By Alexandre Gretchaninoff. For chorus. (SATB(DIV)). Russian Title: Otche nash. Published by Musica Russica. (Gr 037)

Composed by Jesse Beulke. Sws. Octavo. 16 pages. Duration 4 minutes, 20 seconds. Carl Fischer Music #CM9653. Published by Carl Fischer Music

Composed by Daniel A. Mahraun. For SATB choir divisi, a cappella. Moderately Difficult. Octavo. Published by MorningStar Music Publishers

Edited by Simon Carrington. Arranged by Ian David Coleman. Octavo. Alliance Music Publications #AMP 1107. Published by Alliance Music Publications

Composed by Victor C Johnson. Octavo. Heritage Music Press #15/3429H. Published by Heritage Music Press (LO.15-3429H).

Composed by Jean Berger. Choral. Octavo. Heritage Music Press #15/3570H. Published by Heritage Music Press

Arranged by Andre Thomas. Octavo for SATB choir and conga drums. Choral. F minor. 8 pages. Published by Hinshaw Music Inc.

Composed by Leonard Enns. 21st Century. Galaxy Music Corporation #1.3508. Published by Galaxy Music Corporation

Composed by Natalie Sleeth. Hinshaw Music. Anthem, Call to Worship, Sacred, General Worship. Octavo. 8 pages. Hinshaw Music Inc. #HMC2503. Published by Hinshaw Music Inc. (HL.201537).

SATB a cappella Choral; Mixed Choir (SATB a cappella)

SKU: HL.50490228

By Melinda Berlasz. By Veress Sándor. EMB. Classical. Softcover. 147 pages. Editio Musica Budapest #Z14553. Published by Editio Musica Budapest (HL.50490228).

ISBN 9790080145531. UPC: 884088531638. 7.5x10.75x0.365 inches. Hungarian, English, German. Sandor Veress; Melinda Berlasz.

Volume II of the collected edition of the choral works of Veress contains seven Hungarian folksong cycles or cantatas, a choral poem in Hungarian and a choral cycle in English. In his first creative period (1929-1939), which he spent in Hungary, Sandor Veress's direct involvement in Hungarian folk music research played a decisive part: his folksong experience gained through personal collecting work found expression in his first period of composition for mixed choir. In the course of the 1960s, after his emigration, he returned on two occasions to the a cappella mixed choir genre: in 1962 he wrote a piece for mixed choir to mark the 60th birthday of the great Hungarian poet Gyula Illyes (Oda Europahoz - Ode to Europe, based on the poem by Illyes), and in 1967, at the request of the Australian Radio Company, he composed for the 'Adelaide Singers' chamber choir Songs of the Seasons, a seven-movement madrigal cycle making exceptional demands on the performers, to verses by the Australian poet Christopher Brennan (1870-1932).

SATB choir

SKU: WD.080689655173

Composed by Daniel Semsen. Choral, cantatas. Christmas. Book. Word Music #080689655173. Published by Word Music (WD.080689655173).

UPC: 080689655173.

Dove Award winning songwriters Joel Lindsey and Jeff Bumgardner, with Dove Award winning arranger/ orchestrator Daniel Semsen, have, once again, brought to life an astoundingly appealing new musical for Christmas, Love Was Born a King. With a slew of critically acclaimed dramatic musicals for Christmas under their belt, this highly awarded creative team has done it again, this time with a twist! Their newest offering, Love Was Born a King, is actually 2 musicals in one! Fully developed as a dramatic musical in the vein of their previous successes (How to Have the Best Christmas Ever, An Unexpected Christmas, Welcome to Bethlehem, Under a Starry Sky), Love Was Born a King certainly doesn’t disappoint those in search of their next, new, dramatic musical. For others, who love the music heard in those previously released musicals but aren’t looking for a dramatic musical, Joel and Jeff have delivered an amazing choir with narrator musical option that fully utilizes all the songs found in the drama version… literally, 2 musicals in 1! The option with drama deals poignantly and sensitively with the plight of the homeless, drawing on the responsibility of God’s people to minister and care for those in need. And in the course of helping others, finding that we just might find ourselves being ministered to in the process! If instead you’re looking for a choir with narrator option, you’ll discover the same brilliantly written songs wrapped in a beautifully expressed narrative highlighting the traditional Christmas story focusing on the power and beauty of God’s Love come down to earth, manifested in the birth of the Christ Child.

