Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

For SATB choir, keyboard (flute, oboe, violin). Choral Music. St. Louis Cathedral. Level: Easy. Published by MorningStar Music Publishers.

(Acht Kompositionen aus op.120 und Werke ohne Opuszahl 87). By Louis Spohr (1784-1859). Edited by Ulrich Zimmer. For Mixed Choir-SATB. Singing Score. Published by Baerenreiter Verlag

By Joseph M. Martin and Louis F. Benson. For Choral (SATB). Harold Flammer. Choral. 12 pages. Shawnee Press #A8662. Published by Shawnee Press

Choral (SATB)

SKU: HL.370625

Composed by Bruce W. Tippette. Shawnee Press. Concert, Winter. Octavo. 16 pages. Duration 190 seconds. Published by Shawnee Press (HL.370625).

ISBN 9781705147184. UPC: 840126994292. 6.75x10.5x0.036 inches.

The poem by Louisa May Alcott describes the chilling scene of winter with a brisk and exciting piano accompaniment inspiring the rhythmic vocal lines. A terrific opportunity for dynamic singing, text study and enunciation work as a concert, contest or festival selection.

By Kenneth Louis. For SATB Chorus, Cantor and Keyboard accompaniment. Music Collection. Sacred. Easy/Medium. Text language: English. 52 pages

By Kenneth W. Louis. For Voices: SATB. Piano. African American Church Music Series Sacred. Level: easy/medium. 6 pages. Published by GIA Publications.

(Medley of O Little Town of Bethlehem , Silent Night! Holy Night! and Emmanuel, God with Us ). By Nathan and Christy Nockels. Arranged by Lloyd Larson. For SATB choir and piano or optional orchestration. DIVINUM MYSTERIUM ST. LOUIS, Hymntune, Christmas,

(Medley of O Little Town of Bethlehem , Silent Night! Holy Night! and Emmanuel, God with Us ). By Nathan and Christy Nockels. Arranged by Lloyd Larson. For SATB choir and piano or optional orchestration. The Lloyd Larson Choral Series. DIVINUM MYSTERIUM ST. LOUIS, Hymntune, Christmas, Sacred. Octavo. 8 pages. Published by Hope Publishing Company

SATB. By W.C. Handy. Arranged by Kirby Shaw. (SATB). Choral. Book only. Size 6.7x10.5 inches. 12 pages. Published by Hal Leonard.

For SATB Choir, Piano. Christmas, 20th Century, Choral. Sheet Music. 220 pages. Published by Novello and Co Ltd.

By James Chepponis. For congregation, cantor, organ (SATB or instruments). Choral Music. Level: Easy/Medium-Easy. Published by MorningStar Music Publishers.

Composed by Melissa Dunphy. Octavo. E.C. Schirmer Publishing #8827. Published by E.C. Schirmer Publishing

Arranged by Jay Althouse, words and music by Randy Newman. Octavo for SATB choir, piano accompaniment and optional clarinet solo. With solo part. Series: Alfred Pop Series. 12 pages. Published by Alfred Publishing.

Performed by Louis Armstrong. By Steve Allen. Arranged by Kirby Shaw. (SATB). Choral. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard

SATB Choir - Intermediate

SKU: HL.14002765

Composed by Geoffrey Burgon. Music Sales America. Choral. Sheet Music, Vocal Score. With Text language: English. Music Sales #SOS01024. Published by Music Sales (HL.14002765).

Lyrics by Louis MacNiece.

Written for unaccompanied mixed choir.

Soloists, Choir, Orchestra (2 Soprano Voice Solo, Tenor Voice Solo, BarSolo, SATB Choir, ballet, Orch)

SKU: BA.BA08862

Pastorale héroïque in one act. Composed by Jean-Philippe Rameau. Edited by Érik Kocevar. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/22. Complete edition, Score. Duration 1 hour. Baerenreiter Verlag #BA08862_00. Published by Baerenreiter Verlag (BA.BA08862).

ISBN 9790006558216. 33.7 x 25.8 cm inches. Text Language: French. Preface: Bouissou, Sylvie / Kocevar, Érik. Text: Charles Colle.

The heroic pastoral Daphnis et Egl was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.

This edition is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version—which is actually more complete in its musical form, in particular with its overture and two ariettas—but also reconstructs the original state of the final divertissement (presented in the appendix) before it was revised.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Henry Mollicone. Text: Robert Louis Stevenson. For SATB choir and Piano. (Mixed Voices). General. Choral. Published by E.C. Schirmer Publishing.

