By Luca Marenzio (1553-1599). Edited by John Steele. For 5 mixed voices. Madriga...(+)
By Luca Marenzio
(1553-1599). Edited by
John Steele. For 5 mixed
voices. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
Choral (SATB) SKU: HL.35007834 Eartraining. Composed by Tomá...(+)
Choral (SATB)
SKU:
HL.35007834
Eartraining.
Composed by Tomá
and s Luis de Victoria.
Arranged by James
McKelvy. Mark Foster.
Advent, Christmas Sacred,
Christmas/Advent Sacred,
Classical, Concert.
Octavo. 8 pages. Shawnee
Press #MF0404. Published
by Shawnee Press
(HL.35007834).
UPC:
747510051954.
7.0x10.5x0.016 inches.
French.
Avoir
une bonne oreille
musicale fait
indéniablement
partie des
éléments
requis pour être ou
devenir un bon pianiste.
C’est bien
simple... tout part de
là ! Et tout passe
par là !Mais
à l’instar
des doigts qui sont au
contact du clavier,
l’oreille doit
aussi être
formée et
entraînée
pour devenir performante.
Et cela passe
inévitablement par
des
exercicesspécifiqu
es, tels que ceux qui
vous sont proposés
dans cette
méthode. Savoir
reconnaître les
intervalles entre les
notes est la base de la
formation auditive (ear
training, en anglais).
C’estpourquoi un
premier grand chapitre
est consacré ici
à leur
étude approfondie.
Dans les suivants, vous
serez alors en mesure
d’aborder, pas
à pas, les
arpèges et accords
de 3 et 4 sons,ainsi que
les gammes... qui sont
autant d’outils
indispensables pour
identifier à
l’oreille les
mélodies et
accompagnements
joués par le
piano. Chaque
étape de
l’apprentissage
estponctuée
d’un quiz musical,
permettant
d’évaluer
vos acquis, vos
progrès... mais
aussi votre aptitude
à passer à
la suite. Vous trouverez
sur le disque MP3 joint
tous lesenregistrements
audios (au format mp3)
correspondant aux
multiples exercices et
autres quiz de la
méthode.
Avoir une bonne oreille
musicale fait
indeniablement partie des
elements requis pour etre
ou devenir un bon
pianiste. C'est bien
simple... tout part de la
! Et tout passe par la !
Mais a l'instar des
doigts qui sont au
contact du clavier,
l'oreille doit aussi etre
formee et entrainee pour
devenir performante. Et
cela passe inevitablement
par des exercices
specifiques, tels que
ceux qui vous sont
proposes dans cette
methode. Savoir
reconnaitre les
intervalles entre les
notes est la base de la
formation auditive (ear
training, en anglais).
C'est pourquoi un premier
grand chapitre est
consacre ici a leur etude
approfondie. Dans les
suivants, vous serez
alors en mesured'aborder,
pas a pas, les arpeges et
accords de 3 et 4 sons,
ainsi que les gammes...
qui sont autant d'outils
indispensables pour
identifier a l'oreille
les melodies et
accompagnements joues par
le piano. Chaque etape de
l'apprentissage est
ponctuee d'un quiz
musical, permettant
d'evaluer vos acquis, vos
progres... mais aussi
votre aptitude a passer a
la suite. Vous trouverez
sur le disque MP3 joint
tous les enregistrements
audios (au format mp3)
correspondant aux
multiples exercices et
autres quiz de la
methode.
Malaika Chorale SATB SATB, Percussion(s) Carl Fischer
Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. ...(+)
Angel. Composed by
Fadhilli
William Mdawida. Arranged
by
Russell L. Robinson. Sws.
Octavo. 16 pages.
Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9650.
