part, Viola.
Composed 1726. BWV 169. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.169/13. Published by
Carus Verlag
(CA.3116913).
ISBN
9790007209346. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext. 1x
31.169/21 oboe d'amore 1,
1x 31.169/22 oboe d'amore
2, 1x 31.169/23 English
horn. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Whitsun. Set
of Orchestra Parts.
Composed 1726. BWV 169.
Duration 17 minutes.
Carus Verlag #CV
31.169/09. Published by
Carus Verlag
(CA.3116909).
ISBN
9790007209315. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
parts available
separately - see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Whitsun. Single Part,
Violin 2. Composed 1726.
BWV 169. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.169/12. Published by
Carus Verlag
(CA.3116912).
ISBN
9790007209339. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Whitsun. Single Part,
Violin 1. Composed 1726.
BWV 169. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.169/11. Published by
Carus Verlag
(CA.3116911).
ISBN
9790007209322. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.
Choral (SATB) SKU: HL.1422541 Composed by Mari Esabel Valverde. Gentry Pu...(+)
Choral (SATB)
SKU:
HL.1422541
Composed
by Mari Esabel Valverde.
Gentry Publications.
Octavo. Gentry
Publications #JG2728.
Published by Gentry
Publications
(HL.1422541).
UPC:
196288199762.
In
“A Green
Voice,†spring is
reborn after a period of
cold desolation; wishes
for nourishing light are
granted as blooming trees
foretell their abundance,
and a lost memory is
recovered with sweet
music. From wintry breeze
and silence to shining
sun and colorful harmony,
the piano creates a
dynamic background as the
choir sings a song of
hope and regeneration.
This work was
commissioned for the
Metropolitan Chorale of
Iowa's Cedar Valley, an
ensemble of amateur and
professional singers of
diverse ages and
experiences.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Whitsun. Single
Part, basso continuo.
Composed 1726. BWV 169.
12 pages. Duration 17
minutes. Carus Verlag #CV
31.169/14. Published by
Carus Verlag
(CA.3116914).
ISBN
9790007209353. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Whitsun. Choral
Score. Composed 1726. BWV
169. 2 pages. Duration 17
minutes. Carus Verlag #CV
31.169/05. Published by
Carus Verlag
(CA.3116905).
ISBN
9790007170752. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score
available separately -
see item CA.3116900.