SATB choir, cantor, priest, assembly, piano accompaniment - Intermediate

SKU: GI.G-8346

Revised Order of Mass 2010. Composed by Kenneth W. Louis. Mass. Mass. Sacred. Choral score. 40 pages. GIA Publications #8346. Published by GIA Publications (GI.G-8346).

UPC: 785147834601. English. Text Source: Revised Order of Mass 2010, Lectionary for Mass, entrance song by Rodrick Bell, 1961-1994. Text by Roderick Bell.

For SATB, cantor, piano, and assembly this new Mass by Kenneth Louis is exactly the kind of uplifting gospel praise that adds a festive dimension to your worship celebrations. Quick, syncopated rhythms and joyful melodies infused throughout capture both the ear and the heart inviting your assembly to lift their voices in glory.

Composed by John Leavitt and Robert Louis Stevenson. Festival Choral. Concert, Festival, Poetry. Octavo. 20 pages. Published by Hal Leonard

SATB choir, piano reduction - Early intermediate

SKU: GI.G-6781

Composed by William J. Kirkpatrick. Arranged by Zachary W. Lavender. African American Church Music Series. Sacred. Octavo. 4 pages. GIA Publications #6781. Published by GIA Publications (GI.G-6781).

UPC: 785147678106. English. Text by Louisa M. R. Stead.

Zachary Lavender has arranged this wonderful, old hymn for SATB choir (with some divisi). The text and the tune are simple and straightforward, but the dynamic range is expansive and the arrangement is expressive. On hearing this piece, the congregation will be roused by the middle and, at the end, led to a place of stillness where they can encounter Christ.

By Robert A. Hobby (1962-). For Two-Part Mixed Voices or SATB, Soprano Solo, opt. Congregation, opt. Children's Choir or Treble Solo with Organ, Piano, Brass Quintet, Percussion, Handbells or Full Orchestra. Choral. Christmas, Advent. Medium to Moderately Difficult. Published by MorningStar Music Publishers

Composed by Melissa Dunphy. Octavo. E.C. Schirmer Publishing #8931. Published by E.C. Schirmer Publishing

SATB Choir (Mixed choir)

SKU: BA.BA04194

33 Kompositionen, Anhange. Composed by Orlande De Lassus. Edited by Marie Louise Göllner. This edition: complete edition, urtext edition. Linen. Orlando di Lasso, Complete Works (Samtliche Werke - Neue Reihe), Volume 18. Complete edition, anthology. Baerenreiter Verlag #BA04194_00. Published by Baerenreiter Verlag (BA.BA04194).

ISBN 9790006444731. 27.5 x 19.5 cm inches. Text Language: Latin. Preface: Göllner, Marie Louise.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Mixed choir - advanced

SKU: HL.49044192

SATB German Text. Composed by Claus-Dieter Ludwig. This edition: Saddle stitching. Sheet music. Choral. Octavo. 20 pages. Schott Music #C56035. Published by Schott Music (HL.49044192).

ISBN 9790001196994. UPC: 841886021266. 7.5x10.75x0.085 inches. German.

Ein Standchen der ganz besonderen Art liefert Claus-Dieter Ludwig mit seinen heiteren Variationen fur gemischten Chor (SATB) a cappella uber das allseits bekannte und beliebte Geburtstagslied Happy Birthday. Ob Giovanni Giacomo Gastoldi, Johann Sebastian Bach, Franz Schubert, Johannes Brahms oder gar die Jazz-Ikone Louis Armstrong: Sie alle kommen musikalisch zu Wort, um jeder in seiner ureigensten Stilistik dem Geburtstagskind zu huldigen. Aber nicht nur das: Auch das Loblied auf gutes und uppiges Essen sowie reichlich freie Getranke kommt in diesen funf augenzwinkernden Variationen keineswegs zu kurz. Ein auch fur Laienchore oder Vokalquartett gut machbares Geburtstagsstandchen, das mit relativ einfachen, aber wirkungsvollen Mitteln garantiert fur gute Stimmung auf jeder Geburtstagsparty sorgt.

By James Biery. For SATB with Optional Handbells, Optional C instrument. Choral. Memorial, Communion, Pentecost, Maundy Thursday, HolyWeek/Three Days. Medium. Romans 13:11 (Advent I/A) Philippians 3:14 (Lent V/C)