Published by Carl Fischer
Music
By Luca Marenzio (1553-1599). Edited by John Steele. For 5 and 6 mixed voices. M...(+)
By Luca Marenzio
(1553-1599). Edited by
John Steele. For 5 and 6
mixed voices. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
By Luca Marenzio (1553-1599). Edited by John Steele. For 5 and 6 mixed voices. M...(+)
By Luca Marenzio
(1553-1599). Edited by
John Steele. For 5 and 6
mixed voices. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
Composed by Roger L. Miller. Arranged by Christine H. Davis. For SATB choir, Org...(+)
Composed by Roger L.
Miller. Arranged by
Christine H. Davis. For
SATB choir, Organ.
Sacred, hymn. Octavo.
Text language: English.
Duration 4:45. Published
by Jackman Music
Corporation
Mixed choir (SATB) - easy SKU: HL.49026638 Composed by Johann Sebastian B...(+)
Mixed choir (SATB) - easy
SKU: HL.49026638
Composed by Johann
Sebastian Bach. Sheet
music. Schott
Chorblattreihe (Choral
Music). Choral Score. 2
pages. Schott Music #CHBL
373. Published by Schott
Music (HL.49026638).
Judith Clurman
Rejoice: Honoring the
Jewish Spirit Choral
Series. Composed by
Franz Schubert and
Solomon Sulzer. Edited by
Judith Clurman. Rejoice
Honoring Jewish Spirit.
Concert, Festival,
Jewish. Octavo. 20 pages.
Published by G. Schirmer
(HL.50600281).
ISBN
9781495027062. UPC:
888680074166. 6.75x10.5
inches.
Nineteenth
century cantor and
composer Solomon Sulzer
combined the Viennese
romantic compositional
style with traditional
Hebrew melodies to create
a new form of Jewish
liturgical music. Along
with his own
compositions, he worked
with some of his musical
colleagues of the time
including Franz Schubert.
Combined, these make a
beautiful concert setting
or service music for both
Jewish and Christian
worship. Includes Segen
(Sulzer) and Tov L'Hodot
(Schubert).
L'ultimo di di maggio Chorale SATB SATB divisi, A Cappella [Octavo] Heritage Music Press
(On the last day of May). Composed by Ottorino Respighi (1879-1936). Arranged by...(+)
(On the last day of May).
Composed by Ottorino
Respighi (1879-1936).
Arranged by Robert
Sieving. For SATB choir
(divisi, a cappella).
Prima Cantate Series.
Concert. Octavo. Heritage
Music Press #15/3158H.
Published by Heritage
Music Press
SATB choir, cantor,
assembly, keyboard
accompaniment, flute,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, trombone, violin 1,
violin 2, cello, guitar -
Early intermediate
SKU: GI.G-10297
Composed by Peter M.
Kolar. Mass. Sacred.
Octavo. With guitar chord
names. 64 pages. GIA
Publications #10297.
Published by GIA
Publications
(GI.G-10297).
UPC:
785147029717. English,
Spanish. Text Source:
Revised Order of Mass
2010, Lectionary for
Mass. Misal
Romano, tercera
edición
SATB Choir and Organ - Grade 2.5 SKU: BT.DHP-1115108-050 All Glory Be ...(+)
SATB Choir and Organ -
Grade 2.5
SKU:
BT.DHP-1115108-050
All Glory Be to God on
High. Arranged by
Jacob De Haan. Musica
Sacra. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115108-050. Published by
De Haske Publications
(BT.DHP-1115108-050).
9x12
inches.
Jacob de
Haan begins his
arrangement of the
well-known hymn Allein
Gott in der
Höh’ sei
Ehr (All Glory Be to
God on High) with a
quotation from his own
Missa Katharina, a
mass for choir, soprano,
and band. To this melody
he sets the Latin text
from the last part of the
Gloria. The chorale is
then heard after an
interlude and can, at the
director’s
discretion, be
accompanied by the choir
singing in either German
or English. A perfect
work for church
concerts.
