By F.A. Challinor / Leah Ashton Lloyd / Joseph Ballantyne. Arranged by David Len Allen. Text: W.H. Parker/Jemima Luke/James R. Murray. For SATB Choir. Level: Medium / Medium-Difficult (accompaniment). Duration 3:00. Published by Jackman Music Corporation.

Composed by Mark Hayes. For SATB choir (keyboard accompaniment). Mark Hayes Series. Main Key: F Major. Sacred. Difficulty: Medium (Adult). Octavo. 12 pages. Duration 3 minutes 40 seconds. Published by Hinshaw Music Inc.

Composed by Mark A. Miller. For SATB choir (piano accompaniment). Main Key: F Major. Sacred. Difficulty: Medium (Adult). Duration 3 minutes 30 seconds. Published by Hinshaw Music Inc.

(Orchestration). By Stuart K. Hine (1899-1989). Arranged by Mark Hayes. For SATB choir and orchestra (instrumental pack). Shawnee Press. For use with MS.A8762. Shawnee Press #LB5955. Published by Shawnee Press

By Joy F. Patterson. For SATB, opt. Children's Choir, opt. Congregation with Organ. Choral. Organ Dedication, Music. Moderately Easy. Psalms 136

By Mark Hayes. For SATB choir and piano. Concert. Octavo. Published by Heritage Music Press. (15/2472H)

Composed by Joy F. Patterson. For SATB choir, percussion (djembe or conga drum). Year C: Easter6. Easter, Faith, 21st Century. Moderately Easy. Octavo. Text Language: English. Published by MorningStar Music Publishers

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.4065613

Composed by Franz Schubert. Edited by Manuela Jahrmarker. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In F Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Viola. Composed 1814. D 105. 16 pages. Duration 40 minutes. Carus Verlag #CV 40.656/13. Published by Carus Verlag (CA.4065613).

ISBN 9790007085209. Key: F major. Language: Latin.

Score available separately - see item CA.4065600.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.4065619

Composed by Franz Schubert. Edited by Manuela Jahrmarker. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In F Rev.2003. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1814. D 105. Duration 40 minutes. Carus Verlag #CV 40.656/19. Published by Carus Verlag (CA.4065619).

ISBN 9790007133405. Key: F major. Language: Latin.

Score available separately - see item CA.4065600.

Mixed Choir [SATB] - Grade 3

SKU: HL.14018183

Composed by F. Hoffding and Harald Bjerg Emborg. Music Sales America. Hymns & Chorals. Vocal Score. Composed 2005. Edition Wilhelm Hansen #WH29597. Published by Edition Wilhelm Hansen (HL.14018183).

Korsang i Danmark 1, Hefte 1 - Middelalder - Renaissance - Barok. For 3-5- st. blandet kor a cappella. Redigeret af Harald B. Emborg og Finn Hoffding, under medvirken af Danske Folkekor/ Gunnar Kragelundog Dansk Korforening/Knud Vad.

Korsang i Danmark 1, Hefte 1 - Middelalder - Renaissance - Barok.

For 3-5- st. blandet kor a cappella.

Redigeret af Harald B. Emborg og Finn Høffding, under medvirken af Danske Folkekor/ Gunnar Kragelundog Dansk Korforening/Knud Vad.

SATB Choir a Cappella - Grade 3

SKU: HL.14018184

Composed by Finn Hoffding and Harald Bjerg Emborg. Music Sales America. Hymns & Chorals. Vocal Score. Composed 2005. Edition Wilhelm Hansen #WH29598. Published by Edition Wilhelm Hansen (HL.14018184).

ISBN 9788759875643.

Kors ang i Danmark 1, Hefte 2 - Oplysningtiden. Fra J.E. Hartmann over J.A.P. Schultz til og med F.L.ae Kunzen. For 3-5- st. blandet kor a cappella. Redigeret af Harald B. Emborg og Finn Hoffding, under medvirken af Danske Folkekor/Gunnar Kragelund og Dansk Korforening/Knud Vad.

By Joseph Mohr, translated by John F. Young, music by Franz Grüber. Arranged by Jay Althouse. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Christmas; Winter. Choral Octavo. 12 pages

SATB Choir

SKU: BT.WHSK05547

Composed by Oscar Gyldmark. Score Only. Edition Wilhelm Hansen #WHSK05547. Published by Edition Wilhelm Hansen (BT.WHSK05547).