SATB choir, piano

SKU: LO.45-1636H

Composed by Mark Hayes. Christmas. Heritage Music Press #45/1636H. Published by Heritage Music Press (LO.45-1636H).

ISBN 9780787766092.

This festive Christmas work for chorus, soprano soloist, and optional orchestra and handbells includes three familiar carols arranged in Mark Hayes's signature, colorful style. Over the course of twelve minutes, Angels We Have Heard on High, I Heard the Bells on Christmas Day, and Hark! the Herald Angels Sing are joined together by sections of original music, making a memorable Christmas concert selection for community choirs, churches, and schools. Perform with Mark’s own vibrant orchestration to experience the full effect of this outstanding holiday composition. A track listing corresponding to the Performance/Accompaniment CD is available as a free download.

By Mary Lynn Lightfoot. For SATB choir, finger cymbals, piano. Secular Christmas. Octavo

SATB choir with orchestral or piano accompaniment (3333 / 4331, timp, 3 perc, hp, org, stgs [opt. handbells])

SKU: EC.RBM-014

Composed by Randol Alan Bass. Arranged by Randol Alan Bass. General. Christmas, Sacred, 21st Century. Choral score. Duration 4:00″. Randol Bass Music #RBM-014. Published by Randol Bass Music (EC.RBM-014).

English.

This stand-alone arrangement was excerpted from the final section of the larger work Christmas Flourish [RBM-103]. The setting is begins in a restrained, but martial, fashion and becomes fuller and more exuberant over the course of its 4-minute duration. As it concludes majestically with great orchestral flourish and fervor, this music is most useful when presented as Holiday concert finale. Duration: 4:00″.

SATB choir

SKU: ST.CN22P

Composed by Samuel Bordoli. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN22P. Published by Stainer & Bell Ltd. (ST.CN22P).

ISBN 9790220224836.

This uplifting prayer for peace is an anthem setting of Thomas Cranmer's Collect for the Second Sunday after Epiphany. And perhaps in the spirit of the day's epistle - an exhortation from Romans 12 to practise those gifts received through grace - the composer offers here a beautiful account of his choral idiom: a matter of precisely imagined textures, as sensitive to individual line and contour as to the seamless dovetailing of motifs and harmony, and of majestic, purposefully cadenced phrases in affective unity with the sense and breathing of the text. Written for the 2011 Liturgical Music Course and premiered in Winchester Cathedral, Almighty and Everlasting God is well within the standard of capable church choirs, and offers an absorbing and memorable enhancement of reverence in worship for a variety of occasions.

Newly revised! 260 chants. Composed by Various. Royal School of Church Music. Sacred. Book. 90 pages. GIA Publications #RAB529. Published by GIA Publications

SATB choir [4 instruments], basso continuo - Level 3

SKU: CA.3123006

Composed by Johann Sebastian Bach. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Lobet Den Herrn, Alle Heiden Rev.2003. Innovative practice aids, Sacred vocal music, Motets, Psalms, German, Praise and thanks, Psalms. Choral Score. BWV 230. 16 pages. Duration 8 minutes. Carus Verlag #CV 31.230/06. Published by Carus Verlag (CA.3123006).

ISBN 9790007165420. Key: C major. Text language: German/English.

Thi s motet, no matter how popular it is, presents Bach scholars with a few puzzles: is it really by Bach? Somehow the text doesn't fit with the notes, at least not so that it's comfortable to sing. And is the musicologists' problem the same for the choral singers? Not, of course not in the Alleluia fugue: in that, there really is something to worry about ... year of composition unknown. Score available separately - see item CA.3123000.

(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSATB). BH Large Choral. 48 pages. Boosey and Hawkes #M051481666. Published by Boosey and Hawkes

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002705

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Choral Score. 8 pages. Duration 8 minutes. Carus Verlag #CV 10.027/05. Published by Carus Verlag (CA.1002705).

ISBN 9790007181338. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002711

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 1. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/11. Published by Carus Verlag (CA.1002711).

ISBN 9790007189327. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002709

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. 1x 10.027/31 trombone 1, 1x 10.027/32 2 trombones, 1x 10.027/33 trombone 3, 1x 10.027/34 trombone 4. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Duration 8 minutes. Carus Verlag #CV 10.027/09. Published by Carus Verlag (CA.1002709).

ISBN 9790007189310. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and parts available separately - see item CA.1002700.