De
bewerking van het bekende
koraal Allein Gott in
der Höh’ sei
Ehr van Jacob de Haan
begint met een citaat uit
zijn eigen Missa
Katharina, een mis
voor koor, sopraan en
blaasorkest. Daarin
maakte de componist de
melodiebij de Latijnse
tekst uit het laatste
deel van Gloria. Na een
tussenspel klinkt er een
koraal dat net zoals bij
het Latijnse deel door
het koor kan worden
meegezongen. U ontvangt
zowel een Duitse als een
Engelse
tekst.
Jacob de
Haans Bearbeitung des
bekannten Chorals
Allein Gott in der
Höh’ sei
Ehr beginnt mit einem
Zitat aus der Missa
Katharina von Jacob
de Haan, einer Messe
für Chor, Sopran
und Blasorchester. Darin
setzte der Komponist die
Melodie zum lateinischen
Text aus dem letzten Teil
des Gloria. Nach einem
Zwischenspiel erklingt
der Choral, der genau wie
der lateinische Teil nach
Belieben vom Chor
mitgesungen werden kann.
Il corale
Allein Gott in der
Hoh’ sei Ehr
si compone di un cantico
di Pasqua del X secolo,
del canto gregoriano
Gloria in Excelsis e del
Sanctus in festis duplici
bus.
L’arrangiamento di
Jacob de Haan inizia su
di un estratto del Gloria
della Missa
Katharina (messa per
coro, soprano solo e
banda composta dallo
stesso de Haan). Dopo un
breve interludio,
l’orchestra
interpreta nuovamente il
corale al quale si potr
aggiungere il coro (le
versioni inglesi e
tedesche del testo del
corale sono incluse).
(Oratorium in drei Teilen). Composed by George Frideric Handel (1685-1759). Edit...(+)
(Oratorium in drei
Teilen). Composed by
George Frideric Handel
(1685-1759). Edited by
Helmut Bornefeld /
Matthias Wamser /
Friedrich Chrysander. For
S(A)TB vocal soli, SATB
choir, flute, 2 oboes, 2
bassoons, horns, 2
trumpets, timpani, basso
continuo. German title:
L'Allegro il Penseroso
/arr. Bornefeld.
Oratorios. Full score.
Language: German/English.
Composed 1740. HWV 55.
Published by Carus Verlag
ISBN
9790006523368. 33.5 x
25.5 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Louis de
Cahusac.
Rameau's
“Les Fêtes de
l'Hymen et de
l'Amour†was long
considered second-rate
because its première
was associated with a
political event. Yet this
ballet abounds in novel
dramaturgical effects
that foreshadow his later
operas, such as
“Zaïsâ€,
“Zoroastreâ€
and “Les
Boradesâ€. Working
together with his
librettist Cahusac,
Rameau sought to weave
the dance numbers,
choruses and stage
machinery more tightly
into the main plot. He
also experimented with
stylistic devices unique
to this work, the most
famous being
unquestionably the scene
in which the Nile
overflows its banks (an
impressive ten-voice
double chorus with solo
voices and orchestra) and
the sextet from
“Arurisâ€, a
scoring found nowhere
else in his
uvre.
For the
first time, this
scholarly-critical
edition of “Les
Fêtes de l'Hymen et de
l'Amour†presents a
reference version of the
work that is based on all
the major sources for
both the libretto and the
music, including two
recent musical
discoveries. As most of
the performance material
for the première has
vanished, our edition is
based on the version
prepared for the Acadmie
Royale de Musique in
1748.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB Choral (SATB divisi a cappella) SKU: HL.363995 Exigence. Comp...(+)
SATB Choral (SATB divisi
a cappella)
SKU:
HL.363995
Exigence. Composed
by Marques L. A. Garrett.
Exigence Choral Series.
Concert, Festival.
Octavo. 16 pages.
Duration 200 seconds.
Published by Hal Leonard
(HL.363995).
UPC:
840126956948.
6.75x10.5x0.036
inches.