SATB Choir - Grade 3

SKU: BT.DHP-0991451-050

Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-050. Published by De Haske Publications (BT.DHP-0991451-050).

English.

Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.

Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren....

SATB choir with vocal duet (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, rhythm, violin 1&2, viola, cello/bassoon, string bass) - Moderate

SKU: LP.765762195400

Composed by Tracey Barker & Mark Harris. Arranged by Steven V. Taylor. Anthems. Contemporary and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762195400).

UPC: 765762195400.

Arran ged by Steven V. Taylor, this new song, penned by Tracey Barker and Christian music veteran Mark Harris speaks of the woman at the well. Arranged for duet feature with choir, this is a very special song of complete surrender.

SATB choir; orchestra

SKU: HP.C5044O

Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. Outreach, General Worship, Mission, Sacred. Set of Instrumental Parts. Hope Publishing Company #C5044O. Published by Hope Publishing Company (HP.C5044O).

UPC: 763628144685. 1 Peter 1:16, Acts 2:2, Haggai 2:6, John 9:4-5, Luke 24:49, Matthew 28:19, Matthew 5:14,16, Romans 8:16, Mark 5:21-43, Mark 6:1-13.

Popular English Praise song A driving setting of a song from the popular, English praise-songwriter, Graham Kendrick. Perfect for mission themes or as a rousing send-off to a service or conference. Useful and uplifting.

Choral SATB Choir and Piano

SKU: CF.CM9740

Composed by Mark Burrows. 16 pages. Duration 4 minutes, 22 seconds. Carl Fischer Music #CM9740. Published by Carl Fischer Music (CF.CM9740).

ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.

Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to.   The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text.   And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.
Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War” finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.” Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly” in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O” is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.

SATB choir; orchestra

SKU: HP.C5043O

Composed by Graham Kendrick. Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. Hymntune, Good Friday, General Worship, Atonement, Blood, Cross of Christ, Eternal Life, Forgiveness, Freedom-Liberation, God - Love, Jesus Christ - Cross, Jesus Christ - Death, Jesus Christ - Love, Love, Redemption, Sacrifice, Salvation, Sacred. Set of Instrumental Parts. Hope Publishing Company #C5043O. Published by Hope Publishing Company (HP.C5043O).

UPC: 763628144708. By Graham Kendrick. 1 John 3:16, Isaiah 53:3-4, John 3:16, Luke 7:43, Matthew 18:32.

Popular praise song by Graham Kendrick This popular Graham Kendrick praise song about the sacrifice of Christ features extended melodic phrases which create exciting musical tension. Master arranger, John F. Wilson, and symphonic orchestrator, Mark Kellner, have made it both powerful and accessible. Ideal for the Lenten and Easter season or any occasion.

SATB choir and piano, or brass, percussion, and organ, or orchestra - Early Intermediate

SKU: MN.50-0103

Composed by Mark Shepperd. Christmas. MorningStar Music Publishers #50-0103. Published by MorningStar Music Publishers (MN.50-0103).

UPC: 688670501036. English.

A medley of well-known Christmas carols that may be performed with piano accompaniment or with orchestra. The orchestration features lush writing for the strings and beautiful woodwind solos. At around 12 minutes in length, it fits well into many different Christmas program formats.

Brass Version: Trumpet I and II in B-flat and C, Horn in F, Trombone I and II), opt. Tuba, Percussion (Timpani, Wind Chimes, Sus. Cymbal, Crash Cymbals, Glockenspiel), Organ

Orchestra: 2 1 0 0 -- 1 2 2 1 -- 1, tmp hp/pno str SATB Chorus.

By David Meece. Arranged by Lloyd Larson. (SATB). Ring and Sing, Contemporary and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.

Performed by Earth Wind Fire, arranged by Mark Bymer. Octavo for SATB choir and piano accompaniment. With chord names. F Major. Series: Hal Leonard Pop Choral Series. 8 pages. Published by Hal Leonard.

(A Christmas Musical). By Joel Raney. For SATB choir. This edition: Complete. Christmas, Cantata. Christmas, Sacred. Preview Pack (Score and Listening CD) - Limit 1 per customer. 84 pages. Published by Hope Publishing Company

By Hal Hopson / Isaac Watts. Arranged by Lloyd Larson. For SATB choir. Scripture References: Galatians 6:14. Lent, Sacred, Communion. Choral octavo. 8 pages. Published by Hope Publishing Company