Combining
the traditional Latin
text “Agnus
Dei†with one of
the most beautiful Negro
spirituals, here is a
concert setting fit for
any advanced choir. Each
of the three verses evoke
various stages of peace
and rest.
SATB chorus - Medium SKU: JK.01139 Composed by Matthias Keller. Arranged ...(+)
SATB chorus - Medium
SKU: JK.01139
Composed by Matthias
Keller. Arranged by
Thomas L. Durham. Choral
SATB, Difficulty Medium,
Patriotism, Pioneers.
Christian, Inspirational.
Duration 3:45. Jackman
Music Corporation #01139.
Published by Jackman
Music Corporation
(JK.01139).
Stirring
arrangement for mixed
chorus (SATB). This
little-known early
American hymn is
appropriate for any
patriotic
setting. Composer:
Matthias Keller
Arranger: Thomas L.
Durham Lyricist:
Oliver Wendell Holmes
Difficulty: Medium
Performance time:
3:45.
Huron Carol Chorale SATB SATB A Cappella Fennica Gehrman
Choral (SATB a cappella) SKU: HL.48025205 Jesous Ahatonhia–SATB...(+)
Choral (SATB a cappella)
SKU: HL.48025205
Jesous
Ahatonhia–SATB a
Cappella. Composed by
Jean de Bré and
beuf. Arranged by Matthew
Whittall. BH Secular
Choral. Canadian,
Classical. Octavo. 4
pages. Fennica Gehrman
#M550113565. Published by
Fennica Gehrman
(HL.48025205).
Vierstimmige
Gesange. Composed by
LANG. Edited by Hans
Lang. Sheet music.
Edition Schott.
Classical. 1201 pages.
Schott Music #ED 4051.
Published by Schott Music
(HL.49004607).
Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 S...(+)
Opera in tre atti. By
George Frideric Handel.
Edited by Burrows,
Donald. For 2 Soprano
solo, 1 Mezzo-Soprano
solo, 1 Alto solo, 2
Tenor solo, 1 Bass solo,
SATB Chorus, Flute I, II,
Recorder I, II, Oboe I,
II, Bassoon I, II, Horn
I, II, Trumpet I, II,
Violin I-III, Viola,
Bassi (Cello, Contrabass,
Lute, Harpsichord).
(SATB). This edition:
Complete Edition; Urtext
Edition. Hallische
Handel-Ausgabe, Serie II
Band 32. Piano
Reduction/Vocal Score.
235 pages. Published by
Baerenreiter Verlag
(German import).
Composed by Camille Saint- Saens (1835-1921). Edited by Christina M. Stahl. Thi...(+)
Composed by Camille
Saint-
Saens (1835-1921). Edited
by
Christina M. Stahl. This
edition: urtext edition.
Stapled. Barenreiter
Urtext.
Choral score. Opus 12. 12
pages. Baerenreiter
Verlag
#BA11304-91. Published by
Baerenreiter Verlag
Carols for Choirs 2 by David Willcocks and John Rutter (1945-). Edited by David ...(+)
Carols for Choirs 2 by
David Willcocks and John
Rutter (1945-). Edited by
David Willcocks, John
Rutter. For mixed choir.
Mixed Voices. ...for
Choirs Collections.
Christmas, Choral
Collection. Choral
collection. 224 pages.
Published by Oxford
University Press
Chorale SATB SATB, Piano [Vocal Score] - Avancé Schirmer
(Vocal Score). By Georges Bizet (1838-1875). Arranged by Ruth and Thomas Martin....(+)
(Vocal Score). By Georges
Bizet (1838-1875).
Arranged by Ruth and
Thomas Martin. For SATB
chorus, 12 solo voices
and piano accompaniment
(score). This edition:
ED421. G. Schirmer Opera
Score Editions. Classical
Period and Opera.
Difficulty: difficult.
Vocal score. Vocal score,
piano reduction, lyrics
and introductory text.
391 pages. Published by
G. Schirmer